DBX DRIVE RACK STUDIO MONITOR MANAGEMENT SYSTEM

DRIVE RACK Studio Monitor Management System

The dbx Professional Products DriveRack Studio provides all of
the tools necessary to optimize Studio Monitor management in
a single rack mount chassis design regardless of the environment.
The DriveRack Studio offers dual XLR inputs and six XLR outputs,
dual channel graphic EQ, classic dbx Compression, multiple
crossovers, parametric EQ and a built-in real time audio analyzer.
In addition, this audio toolbox provides the end user with 24 custom
presets that have been specifically written and designed to work in
tandem with the most popular studio reference monitors available.
The DriveRack Studio now allows you to fine-tune even the most
sonically challenged rooms.
The DriveRack Studio continues the legacy of DriveRack series,
which has been created by the company that has been redefining
the standard of signal processing for more than 30 years. The DriveRack
Studio was designed with the purpose and vision of providing state-of-
the-art signal processing in the studio environment, while utilizing a
simple and intuitive user interface. This goal has been achieved by
offering two independent channels of processing power with a linkable
28-Band Graphic equalizer, industry-standard dbx? stereo compressor
module, feedback eliminator and the 120A Subharmonic Synthesizer on
the input, with a six channel output system that includes parametric EQs,
and Peak Plus? limiters (which are used to provide protection against speaker
blowouts) and alignment delay. These features combined with the Wizard
setup system, represent a methodical design that is guaranteed to deliver
optimal, all-inclusive processing in a completely scalable system.
    

? 24 Custom Factory Programs Optimized for Studio Monitor Management
? Dual 28-band Graphic EQ
? Classic dbx? Compressor
? 120A Sub-harmonic Synthesizer
? 2x3, 2x4, 2x5, 2x6 Crossover Configurations
? Stereo Multi-band Parametric EQ
? Stereo Output Limiters
? Alignment Delay
? Pink Noise Generator
? Auto-EQ with 28-Band RTA
? 2-Channel XLR Input and 6 Channel XLR Output
? Front panel RTA-M XLR input with phantom power
? 24-Bit ADC/24-Bit DAC. >110dB Dynamic Range
? TYPE IV? Conversion System
? Full Graphic LCD Display

With the DSP 260 digital 2-in-6 sound system manager, DYNACORD is continuing its proud tradition in the fi eld of innovative digital signal processors.
Based on the most modern hardware, this system manager offers tried-and-tested as well as new algorithms for the simple and swift construction of active multi-way systems. As much importance has been attached here by the developers to high user-friendliness as to the realization of an extremely favorable price.
24-bit sigma-delta AD/DA converters and a 32-bit floating-point signal processor make possible a dynamic range of 111 dB. In addition to the two analog inputs, a digital stereo input in AES/EBU format is available. A -6 dB pad switch in front of the AD converters offers additional security against overload when the device is connected to mixing desks with very high output levels. The 6 individually mutable outputs are electronically balanced and available on XLR sockets. For all inputs and outputs, easily read LED level meters are provided on the front panel.
Users can choose whether to configure their own systems at the device itself using the controls and display provided or else by means of the intuitive editing software.
3-way stereo, 2-way stereo + FR, 4-way mono + FR etc. Furthermore, factory presets compatible with those of the tried-and-tested DSP-244 are available for Dynacord loudspeaker systems.
In terms of DSP, the device offers parametric and graphic EQs as well as a delay function in the input and crossover, channel EQ, channel delay and a level control with limiter in each output channel.
An RS-232 interface allows Master/Slave operation of multiple devices as well as GPI switching of settings. A PC (the editing software runs under Windows) can be connected via the USB interface on the front panel.
A variable parameter lockout function allows you to determine which settings and parameters can be accessed directly at the device. This is just one of many features that make the DSP 260 an ideal choice also for the rental business.
The wealth of features combined with its outstanding audio performance and favorable price commend this audio system manager for a multitude of professional applications.
General Mains Voltage 100-240 VAC 50-60 Hz Power Consumption 25W Audio Analog Inputs 2x XLR IN, electronically balanced, 2x XLR THRU OUT, electronically balanced Digital Inputs 1x XLR AES/EBU IN Nominal Input Voltage 1.23 V / +4 dBu Maximum Input Voltage (Without -6dB Analog Pad Engaged) 8.7 V / +21 dBu Input Impedance 10k ohm Common Mode Rejection -80 dB @ 1 kHz (typical) A/D Conversion 24-Bit Sigma-Delta Outputs 6x XLR OUT, electronically balanced Nominal Output Voltage 1.23 V / +4 dBu Maximum Output Voltage 8.7 V / +21 dBu Output Impedance 50 ohm D/A Conversion 24-Bit Sigma-Delta Frequency Response 10 Hz-22 kHz (+/- 0.5 dB) THD+N < 0.01% (band limited 22Hz-22kHz) Dynamic Range 111 dB unweighted, band limited 22 Hz - 22 kHz Interfaces USB USB Type B on front panel (PC Interface) 9-pin DSUB Software Confi gurable for GPI Preset Recall or Master/Slave Connection to second DSP 260 unit Signal Processing Sample Rate 48 kHz Data Format 24-Bit Internal Processing 32-Bit Floating Point Physical Dimensions (WxHx) 19 x 14 x 1.75 inches (482.6 x 355.6 x 44.45 mm) Weight (Net) 10.1 lb (4.6 kg) Weight (Gross) 13.0 lb (5.9 kg)

• 2 analog inputs and 6 analog outputs for maximum flexibility
• High-end 96 kHz converters for ultimate signal integrity and wide dynamic range (120 dB)
• Precise Dynamic EQs for level-dependent equalization and extremely musical Parametric EQs, selectable for all inputs and outputs
• Several types of EQs (LP/BP/HP) for each input and output
• “Zero“-attack Limiters on all output channels for optimal speaker protection
• Four different mono and stereo output operating modes

• Individual crossover filter types (Butterworth, Bessel and Linkwitz-Riley) with selectable roll-off characteristics from 6 to 48 dB/octave
• Adjustable Delays for all inputs and outputs—allow manual or automatic correction for room temperature, phase and arrival time differences
• 60 user-defined internal presets storable
• Servo-balanced, gold-plated XLR connectors for all inputs and outputs
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

The Soundweb London BLU-160 offers configurable I/O, configurable signal processing and a high bandwidth, fault tolerant digital audio bus.

The BLU-160 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.

This processor features a low latency, fault tolerant digital audio bus of 256 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.

Four card slots which accommodate analog inputs, analog outputs, digital inputs and digital outputs in banks of four facilitate many different device I/O configurations.

Analog Input Cards provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel. Digital Input Cards and Digital Output Cards process AES/EBU and/or S/PDIF audio and offer a variety of clocking and syncing options. (Further information about the I/O cards can be found on dedicated datasheets)

Phantom Power, Sync, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. Device-specific information such as Device Name, Device Type, Firmware Version Number, Time, IP Address and Subnet Mask is available from the front panel display. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.

12 Control Inputs and 6 Logic Outputs allow the BLU-160 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.

The BLU-160 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

• Four Input / Output Card Slots
• Configurable Inputs / Outputs
• Analog Inputs (with Phantom Power per Channel)
• Analog Outputs
• Digital Inputs (AES/EBU and S/PDIF)
• Digital Outputs (AES/EBU and S/PDIF)
• Configurable Signal Processing
• Rich Palette of Processing and Logic Objects
• 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Informative Front Panel Display
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect

With 6 inputs and 4 outputs the dbx ZonePro? 640 and 641 provide flexible signal routing,
powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the
highest quality tools available. Even the input and outputs connectors were chosen for their
standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced
signals and RCA connectors for interfacing with consumer equipment often used in commercial
applications; there is also a simple analog input buss that allows inputs to be sent from one
unit to the next for unit and job scalability. The 640 and 641 provide every necessary processing
tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated
and specific functions such as selectable paging microphone processing including Gating,
De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the
ZonePro products is the Routing module that provides of course Primary Source Selection
but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of
processing designed for commercial applications like our patent-pending AutoWarmth? function
that was co-developed with JBL to provide natural low frequency extension at any signal level.
Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system
optimization. With the ZonePro? every tool is at your disposal to maximize the response of
your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters.

The ZonePro? 640 and 641 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.

? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? Windows? 2000 and XP GUI
? IEC, UL and CSA Approvals