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DRIVE RACK Studio Monitor Management System
The dbx Professional Products DriveRack Studio provides all of
the tools necessary to optimize Studio Monitor management in
a single rack mount chassis design regardless of the environment.
The DriveRack Studio offers dual XLR inputs and six XLR outputs,
dual channel graphic EQ, classic dbx Compression, multiple
crossovers, parametric EQ and a built-in real time audio analyzer.
In addition, this audio toolbox provides the end user with 24 custom
presets that have been specifically written and designed to work in
tandem with the most popular studio reference monitors available.
The DriveRack Studio now allows you to fine-tune even the most
sonically challenged rooms.
The DriveRack Studio continues the legacy of DriveRack series,
which has been created by the company that has been redefining
the standard of signal processing for more than 30 years. The DriveRack
Studio was designed with the purpose and vision of providing state-of-
the-art signal processing in the studio environment, while utilizing a
simple and intuitive user interface. This goal has been achieved by
offering two independent channels of processing power with a linkable
28-Band Graphic equalizer, industry-standard dbx? stereo compressor
module, feedback eliminator and the 120A Subharmonic Synthesizer on
the input, with a six channel output system that includes parametric EQs,
and Peak Plus? limiters (which are used to provide protection against speaker
blowouts) and alignment delay. These features combined with the Wizard
setup system, represent a methodical design that is guaranteed to deliver
optimal, all-inclusive processing in a completely scalable system.
? 24 Custom Factory Programs Optimized for Studio Monitor Management
? Dual 28-band Graphic EQ
? Classic dbx? Compressor
? 120A Sub-harmonic Synthesizer
? 2x3, 2x4, 2x5, 2x6 Crossover Configurations
? Stereo Multi-band Parametric EQ
? Stereo Output Limiters
? Alignment Delay
? Pink Noise Generator
? Auto-EQ with 28-Band RTA
? 2-Channel XLR Input and 6 Channel XLR Output
? Front panel RTA-M XLR input with phantom power
? 24-Bit ADC/24-Bit DAC. >110dB Dynamic Range
? TYPE IV? Conversion System
? Full Graphic LCD Display
| More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.
XLR balanced ins and outs
Mode switches for mono 4-way or stereo 2-way/3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
dbx® 2 year parts and labor as standard
CSA NRTL/C approved
CE compliant
| Input Connectors |
XLR |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
| Max Input |
>+22dBu balanced or unbalanced |
| CMRR |
>40dB, typically >55dB at 1kHz |
| Output Connectors |
XLR |
| Output Type |
Impedance-balanaced/unbalanced, RF filtered |
| Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
| Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
| Bandwidth |
20Hz to 20kHz, +/-0.5dB |
| Frequency Response |
90 kHz, +0/-3 dB |
| Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
| Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >93dB (Mid Output), >90dB (High Output) |
| Signal-to-Noise (Mono Mode) |
>94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output) |
| Dynamic Range |
> 106 dB, unweighted, any output |
| THD+Noise |
| Interchannel Crosstalk |
| Crossover Frequencies (Stereo Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting) |
| Crossover Frequencies (Mono Mode) |
Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz |
| Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
| Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
| Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
| x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
| Mode Switch |
Selects stereo/mono and 2/3/4-way operation |
| LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
| Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
| Operating Voltage |
100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz |
| Operating Temperature |
32°F to 113°F (0°C to 45°C) |
| Power Consumption |
15W |
| Power Connector |
IEC receptacle |
| Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
| Unit Weight |
4.0 lbs. (1.8 kg) |
| Shipping Weight |
5.8 lbs. (2.6 kg) |
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The DX 4008 is a complete 4 input - 8 output digital loudspeaker management system designed for the touring or fixed sound installation markets.
The absolute latest in available technology is utilized with 32-bit (40-bit extended) floating point processor and high performance 24-bit Analog Converters. The high-bit DSP prevents noise and distortion induced by truncation errors of the commonly used 24-bit fixed-point devices. A complete set of parameters include I/O levels, delay,polarity, 6 bands of parametric EQ per channel, multiple crossover selections and full function limiters. The DX 4008 can be controlled or configured in real time on the panel or with the intuitive PC GUI accessed via the RS 232 interface. Software upgrade for CPU and DSP via PC keeps the device current with newly developed algorithms and function once available. Multiple setup storage and system security complete this professional package.
| Features |
|---|
| The DX 4008 is a complete 4 input - 8 output digital loudspeaker management system designed for the touring or fixed sound installation markets | | Sampling rate can be set to 96kHz | | Precise frequency control is achieved with its 1 Hz resolution | | Inputs and outputs can be routed in multiple configuration to meet any requirements | | The DX 4008 is shipped with a special PC Graphic User Interface (GUI) application - XLink | | XLink gives the user an option to control the DX 4008 unit from a remote PC via the RS232 serial communication link | | The GUI application makes much easier control and monitor the device, allowing the user to get the whole picture on one screen | | Programs can be recalled and stored from/to PC's hard drive, thus expanding the storage to become virtuality limitless |
| INPUT AND OUTPUT SECTION |
|---|
| Input Impendance: | >10 | kΩ | | Output Impendance: | 50 | Ω | | Maximum Level: | + 20 | dBu | | Type: | XLR 3 | Electronically balanced |
| AUDIO PERFORMANCE |
|---|
| Frequency Response: | +/- 0.1 | dB (20 to 20 kHz) | | Dynamic Range: | 115 | dB typ (unweighted) | | CMMR: | > 60 | dB (50 to 10 kHz) | | Crosstalk: | | dB | | Distortion: | 0.001% | (1 kHz @ 18 dBu) |
| DIGITAL AUDIO PERFORMANCE |
|---|
| Resolution: | 32 bit | (40-bit extended) | | Sampling Rate: | 48 / 96 | kHz | | A/D - D/A Converters: | 24 | bit | | Propagation Delay: | 3 | ms | | No. of Programs: | 30 | |
| FRONT PANEL CONTROL |
|---|
| Display: | 4 x 26 | Character Backlit LCD | | Buttons: | 12 Mute Controls 12 Gain / Manu Controls 6 Menu Controls | | | “DATA" control: | (dial encoder) | Embedded Thumb Wheel | | Level Meters: | 5 | segment LED | | Interface | RS 232 | Female DB-9 |
| LIMITERS |
|---|
| Threshold: | -20 to +20 | dBu | | Attack Time: | 0.3 to 100 | ms | | Release Time: | 2 to 32 | X the attack time |
| EQUALISATION |
|---|
| Type: | Parametric, Hi-shelf, Lo-shelf | 6 per I/O | | Gain: | in 0.25dB steps | -30 to +15dB | | Bandwidth: | (Q=0.5 to 72) | 0.02 to 2.50 octaves |
| CROSSOVER FILTERS |
|---|
| Filter Types: | Butterworth, Bessel, Linkwitz Riley | | | Slopes: | 6 to 24dB/oct (96kHz) | 6 to 48dB/oct (48kHz) |
| POWER REQUIREMENT |
|---|
| Operating voltage: | 220÷240 / 110÷120 ~ 50 / 60 | V ~ Hz | | Power (consumption): | | mA | | Fuse model: | | | | Operating temperature range: | 0 ÷ +55 | °C | | Operating humidity: | 20 ÷ 90 | % RH non-condensing |
| PHISICAL SPECIFICATION |
|---|
| Height: | 44 / 1.73 | mm/inch | | Width: | 483 / 19.01 | mm/inch | | Depth: | 203 / 7.99 | mm/inch | | Net Weight: | Kg/Lbs | 3 / 6.61 |
| SHIPPING INFORMATION |
|---|
| Package height: | 80 / 3.14 | mm/inch | | Package width: | 615 / 24.2 | mm/inch | | Package depth: | 360 / 14.17 | mm/inch | | Shipping Weight: | 4.3 / 9.4 | Kg/Lbs |
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Based on a two-in, six-out topology, the DC-One is designed primarily for users of small-to-medium sized sound systems in both mobile and installed applications. While the unit is an all-new development based on a powerful SHARC processor, it is 100 percent compatible with all settings from other Electro-Voice signal processors. A large part of DC-Oneʼs development was aimed at ensuring that users can easily handle its serious digital horsepower and high-end audio performance. Free. PC-Editor software is available, or the DC-One can be operated via the front panel.
A/D Conversion 24-Bit Delta-Sigma
A/D Conversion 24-bit/sigma-delta (linear phase) 128 times oversampling
Analog Inputs 2 XLR (Electronically Balanced), 2 XLR THRU OUT (Electronically Balanced)
Analog Outputs 6 XLR (Electronically Balanced)
Control Protocol Front Panel USB Connector
D/A Conversion 24-bit/sigma-delta 128 times oversampling
D/A Conversion 24-Bit Delta-Sigma
Data Format 24-Bit
Digital Inputs 1 XLR AES/EBU (2 Ch)
Dynamic Range 111 dB (unweighted, band limited 22 Hz - 22 kHz)
Electronics Type Processor
FIR-Drive No
Frequency Response 10 Hz - 22 kHz (±0.5 dB)
Input Impedance (Balanced) 10 kΩ
Internal Processing 32-Bit Floating Point
Mains Voltage 100-240 VAC
Maximum Input Voltage 8.7 V / +21 dBu (Without -6 dB Analog Pad Engaged)
Maximum Output Voltage 8.7 V / +21 dBu
Nominal Input Voltage 1.23 V / +4 dBu
Nominal Output Voltage 1.23 V / +4 dBu
Output Impedance (Balanced) 50 Ω
Power Consumption 25 W
Sample Rate 48 kHz
THD+N < 0.01% (band limited 22 Hz - 22 kHz)
Height 1RU 44.45 mm (1.75“)
Width 482.6 mm (19“)
Depth 355.6 mm (14“)
Weight Net 4.6 kg (10.14 lbs) |
Full-featured Speaker Processing in a 1U Space
Speaker processing can be a complicated business requiring a substantial array of equipment, but the Yamaha SP2060 offers everything you need in a single rack space. This innovative 24-bit, 96-kHz digital speaker processor delivers excellent sound quality, an impressive variety of processing functions — gain, delay, PEQ, comp, crossover, limiter, and an all-pass filter for phase adjustment — and intuitive programming from Yamaha's DME Designer application running on a personal computer. It has two analog inputs and six analog outputs, plus two AES/EBU format digital inputs for connectivity with a broad range of systems. And if you use Yamaha Installation Series Speakers, all you need to do is select one of the many optimized presets provided for great sound with minimum measurement and setup time. The SP2060 is a compact, portable 1U unit that is ideal for live sound or installations.
| Sampling Frequency | Internal Clock | 96kHz | | External Clock | Normal Rate | 44.1, 48kHz (±0.1%) | | Double Rate | 88.2, 96kHz (±0.1%) | | Signal Delay | 761µsec Input to Output, fs = 96kHz | | Frequency Response | 20Hz -40kHz (TYP 0dB, MAX +0.5dB, MIN -1.0dB), fs=96kHz, RL=600ohms | | Total Harmonic Distortion | 0.007% (+22dBu@1 kHz),
0.05% (+4dBµ@20 Hz - 40kHz)
fs=96kHz, RL=600ohms;
measured with 18dB/octave filter @80kHz | | Hum & Noise | TYP -82dBu,
fs=96kHz, RL=600ohms, Rs=150 ohms;
measured with 6dB/octave filter @12.7kHz;
equivalent to a 20kHz filter with ∞ dB/octave attenuation. | | Dynamic Range | 106dB AD+DA
fs=96kHz, RL=600ohms;
measured with 6dB/octave filter @12.7kHz;
equivalent to a 20kHz filter with ∞dB/octave attenuation. | | Crosstalk @1kHz | -80dB INPUT to Output
fs=96kHz, measured with 18dB/octave filter @80kHz | | Power Consumption | 30W | | Dimensions (W x H x D) | 480 x 44x 360.2mm | | Net Weight | 4.2kg |
| Crossover 2-Way stereo or 3-way mono mode Additional subwoofer output Linkwitz-Riley filter with 24 dB / octave Sub-woofer frequency range separately adjustable Individual output gain controls and output mute switch for all bands 2 Balanced XLR inputs with gold-plated contacts 5 Balanced XLR outputs with gold-plated contacts Switchable 25 Hz low-cut filter to protect loudspeakers from infrasound Easy-to-read status LEDs Built-in power supply 100-240V, 50-60 Hz Dimensions (H x W x D): 44 x 483 x 147 mm Weight: 1.6 kg |
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