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DRIVE RACK Studio Monitor Management System
The dbx Professional Products DriveRack Studio provides all of the tools necessary to optimize Studio Monitor management in a single rack mount chassis design regardless of the environment. The DriveRack Studio offers dual XLR inputs and six XLR outputs, dual channel graphic EQ, classic dbx Compression, multiple crossovers, parametric EQ and a built-in real time audio analyzer. In addition, this audio toolbox provides the end user with 24 custom presets that have been specifically written and designed to work in tandem with the most popular studio reference monitors available. The DriveRack Studio now allows you to fine-tune even the most sonically challenged rooms. The DriveRack Studio continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack Studio was designed with the purpose and vision of providing state-of- the-art signal processing in the studio environment, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx? stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus? limiters (which are used to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system, represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.
? 24 Custom Factory Programs Optimized for Studio Monitor Management ? Dual 28-band Graphic EQ ? Classic dbx? Compressor ? 120A Sub-harmonic Synthesizer ? 2x3, 2x4, 2x5, 2x6 Crossover Configurations ? Stereo Multi-band Parametric EQ ? Stereo Output Limiters ? Alignment Delay ? Pink Noise Generator ? Auto-EQ with 28-Band RTA ? 2-Channel XLR Input and 6 Channel XLR Output ? Front panel RTA-M XLR input with phantom power ? 24-Bit ADC/24-Bit DAC. >110dB Dynamic Range ? TYPE IV? Conversion System ? Full Graphic LCD Display
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With 12 inputs and 6 outputs and Ethernet control the dbx ZonePro? 1260 and 1261
are the newest members of the ZonePro? family providing a complete suite of signal
processing and control for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 1260/1261 deliver
the highest quality tools available. Even the input and outputs connectors were chosen for
their standard usage and reliability. The ZonePro products offer Euroblock connectors for
balanced signals and RCA connectors for interfacing with consumer equipment often used
in commercial applications; there is also a simple analog input buss that allows inputs to be
sent from one unit to the next for unit and job scalability. The 1260 and 1261 provide every
necessary processing tool, from the input processing like gain control and EQ available on all
inputs to highly sophisticated and specific functions such as selectable paging microphone
processing including Gating, De-Essing, Auto Gain Control, Compression and Feedback
Suppression. The heart of the ZonePro products is the Routing module that provides of course
Primary Source Selection but also Source Ducking for Paging and Priority Override. The outputs
also offer a wealth of processing designed for commercial applications like our patent-pending
AutoWarmth? function that was co-developed with JBL to provide natural low frequency extension
at any signal level. Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay
for system optimization. With the ZonePro? every tool is at your disposal to maximize the response
of your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters. The addition of
Ethernet control means that not only will it work with standard network equipment, but it can also
be accessed from remote dialup locations or from wireless access points.
The ZonePro? 1260 and 1261 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.
? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? IEC, UL and CSA Approvals
ZonePro? 1260/1261 Specifications
ANALOG INPUT
Number of Inputs:
12 Total (2) Switchable mic or line, (8) RCA, and (1)
S/PDIF
Connectors:
Euroblock (Line and Mic) RCA (Source)
Type:
Impedance (Euroblock):
> 50kΩ Balanced, >25kΩ Unbalanced, RF Filtered
Impedance (RCA):
>25kΩ Unbalanced, RF Filtered
Max input line level:
+20dBu Mic/Line, +12dBu RCA
CMRR:
> 40dB, typically >55db @ 1kHz
Mic Pre gain:30 to 60dB
Mic EIN:
> 118dB, 22Hz-22kHz, 150Ω Source Impedance
Mic Phantom Power:
15V
ANALOG OUTPUTS
Number of Outputs 6
Connectors: Euroblock
Type:
Electronically balanced, RF filtered
Impedance:
120 ohms balanced, 60ohm unbalanced
Max Output Level: +20dBu
A/D PERFORMANCE
Type:
dbx Type IV? conversion system
Dynamic Range line:
>113 dB, A-weighted, >110 dB unweighted
Type IV dynamic range:
>119 dB, A-weighted, 22kHz BW
>117 dB, A-weighted, 22kHz BW
Sample Rate: 48kHz
D/A PERFORMANCE
Dynamic Range:
112 dB A-weighted, 109dB unweighted
SYSTEM PERFORMANCE
Dynamic Range:
>110 dB A-weighted, >107dB unweighted
THD+N:
0.003% typical at +4dBu, 1kHz, 0dB gain
Frequency Response:
20Hz - 20kHz, +/-0.5dB
Interchannel Crosstalk:
>80dB typical
Crosstalk input to output:
>80dB
Propagation Delay
0.6 msec
POWER REQUIREMENTS
Operating Voltage:
100-240 VAC, 50/60Hz
Power Consumption:
27 Watts
Physical:
Weight:
6.8 lbs.(3.1 kg) Shipping weight 8.8 lbs. (4.0 kg)
Dimensions:
1.75? H x 5.75? D x 19? W | Behringer CX-3400 3-Way Stero/4-Way Mono Frequency Crossover with Limiters
The CX3400 is an active frequency crossover enabling 2 or 3-way stereo or even 4-way mono operation. Each band features two 24-dB Linkwitz-Riley filters, as well as individual IGC limiters, while the integrated delay enables flexible time alignment. Polarity switches for each output allow quick and easy runtime compensation for various driver and horn types.2
Respectively:
3-Way stereo or 4-way mono
24 dB / octave Linkwitz-Riley filter
Mono-Sub switchable
LF / HF gain regular / mutable
CD horn EQ switchable
Vertex frequency tunable
Factor switching (10x)
Multi-band limiter switch / variable (threshold)
Limit display each way
LF Delay (max 2ms / 60cm)
Phase reverse
25 Hz subsonic filter, sym
XLR in / out with multiband limiters
Dimensions: 19", 1U, 147 mm case depth
Weight: 1.7 kg |
The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers. It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on the back panel selecting either mode.
Features Ultra low noise circuitry Totally phase aligned at crossover point Switchable Dual Channel 2 way or Single Channel 3 way Unique 'semi-fixed' crossover point 24dB per octave (Fourth Order) Linkwitz-Riley filters Separate Summed Mono Output Balanced Inputs and Outputs Built in High Pass filters Intuitive, 'user friendly' layout Flawless performance in any audio environment
Tamper-Proof Crossover Points The crossover points are determined internally by the value of 4 resistors per channel; changing the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of externally adjusted crossover points, making the crossover points tamper-proof once they are set. Idle fingers can't fiddle with the crossover points and create havoc with the system! As a handy guide, a list of common crossover points and their corresponding resistor values are printed inside the unit's lid, and also set out in the Owner's Manual. On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid and High in single channel 3 way mode, with corresponding Outputs on the rear panel.
Balanced Inputs and Outputs EC-2 has Balanced Inputs and Outputs, on XLR connectors. The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low feed (e.g. Left and Right full-range plus a single Sub Bass speaker). High Pass Filter There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers and waste amplifier power. In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of differing sensitivities. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage change switch. Uncompromising Audio Quality Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels. It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the crossover region. From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX EC-2 is a crossover that is suited to any application that requires flawless, transparent sound. You'll never compromise on Quality when you choose ARX
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 21 dB CMRR >45 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 21dB Frequency Response 30Hz-20KHz +or- 0.5dB Note: 30 Hz is a function of the High Pass filter Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted Distortion 004% THD,0dB,1KHz Dynamic Range 111 dB Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm Input Connector type XLR Output Connector type XLR Crossover point frequencies are changed internally by varying the value of 4 resistors per channel.
Front Panel Controls Low and High Output controls for 2 way mode Low, Mid and High Output controls for 3 way mode Marker panels for labelling crossover assigns 2 way/ 3 way status LEDs Rear Panel Balanced XLR Inputs and Outputs Additional summed mono Low output 2 way / 3 way mode switch | Advanced Feedback Suppression Processor with Full LCD Display
The AFS2 Dual-Channel Advanced Feedback Suppression Processor from DBX protects your ears and audio equipment from annoying and potentially damaging audio feedback without altering your sound. The AFS2 features application-specific filter types for speech, music low, music medium, and music high. The 24 fixed or live narrow-band notch filters are capable of removing frequencies at 1/80 of an octave, ensuring an optimal frequency response without the possibility of feedback.
The front panel features the wizard function to take the guesswork out of setting up any room by incorporating an advanced feedback suppression module and providing a full LCD display for system settings and menus. Additionally, the AFS2 offers a five-segment LED for accurately monitoring input levels for each channel, while the notch filter indicator allows you to monitor the number of filters applied. Dedicated bypass buttons are included to help isolate problem channels. The rear panel offers XLR and 1/4" inputs and outputs, both switchable between +4 and -10 dB operations. A USB port has been provided for firmware updates. The AFS2 ships with a standard IEC power cable.
Number of Channels |
2 |
Inputs |
Connectors: Female XLR and 1/4" TRS
Type: Electronically balanced and unbalanced, RF filtered
Impedance: Balanced 50 kohm, unbalanced 25 kohm
Max Line Level: +20 dBu |
Input CMRR |
>40 dB, typically >55dB @ 1 kHz |
Outputs |
Connectors: Male XLR and 1/4" TRS
Type: Electronically balanced and unbalanced, RF filtered
Impedance: Balanced >120 ohms, unbalanced >60 ohms
Max Level: +20 dBu |
A/D/A Converter |
A/D Converter: DBX type IV conversion system
A/D Dynamic Range: >113 dB A-weighted, >110 dB, unweighted, 22 kHz BW
Type IV Dynamic Range: >119 dB, A-weighted, 22 kHz BW; >117 dB, unweighted, 22 kHz BW
A/D Conversion: 24-bit
Sample Rate: 48 kHz
D/A Dynamic Range: 112 dB A-weighted, 109 dB unweighted
D/A Conversion: 24-bit |
Dynamic Range |
109 dB A-weighted, 106 dB unweighted, 22 kHz BW |
THD + Noise |
0.003% typical at +4 dBu, 1 kHz |
Frequency Response |
20 Hz to 20 kHz, ±0.5dB |
Crosstalk |
Interchannel Crosstalk: >80 dB typical
Crosstalk Input to Output: >80 dB |
Power |
US: 100 to 120 VAC 60 Hz
EU: 220 to 240 VAC 50 Hz
9 W |
Dimensions (HxDxW) |
1.8 x 5.8 x 19.0" / 4.4 x 14.6 x 48.3 cm |
Weight |
4.5 lb / 2.0 kg |
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Power supply: |
100-240 V AC, 50/60 Hz
6 V DC 800 mA |
Power connection: |
Mains input via Coaxial power connector (M) mounting version power supply cord with AC adapter (provided) |
Frequency range: |
10 - 30000 Hz |
THD: |
<0,005 % at 1 kHz |
DSP: |
Digital signal processor |
Impedance: |
Input: 10 kOhm
Output: 50 Ohm |
Gain: |
Output: -50 dB to +12 dB |
Filter: |
Linkwitz-Riley; Butterworth; Bessel; 6db/oct; 12db/oct; 18db/oct; 24db/oct |
Delay: |
0 - 5 ms |
Dynamic range: |
Input: 114 dB
Output: 110 dB |
Sample rate: |
67 kHz |
Connections: |
Input: line via 2 x 3-pin XLR
Output: line via 6 x 3-pin XLR |
Crossover frequency: |
20-20000 Hz |
Max. level: |
Input: +22 dBu
Output: +9 dBu |
USB port: |
Typ B |
PC connect: |
DXO Software via USB, firmware can be updated |
Housing design: |
(19") 48.3 cm rack installation 1 U |
Dimensions: |
Width: 48,3 cm
Depth: 12,8 cm
Height: 4,45 cm |
Weight: |
1,77 kg |
Operating system: |
Win XP, Win Vista, Win 7, Win 10, OS X 10,5 or better |
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