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DRIVE RACK Studio Monitor Management System
The dbx Professional Products DriveRack Studio provides all of the tools necessary to optimize Studio Monitor management in a single rack mount chassis design regardless of the environment. The DriveRack Studio offers dual XLR inputs and six XLR outputs, dual channel graphic EQ, classic dbx Compression, multiple crossovers, parametric EQ and a built-in real time audio analyzer. In addition, this audio toolbox provides the end user with 24 custom presets that have been specifically written and designed to work in tandem with the most popular studio reference monitors available. The DriveRack Studio now allows you to fine-tune even the most sonically challenged rooms. The DriveRack Studio continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack Studio was designed with the purpose and vision of providing state-of- the-art signal processing in the studio environment, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx? stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus? limiters (which are used to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system, represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system.
? 24 Custom Factory Programs Optimized for Studio Monitor Management ? Dual 28-band Graphic EQ ? Classic dbx? Compressor ? 120A Sub-harmonic Synthesizer ? 2x3, 2x4, 2x5, 2x6 Crossover Configurations ? Stereo Multi-band Parametric EQ ? Stereo Output Limiters ? Alignment Delay ? Pink Noise Generator ? Auto-EQ with 28-Band RTA ? 2-Channel XLR Input and 6 Channel XLR Output ? Front panel RTA-M XLR input with phantom power ? 24-Bit ADC/24-Bit DAC. >110dB Dynamic Range ? TYPE IV? Conversion System ? Full Graphic LCD Display
| The DriveRack® PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers. With the latest advancements in dbx's proprietary AutoEQTM and AFSTM algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android®, iOS®, Mac®, or Windows® device, and updated Wizards, the DriveRack PA2 continues the DriveRack legacy of great-sounding, powerful, and affordable loudspeaker management processors, for a whole new generation.
Available Input Processing
- dbx Compression
- AFSTM (Advanced Feedback Suppression)
- Graphic EQ
- 8-Band Parametric EQ (adjusted when using the AutoEQ)
- Subharmonic Synthesis
Available Output Processing
- Crossover (supports full range, 2-way, and 3-way systems)
- 8-Band Parametric EQs (used for speaker tunings)
- dbx Limiting
- Driver Alignment Delays
Input |
(2) line inputs. (1) RTA Mic input |
Input Connectors |
(2) Female XLR line inputs. (1) Female XLR RTA Mic input |
Input Type |
Electronically balanced/RF filtered |
Input Impedance |
>50 kohm |
A/D Converter |
dbx Type IVTM Conversion System |
CMRR |
> 45dB |
Mic Preamp Phantom Power |
+15VDC (RTA) |
Mic Preamp Equivalent Input Noise (EIN) |
|
Output |
(6) Line Outputs |
Output Connectors |
Male XLR |
Output Type |
Electronically balanced, RF filtered |
Output Impedance |
120 Ω |
Max Output |
+20dBu |
A/D Dynamic Range |
112 dB A-weighted, 110 dB unweighted |
Type IV Dynamic Range |
123 dB with transient material, A-weighted, 22kHz BW; 121 dB with transient material, unweighted, 22kHz BW; 115 dB typical with program material, A-weighted, 22kHz BW |
Input Delay Length |
100ms |
Alignment Delay |
10ms per channel (60ms total) |
Sample Rate |
48kHz |
Dynamic Range |
>110 dB A-weighted, >107dB unweighted |
THD+Noise |
0.003% typical at +4dBu, 1kHz, 0dB input gain |
Frequency Response |
20Hz - 20kHz, +/- 0.5dB |
Interchannel Crosstalk |
|
Operating Voltage |
100-120VAC 50/60 Hz - EU: 220-240 VAC 50/60 Hz |
Power Consumption |
22 W |
Unit Weight |
5.25 lbs. (2.4 kg) |
Shipping Weight |
6.75 lbs. (3.1 kg) |
Dimensions |
1.75" (H) x 5.75" (D) x 19" (W), 4.4cm (H) x 14.6cm (D) x 48.26cm (W) |
D/A Dynamic Range |
112 dB A-weighted, 110dB unweighted |
| Advanced Feedback Suppression Processor with Full LCD Display
The AFS2 Dual-Channel Advanced Feedback Suppression Processor from DBX protects your ears and audio equipment from annoying and potentially damaging audio feedback without altering your sound. The AFS2 features application-specific filter types for speech, music low, music medium, and music high. The 24 fixed or live narrow-band notch filters are capable of removing frequencies at 1/80 of an octave, ensuring an optimal frequency response without the possibility of feedback.
The front panel features the wizard function to take the guesswork out of setting up any room by incorporating an advanced feedback suppression module and providing a full LCD display for system settings and menus. Additionally, the AFS2 offers a five-segment LED for accurately monitoring input levels for each channel, while the notch filter indicator allows you to monitor the number of filters applied. Dedicated bypass buttons are included to help isolate problem channels. The rear panel offers XLR and 1/4" inputs and outputs, both switchable between +4 and -10 dB operations. A USB port has been provided for firmware updates. The AFS2 ships with a standard IEC power cable.
Number of Channels |
2 |
Inputs |
Connectors: Female XLR and 1/4" TRS
Type: Electronically balanced and unbalanced, RF filtered
Impedance: Balanced 50 kohm, unbalanced 25 kohm
Max Line Level: +20 dBu |
Input CMRR |
>40 dB, typically >55dB @ 1 kHz |
Outputs |
Connectors: Male XLR and 1/4" TRS
Type: Electronically balanced and unbalanced, RF filtered
Impedance: Balanced >120 ohms, unbalanced >60 ohms
Max Level: +20 dBu |
A/D/A Converter |
A/D Converter: DBX type IV conversion system
A/D Dynamic Range: >113 dB A-weighted, >110 dB, unweighted, 22 kHz BW
Type IV Dynamic Range: >119 dB, A-weighted, 22 kHz BW; >117 dB, unweighted, 22 kHz BW
A/D Conversion: 24-bit
Sample Rate: 48 kHz
D/A Dynamic Range: 112 dB A-weighted, 109 dB unweighted
D/A Conversion: 24-bit |
Dynamic Range |
109 dB A-weighted, 106 dB unweighted, 22 kHz BW |
THD + Noise |
0.003% typical at +4 dBu, 1 kHz |
Frequency Response |
20 Hz to 20 kHz, ±0.5dB |
Crosstalk |
Interchannel Crosstalk: >80 dB typical
Crosstalk Input to Output: >80 dB |
Power |
US: 100 to 120 VAC 60 Hz
EU: 220 to 240 VAC 50 Hz
9 W |
Dimensions (HxDxW) |
1.8 x 5.8 x 19.0" / 4.4 x 14.6 x 48.3 cm |
Weight |
4.5 lb / 2.0 kg |
| The LD Systems X223 is a stereo 2 way / mono 3 way crossover in standard 19"/1U rack format. Its rugged construction, high quality and robust knobs as well as the integrated power unit are rarities in this price range. It provides a mono sub output, an adjustable crossover frequency for each channel, adjustable LF/HF and input gains, phase reverse controls, switchable 40 Hz High-Pass filters and symmetrical XLR In- and Outputs. With the LD Systems X223 you get a crossover fulfilling the professional standards and offering great quality and sound characteristics.
Product type
Signal Processors
Version
2-way stereo/3-way mono
Frequency response
20 - 20.000 Hz
Signal-to-noise ratio
> 93 dB
Total Harmonic Distortion (THD)
< 0.004 %
Crosstalk
< - 80 (20 - 20.000 Hz) dB
Max. input level
+21 (balanced or unbalanced) dBu
Max. output level
+21 (balanced or unbalanced) dBu
Input impedance (kOhms)
50000 kOhm
Output impedance
200 Ohm(s)
Controls
2 x crossover frequency low/high, 2 x crossover low/mid, 2 x high gain, 2 x highpass (40 Hz), 2 x input gain, 2 x low gain, 2x frequency switch x1/x10, 4 x inv switch, LF sum, Mono/stereo mode
Indicators
2 x clip, 2 x crossover x 10, 2 x highpass, 4 x inv., mono, stereo
Line input connectors
XLR
Line output connectors
XLR
Mains connector
IEC socket
Operating voltage
220 V AC - 240 V AC
| More sound to your amps and speakers
The secret to making speakers sound great lies with the crossover you use. With the dbx® 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound.
The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs.
XLR balanced ins and outs
Mode switches for mono 4-way or stereo 2-way/3-way operation
Low frequency summed (subwoofer) output
x10 range switch on both channels
40Hz high pass (low cut) filter both channels
Phase reverse switch on all outputs
Individual level controls on all outputs
24dB per octave Linkwitz-Riley filters (the professional standard)
Stereo/Mono status LEDs indicate the selected mode
dbx® 2 year parts and labor as standard
CSA NRTL/C approved
CE compliant
Input Connectors |
XLR |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Input Impedance |
Balanced >50k ohm, unbalanced >25k ohm |
Max Input |
>+22dBu balanced or unbalanced |
CMRR |
>40dB, typically >55dB at 1kHz |
Output Connectors |
XLR |
Output Type |
Impedance-balanaced/unbalanced, RF filtered |
Output Impedance |
Balanced 200 ohm, unbalanced 100 ohm |
Max Output |
>+21dBu balanced/unbalanced into 2k ohms or greater |
Bandwidth |
20Hz to 20kHz, +/-0.5dB |
Frequency Response |
90 kHz, +0/-3 dB |
Signal to Noise Ratio |
Ref: +4 dBu, 22 kHz measurement bandwidth |
Signal-to-Noise (Stereo Mode) |
>94dB (Low Output), >93dB (Mid Output), >90dB (High Output) |
Signal-to-Noise (Mono Mode) |
>94dB (Low Output, Low/Mid Output); >92dB (High/Mid Output); >88dB (High Output) |
Dynamic Range |
> 106 dB, unweighted, any output |
THD+Noise |
Interchannel Crosstalk |
Crossover Frequencies (Stereo Mode) |
Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High 450Hz to 9.6kHz (x10 setting) |
Crossover Frequencies (Mono Mode) |
Low/Low-Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Low-Mid/High-Mid: 450 Hz to 9.6 kHz; High-Mid/High: 450 Hz to 9.6 kHz |
Crossover Filter Type |
Linkwitz-Riley, 24 dB/octave, state-variable |
Low cut Switch |
Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel. |
Phase Invert Switch |
Inverts the phase at the output, one switch per output. |
x1 / x10 Switch |
Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel. |
Mode Switch |
Selects stereo/mono and 2/3/4-way operation |
LF Sum Switch |
Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode. |
Indicators |
Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output) |
Operating Voltage |
100-120 VAC 50/60Hz; 120 VAC 60Hz 230 VAC 50/60Hz |
Operating Temperature |
32°F to 113°F (0°C to 45°C) |
Power Consumption |
15W |
Power Connector |
IEC receptacle |
Dimensions |
1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm) |
Unit Weight |
4.0 lbs. (1.8 kg) |
Shipping Weight |
5.8 lbs. (2.6 kg) |
|
The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers. It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on the back panel selecting either mode.
Features Ultra low noise circuitry Totally phase aligned at crossover point Switchable Dual Channel 2 way or Single Channel 3 way Unique 'semi-fixed' crossover point 24dB per octave (Fourth Order) Linkwitz-Riley filters Separate Summed Mono Output Balanced Inputs and Outputs Built in High Pass filters Intuitive, 'user friendly' layout Flawless performance in any audio environment
Tamper-Proof Crossover Points The crossover points are determined internally by the value of 4 resistors per channel; changing the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of externally adjusted crossover points, making the crossover points tamper-proof once they are set. Idle fingers can't fiddle with the crossover points and create havoc with the system! As a handy guide, a list of common crossover points and their corresponding resistor values are printed inside the unit's lid, and also set out in the Owner's Manual. On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid and High in single channel 3 way mode, with corresponding Outputs on the rear panel.
Balanced Inputs and Outputs EC-2 has Balanced Inputs and Outputs, on XLR connectors. The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low feed (e.g. Left and Right full-range plus a single Sub Bass speaker). High Pass Filter There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers and waste amplifier power. In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of differing sensitivities. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage change switch. Uncompromising Audio Quality Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels. It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the crossover region. From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX EC-2 is a crossover that is suited to any application that requires flawless, transparent sound. You'll never compromise on Quality when you choose ARX
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 21 dB CMRR >45 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 21dB Frequency Response 30Hz-20KHz +or- 0.5dB Note: 30 Hz is a function of the High Pass filter Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted Distortion 004% THD,0dB,1KHz Dynamic Range 111 dB Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm Input Connector type XLR Output Connector type XLR Crossover point frequencies are changed internally by varying the value of 4 resistors per channel.
Front Panel Controls Low and High Output controls for 2 way mode Low, Mid and High Output controls for 3 way mode Marker panels for labelling crossover assigns 2 way/ 3 way status LEDs Rear Panel Balanced XLR Inputs and Outputs Additional summed mono Low output 2 way / 3 way mode switch |
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