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MC3.1 - Monitor Controller Hear the music - not the equipment! Building on the success of the MC2.1, the MC3.1 Monitor Controller is just as accurate and transparent and of the same build quality. It can still faithfully reproduce what has been recorded without colouring the sound, but comes with a much expanded feature set, including more inputs, better control, extended channel routing and a desk top \'wedge\' form factor. Additions include a combined digital AES/SPDIF (24 bit/192kHz) input, giving a total of 5 individually switchable sources, including a front panel auxilary input with level control for the easy connection of your mp3 player, smartphone or tablet. Full cue mix facilities, with level control, provide separate source selection for main or cue outputs and the two headphone amplifiers, so the artist can listen to a completely different mix to the engineer, for example. A dedicated cue mix output is also available. A secondary preset volume control on the front provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls. The MC3.1 incorporates three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. Furthermore each can be switched individually and simultaneously and in any order. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether. Other improvements include additional mix checking capabilities, which now incorporate low, mid, high solo switches to hear how the lows bleed into the mid, or the stereo width of each, for example, and also the ability to swap the left and right channels. The talkback has been expanded to include an external mic in addition to the internal, and footswitch operation. Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller. - Ultra low noise and transparent circuit design.
- Source switches for both Main & Cue can be active in any combination. 5 Inputs in Total - 1x Digital AES/SPDIF Neutrik XLR/JACK COMBI & 2 balanced analogue Neutrik XLR/JACK COMBI and 1 stereo RCA Analogue on the Rear Panel & 1 3.5mm Front Panel Aux.
- 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons. Each has level trims to provide precise channel matching.
- Timed relay protection on all speaker outputs to prevent power up/down bangs.
- Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
- 2x Headphone Amplifiers with Individual Level Controls & Switching between Main & Cue Inputs so the Artist can listen to a Different Mix to the Engineer.
- Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
- Cue Level Control adjusts the volume for the Artist\'s Monitors.
- Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, a Mono Output Jack & Internal Routing to Headphone and Cue Outputs.
- Comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
- Desktop \'wedge\' form factor.
- Kensington security slot (also called a K-Slot or Kensington lock).
- Rugged steel chasis and stylish brushed aluminium cover.
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Bluetooth In.
Balanced Audio Out.
Turn any professional speaker into a Bluetooth speaker!
Convenience
Ditch the adapters.
Kali Audio’s MV-BT lets you use your Bluetooth devices with professional speakers, mixers, controllers, and interfaces. Just pair your device by pressing the Kali logo on the front, and use your preferred balanced connector to connect to your system.
Pairing Button
Press the Kali logo to pair.
LED Display
Blue light indicates volume level.
Weighted Knob
Enjoy precise control over the volume level at your fingertips. Volume control is independent, so you can leave volume on your device at full.
Balanced Outputs
Connect to speakers, mixers, controllers, or interfaces with whatever cables you already use.
Specifications
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| Channels: |
2 |
| Inputs: |
Bluetooth, 3.5mm (AUX) |
| Outputs: |
2 x XLR, 2 x TRS |
| Height: (Shipping) |
80mm (84mm) |
| Length: (Shipping) |
134mm (138mm) |
| Width: (Shipping) |
130mm (154mm) |
| Weight: (Shipping) |
.5kg (.6kg) |
| In the Box: |
MV-BT, Local Power Wall Wart |
| Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
- Type: passive
- Number of channels: 2
- Number of inputs: 2
- Input connections: XLR Combo / 3.5mm stereo jack
- Input type: balanced/unbalanced
- Maximum input level: +20 dBu
- Input impedance: 10 kohms balanced/ 5 kohms unbalanced
- Number of outputs: 2
- Output connections: XLR/m, 3.5 mm stereo jack
- Output type: balanced/unbalanced
- Max output level: +20 dBu
- Output impedance: 600 ohms
- Frequency response: 10Hz - 40 kHz +/- 1 dB
- THD: 0,001 %
- Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
- Controls: Attenuation, Mute, Mono
- Housing material: sheet steel/wood
- Housing surface: powder-coated
- Width: 164 mm
- Height: 62 mm
- Depth: 85 mm
| CMC2 - Compact Monitor Controller
COMPACT, ACCURATE & AFFORDABLE.
The CMC2 is a compact monitor controller that has been designed to provide the same top quality audio, transparency and accuracy of Drawmer's other monitor controllers, such as the MC2.1 and MC3.1, whilst retaining all the necessary features that the smaller project studio would require without the cost of the advanced features that would seldomly be used.
Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.
Accurate & Transparent
With the same Drawmer pedigree as the MC2.1, the CMC2 circuit is just as transparent and accurate. It's switches and paralleled custom-quad knobs have excellent channel matching, a smooth feel.
You hear exactly what you've recorded!
Multiple Connections
The CMC2 is very well connected: with 2 Stereo balanced jack inputs, plus a 3.5mm jack for your Smartphone/MP3 Player, with variable level control. It supports 2 sets of stereo monitors plus a sub-woofer, each with individual switches so you can activate them in any order, especially useful for A/B comparisons.
In addition, it has a professional quality headphone output with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC2 does through the speakers.
Key Mix check features such as Phase Reverse, Mono, Dim & Mute are also included, to enable you to examine the quality of your recordings with ease.
Compact
The CMC2 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC2 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.
Tough & Secure
Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC2 is built to last. In addition, a Kensington security slot provides protection from thieves.
Features:
- Ultra low noise and transparent circuit design.
- Source switches can be active in any combination. 3 Inputs in Total - Two on ¼” balanced jacks and One 3.5mm Front Panel Aux for your Smartphone/Mp3 Player.
- 2x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons.
- Timed relay protection on all speaker outputs to prevent power up/down bangs.
- A large volume knob incorporating a parallelled custom quad pot for excellent channel matching and smooth feel.
- A Headphone Amplifier with Individual Level Controls with easy access to the jack on the front.
- Front Panel 3.5mm AUX Input with Level Control for connecting MP3 player, smartphone or tablet etc.
- Mix Checking facilities Include Dim, Phase Reverse and Mono, as well as an easy access Mute switch.
- Kensington security slot (also called a K-Slot or Kensington lock).
- Very low profile desktop enclosure with a footprint of just 18x16cm.
- Stylish and Rugged Enclosure will withstand the knocks of the studio.
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- All-passive volume control circuit
- Stereo and AUX inputs
- Dual outputs
- Additional mono output
- Balanced and unbalanced connection
- Integrated high quality headphone amplifier
- Mono, mute and PFL switches
- Stereo volume, AUX and headphone level controls
- Elegant design with solid wood side panels
- Built to last
The Palmer Monicon® L is a precise, analogue volume control that connects between a computer or audio interface and active monitor speakers. The switch is completely passive and distortion-free, the LED displays and built-in headphone amplifier are powered via the included power supply.
Symmetric combo sockets serve as stereo input. The Monicon® L’s AUX input features RCA sockets and a 3.5 mm stereo jack. The compact console offers outputs for two monitor pairs and a mono summed output via XLR sockets. The stereo or AUX input can be selected alternately, the two outputs individually and together. In addition to its large volume controller, the Monicon® L is also equipped with mono, mute and PFL switches, a 6.35 mm headphone output, and separate AUX and headphone controllers for convenient operation.
Product type
Other Studio and Recording Equipment
Channels
2
Inputs
2
Input connectors
3.5 mm TRS , RCA , XLR
Input type
balanced/unbalanced (depending on TS/TRS connection)
Max. input level
20 dBu
Input impedance
(balanced) 10k Ohm(s) , (unbalanced) 5k Ohm(s)
Outputs
3
Output connectors
XLR
Output type
balanced/unbalanced (depending on TS/TRS connection)
Max. output level
20 dBu
Output impedance
600 Ohm(s)
Frequency response
10 - 40000 Hz
THD
0.001 %
Max. attenuation
(Attenuator + Mute) 112 dB , (Attenuator) 85 dB
Controls
attenuation , input selector , mono , mute , output selector , PFL source
Cabinet material
sheet steel , wood
Cabinet surface
Powder coated
Width
218 mm
Height
77 mm
Depth
100 mm
Weight
1,14 kg | Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
- Type: passive
- Number of channels: 2
- Number of inputs: 2
- Input connections: XLR Combo / 3.5mm stereo jack
- Input type: balanced/unbalanced
- Maximum input level: +20 dBu
- Input impedance: 10 kohms balanced/ 5 kohms unbalanced
- Number of outputs: 2
- Output connections: XLR/m, 3.5 mm stereo jack
- Output type: balanced/unbalanced
- Max output level: +20 dBu
- Output impedance: 600 ohms
- Frequency response: 10Hz - 40 kHz +/- 1 dB
- THD: 0,001 %
- Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
- Controls: Attenuation, Mute, Mono
- Housing material: sheet steel/wood
- Housing surface: powder-coated
- Width: 164 mm
- Height: 62 mm
- Depth: 85 mm
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