DYNACORD POWERMATE 1600-3 COMPACT POWER MIXER.2x1000W-4ohms Original

Original price was: €3,650.00.Current price is: €3,323.94. incl. GR VAT

Only 1 left in stock (can be backordered)

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Channels (Mono + Stereo) 12 + 4 Auxiliaries (MON, FX, AUX) 2 Pre, 2 Post, 2 Pre/Post switchable Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V .. 240 V AC, 50 Hz .. 60 Hz Power Consumption, at […]

 

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Channels (Mono + Stereo) 12 + 4

Auxiliaries (MON, FX, AUX) 2 Pre, 2 Post, 2 Pre/Post switchable

Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms 2 x 1000 W

Power Requirements (SMPS with auto range mains input) 100 V .. 240 V AC, 50 Hz .. 60 Hz

Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W

Dimensions (W x H x D), mm with lid 663.5 x 164.5 x 498.5

Net Weight, with lid 17.0 kg

MIC/LINE Input Channels

The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.

The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With its extended buss structure, the PowerMate-3 offers very flexible configuration options. In all, 6 AUX busses are available:

2 (FX) are assiged to the two effects sends;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.

MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.

Each channel offers a Signal Present and Peak LED for level control.

The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.

All potentiometers and faders are high-quality components from ALPS.

Stereo MIC/LINE Input Channels

The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.

Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips.

Master

In the Master Section, too, the PowerMate is lavishly equipped.

The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.

The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.

The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.

The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.

A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.

DIGITAL USB 2.0 AUDIO INTERFACE

The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac.

Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.

For the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.

PC-MIDI-Interface

The PowerMate also offers a fully-featured PC MIDI interface.

The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.

Professional Effects, OLED Display and Processing Menus

The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.

The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.

Edited effects programs can be stored in the 20 User memories, assigned names, and later selected and used in the same way as the presets.

The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.

Processing Menüs

For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from a multitude of menus.

Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus.

LPN-Processing

Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter.

Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange.

Speaker Protection

This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability.

Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. Once the maximum permissible power handling of the connected loudspeaker cabinet has been selected from the menu—the actual peak dynamic power handling capacity in audio applications of almost all loudspeaker cabinets is many times this nominal value—the speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly.

For peak levels of short duration, the full output of the power amplifier remains available, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability.

Professional Class-D High-Performance Power Amplifiers

The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient Class-D technology.

What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms), comparatively little dissipation is generated within the device, and the power consumption is thereby dramatically reduced—by more than 55% compared with conventional power amplifiers! The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems.

The audio performance is on the highest professional level, as is shown by the PowerMateʼs exemplary figures for freedom from distortion, slew rate, and freedom from intermodulation.

The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which makes it possible to use the PowerMate virtually anywhere in the world without reconfiguration. Voltage surge protection is also integrated, whilst a ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on.

The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise.

The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks; furthermore, the PowerMate is equipped with a processor-controlled thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers.

Innovative Solution for Protection and Transportation

The PowerMate 1000 and 1600 are supplied with a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.

For the larger PowerMate 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).

3 years warranty of Greek distributor

Weight 24.00 kg

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DYNACORD POWERMATE 1600-3 COMPACT POWER MIXER.2x1000W-4ohms Original removeECLER SCLAT 200/8vs Mixer 8 Channels removeDYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms 3 years warranty removeECLER Nuo-2.0 Professional DJ Mixer 2 Channels removeBEHRINGER PMP2000D 14-CHANNEL 2000 Watt Powered Mixer With KLARK TEKNIK FX removePEAVEY PVI8500 Powered Audio Mixer 400 Watt remove
NameDYNACORD POWERMATE 1600-3 COMPACT POWER MIXER.2x1000W-4ohms Original removeECLER SCLAT 200/8vs Mixer 8 Channels removeDYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms 3 years warranty removeECLER Nuo-2.0 Professional DJ Mixer 2 Channels removeBEHRINGER PMP2000D 14-CHANNEL 2000 Watt Powered Mixer With KLARK TEKNIK FX removePEAVEY PVI8500 Powered Audio Mixer 400 Watt remove
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SKUE009267SCLAT 200/8vsE004223Nuo-2.0E008812534.PVY.001.8500
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Price Original price was: €3,650.00.Current price is: €3,323.94. incl. GR VAT2,325.00 incl. GR VAT Original price was: €2,100.00.Current price is: €2,000.00. incl. GR VAT Original price was: €558.00.Current price is: €450.00. incl. GR VAT Original price was: €520.00.Current price is: €455.00. incl. GR VAT Original price was: €633.00.Current price is: €570.00. incl. GR VAT
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Description
  • 3-Band cut EQ
  • 3 Kill switches for treble, mid and bass
  • FX send with pre / post switch and knob
  • Cut switches
  • Knob for the third channel (MIC or H-Line)
  • 45mm VCA faders with setting the fader curve
  • Double VU meter
  • PFL (Prefader) and master
  • VCA Cross-fader with adjustable fader curve
  • Dimensions: 370 x 165 x 80 mm
  • Weight: 3.0 kg
ContentChannels (Mono + Stereo) 12 + 4 Auxiliaries (MON, FX, AUX) 2 Pre, 2 Post, 2 Pre/Post switchable Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V .. 240 V AC, 50 Hz .. 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions (W x H x D), mm with lid 663.5 x 164.5 x 498.5 Net Weight, with lid 17.0 kg MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With its extended buss structure, the PowerMate-3 offers very flexible configuration options. In all, 6 AUX busses are available: 2 (FX) are assiged to the two effects sends; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips. Master In the Master Section, too, the PowerMate is lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC-MIDI-Interface The PowerMate also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menüs For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from a multitude of menus. Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN-Processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. Once the maximum permissible power handling of the connected loudspeaker cabinet has been selected from the menu—the actual peak dynamic power handling capacity in audio applications of almost all loudspeaker cabinets is many times this nominal value—the speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Class-D High-Performance Power Amplifiers The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient Class-D technology. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms), comparatively little dissipation is generated within the device, and the power consumption is thereby dramatically reduced—by more than 55% compared with conventional power amplifiers! The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The audio performance is on the highest professional level, as is shown by the PowerMateʼs exemplary figures for freedom from distortion, slew rate, and freedom from intermodulation. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which makes it possible to use the PowerMate virtually anywhere in the world without reconfiguration. Voltage surge protection is also integrated, whilst a ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks; furthermore, the PowerMate is equipped with a processor-controlled thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. Innovative Solution for Protection and Transportation The PowerMate 1000 and 1600 are supplied with a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the larger PowerMate 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER). 3 years warranty of Greek distributorSince 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors. Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk. Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry. Superior effects processor Remix live... Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo. Midi out Control you favorite devices... The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo. Edi:lab software Expand your creativity... The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups.DYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms Original 3 years warranty of Greek distributor This extremely compact powered mixer is the youngest member of the PowerMate3 family. With a total output of 2,000 watts, it is far and away the most powerful compact mixer on the world market, yet it weighs only 9kg! With its very lavish feature set and exemplary versatility it is the ideal choice for all professional applications in which few channels yet very high audio quality are required. Performance without compromises: intuitively operated mixing section; 2 editable digital effects devices with 100 presets each and 20 user memories each; professional 4xIN / 4xOUT digital interface (USB) for the connection of a PC or Mac; stereo equalizer in the master section; large, contrast-rich OLED display; and a class-D high-performance power amplifier delivering 2 x 1,000 watts RMS into 4 ohms. Exclusively high-quality brand components have been used; all faders and potentiometers are supplied by ALPS. In the mixer section, a total of 8 channel strips are available: 4 MIC / LINE channels, 2 MIC / Stereo USB channels ('Super Channels') and 2 stereo LINE channels. The MIC / LINE channels offer extremely low-noise and low-hum electronically balanced XLR microphone inputs with an extremely low distortion factor (typ. < 0.002%) for the connection of low-impedance microphones. For condenser microphones, phantom power (+48 volts) is centrally switchable. The LINE inputs are also electronically balanced and implemented as jack sockets. In addition to a Gain control, a highly efficient 3-band equalizer, an FX send, an AUX send and a MONitor send as well as either Panorama or Balance controls are available. The four MIC / LINE channels boast, in addition, a switchable 80Hz Lo-Cut filter, whilst the Super Channels 5-6 and 7-8 are supplied by the USB inserts 1-2 and 3-4, in each case in stereo. The STEREO-LINE channels (9-10 and 11-12) offer electronically balanced jack inputs for the connection of electronic instruments such as keyboards, drum-computers, guitars and basses with active electronics, as well as all other high-level stereo signal sources such as additional mixers, effects devices etc. CD or MP3 players can be connected to the additional cinch (RCA) inputs CD 1-2 and CD 3-4, which are switched in parallel. The tone controls and sends are identical to those of the MIC / LINE channels. In all input channels, a Signal / Peak LED is provided to assist level control. The SIG LED illuminates at around 30 dB and the PK LED at 6dB beneath the distortion threshold. A MUTE button and a PFL button (in channels 5-12 in stereo) are further features found in all input channels. The DIGITAL AUDIO INTERFACE supplies two stereo channels, present as USB 1-2 and USB 3-4 in Super Channels 5-6 and 7-8 respectively. This interface is implemented professionally in 24-bit resolution and supports sampling rates up to 96 kHz, thereby satisfying studio requirements. The USB sends are supplied with the Master L and R, AUX and MON signals. The DIGITAL AUDIO INTERFACE can be used for input and output simultaneously. Via the USB 2.0 port of your PC / Mac, four channels can be transmitted simultaneously in each direction. When a USB 1.1 interface is used, two channels can be transmitted simultaneously in each direction. The PowerMate is designed for the level of standard PCs / Macs; the gain level can easily be adjusted, if need be, from the computer connected. Included in the delivery is a DVD containing the professional recording software Cubase LE and PC / Mac USB drivers. PC MIDI Interface The PowerMate also makes available a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. In the PowerMate's Master Section are to be found the Master A L+R sends (on separate faders), an additional Master B send (switchable pre/post and mono/stereo), the stereo effects returns, and the send signals of the AUXiliary and MONitor busses. If the AUX buss is not used to supply FX 2, it can be switched pre or post and thereby used as an additional monitor send or to supply an external effects device. The 9-band stereo equalizer in the master section allows you to adjust the frequency response to the acoustics of the room. The REC SEND and USB OUT controls determine the level of the master L+R signal at the Rec Send sockets and in the output channels of the digital USB interface. The control below it allows you to adjust the volume in the headphones. Two ten-LED meters provide an overview of the power amplifier level. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The STANDBY switch mutes all outputs. For the playback of things like interval music, the DEVICE SETUP menu allows you to route stereo channel 11-12 for standby operation directly to the power amplifiers. The PowerMate is equipped with two very high-quality, 24-bit stereo effects processors, FX 1 and FX 2; these function independently and can therefore be mixed. The two effects units are fully identical in design. Each effects section offers 100 presets including high-quality reverb, delay and modulation effects selected by means of the display. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. The further possibility exists of modifying individual parameters of the presets and storing the results in the 20 user memories provided. Both effects units are supplied by the FX Send buss. Using the DEVICE SETUP menu, you can, if you wish, configure the AUX send buss to function as an FX 2 send, so that only the FX 1 effects unit is supplied by the FX 1 buss. In this way, the two effects devices can be controlled independently of one another. The effects can be mixed separately in the master and monitor busses. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus: Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus. LPN processing Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange. Speaker Protection This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability. Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. For this purpose, the maximum permissible nominal power handling of the connected loudspeaker cabinet can be selected from the menu. Unlike the case with conventional voltage limiters, dynamic peaks of short duration are permitted, as loudspeaker cabinets can as a rule tolerate peak levels many times higher than their nominal sustainable loads (RMS). The speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available at all times, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability. Professional Digital High-Performance Power Amplifier The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient class-D technology for audio performance of the highest quality. What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms) only a comparatively small amount of heat is generated within the device, which therefore consumes considerably less electricity than a conventional power amplifier. The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems. The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which ensues that the PowerMate can be used without any problem anywhere in the world. Voltage surge protection is also integrated. A ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on. The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise. The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks. Furthermore, the PowerMate is equipped with an intelligent thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers. To ensure safe transportation, the PowerMate 6003 is supplied with a solid plastic lid that is held in place simply and securely, without the need for any locking mechanism, by magnets. Available as an optional accessory, the carrying bag BAG-600PM not only accommodates the PowerMate with its lid but also offers an additional compartment for cables etc. For rack installation, the RMK-PM600-3 rack-mount kit is available as an option. Order No. F01U213899 (DC-PM600-3-UNIV) Channels (Mono + Stereo) 4 + 4 Auxiliarys (MON, FX, AUX) 1 Pre, 1 Post, 1 Pre/Post switchable Maximum Midband Output Power, 1 kHz, THD = 1%, Dual Channel into 4 Ohms 2 x 1000 W Power Requirements (SMPS with auto range mains input) 100 V to 240 V AC, 50 Hz to 60 Hz Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W Dimensions with lid (W x H x D), mm 438.8 x 161.7 x 362.5 Net Weight, without lid 9.0 kg complete specifications see download section, Datasheet EDS User's ManualThe NUO 2.0 is a 2 channel analogue mixer addressed to the professional DJ of any kind, in despite of the music style. It features the professional characteristics that made its predecessors acclaimed worldwide, and it equips the best analogue components available in the market place in order to obtain the highest sound performance. Whether you play house, techno or hip hop, perform smoothly or as a scratch DJ, the NUO 2.0 will please all your needs thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, FX Send control per channel in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic ETERNAL crossfader for the professional scratch DJ. Its superb sound quality and robust format, plus balanced XLR Master output and Booth output for monitoring make it also a perfect mixer for small installations. _ 2 mixing channels _ 1 MICRO/LINE channel _ 2 PHONO inputs _ 3 LINE inputs _ Master output XLR and RCA _ Booth output RCA _ 3 band full cut EQ _ Extra large ergonomic EQ knobs _ 3 band EQ kill switches _ FX Send control per channel _ FX Pre/Post fader selector _ 45mm long life VCA faders _ 45mm long life VCA crossfader _ Fader and crossfader shape adjustment _ Crossfader Reverse and Cut-In _ Crossfader suitable for ETERNAL

 

 

Manual

   

  •     Ultra-compact 2 x 1000-Watt stereo powered mixer
  •     Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and  super-light weight
  •     9 "Invisible” IMP mic preamps with switchable +48 V phantom power for condenser microphones
  •     Ultra-high quality KLARK TEKNIK FX processor with 25 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
  •     "Wireless-ready" for high-quality BEHRINGER digital wireless system (not included)
  •     14-channel mixer section features 6 mono and 4 stereo channels
  •     Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
  •     Dual 9-band graphic EQs allow precise frequency correction of monitor and main outputs
  •     Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
  •     Adjustable stereo Aux input for connecting external signal sources
  •     Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
  •     3-Year Warranty Program*
  •     Designed and engineered in Germany

EUROPOWER PMP2000D:
The amazing PMP2000D Powered Mixer packs 2,000 Watts of high-efficiency Class-D output power, while maintaining an incredible power-to-weight ratio. With 14 available input channels, the PMP2000D features 9 of our premium-grade "Invisible" IMP mic preamps with switchable +48 V phantom power, 4 stereo channels, an ultra-high quality KLARK TEKNIK FX processor with 25 presets including studio-class reverbs, delays, pitch shifter and various multi-effects - and dual 9-band stereo graphic EQs. Top it all off with "Wireless-ready" operation, thanks to our high-quality ULM digital wireless microphones (sold separately), and the PMP2000D is the ideal, easy to use, and ready for anything live sound solution!

Class-D - Massive Power, Perfect Sound:
Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency - and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

Massive Mono or Stunning Stereo:
The powerful PMP2000D gives you the choice of 2 x 1,000-Watt stereo, 2 x 1,000-Watt dual mono (1 Mains powered output, 1 Monitor powered output), or 2,000-Watt bridged mono modes. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP2000D can accommodate all of them with ease. This sonic versatility also makes this outstanding powered mixer an excellent choice for churches where vocals and stereo recordings often share face time.

Outstanding "Invisible" Mic Preamps
The EUROPOWER PMP2000D\'s six mono inputs (plus 3 of the 4 stereo channels) feature our ultra-low noise, high-headroom IMP "Invisible" mic preamps, which have been praised by audio professionals all over the world. These studio-grade mic preamps off er a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to over 200 kHz, and are perfectly matched to every conceivable microphone - with up to 60 dB gain and a +48 V phantom power supply. Armed with these superb mic preamps, the PMP2000D provides exceptionally-transparent and crystal-clear sonic performance - making it the ideal choice for both live sound and studio recording applications.

KLARK TEKNIK - The Reverb that Made History:
KLARK TEKNIK is recognized worldwide as one of the most prestigious British audio companies, with a 40-year pedigree and even a TEC Lifetime Achievement Award to back it up. The Company has designed and manufactured products for world-class artists, and their legendary DN780 reverb processor is considered by leading audio engineers around the world as the industry standard. Check out their website to learn more about KLARK TEKNIK\'s legendary heritage.
BEHRINGER is proud to incorporate custom-engineered KLARK TEKNIK effects into their products. Featuring 25 world-class presets to choose from including reverb, chorus, flange, delay, pitch shift and many other amazing effects, KLARK TEKNIK created the 24-bit, studio-grade effects engine for BEHRINGER - to give your performance that truly professional finishing touch.

Own the Stage with Digital Wireless:
Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM\'s digital, license-free 2.4 GHz frequency spectrum.
The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver "dongle“, and instantly you have an exceptional wireless mic system. Freeing you from cables is the simple and easy way to own the stage.

Getting Connected:
Use the 2-Track RCA inputs to feed in external stereo signals; conversely, the 2-Track RCA outputs can be used to send line-level signals from the mixer to a recording device. Powered outputs on the PMP2000D are available in the professional, twist-lock Speakon-compatible variety. In addition you\'ll find a convenient 1/8" (35 mm) Aux In jack for connecting your smartphone or mp3 device for playing backing tracks, or prerecorded music during your breaks.

 

 

Microphone Inputs

Type

9x XLR, electronically balanced

Mic Input Noise (E.I.N.)

20 Hz to 20 kHz
At 0 Ohms Source Impedance: -108 dB / -110 dB A-weighted
At 50 Ohms Source Impedance: -108 dB / -110 dB A-weighted
At 150 Ohms Source Impedance: -106 dB / -107 dB A-weighted

Frequency Response

< 20 Hz to 22 kHz (-1 dB)
< 20 Hz to 35 kHz (-3 dB)

Maximum Input Level

+13 dBu with PAD

Impedance

1.5 kOhms, balanced

Signal-to-Noise Ratio (SNR)

98 dB / 100 dB A-weighted (-15 dBu In @ +35 dB gain)

Distortion (THD)

0.002%, A-weighted

Pad

-25 dB, channels 1-6

Phantom Power

Switchable +48 V

Hi-Z / Line Inputs

Type

4x 1/4" / 6.35 mm TRS, balanced (channels 1-4)

Impedance

1.8 MOhms balanced, 1 MOhm unbalanced

Max Input

+ 22 dBu

Mono Input Channels

Type

2x 1/4" / 6.35 mm TRS connector, channels 5-6

Impedance

20 kOhms balanced, 10 kOhms unbalanced

Maximum Input Level

+ 22 dBu

Stereo Inputs

Type

6x 1/4" / 6.35 mm TRS connector, balanced channels 7-12

Impedance

20 kOhms balanced, 10 kOhms unbalanced

Maximum Input Level

+ 22 dBu

Track

Line In

2-Track / Line In: 2x RCA, unbalanced, channels 13-14

Impedance

20 kOhms unbalanced

Gain Range

- ∞ dB to + 20 dB

Maximum Input Level

+ 22 dBu

Equalizer

Equalizer

Low: 60 Hz (± 15 dB)
Mid: 700 Hz (± 15 dB)
High: 6 kHz (± 15 dB)

Aux Inputs

Type

1/8" / 3.5 mm TRS connector, unbalanced

Impedance

10 kOhms

Gain Range

- ∞ dB to +20 dB

Line Output

Type

2x RCA, unbalanced

Impedance

2.4 kOhms

Maximum Output Level

+ 9 dBu

Equalizer

Graphic EQ

Type: Analog 9-band equalizer

Frequency Range

20 Hz to 20 kHz in 9 1-octave bands (ISO frequencies)

Bandwidth

1 octave

Control Range

± 12 dB

Low Cut Frequency

Type: 18 dB/oct, Butterworth, channels 1-6
Frequency: 100 Hz

Wireless

USB

USB Dongle (Not Included): USB socket accepts signals from a maximum of two Behringer ULM microphones

Signal Indicator

LED: 2x green

Main Mix

Noise

Main Mix at - ∞, Channel Fader at - ∞: - 59 dBu / - 59 dBu A-weighted
Main Mix at 0 dB, Channel Fader at - ∞: - 56 dBu / - 56 dBu A-weighted
Main Mix at 0 dB, Channel Fader at 0 dB: - 56 dBu / - 56 dBu A-weighted

Amplifier

Maximum Output Power

Both Channels Driven
8 Ohms Per Channel: 500 W
4 Ohms Per Channel: 1000 W
Bridged Mode
8 Ohms: 2000 W

Speaker

Type

Speakon connector

Load Impedance

Left/Monitor: Minimum 4 Ohms
Right/Mono: Minimum 4 Ohms
Bridge: Minimum 8 Ohms

General

Display

2-digit, 7-segment LED

Power

Mains voltage
120 VAC, 50/60 Hz
Mains Connection: Standard IEC receptacle

Fuse

T 8 A H 250 V

Power Consumption

Power Consumption at 4 Ohms, 1/8 Rated Power: 180 W

Dimensions (H x W x D)

10.9 x 17.9 x 9.8" / 27.6 x 45.5 x 25.0 cm

Weight

19.8 lb / 9.0 kg

 

 

  • FLS Feedback Locating System
  • Master Mute for channels 1-7
  • Footswitchable effects defeat
  • Combination XLR and 1/4 input jacks
  • RCA, 1/8" Media input
  • Selectable 9-Band Graphic EQ with FLS
  • Selectable Main or Monitor dual power section
  • RCA Record outputs
  • LED Meter bridge
  • Digital effects parameter control
  • Power amp sub-sonic filtering
  • On-board 24- bit digital effects with mute button
  • Clip light and signal present indicator
  • Kosmos-C
  • Main line level 1/4" output
  • Mid-Morph EQ
  • DDT Speaker protection circuit
  • 48 Volt Phantom Power
  • Bluetooth? streaming audio
  • Weight Unpacked: 10.44 kg
  • Weight Packed: 11.8 kg
  • Width Packed: 35.56 cm
  • Height Packed: 55.88 cm
  • Depth Packed: 34.925 cm
Weight24.00 kg6.00 kg9.00 kg4.00 kg9.00 kg10.44 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 24.00 kg
Weight 6.00 kg
Weight 9.00 kg
Weight 4.00 kg
Weight 9.00 kg
Weight 10.44 kg