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The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker.
| Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.
- BOSS' best flanging effects in a compact pedal
- New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
- Momentary mode turns flanging on instantly
- Tap tempo adjustable via pedal
- Independent Guitar and Bass inputs and stereo outputs
- BOSS 5-year warranty
| The FZ-5 is a modern pedal built for the modern guitarist, but the sounds you can get from the FZ-5 are pure retro. Looking back at the glorious rock sounds of the ʼ60s and ʼ70s, the FZ-5 recreates its vintage fuzz through BOSS state-of-the-art COSM technology. Recall the fuzz-filled flavors of classic pedals such as the Maestro FZ-1A, Fuzz Face, and Octavia pedals, and kick ʼem into overdrive with the FZ-5ʼs Boost knob. BOSS' proprietary COSM technology allows guitar players to recreate classic fuzz BOOST control for more aggressive tone. The FZ-5 is the perfect weapon for players wanting to beef up their rigs with classic retro fuzz artillery.
- Vintage sounds inspired by famous fuzz pedals of the ʼ60s and ʼ70s
- Uses advanced COSM technology to recreate classic fuzz
- BOOST control for more aggressive tone
- Road-tough BOSS metal construction
| Nominal Input Level |
-20 dBu |
| Input Impedance |
1 M ohm |
| Nominal Output Level |
-20 dBu |
| Output Impedance |
1 k ohm |
| Recommended Load Impedance |
10 k ohms or greater |
| Controls |
Pedal switch, LEVEL knob, FUZZ knob, MODE knob |
| Indicator |
CHECK indicator (Serves also as battery check indicator) |
| Connectors |
INPUT jack, OUTPUT jack, AC adaptor jack (DC 9 V) |
| Power Supply |
DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional) |
| Current Draw |
36 mA (DC 9 V) |
| Expected battery life under continuous use |
Carbon: 3 hours, Alkaline: 10 hours * These figures will vary depending on the actual conditions of use. |
| Accessories |
Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), MODE sticker, Dry Battery 006P/9V (6LR61) |
| Options |
AC Adaptor (PSA series) |
| Size and Weight |
| Width |
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| Depth |
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| Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
- 10 Stereo or Mono Delay effects
- Digital Delay
- Vintage Delay
- Tape Echo
- Mod Delay
- Ducked Delay
- Band Delay
- Filter Pong
- MultiTap
- Reverse
- Looper
- Studio Quality Sound
- Instant Program Change
- Real-time control with 10 knobs, MIDI or expression pedal
- Tap Tempo and MIDI Clock Sync
- 40 User Presets, unlimited through MIDI
- True Analog Bypass
- Rugged cast metal construction
- Metal footswitches for instant Preset access
- Mono or Stereo operation
- Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
| Analog Input/Output |
| Input impedance |
500K ohms |
| Output Impedance |
470 ohms |
| Recommended Load Impedance |
10K ohms or greater |
| Connectors |
| Input 1 (mono) |
¼ inch mono phone jack |
| Input 2 |
¼ inch mono phone jack |
| Output 1 (mono) |
¼ inch mono phone jack |
| Output 2 |
¼ inch mono phone jack |
| Expression Pedal |
¼ inch mono phone jack |
| Aux Switch |
¼ inch stereo phone jack |
| USB |
Type B Socket. Use 2.0 cables only. |
| MIDI In |
Five pin DIN (Female) |
| MIDI Out/Thru |
Five pin DIN (Female) |
| AC Adapter Jack |
Power Supply included (see below) |
| Physical |
| Power |
9 VDC, 1200 mA, Tip hot (+) |
| Dimensions |
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm |
| Weight |
2.15 lbs, 1kG |
| The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
- Compact pedal creates a variety of classic "wah" effects
- Dynamic wah sounds provide variable effect based on picking strength
- “Humanizer" effect creates human voice-type vowel sounds
- Dedicated Bass input for processing bass guitar
- EXP Pedal mode allows wah control via optional expression pedal
- Tempo can be set for pedal control or at fixed rate via Manual mode
- BOSS 5-year warranty
| Wah-Wah Pedal HB-01 hell-babe
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
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