| Content |
Octavix delivers the definitive late 1960ʼs fuzzed out, octave up sound together with modern enhancements that update the classic concept.
Housed in EHXʼs rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.
A period-evocative, psychedelic design and blue LED contribute to the pedalʼs vintage vibe. Octavix runs on a 9 volt battery or accepts a standard EHX9.6DC power supply.
| Wah-Wah Pedal HB-01 hell-babe
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
| Studio Quality Effects at Your Feet
Premier recording studios worldwide use Eventide on hit after hit. ModFactor features Eventide's 27 best modulation effects without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
- 27 of Eventideʼs signature stereo or mono effects:
- Liquid Chorus
- Shimmer Chorus
- Organic Chorus
- Negative Phaser
- Postive Phaser
- BiPhase Phaser
- Feedback Phaser
- WahWah Q-Wah
- Voc-Wah Q-Wah
- Positive Flanger
- Negative Flanger
- Jet Flanger
- Thru-o Flanger
- Lowpass ModFilter
- HiPass ModFilter
- BandPass ModFilter
- Standard Rotary
- Giant Rotary
- Bias Tremolo
- Opto Tremolo
- Modern Vibrato
- Vintage Vibrato
- Retro Vibrato
- Pitch Undulator
- Feedback Undulator
- Ring (DC) Ringmod
- String (AC) Ringmod
- Studio quality sound
- Software upgradeable via USB 2.0
- MIDI control via USB or MIDI in, out/thru
- Instant program change
- Real-time control with 10 knobs, MIDI, or expression pedal
- Tap tempo and MIDI clock sync
- 40 factory presets, unlimited through MIDI
- True analog bypass
- Rugged cast metal construction
- Reliable metal footswitches for instant preset access
- Mono or stereo operation
- Guitar or line level inputs and outputs
SPECIFICATIONS:
| Analog Input/Output |
| Input impedance |
500K ohms |
| Output Impedance |
470 ohms |
| Recommended Load Impedance |
10K ohms or greater |
| Connectors |
| Input 1 (mono) |
¼ inch mono phone jack |
| Input 2 |
¼ inch mono phone jack |
| Output 1 (mono) |
¼ inch mono phone jack |
| Output 2 |
¼ inch mono phone jack |
| Expression Pedal |
¼ inch mono phone jack |
| Aux Switch |
¼ inch stereo phone jack |
| USB |
Type B Socket. Use 2.0 cables only. |
| MIDI In |
Five pin DIN (Female) |
| MIDI Out/Thru |
Five pin DIN (Female) |
| AC Adapter Jack |
Power Supply included (see below) |
| Physical |
| Power |
9 VDC, 1200 mA, Tip hot (+) |
| Dimensions |
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm |
| Weight |
2.15 lbs, 1kG |
| Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.
- BOSS' best flanging effects in a compact pedal
- New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
- Momentary mode turns flanging on instantly
- Tap tempo adjustable via pedal
- Independent Guitar and Bass inputs and stereo outputs
- BOSS 5-year warranty
| All-Time Favorite Chorus Effects, Modeled in a Single X-Series Pedal
Introducing the DigiTech CF-7 Chorus Factory. Think of it as 1-stomp shopping for all of your ultra high quality chorus needs. Besides Speed and Depth knobs, they've included a 2-in-1 concentric control that lets you tweak 2 more key parameters of each chorus effect. Add Flexible Output Mode, cast metal treadle and sleek carbon fiber finish and you have an industrial strength creative tool. If one of the best classic choruses with added control begs to be a part of your sound, you've just found the perfect pedal.
Features:
7 classic chorus effects models
Speed, depth and 2 parameter controls for each effect
Flexible output mode -- configure outputs for amp or mixer
CIT models classic speaker cabinets
Cast-metal treadle and chassis
Unique carbon-fiber look
Non-skid rubber base
Based on the Boss CH-1*
Based on the EH Small Clone*
Based on the DigiTech Multi Chorus
DigiTech, X-Series, Flexible Output Mode, DigiTech Whammy, Multi Chorus, CIT and CF-7 Chorus Factory are trademarks of Harman International Industries, Inc. | The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.
The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.
The main features of the Marshall EH-1 ECHOHEAD include:
- 6 different, high quality delay effects for you to explore
- Multi-mode selector switch
- Delay time control
- Feedback control
- Level control
- Solid metal casing
- Passive bypass
- Tap tempo pedal input
- Power: 9V DC Centre Negative Regulated PSU or PP3 battery
- Minimum Current Draw: 80mA
- Switches: On/Off Switch
- Indicators: On/Off LED
- Jacks: 2 Input, 2 Output 'Jack sockets' (1/4 inch)
- Input Impedance: 1MOhm
- Output Load Impedance: less than 1kOhm
- Dimensions: 120mm x 65mm x 55mm
- Weight: 510 grammes
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