Octavix delivers the definitive late 1960ʼs fuzzed out, octave up sound together with modern enhancements that update the classic concept. Housed in EHXʼs rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the […]
Octavix delivers the definitive late 1960ʼs fuzzed out, octave up sound together with modern enhancements that update the classic concept.
Housed in EHXʼs rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.
A period-evocative, psychedelic design and blue LED contribute to the pedalʼs vintage vibe. Octavix runs on a 9 volt battery or accepts a standard EHX9.6DC power supply.
Weight
2.00 kg
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Octavix delivers the definitive late 1960ʼs fuzzed out, octave up sound together with modern enhancements that update the classic concept.
Housed in EHXʼs rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.
A period-evocative, psychedelic design and blue LED contribute to the pedalʼs vintage vibe. Octavix runs on a 9 volt battery or accepts a standard EHX9.6DC power supply.
Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.
BOSS' best flanging effects in a compact pedal
New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
Momentary mode turns flanging on instantly
Tap tempo adjustable via pedal
Independent Guitar and Bass inputs and stereo outputs
BOSS 5-year warranty
Bass chorus like the world has never known.
The DigiTech XBC Bass Multi Chorus Pedal is designed especially for bass. The XBC Bass Chorus Pedal lets you morph up to 16 bass chorus voices at once for an endless palette of amazingly rich effects. Built-in voice randomization increases with more voices for an even denser wash of killer chorus. DigiTech includes a 9V battery with the XBC Bass Multi Chorus Pedal.
DigiTech XBC Bass Multi Chorus Pedal Features:
Designed especially for bass
Morph up to 16 bass chorus voices at once
Voice randomization increases with more voices
The FZ-5 is a modern pedal built for the modern guitarist, but the sounds you can get from the FZ-5 are pure retro. Looking back at the glorious rock sounds of the ʼ60s and ʼ70s, the FZ-5 recreates its vintage fuzz through BOSS state-of-the-art COSM technology. Recall the fuzz-filled flavors of classic pedals such as the Maestro FZ-1A, Fuzz Face, and Octavia pedals, and kick ʼem into overdrive with the FZ-5ʼs Boost knob. BOSS' proprietary COSM technology allows guitar players to recreate classic fuzz BOOST control for more aggressive tone. The FZ-5 is the perfect weapon for players wanting to beef up their rigs with classic retro fuzz artillery.
Vintage sounds inspired by famous fuzz pedals of the ʼ60s and ʼ70s
Uses advanced COSM technology to recreate classic fuzz
BOOST control for more aggressive tone
Road-tough BOSS metal construction
Nominal Input Level
-20 dBu
Input Impedance
1 M ohm
Nominal Output Level
-20 dBu
Output Impedance
1 k ohm
Recommended Load Impedance
10 k ohms or greater
Controls
Pedal switch, LEVEL knob, FUZZ knob, MODE knob
Indicator
CHECK indicator (Serves also as battery check indicator)
Connectors
INPUT jack, OUTPUT jack, AC adaptor jack (DC 9 V)
Power Supply
DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional)
Current Draw
36 mA (DC 9 V)
Expected battery life under continuous use
Carbon: 3 hours, Alkaline: 10 hours * These figures will vary depending on the actual conditions of use.
Accessories
Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), MODE sticker, Dry Battery 006P/9V (6LR61)
Options
AC Adaptor (PSA series)
Size and Weight
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
440 g
1 lbs.
The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.
Flexible distortion pedal capable of producing blended overdrive/distortion sounds
Provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing
Includes Level, Tone, Drive and Color controls for precise tonal shaping
BOSS 5-year warranty
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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