FOCUSRITE RED3 DUAL CHANNEL COMPRESSOR

Discontinued

4,519.80 incl. GR VAT

Out of stock

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Independent compression and limiting circuitry for superb performance. The best thing professional engineers say about the Red 3 Dual Channel Compressor is “I know we used it but it doesn’t sound like we used it“. The Red 3 is another legendary Focusrite piece that has a very transparent sound due to its top-of-the-line VCA components […]

 

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Independent compression and limiting circuitry for superb performance.

The best thing professional engineers say about the Red 3 Dual Channel Compressor is
“I know we used it but it doesn’t sound like we used it“. The Red 3 is another legendary
Focusrite piece that has a very transparent sound due to its top-of-the-line VCA components
and Class A architecture.
The Red 3 employs an unusual and original single-VCA design to achieve high quality and
truly independent compression and limiting, without the compromise and unnecessary
processing involved in traditional designs. The success of the design is attested to by the
Red 3?s TEC award for Outstanding Technical Achievement in the Signal Processing Technology
category.
The VCA used is a proprietary Focusrite design, fully discrete and balanced, offering superb
low noise and distortion, and excellent common-mode rejection. In order to separate compression
and limiting, the side-chain electronics contain three VCAs in series to generate compression
and limiting control voltages which drive the main VCA. The result is true compression followed
by limiting, rather than the more common characteristic of compression that turns into limiting.
The sidechain electronics are class A, ensuring superb transient response. Both compression
and limiting therefore, offer true peak response, not averaging RMS response.
The use of such a high quality audio VCA as the only element between input and output means
a very short signal path, and an ability to retain a natural, unobtrusive sound even when significant
compression is being applied.
Each channel has clear and identical controls, for compressor ratio, threshold, make-up gain, attack
and release, and limiter threshold. A program-dependent auto-release mode is available, and the VU
meters can be switched to show levels in two ranges, or gain change. In stereo mode the lower set
takes control of both channels.

Features:
Stereo switch for true stereo operation from a single set of controls
Key inputs with illuminated push-button selection
Illuminated push-button switches for compressor/limiter in/out on each channel
Precision VU metering of signal level or gain change (switched)
Can operate as a discrete channel unit

Technical Info:
Input sensitivity: +4dBu
Input Impedance: 10k ohm +/- 15% (20Hz to 20kHz)
Balance: > 60dB
Frequency response: 5Hz to 200kHz (-3dB points)
Noise: Better than -80dB below +4dBu output level
Distortion: 0.02% with input at 0dBu at 1kHz, 0.006% (+10dBu @ 1kHz), 0.004% (+20dBu @ 1kHz)
Output: +24dBm with output loaded, 600 ohm, balanced and floating

Weight 7.30 kg

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FOCUSRITE RED3 DUAL CHANNEL COMPRESSOR removeBSS DPR-504 QUAD NOISE GATE removeDBX 266XS COMPRESSOR/GATE 2CH removeShure DP11EQE with Gate, Expander removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System remove
NameFOCUSRITE RED3 DUAL CHANNEL COMPRESSOR removeBSS DPR-504 QUAD NOISE GATE removeDBX 266XS COMPRESSOR/GATE 2CH removeShure DP11EQE with Gate, Expander removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeBEHRINGER FBQ3102HD Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System remove
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SKURED3DPR-504DBX 266XSDP11EQESCOM 4E008167
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Price 4,519.80 incl. GR VAT 843.00 incl. GR VAT 162.00 incl. GR VAT 422.00 incl. GR VAT 215.00 incl. GR VAT 196.00 incl. GR VAT
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Description
Content

Independent compression and limiting circuitry for superb performance.

The best thing professional engineers say about the Red 3 Dual Channel Compressor is
“I know we used it but it doesn't sound like we used it“. The Red 3 is another legendary
Focusrite piece that has a very transparent sound due to its top-of-the-line VCA components
and Class A architecture.
The Red 3 employs an unusual and original single-VCA design to achieve high quality and
truly independent compression and limiting, without the compromise and unnecessary
processing involved in traditional designs. The success of the design is attested to by the
Red 3?s TEC award for Outstanding Technical Achievement in the Signal Processing Technology
category.
The VCA used is a proprietary Focusrite design, fully discrete and balanced, offering superb
low noise and distortion, and excellent common-mode rejection. In order to separate compression
and limiting, the side-chain electronics contain three VCAs in series to generate compression
and limiting control voltages which drive the main VCA. The result is true compression followed
by limiting, rather than the more common characteristic of compression that turns into limiting.
The sidechain electronics are class A, ensuring superb transient response. Both compression
and limiting therefore, offer true peak response, not averaging RMS response.
The use of such a high quality audio VCA as the only element between input and output means
a very short signal path, and an ability to retain a natural, unobtrusive sound even when significant
compression is being applied.
Each channel has clear and identical controls, for compressor ratio, threshold, make-up gain, attack
and release, and limiter threshold. A program-dependent auto-release mode is available, and the VU
meters can be switched to show levels in two ranges, or gain change. In stereo mode the lower set
takes control of both channels.

Features:
Stereo switch for true stereo operation from a single set of controls
Key inputs with illuminated push-button selection
Illuminated push-button switches for compressor/limiter in/out on each channel
Precision VU metering of signal level or gain change (switched)
Can operate as a discrete channel unit

Technical Info:
Input sensitivity: +4dBu
Input Impedance: 10k ohm +/- 15% (20Hz to 20kHz)
Balance: > 60dB
Frequency response: 5Hz to 200kHz (-3dB points)
Noise: Better than -80dB below +4dBu output level
Distortion: 0.02% with input at 0dBu at 1kHz, 0.006% (+10dBu @ 1kHz), 0.004% (+20dBu @ 1kHz)
Output: +24dBm with output loaded, 600 ohm, balanced and floating

The DPR-504 is a 4-channel noise gate.

Each channel features:
A parametric key filter with key filter listening.
Simultaneous key level and threshold metering with average and
peak metering.
A gate status LED.
A RELEASE/HOLD control (hold tracks proportionally with release
times).
Attack switchable auto/fast (auto tracks signal dynamics for optimum
setting).
Link (links two channels together).
Key source allows external triggers.

The Range switch selects between 7OdB and 2OdB gating depth to
provide alternative release profiles.
The unit features electronically balanced inputs and outputs. 

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time

Shure DP11EQE Dynamics Processor Specification:

    GENERAL:
        Frequency Response: 20 to 20k Hz +/- 1.0 dB re 1 kHz
        Dynamic Range: 104 dB minimum, A-weighted, 20 Hz to 20 kHz
        Sampling Rate: 48 kHz
        Digital-to-Analog, Analog-to-Digital Conversion: 20 bit resolution
    Voltage Gain:
        1 dB +/- 1dB (power off)
        12 dB +/- 2 dB (input 10 dBV, output +4 dBu)
        12 dB +/- 2 dB (input +4 dBu, output 10 dBv)
        0 dB +/- 2 dB (equal input and output sensitivities)
    Impedance:
        Input: 47 kilohms +/- 20% actual
        Output: 120 ohms +/- 20% actual
    Input Clipping Level
        +18 dBu minimum (at +4 dBu setting)
        +6 dBV minimum (at 10 dBV setting)
    Output Clipping Level
        +18 dBu minimum (at +4 dBu setting)
        +6 dBV minimum (at 10 dBV setting)
    Total Harmonic Distortion
            LED Signal Indicators
        Signal: 40 dB
        Clip: 6 dB down from input clipping
    Propagation Delay from Input to Ouput
        0.8 ms (all filters flat, no dynamics processing, 0 ms delay), up to 2.1 ms (all processing enabled)
    Polarity
        Input to output: inverting optional (default: non-inverting)
        XLR: pin 2 positive with respect to pin 3
        1/4-inch TRS: tip positive with respect to ring
    Operating Voltage
        DP11EQ: 120 Vac, 50/60 Hz, 50 mA max
        DP11EQE: 230 Vac, 50/60 Hz, 25 mA max
        DP11EQJ: 100 Vac, 50/60 Hz, 50 mA max
    Temperature Range
        Operating: 0 degrees to 60 degrees C (32 degrees to 140 degrees F)
    Fuse
        DP11EQ: 120 Vac. Fuse: 100 mA, 250V time delay
        DP11EQE: 230 Vac. Fuse: 50 mA, 250 V time delay
        DP11EQJ: 100 Vac. Fuse: 100 mA, 250 V time delay
    Dimensions
        219 mm x 137 mm x 44 mm (8-5/8 in x 5-3/8 in x 1-3/4 in)
        Weight: 930 g (2.05 lbs)
    DYNAMICS PROCESSOR
        Gate and Expander:
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 1.0 to 200 ms
        Decay: 0.05 to 1 second
        Gate Hold Time: 0 to 0.5 seconds
    AGC Leveler
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 0.2 to 3 seconds
        Decay: 0.5 to 5 seconds
        Hinge: Threshold to 1 dB, 0.5 dB resolution
    Compressor and Limiter
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 1.0 to 200 ms
        Decay: 0.05 to 1 second
        Knee: Hard or Soft selectable
    No Overshoot Peak Limiter
        Propagation delay: 1 ms
        Threshold: 72 to 1 dB, 0.5 dB resolution
        Attack: 0 msDecay: 100 ms
    PARAMETRIC EQUALIZER
        Parametric Filter Frequency Bands
        Up to 9 bands, variable frequency, variable Q
    Boost/Cut Range
        +6 dB to 18 dB per band
        Q Range
        1/40-octave to 2 octave
    High and Low Shelf/Cut Filters
        Shelf, +6 to 18 dB per filter
        Cut, 12 dB per octave nominal
    DELAY
        Up to 1.3 seconds, 21 microsecond resolution

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

High-Definition 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System  
  • Professional 31-band stereo graphic equalizer for live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Ultra-low noise 4580 operational amplifiers for highest signal integrity
  • Dedicated mono subwoofer output with adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies, e.g. floor rumble, hiss etc.
  • Highly accurate 12-segment LED input/output metering and input gain controls for easy level setting
  • Relay-controlled hard-bypass with an auto-bypass function during power failure (fail-safe relay)
  • Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors
  • “Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • 3-Year Warranty Program*
  • Conceived and designed by BEHRINGER Germany
Weight7.30 kg5.00 kg3.00 kg3.00 kg3.40 kg2.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 7.30 kg
Weight 5.00 kg
Weight 3.00 kg
Weight 3.00 kg
Weight 3.40 kg
Weight 2.50 kg

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