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PM-2MKII
Created for larger rooms, the PM-2 has the power and sophistication
and, most importantly the versatility to handle the most demanding
recording applications. Equipped with a 200mm low frequency
unit and remaining natural and transparent right across the audio spectrum,
even at high sound pressure levels, the PM-2 is great for today?s
bass heavy music. Features 240 watts of bi-amped power, UFLC 25mm
soft dome HF unit, 200mm LF woofer, separate HF gain control,
overall volume control and a 0dB / -3dB / +3dB switch for the LF unit.
Features
8" LF Driver
Low Distortion ( |
* Active studio monitors with USB audio interface
* 4.25-inch magnetically shielded, inverted cone, copolymer woofer
* 1-inch silk dome high frequency driver
* 2 x 20 watts of internal stereo power
* Two combination mic and instrument/line inputs
* Two 1/8-inch stereo headphone outputs with level controls
* Includes Cakewalk® Sonar LE music production software
* Mic and instrument/line gain control with clip LED
* 16-bit 44.1kHz/48kHz
* Stereo RCA and 1/8-inch aux inputs
* 2-position switch for no-latency direct stereo and mono monitoring
* Mix control to balance computer and audio sources
* USB and speaker cable included
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PRICE PER UNIT
S3X-V
Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.
A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.
Reviews: "Wonderfully detailed...”
“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)
“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)
Woofer |
| Number | 1 | Basket Ø | 9" (228 mm) | Voice coil Ø | 2" (50 mm) | Cone material | HexaCone | Midrange |
| Number | 1 | Basket Ø | 4.5" (116 mm) | Voice coil Ø | 1" (25 mm) | Cone material | HexaCone | Tweeter |
| Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers |
| Woofer | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Midrange | 1 | Type | PWM | Amp. power RMS / music | 250 W / 350 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 100 W | Control panel |
| Input Sensitivity (coarse) | -20 to +8 dB (4 dB steps) | Input Sensitivity (fine) | -1.5 to +2 dB (0.5 dB steps) | EQ 80 Hz | 0 to +6 dB (1 dB steps) | High Shelf EQ > 6 kHz | ±4 dB (1 dB steps) | Low Shelf EQ | ±4 dB (1 dB steps) | Tweeter gain | ±2 dB (0.5 dB steps) | Input connectors |
| Analog | XLR | Digital (optional) | AES/EBU / SPDIF / word clock | General data |
| Panel | Front | Frequency response | 32 Hz - 50 kHz | THD > 80 Hz | ≤0.6 % | Long term output | ≥114 dB | Max. peak | ≥124 dB | Crossover frequencies | 350 / 2800 Hz | Input impedance | 10 KOhm | Weight | 34 lb (15,4 kg) | Magnetically shielded | Optional | Height x Width x Depth | 19" (485 mm) x 11" (281 mm) x 11.5" (295 mm) | Warranty | 5 Years | Delivery contents |
Power cord, Manual
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PRICE PER UNIT The original A5 The small A5 managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one "of the best small monitors” and a "great choice for the small studio.” (Future Music, 01/2009). The new A5X The similar dimensions and name could make one believe that the A5X is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that. Like all other models of the AX-Series it features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this. A 5.5” Midwoofer reproduces the frequencies below 2.5kHz. The diaphragm is made from Carbon fiber/Rohacell/Glass fiber, which is the same composite structure shared in the next two bigger models. This material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics. Stereolink A very handy and exclusive feature found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects two A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily. Controls and Connectors The front of the A5X sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting. Review: "The A5X: a superb impression.“ "A sparkling and lively desktop monitor with an open, powerful character. Good filters and practical ergonomics as well as useful equipment make ADAMs A5X an ideal partner in multimedia nearfield sound." (Stereo, 10/10) Mid-Woofer | | Number | 1 | Basket Ø | 5.5" (145 mm) | Voice coil Ø | 1.5" (32 mm) | Cone material | Carbon/Rohacell/Glass Fiber | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Mid-Woofer | 1 | Type | PWM | Amp. power RMS / music | 50 W / 75 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 50 W / 75 W | Control panel | | Input Sensitivity | -∞ to +14 dB | High Shelf EQ > 5 kHz | ±6 dB | Low Shelf EQ | ±6 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | General data | | Frequency response | 50 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.6 % | Long term output | ≥102 dB | Max. peak | ≥110 dB | Crossover frequencies | 2500 Hz | Input impedance | 30 KOhm | Weight | 14.6 lb (6,6 kg) | Magnetically shielded | No | Height x Width x Depth | 11" (280 mm) x 6.5" (170 mm) x 8.5" (220 mm) | Warranty | 5 Years | Delivery contents | Cinch-cable, Power cord, Manual |
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PRICE PER UNIT The smallest big sound ever... With the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldnʼt be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction. A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly. Stereolink A very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakerʼs gain control. This makes the A3X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily. Controls and Connectors The front of the A3X sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting. Review: "Highly recommended“ "Iʼve used various monitors for my computer work before, but never of the caliber of the A3X series. Before these, I would have to redo my mixes significantly when transitioning from the small cheapies to the big 'real ones'. The ADAM Audio A3Xʼs save me a step by providing both great sound in a compact format and by changing mundane audio task-work into a quality listening experience. If you use good monitors from the outset, youʼll learn your music that much faster so that when it comes time for mixdown and mastering on your big boxes, youʼll already be acclimated to your songʼs subtler sonic aspects—aspects revealed only by the A3Xʼs with their sweet, smooth top end, and impressive handling of bass frequencies. Highly recommended.“ (Jon Chappell, Harmony Central, 03/10) Review: "...one of the best compact monitors“ "ADAM´s A3X as the smallest monitor with a X-ART tweeter to date has convinced us in every respect. It´s one of the best compact monitors we have ever reviewed and with its almost shameless low price it´s worth every penny. (Professional Audio, 05/10) Mid-Woofer | | Number | 1 | Basket Ø | 4.5" (120 mm) | Voice coil Ø | 1" (25 mm) | Cone material | Carbon Fiber | Tweeter | | Number | 1 | Type | X-ART | Diaphragm area | 4 inch² (2420 mm²) | Equiv. Diaphragm Ø | 2" (56 mm) | Velocity transform ratio | 4:1 | Diaphragm weight | 0.17 g | Built-in Amplifiers | | Mid-Woofer | 1 | Type | A/B | Amp. power RMS / music | 25 W / 40 W | Tweeter | 1 | Type | A/B | Amp. power RMS / music | 25 W / 40 W | Control panel | | Input Sensitivity | -∞ to +14 dB | Tweeter gain | ±4 dB | Input connectors | | Analog | XLR / RCA | General data | | Frequency response | 60 Hz - 50 kHz | THD 90dB/1m > 100 Hz | ≤0.8 % | Long term output | ≥98 dB | Max. peak | ≥106 dB | Crossover frequencies | 2800 Hz | Input impedance | 10 KOhm | Weight | 10.1 lb (4,6 kg) | Magnetically shielded | No | Height x Width x Depth | 10" (252 mm) x 6" (150 mm) x 7.5" (185 mm) | Warranty | 5 Years | Delivery contents | Cinch-cable, Power cord, Manual |
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Features of the HR824mk2 Studio Reference Monitor:
- High-resolution Active studio reference monitor
- Ultra-linear frequency response for accurate mix translation
- 8.75 in. high-precision, low-distortion LF transducer
- 1 in. titanium dome, ferrofluid cooled tweeter
- Optimized Waveguide for wide, even sweet zone
- Twin FR Series amps -- 150W for LF / 100W for HF
- Cast aluminum Zero Edge Baffle minimizes diffraction
- Full internal damping eliminates midrange artifacts
- Onboard passive radiator extends bass response to 35Hz
- Acoustic Space, LF roll-off, and HF controls
- Balanced XLR, TRS, and unbalanced RCA inputs
- OmniMount ready for easy wall/ceiling placement
- THX pm3 certified for surround sound applications
- Perfect for High Definition audio, cinema and gaming systems
Dimensions and Weight in PackagingShipping Weight: 41 lbs Shipping Dimensions: 14 x 18 x 22 in
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