User´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate 12 channel Mixing Console with DFX and Compressor 12-channel mixer with 6 microphone channels 4 stereo line inputs Effective 3-band EQ 2 stereo channels with 2-band EQ Sliding adjustable compressor Digital Effects Section with 100 Presets Master, Monitor, Groups and headphone outputs Built in […]
The VIBZ 12 is a versatile mixer with six balanced microphone inputs featuring high quality preamplifiers, a low-cut filter, an effective 3-band EQ with conveniently selected mids and switchable phantom power. Four microphone channels can be processed separately using the built-in compressor for an effective control of dynamics; two more can alternatively be used as a stereo line channels. The other stereo channels are equipped with 2-band EQs. The master section of the mixer includes two effects loops, balanced XLR outputs, group and monitor outputs and a headphone jack. The VIBZ 12 also has RCA connectors for recording and playback devices and a digital Digital Effects Section with 100 presets. With key features such as the PFL function or the Mute buttons and its natural, transparent sound, the VIBZ 12 is the perfect choice for live performances, installations and demanding home recording applications.
Product type
Mixers
Type
Live
Channels
12
Mono Channels:
Mono Mic and Line Input Channels
4
Mono Mic input connectors
6.3 mm TRS , XLR
Mono Mic Input Type
electronically balanced
Mono Mic Input Frequency Range
10 – 45000 Hz
Amplification Range mono Mic Input
– 50 dB
Mono Mic Input Input THD-N
0.0058%
Mono Mic Input Impedance
4k Ohm(s)
Mono Mic Input S/N Ratio
113 dB
Mono Line Input Type
electronically balanced
Mono Line Input Frequency Range
10 – 45000 Hz
Amplification Range mono Line Input
– 50 dB
Mono Line Input Input THD-N
0.0045 %
Mono Line Input Impedance
21k Ohm(s)
Mono Line Input S/N Ratio
116 dB
Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz
Mono Channel Equalizer Mid
+/- 15 dB @ 2,500 Hz
Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Compressor , DFX/AUX 1 , Gain , Low Cut (75 Hz) , PFL
Phantom power
48 V DC switchable
Stereo Channels:
Stereo Line Input Channels
4
Stereo Line Input Connectors
6.3 mm TRS , RCA
Stereo Line Input Type
electronically balanced , unbalanced
Stereo Line Input Frequency Range
10 – 45000 Hz
Amplification Range stereo Line Input
– 50 dB
Stereo Line Input Input THD-N
0.0045 %
Stereo Line Input Impedance
3,7k Ohm(s)
Stereo Line Input S/N Ratio
116 dB
Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz
Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz
Stereo channel equalizer bass
+/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Balance , Channel Volume , DFX/AUX 1 , Gain , Low Cut
Main Section:
AUX / Effects Send Channels
2
AUX / Effects Send Connectors
6.3 mm TRS
Stereo AUX Return Channels
1 x stereo
Stereo AUX Return Connectors
6.3 mm TRS
Stereo Tape Out Channel
1 x stereo
Stereo Tape Out Connectors
2 x RCA (Cinch)
Stereo Tape In Channel
1 x stereo
Stereo Tape In Connenctors
2 x RCA (Cinch)
Balanced Stereo Main Out
1
Balanced Stereo Main Out Connectors
XLR
Balanced Stereo Main Out Impedance
120 Ohm(s)
Max. Balanced Stereo Main Out Level
23 dBu
Stereo Control Room Out
1
Stereo Control Room Out Connectors
6.3 mm TRS
Headphones ouput
1
Headphones outputs
6.3 mm TRS
Digital Effects Processor
Yes, 24-bit AD/DA Resolution
Number of Presets
100
Footswitch Connector DFX Mute
6.3 mm TRS
Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , AUX 2 Send Volume , CTRL / Phones assignment (Main/Group 1-2) , DFX Mute Schalter , DFX TO AUX Volume , DFX To Main Volume , Group 1-2 assignment to Main MIX , Group 1-2 Volume , Master Volume , PFL , Phantom Power , Power , presets , Stereo Return to AUX Volume , Stereo Return to MAIN Volume , Volume Control CTRL / Phones
Indicators
DFX Peak , DFX TO MAIN , PFL , Phantom Power , Power
Operating voltage
100 V AC – 240 V AC, 50 – 60 Hz
Width
350 mm
Height
98 mm
Depth
440 mm
Weight
4,3 kg
Weight
4.30 kg
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The VIBZ 12 is a versatile mixer with six balanced microphone inputs featuring high quality preamplifiers, a low-cut filter, an effective 3-band EQ with conveniently selected mids and switchable phantom power. Four microphone channels can be processed separately using the built-in compressor for an effective control of dynamics; two more can alternatively be used as a stereo line channels. The other stereo channels are equipped with 2-band EQs. The master section of the mixer includes two effects loops, balanced XLR outputs, group and monitor outputs and a headphone jack. The VIBZ 12 also has RCA connectors for recording and playback devices and a digital Digital Effects Section with 100 presets. With key features such as the PFL function or the Mute buttons and its natural, transparent sound, the VIBZ 12 is the perfect choice for live performances, installations and demanding home recording applications.
Product type
Mixers
Type
Live
Channels
12
Mono Channels:
Mono Mic and Line Input Channels
4
Mono Mic input connectors
6.3 mm TRS , XLR
Mono Mic Input Type
electronically balanced
Mono Mic Input Frequency Range
10 - 45000 Hz
Amplification Range mono Mic Input
- 50 dB
Mono Mic Input Input THD-N
0.0058%
Mono Mic Input Impedance
4k Ohm(s)
Mono Mic Input S/N Ratio
113 dB
Mono Line Input Type
electronically balanced
Mono Line Input Frequency Range
10 - 45000 Hz
Amplification Range mono Line Input
- 50 dB
Mono Line Input Input THD-N
0.0045 %
Mono Line Input Impedance
21k Ohm(s)
Mono Line Input S/N Ratio
116 dB
Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz
Mono Channel Equalizer Mid
+/- 15 dB @ 2,500 Hz
Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Compressor , DFX/AUX 1 , Gain , Low Cut (75 Hz) , PFL
Phantom power
48 V DC switchable
Stereo Channels:
Stereo Line Input Channels
4
Stereo Line Input Connectors
6.3 mm TRS , RCA
Stereo Line Input Type
electronically balanced , unbalanced
Stereo Line Input Frequency Range
10 - 45000 Hz
Amplification Range stereo Line Input
- 50 dB
Stereo Line Input Input THD-N
0.0045 %
Stereo Line Input Impedance
3,7k Ohm(s)
Stereo Line Input S/N Ratio
116 dB
Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz
Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz
Stereo channel equalizer bass
+/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Balance , Channel Volume , DFX/AUX 1 , Gain , Low Cut
Main Section:
AUX / Effects Send Channels
2
AUX / Effects Send Connectors
6.3 mm TRS
Stereo AUX Return Channels
1 x stereo
Stereo AUX Return Connectors
6.3 mm TRS
Stereo Tape Out Channel
1 x stereo
Stereo Tape Out Connectors
2 x RCA (Cinch)
Stereo Tape In Channel
1 x stereo
Stereo Tape In Connenctors
2 x RCA (Cinch)
Balanced Stereo Main Out
1
Balanced Stereo Main Out Connectors
XLR
Balanced Stereo Main Out Impedance
120 Ohm(s)
Max. Balanced Stereo Main Out Level
23 dBu
Stereo Control Room Out
1
Stereo Control Room Out Connectors
6.3 mm TRS
Headphones ouput
1
Headphones outputs
6.3 mm TRS
Digital Effects Processor
Yes, 24-bit AD/DA Resolution
Number of Presets
100
Footswitch Connector DFX Mute
6.3 mm TRS
Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , AUX 2 Send Volume , CTRL / Phones assignment (Main/Group 1-2) , DFX Mute Schalter , DFX TO AUX Volume , DFX To Main Volume , Group 1-2 assignment to Main MIX , Group 1-2 Volume , Master Volume , PFL , Phantom Power , Power , presets , Stereo Return to AUX Volume , Stereo Return to MAIN Volume , Volume Control CTRL / Phones
Indicators
DFX Peak , DFX TO MAIN , PFL , Phantom Power , Power
Operating voltage
100 V AC - 240 V AC, 50 - 60 Hz
Width
350 mm
Height
98 mm
Depth
440 mm
Weight
4,3 kg
SOUNDCRAFT-SPIRIT
LX-7 32 II
Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids
Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs
Soundcraft EFX
(EFX8, EFX12)
The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone
Key Features:
8+2 channel frame sizes
Built-in 24 bit Lexicon digital effects processor
32 FX settings
Tap Tempo and FX setting store function
1 FX send on each channel
1 configurable auxiliary bus
XLR-type and ¼” metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
3-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.
Soundcraft FX16ii - rebirth of a classic
The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.
The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.
Soundcraft FX16ii main features include:
26 inputs
16 mono microphone channels
4 stereo returns
4-bus architecture, with sub-group routable to mix
Built-in 24 bit Lexicon digital effects processor
32 FX settings
Tap Tempo
3 FX parameter adjust rotaries
User FX settings store function
Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
Inserts on all mono channels
Inserts on stereo mix output
Classic Soundcraft 3-band EQ with swept mid-band
Stereo 18dB/octave 100Hz high-pass filter
Dual global +48V phantom power split channels 1-8 and 9-16
Channel Mute control
10-segment tri-coloured metering
Two sub-group outputs
Separate mono sum output
Integral universal power supply
MIC/LINE Input Channels The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. The +48V phantom power for condenser microphones can be switched in groups of six. The Line Input and Channel Insert are implemented as jack sockets. The Gain can be controlled in the range 0-60 dB. The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case: 2 (FX) are assiged to the two effects devices; 2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section; 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal. Each channel offers a Signal Present and Peak LED for level control. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic. All potentiometers and faders are high-quality components from ALPS. Stereo MIC/LINE Input Channels The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips. MASTER In the Master Section, too, the CMS3 mixers are lavishly equipped. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu. The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music. A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO INTERFACE The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu. For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD. PC MIDI Interface The CMS3 also offers a fully-featured PC MIDI interface. The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch. Professional Effects, OLED Display and Processing Menus The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology. The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets. The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder. Processing Menus For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus. Innovative Solution for Protection and Transportation Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort. For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER). Accessories For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available. Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 16 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 22kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.
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