LD Systems VIBZ 12 DC – 12 channel Mixing Console with DFX and Compressor

349.68 incl. GR VAT

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EAN: 4049521195242
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User´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate 12 channel Mixing Console with DFX and Compressor 12-channel mixer with 6 microphone channels 4 stereo line inputs Effective 3-band EQ 2 stereo channels with 2-band EQ Sliding adjustable compressor Digital Effects Section with 100 Presets Master, Monitor, Groups and headphone outputs Built in […]

 

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pdfUser´s manual
pdfIF Design Award 2016 certificate
pdfReddot Award 2016 certificate

12 channel Mixing Console with DFX and Compressor

  • 12-channel mixer with 6 microphone channels
  • 4 stereo line inputs
  • Effective 3-band EQ
  • 2 stereo channels with 2-band EQ
  • Sliding adjustable compressor
  • Digital Effects Section with 100 Presets
  • Master, Monitor, Groups and headphone outputs
  • Built in power supply
VIBZ 12 DC
The VIBZ 12 is a versatile mixer with six balanced microphone inputs featuring high quality preamplifiers, a low-cut filter, an effective 3-band EQ with conveniently selected mids and switchable phantom power. Four microphone channels can be processed separately using the built-in compressor for an effective control of dynamics; two more can alternatively be used as a stereo line channels. The other stereo channels are equipped with 2-band EQs. The master section of the mixer includes two effects loops, balanced XLR outputs, group and monitor outputs and a headphone jack. The VIBZ 12 also has RCA connectors for recording and playback devices and a digital Digital Effects Section with 100 presets. With key features such as the PFL function or the Mute buttons and its natural, transparent sound, the VIBZ 12 is the perfect choice for live performances, installations and demanding home recording applications.
Product type
Mixers

Type
Live

Channels
12

Mono Channels:


Mono Mic and Line Input Channels
4

Mono Mic input connectors
6.3 mm TRS , XLR

Mono Mic Input Type
electronically balanced

Mono Mic Input Frequency Range
10 – 45000 Hz

Amplification Range mono Mic Input
– 50 dB

Mono Mic Input Input THD-N
0.0058%

Mono Mic Input Impedance
4k Ohm(s)

Mono Mic Input S/N Ratio
113 dB

Mono Line Input Type
electronically balanced

Mono Line Input Frequency Range
10 – 45000 Hz

Amplification Range mono Line Input
– 50 dB

Mono Line Input Input THD-N
0.0045 %

Mono Line Input Impedance
21k Ohm(s)

Mono Line Input S/N Ratio
116 dB

Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz

Mono Channel Equalizer Mid
+/- 15 dB @ 2,500 Hz

Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz

Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Compressor , DFX/AUX 1 , Gain , Low Cut (75 Hz) , PFL

Phantom power
48 V DC switchable

Stereo Channels:


Stereo Line Input Channels
4

Stereo Line Input Connectors
6.3 mm TRS , RCA

Stereo Line Input Type
electronically balanced , unbalanced

Stereo Line Input Frequency Range
10 – 45000 Hz

Amplification Range stereo Line Input
– 50 dB

Stereo Line Input Input THD-N
0.0045 %

Stereo Line Input Impedance
3,7k Ohm(s)

Stereo Line Input S/N Ratio
116 dB

Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz

Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz

Stereo channel equalizer bass
+/- 15 dB @ 80 Hz

Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Balance , Channel Volume , DFX/AUX 1 , Gain , Low Cut

Main Section:


AUX / Effects Send Channels
2

AUX / Effects Send Connectors
6.3 mm TRS

Stereo AUX Return Channels
1 x stereo

Stereo AUX Return Connectors
6.3 mm TRS

Stereo Tape Out Channel
1 x stereo

Stereo Tape Out Connectors
2 x RCA (Cinch)

Stereo Tape In Channel
1 x stereo

Stereo Tape In Connenctors
2 x RCA (Cinch)

Balanced Stereo Main Out
1

Balanced Stereo Main Out Connectors
XLR

Balanced Stereo Main Out Impedance
120 Ohm(s)

Max. Balanced Stereo Main Out Level
23 dBu

Stereo Control Room Out
1

Stereo Control Room Out Connectors
6.3 mm TRS

Headphones ouput
1

Headphones outputs
6.3 mm TRS

Digital Effects Processor
Yes, 24-bit AD/DA Resolution

Number of Presets
100

Footswitch Connector DFX Mute
6.3 mm TRS

Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , AUX 2 Send Volume , CTRL / Phones assignment (Main/Group 1-2) , DFX Mute Schalter , DFX TO AUX Volume , DFX To Main Volume , Group 1-2 assignment to Main MIX , Group 1-2 Volume , Master Volume , PFL , Phantom Power , Power , presets , Stereo Return to AUX Volume , Stereo Return to MAIN Volume , Volume Control CTRL / Phones

Indicators
DFX Peak , DFX TO MAIN , PFL , Phantom Power , Power

Operating voltage
100 V AC – 240 V AC, 50 – 60 Hz

Width
350 mm

Height
98 mm

Depth
440 mm

Weight
4,3 kg
Weight 4.30 kg

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SKULDVIBZ12DCGB2 24CHSPIRIT EPM6SPIRIT EFX8L3200E009271
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Description
Content

pdfUser´s manual pdfIF Design Award 2016 certificate pdfReddot Award 2016 certificate

12 channel Mixing Console with DFX and Compressor

  • 12-channel mixer with 6 microphone channels
  • 4 stereo line inputs
  • Effective 3-band EQ
  • 2 stereo channels with 2-band EQ
  • Sliding adjustable compressor
  • Digital Effects Section with 100 Presets
  • Master, Monitor, Groups and headphone outputs
  • Built in power supply
VIBZ 12 DC
The VIBZ 12 is a versatile mixer with six balanced microphone inputs featuring high quality preamplifiers, a low-cut filter, an effective 3-band EQ with conveniently selected mids and switchable phantom power. Four microphone channels can be processed separately using the built-in compressor for an effective control of dynamics; two more can alternatively be used as a stereo line channels. The other stereo channels are equipped with 2-band EQs. The master section of the mixer includes two effects loops, balanced XLR outputs, group and monitor outputs and a headphone jack. The VIBZ 12 also has RCA connectors for recording and playback devices and a digital Digital Effects Section with 100 presets. With key features such as the PFL function or the Mute buttons and its natural, transparent sound, the VIBZ 12 is the perfect choice for live performances, installations and demanding home recording applications.
Product type
Mixers

Type
Live

Channels
12

Mono Channels:


Mono Mic and Line Input Channels
4

Mono Mic input connectors
6.3 mm TRS , XLR

Mono Mic Input Type
electronically balanced

Mono Mic Input Frequency Range
10 - 45000 Hz

Amplification Range mono Mic Input
- 50 dB

Mono Mic Input Input THD-N
0.0058%

Mono Mic Input Impedance
4k Ohm(s)

Mono Mic Input S/N Ratio
113 dB

Mono Line Input Type
electronically balanced

Mono Line Input Frequency Range
10 - 45000 Hz

Amplification Range mono Line Input
- 50 dB

Mono Line Input Input THD-N
0.0045 %

Mono Line Input Impedance
21k Ohm(s)

Mono Line Input S/N Ratio
116 dB

Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz

Mono Channel Equalizer Mid
+/- 15 dB @ 2,500 Hz

Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz

Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Compressor , DFX/AUX 1 , Gain , Low Cut (75 Hz) , PFL

Phantom power
48 V DC switchable

Stereo Channels:


Stereo Line Input Channels
4

Stereo Line Input Connectors
6.3 mm TRS , RCA

Stereo Line Input Type
electronically balanced , unbalanced

Stereo Line Input Frequency Range
10 - 45000 Hz

Amplification Range stereo Line Input
- 50 dB

Stereo Line Input Input THD-N
0.0045 %

Stereo Line Input Impedance
3,7k Ohm(s)

Stereo Line Input S/N Ratio
116 dB

Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz

Stereo channel equalizer mids
+/- 15 dB @ 2500 Hz

Stereo channel equalizer bass
+/- 15 dB @ 80 Hz

Controls Stereo Line Input Channels
2-band EQ (High,Low) , 3-band EQ (High, Mid, Low) , AUX 1 umschaltbar Pre/Post , AUX 2 (DFX) Post , Balance , Channel Volume , DFX/AUX 1 , Gain , Low Cut

Main Section:


AUX / Effects Send Channels
2

AUX / Effects Send Connectors
6.3 mm TRS

Stereo AUX Return Channels
1 x stereo

Stereo AUX Return Connectors
6.3 mm TRS

Stereo Tape Out Channel
1 x stereo

Stereo Tape Out Connectors
2 x RCA (Cinch)

Stereo Tape In Channel
1 x stereo

Stereo Tape In Connenctors
2 x RCA (Cinch)

Balanced Stereo Main Out
1

Balanced Stereo Main Out Connectors
XLR

Balanced Stereo Main Out Impedance
120 Ohm(s)

Max. Balanced Stereo Main Out Level
23 dBu

Stereo Control Room Out
1

Stereo Control Room Out Connectors
6.3 mm TRS

Headphones ouput
1

Headphones outputs
6.3 mm TRS

Digital Effects Processor
Yes, 24-bit AD/DA Resolution

Number of Presets
100

Footswitch Connector DFX Mute
6.3 mm TRS

Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , AUX 2 Send Volume , CTRL / Phones assignment (Main/Group 1-2) , DFX Mute Schalter , DFX TO AUX Volume , DFX To Main Volume , Group 1-2 assignment to Main MIX , Group 1-2 Volume , Master Volume , PFL , Phantom Power , Power , presets , Stereo Return to AUX Volume , Stereo Return to MAIN Volume , Volume Control CTRL / Phones

Indicators
DFX Peak , DFX TO MAIN , PFL , Phantom Power , Power

Operating voltage
100 V AC - 240 V AC, 50 - 60 Hz

Width
350 mm

Height
98 mm

Depth
440 mm

Weight
4,3 kg

The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.

However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.

Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.

The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:

  • 24 channel frame size
  • 12 busses
  • 2 full feature stereo channels
  • 2 stereo returns (on stereo channels)
  • 6 Aux sends
  • 4 sub groups (paired)
  • 6x2 output matrix
  • GB30 mic preamp and precision equalisation circuitry
  • Direct outputs on every channel
  • Talkback facility
  • 100mm faders
  • Switchable 48V phantom powering on every channel
  • 100Hz high pass filter
  • 12-segment LED metering
  • Record output
  • Width: 1013mm (39.88“)
  • Weight: 25kg (55.1lbs)
Low-cost high-performance mixers Key Features
  • 6 Mono & 2 Stereo Input Channels
  • 6x GB30 Microphone Preamplifiers
  • Recording and Live Sound Audio Console
  • Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications. The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc. The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more. 6 Mono and 2 Stereo Channels The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections Comprehensive Controls The comprehensive layout is designed to attract users who require a straight-forward mixing environment GB30 Microphone Preamplifiers All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality Compact and Professional The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs 6x Mono 2x Stereo
Mic/Line Inputs 6x Line Mono: 1/4" TRS Phone 2x Line Stereo: L/R 1/4" TRS Phone 6x Microphone: 3-pin XLR
Stereo Line Inputs 2x Stereo: L/R 1/4" TRS Phone
In-Line Inputs/Returns No
AUX Sends 2x Aux Sends
AUX Returns No dedicated returns
Inserts 1/4" TRS Phone - Mono Inputs, Main Stereo Output
BUS (Group) Outputs Stereo Output Only
2 Trk Master I/O Mix L/R: Stereo Paired L/R RCA Phono
ALT I/O No
Monitor Outputs Monitor: L/R Stereo Paired 1/4" TRS Phone
EQ Section Mono Inputs +/- 15 dB Lo: 80 Hz Mid: 150 Hz - 3.5 kHz (swept) Hi: 12 kHz Q: 1.5 Stereo Inputs +/-15 dB Lo: 80 Hz Mid: 720 Hz Hi: 12 kHz
Solo/Mute All Input Channels
Channel Level Control 100 mm Faders
Trim/Gain Control Rotary Potentiometers
Phantom Power +48 V Phantom
Metering 10-Segment L/R Peak LEDs +48 V Phantom Power LED PFL Active LED Power Indicator LED
Frequency Response 20 Hz to 20 kHz +/-1.5 dB
Dynamic Range Not specified by manufacturer
Signal-to-Noise Ratio Noise (22 Hz - 22 kHz measurement bandwidth) Mic EIN @ max gain, 150 ohms source impedance -127 dBu Mix @ max, faders to down
Total Harmonic Distortion (THD) Mic sensitivity 30 dB, +14 dBu @ mix output:
Soundcraft EFX (EFX8, EFX12) The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range. The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level. The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility. The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone Key Features:
  • 8+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and ¼” metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

Live 4-Bus Mixing Console 
 32 Input Channels (24 mono)
 XLR Mic: 24 mono channels + 4 stereo channels
 Frequency Response: 20Hz – 20kHz
 Weight: 39.70 lbs (18.1kg)
 Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
 4 Stereo Line Inputs
 24 Inserts
 Large Illuminated Mute Switches
 Stereo inserts
 4 Groups with inserts
 3-Band EQ with sweepable mids
 6 Aux sends
 Dual DSP with 100 digital multi-effects
 2 Stereo aux return
 USB I/O (from aux sends or main mix)
 Input gain trim on each channel
 24 dB Low cut filter at 75Hz
 100mm faders
 PFL switches
 AFL switches
 Phantom power switch (+ 48V)
 Mono Out & LPF with sub-woofer containing variable frequency control
 2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
 Talkback mic input

 

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Weight4.30 kg33.00 kg5.20 kg3.00 kg18.10 kg9.20 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.30 kg
Weight 33.00 kg
Weight 5.20 kg
Weight 3.00 kg
Weight 18.10 kg
Weight 9.20 kg