User´s manual IF Design Award 2016 certificate Reddot Award 2016 certificate Data Sheet 39 KB 6 channel Mixing Console with DFX 6-channel mixer with 16 digital effects 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply The VIBZ 6 D […]
2 mono-compatible stereo line channels with 2-band EQ
Master, Monitor and headphone outputs
Securely fastening external power supply
The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop.
The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly.
A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories.
Product type
Mixers
Type
Live
Channels
6
Mono Channels:
Mono Mic and Line Input Channels
2
Mono Mic input connectors
6.3 mm TRS , XLR
Mono Mic Input Type
electronically balanced
Mono Mic Input Frequency Range
10 Hz
Amplification Range mono Mic Input
– 50 dB
Mono Mic Input Input THD-N
0.0058%
Mono Mic Input Impedance
4k Ohm(s)
Mono Line Input Type
electronically balanced
Mono Line Input Frequency Range
10 Hz
Amplification Range mono Line Input
– 50 dB
Mono Line Input Input THD-N
0.0045 %
Mono Line Input Impedance
21k Ohm(s)
Mono Line Input S/N Ratio
116 dB
Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz
Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan
Phantom power
48 V DC switchable
Stereo Channels:
Stereo Line Input Channels
2
Stereo Line Input Connectors
6.3 mm TS
Stereo Line Input Type
unbalanced
Stereo Line Input Frequency Range
10 – 54000 Hz
Stereo Line Input Input THD-N
0.0045 %
Stereo Line Input Impedance
3,7k Ohm(s)
Stereo Line Input S/N Ratio
116 dB
Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz
Stereo channel equalizer bass
+/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels
2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume
Main Section:
AUX / Effects Send Channels
1
AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced
Stereo AUX Return Channels
1 x stereo
Stereo AUX Return Connectors
2 x 6.3 mm TRS
Stereo Tape Out Channel
1 x stereo
Stereo Tape Out Connectors
2 x RCA (Cinch)
Stereo Tape In Channel
1 x stereo
Stereo Tape In Connenctors
2 x RCA (Cinch)
Unbalanced stereo Main Outputs
1
Unbalanced stereo Main Output Connections
6.3 mm TRS
Unbalanced Stereo Main Out Impedance
120 Ohm(s)
Max. Unbalanced Stereo Main Out Level
+20 dBu
Stereo Control Room Out
1
Stereo Control Room Out Connectors
6.3 mm stereo jack unbalanced
Headphones ouput
1
Headphones outputs
6.3 mm TRS
Digital Effects Processor
Yes, 24-bit AD/DA Resolution
Number of Presets
16
Footswitch Connector DFX Mute
6.3 mm TRS
Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume
Indicators
4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power
Operating voltage
18 V AC – 1 A, External PSU
Width
209 mm
Height
68 mm
Depth
260 mm
Weight
1,45 kg
Weight
1.45 kg
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6-channel mixer with 16 digital effects
2 microphone channels with 3-band EQ
2 mono-compatible stereo line channels with 2-band EQ
Master, Monitor and headphone outputs
Securely fastening external power supply
The VIBZ 6 D is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop.
The master section of the VIBZ 6 D is equipped with adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly.
A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories.
Product type
Mixers
Type
Live
Channels
6
Mono Channels:
Mono Mic and Line Input Channels
2
Mono Mic input connectors
6.3 mm TRS , XLR
Mono Mic Input Type
electronically balanced
Mono Mic Input Frequency Range
10 Hz
Amplification Range mono Mic Input
- 50 dB
Mono Mic Input Input THD-N
0.0058%
Mono Mic Input Impedance
4k Ohm(s)
Mono Line Input Type
electronically balanced
Mono Line Input Frequency Range
10 Hz
Amplification Range mono Line Input
- 50 dB
Mono Line Input Input THD-N
0.0045 %
Mono Line Input Impedance
21k Ohm(s)
Mono Line Input S/N Ratio
116 dB
Mono Channel Equalizer High
+/- 15 dB @ 12000 Hz
Mono Channel Equalizer Low
+/- 15 dB @ 80 Hz
Controls Mono Mic and Line Input Channels
3-band EQ (High, Mid, Low) , AUX (DFX) Post , Channel Volume , Gain , pan
Phantom power
48 V DC switchable
Stereo Channels:
Stereo Line Input Channels
2
Stereo Line Input Connectors
6.3 mm TS
Stereo Line Input Type
unbalanced
Stereo Line Input Frequency Range
10 - 54000 Hz
Stereo Line Input Input THD-N
0.0045 %
Stereo Line Input Impedance
3,7k Ohm(s)
Stereo Line Input S/N Ratio
116 dB
Stereo channel equalizer treble
+/- 15 dB @ 12000 Hz
Stereo channel equalizer bass
+/- 15 dB @ 80 Hz
Controls Stereo Line Input Channels
2-band EQ (High,Low) , AUX (DFX) Post , Balance , Channel Volume
Main Section:
AUX / Effects Send Channels
1
AUX / Effects Send Connectors
6.3 mm stereo jack unbalanced
Stereo AUX Return Channels
1 x stereo
Stereo AUX Return Connectors
2 x 6.3 mm TRS
Stereo Tape Out Channel
1 x stereo
Stereo Tape Out Connectors
2 x RCA (Cinch)
Stereo Tape In Channel
1 x stereo
Stereo Tape In Connenctors
2 x RCA (Cinch)
Unbalanced stereo Main Outputs
1
Unbalanced stereo Main Output Connections
6.3 mm TRS
Unbalanced Stereo Main Out Impedance
120 Ohm(s)
Max. Unbalanced Stereo Main Out Level
+20 dBu
Stereo Control Room Out
1
Stereo Control Room Out Connectors
6.3 mm stereo jack unbalanced
Headphones ouput
1
Headphones outputs
6.3 mm TRS
Digital Effects Processor
Yes, 24-bit AD/DA Resolution
Number of Presets
16
Footswitch Connector DFX Mute
6.3 mm TRS
Main section controls
2-track Assignment (Main, Contr. Room) , 2-track In Volume , DFX Mute Schalter , DFX Presets , DFX To Main Volume , Master Volume , Phantom Power , Phones / Control Room Volume , Stereo Return Volume
Indicators
4-segment Level Meter , Channel Peak , DFX Peak / Mute , Phantom Power , Power
Operating voltage
18 V AC - 1 A, External PSU
Width
209 mm
Height
68 mm
Depth
260 mm
Weight
1,45 kg
Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
Frame sizes 8+2
2 configurable auxiliary buses
XLR-type and Ό� metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
Frame sizes 12+2
2 configurable auxiliary buses
XLR-type and Ό� metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 24 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 27kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.
Live 4-Bus Mixing Console
32 Input Channels (24 mono)
XLR Mic: 24 mono channels + 4 stereo channels
Frequency Response: 20Hz – 20kHz
Weight: 39.70 lbs (18.1kg)
Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
4 Stereo Line Inputs
24 Inserts
Large Illuminated Mute Switches
Stereo inserts
4 Groups with inserts
3-Band EQ with sweepable mids
6 Aux sends
Dual DSP with 100 digital multi-effects
2 Stereo aux return
USB I/O (from aux sends or main mix)
Input gain trim on each channel
24 dB Low cut filter at 75Hz
100mm faders
PFL switches
AFL switches
Phantom power switch (+ 48V)
Mono Out & LPF with sub-woofer containing variable frequency control
2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
Talkback mic input
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