Motu 24 AI SOUND CARD THUNDERBOLT

Whether you're recording in the studio, taking direct output feeds off of an analog mixer, or capturing audio onstage, the MOTU 24Ai USB 2.0 audio interface gives you the high channel count and low latency you need. Like the rest of MOTU's popular AVB-equipped audio interfaces, the 24Ai lets you send a ton of audio across a standard network.

The internal mixer also includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional 24 channels of ADAT optical I/O, you can easily expand the capabilities of your MOTU 24Ai.

• Tons of high-quality connections packed into a single-rackspace audio interface

• DSP-fueled mixer onboard gives you the added benefit of EQ, compression, and effects

• Expand your production system with additional AVB networkable audio interfaces

It doesn't matter if you prefer DB-25 D-subs or Phoenix plugs, the MOTU 24Ai makes connecting up to 24 analog line channels a piece of cake. With so many high-quality inputs packed into a single rack space, the A24i is idea for taking direct outputs off of an analog mixing console or capturing signal onstage in a live environment. What's more, there are three pairs of ADAT optical ports onboard, offering an additional 24 channels of digital I/O via USB 2.0 or AVB network.

The MOTU 24Ai's onboard DSP mixer offers a number of advantages you'll find useful in a variety of settings. For starters, this digital mixer supports up to 48 inputs and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer.

In fact, if you connect a wireless router to your 24Ai, you can access all of its internal mixing functions, including effects and processing, via an app on your iOS device, turning this powerful audio interface into a fully capable standalone mixer. Speaking of onboard processing and effects, whether you're in the studio or onstage with your 24Ai, you'll find a ton of uses for its DSP EQ, compression, gate, and reverb.

Another extremely cool use of the 24Ai's Ethernet connection is the ability to link more MOTU AVB equipped audio interfaces to it. You can do this in one of two ways: directly via a simple Ethernet cable or as part of an audio network via one or more MOTU AVB Switch.

If you go with just a single Ethernet cable, you can easily link a second 24Ai or other AVB ready device directly to your first one. With MOTU AVB Switches, you can create an audio network of up to five units, potentially linking hundreds of channels of I/O across multiple rooms. And since it's all over standard Cat-5e Ethernet cable, latency or cable runs aren't any kind of issue.

Features:

• A versatile 48-in/24-out network audio interface for studio and live sound applications

• Choose from ultra-low-latency AVB ethernet or high-speed USB 2.0 computer connectivity

• 24 high-quality analog inputs are available on both DB-25 D-sub connectors and Phoenix connectors

• 24-channels of ADAT optical digital I/O lets you expand your system with additional gear

• Onboard 32-bit floating point DSP-driven digital mixer with EQ, dynamics, and effects provides latency-free routing

• Hook up a wireless router and take complete control of the onboard mixer from your iOS device - no computer needed!

• AVB audio networking lets you easily expand your system and additional AVB equipped audio interfaces

• Create an AVB network via optional AVB Switches for support for up to five compatible interfaces

Yamaha AUDIOGRAM3 Computer Recording System Specifications:

• Mic/Hi-Z input: 1
• Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
• Combo Connectors: 1
• Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
• USB Connector: To Host x 1
• Headphone connector: Stereo Phone connector x 1
• Stereo Out connector: Phone connector x 2 (L, R)
• Power Supply: USB powered
• Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
• Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
  
  System Requirements
• Windows Vista
• Windows-based computer with built-in USB interface
• OS: Windows Vista
• CPU: 1GHz or better Intel Core / Pentium / Celeron processor
• Memory: More than 1GB
  
  Windows XP
• Windows-based computer with built-in USB interface
• OS: Windows XP Professional / XP Home Edition
• CPU: 750MHz or better Intel Core / Pentium / Celeron processor
• Memory: More than 128MB
  
  Macintosh
• Macintosh computer with built-in USB interface
• OS: Mac OS X 10.3.3 or higher
• CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
• Memory: More than 128MB
  
  Cubase AI4 System Requirements:
• 
  
• Windows
• OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
• CPU: Intel Pentium 1.4GHz or better
• Available Memory: More than 512MB
• Hard Disk: Free disk space of 1GB or more
• Audio Interface: Windows DirectX / ASIO compatible
  
  Macintosh
• OS: Mac OS X 10.4 or higher
• CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
• Available Memory: More than 512MB
• Hard Disk: Free disk space of 1GB or more

UA-20: Audio Capture USB Audio/MIDI Interface Features

The UA-20 is the standard model to Edirol's rapidly expanding UA series of USB Audio Capture devices. The unit can accept input from Mic, Line and even guitar level signals. The audio is converted at 24-bit quality and is transferred to your computer via industry standard low latency WDM, ASIO, MME drivers for compatibility with all major sequencing platforms, the input signal may be also monitored directly in hardware. Outputs include analogue, digital and headphone. The built-in MIDI in and out utilize Edirol's Fast Processing Technology for super accurate MIDI timing with any sequencing software on Mac or PC platforms and can be used with both OMS or FreeMIDI drivers on the Apple Macintosh. The UA-20 requires no external power supply and is ideal for use by mobile laptop or Powerbook users. The unit ships with drivers for Windows XP, 2000, Me, 98, MacOS X, and Mac OS 9.x, 8.5 and may also be used with the native USB audio drivers that are included with both Mac & PC.

• Audio and MIDI in a compact unit.
• Fully equipped with I/O jacks.
• Great tool for creating music.
• Edirol's FPT Technology.

Behringer UFO202 USB Audio Interface

Features

Compact and Versatile

48kHz Precision

Audacity Audio Editor Software

Specifications

• Input Connector: RCA, Unbalanced
• Input Impedance: Approx. 27kΩ
• Maximum Input Level: 2dBV
• Output Connector: RCA, Unbalanced
• Output Impedance: Approx. 400Ω
• Maximum Output Level: 2dBV
• Digital Output: Toslink, Optical
• Digital Output Format: S/PDIF
• USB: Type A
• Converter: 16-Bit
• Sample Rate: 32kHz, 44.1kHz, 48kHz
• Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
  • 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
• Crosstalk: -77dB @ 0dBV, 1kHz
• Power Supply: USB, 5V 100mA Maximum
• Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
• Weight: 0.10kg

• Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
• CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
• 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
• Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
• Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
• Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
• CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
• Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
• “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
• Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
• Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
• Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
• Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
• Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
• Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
• Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
• Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
• Expandable — add additional interfaces for more I/O as your needs grow.
• Separate TRS main outs with front panel volume control.
• Stereo 24-bit 96kHz S/PDIF in/out.
• Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
• 100% compatible with all host-based effects processing in today's popular audio programs.
• Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
• Plug-and-play operation with your Mac or PC via FireWire or USB2.
• Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
• Front panel headphone jack with volume control.
• Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
• Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.