Whether you’re recording in the studio, taking direct output feeds off of an analog mixer, or using it live onstage, the MOTU Ultralite AVB gives you the flexibility and low latency you need. Like the rest of MOTU’s popular AVB-equipped audio interfaces, the Ultralite AVB lets you send and receive analog and digital audio across […]
Whether you’re recording in the studio, taking direct output feeds off of an analog mixer, or using it live onstage, the MOTU Ultralite AVB gives you the flexibility and low latency you need. Like the rest of MOTU’s popular AVB-equipped audio interfaces, the Ultralite AVB lets you send and receive analog and digital audio across a standard network. The internal mixer also includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional optical I/O, you can easily expand the capabilities of your MOTU Ultralite AVB.
Versatile I/O for the flexibility you need
Powerful built-in effects and routing
Imagine the possibilities with AVB expansion
The Ultralite AVB follows this legacy without fail, packing plenty of great-sounding inputs and outputs into a fantastically affordable mobile unit. This includes a 10-in/6-out analog I/O with two stellar microphone preamps, two HiZ guitar inputs, and a 117dB dynamic range that stands up to some of the most impressive gear on the market. On top of that, the Ultralite AVB offers you digital inputs via optical I/O and MIDI in and out for your keyboard or other MIDI controllers.
The onboard DSP mixer offers a number of advantages you’ll find useful in a variety of settings, such as when you’re connected via USB or using the Ultralite AVB in a standalone format. This digital mixer supports up to 48 inputs (via AVB expansion) and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer.
In fact, if you connect a wireless router to your Ultralite AVB, you can access all of its internal mixing functions via an app on your iOS device or any device connected to your WiFi network, turning this powerful audio interface into a fully capable standalone mixer.
Speaking of onboard processing and effects, whether you’re in the studio or onstage with your Ultralite AVB, you’ll find a ton of uses for its DSP EQ, compression, gate, and reverb including the built-in accurate model of the legendary LA-2A optical compressor which provides vintage, musical automatic gain control.
Χαρακτηριστικά:
18 x 18 audio interface with 36 simultaneous audio channels
Analog I/O includes 2 mic inputs, 2 guitar inputs, 6 line inputs
8 line outs including dedicated main left and right outputs
Convenient front panel headphone output with its own volume knob
Optical I/O gives you 8 channels of digital input and output
48-channel DSP-fueled onboard mixer gives you the added benefit of EQ, compression, and effects
Web app control from any device with CueMix
Onboard effects processing gives you vintage-modeled reverb, an LA-2A compressor, and British analog console EQs
Flexible matrix routing and splitting lets you send any input to any output
Mixer lets you control routing to and from your computer plus other networked AVB devices
Includes AudioDesk recording software for Mac and Windows
Weight
2.00 kg
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Whether you're recording in the studio, taking direct output feeds off of an analog mixer, or using it live onstage, the MOTU Ultralite AVB gives you the flexibility and low latency you need. Like the rest of MOTU's popular AVB-equipped audio interfaces, the Ultralite AVB lets you send and receive analog and digital audio across a standard network. The internal mixer also includes all kinds of DSP processing, summing, and routing options too, and between its high-speed USB 2.0 connectivity and additional optical I/O, you can easily expand the capabilities of your MOTU Ultralite AVB.
Versatile I/O for the flexibility you need
Powerful built-in effects and routing
Imagine the possibilities with AVB expansion
The Ultralite AVB follows this legacy without fail, packing plenty of great-sounding inputs and outputs into a fantastically affordable mobile unit. This includes a 10-in/6-out analog I/O with two stellar microphone preamps, two HiZ guitar inputs, and a 117dB dynamic range that stands up to some of the most impressive gear on the market. On top of that, the Ultralite AVB offers you digital inputs via optical I/O and MIDI in and out for your keyboard or other MIDI controllers.
The onboard DSP mixer offers a number of advantages you'll find useful in a variety of settings, such as when you're connected via USB or using the Ultralite AVB in a standalone format. This digital mixer supports up to 48 inputs (via AVB expansion) and 12 stereo busses, allowing you to set up extremely complex routing schemes completely independent of your computer.
In fact, if you connect a wireless router to your Ultralite AVB, you can access all of its internal mixing functions via an app on your iOS device or any device connected to your WiFi network, turning this powerful audio interface into a fully capable standalone mixer.
Speaking of onboard processing and effects, whether you're in the studio or onstage with your Ultralite AVB, you'll find a ton of uses for its DSP EQ, compression, gate, and reverb including the built-in accurate model of the legendary LA-2A optical compressor which provides vintage, musical automatic gain control.
Χαρακτηριστικά:
18 x 18 audio interface with 36 simultaneous audio channels
Analog I/O includes 2 mic inputs, 2 guitar inputs, 6 line inputs
8 line outs including dedicated main left and right outputs
Convenient front panel headphone output with its own volume knob
Optical I/O gives you 8 channels of digital input and output
48-channel DSP-fueled onboard mixer gives you the added benefit of EQ, compression, and effects
Web app control from any device with CueMix
Onboard effects processing gives you vintage-modeled reverb, an LA-2A compressor, and British analog console EQs
Flexible matrix routing and splitting lets you send any input to any output
Mixer lets you control routing to and from your computer plus other networked AVB devices
Includes AudioDesk recording software for Mac and Windows
The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:
The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.
SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.
With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.
SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.
SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.
Recommended System Requirements:
* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit) * Processor Speed: Intel Core 2 Duo 2GHz or higher * RAM: 3 GB for 40 Channel Recording * Ethernet Port Speed: Gigabit Ethernet/CAT5e Only * Graphics: 1280 x 960, 24-bit color or higher * Audio Hard Drive Size: 30 GB * Audio Hard Disk Type: RAID 0 with (2) SATA drives * Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R * Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW * Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional) * Other Software: Adobe Acrobat
The all new 896mk3 FireWire audio interface delivers high-end performance, superb sound, innovative new features and enhanced standard features that remain unique.
The 896mk3 provides eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.
The 896mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.
Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb™ with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control.
MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.
When recording from the mic/guitar inputs, the 896mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.
After programming the on-board mixing in the studio, unplug the 896mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.
The 896mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.
Yamaha AUDIOGRAM3 Computer Recording System Specifications:
Mic/Hi-Z input: 1
Audio Format: USB AUDIO 1.1, 16bit/44.1kHz
Combo Connectors: 1
Stereo In connectors: Phone connector x 2 (L/MONO x 2, R x 2)
USB Connector: To Host x 1
Headphone connector: Stereo Phone connector x 1
Stereo Out connector: Phone connector x 2 (L, R)
Power Supply: USB powered
Dimensions (W x H x D): 180 mm x 61 mm x 112 mm (7-1/8" x 2-3/8" x 4-3/8“)
Accessories: CUBASE AI DVD, Owner's Manual, USB Cable
System Requirements
Windows Vista
Windows-based computer with built-in USB interface
CPU: Intel CPU / Macintosh G3 processor 300 MHz or better
Memory: More than 128MB
Cubase AI4 System Requirements:
Windows
OS: Windows XP Professional SP1 / XP Home Edition SP1 / Windows Vista (32-bit)
CPU: Intel Pentium 1.4GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
Audio Interface: Windows DirectX / ASIO compatible
Macintosh
OS: Mac OS X 10.4 or higher
CPU: Power Mac G4 1GHz or Core Solo 1.5GHz or better
Available Memory: More than 512MB
Hard Disk: Free disk space of 1GB or more
Features:
USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out
Technical Specifications
Microphone Inputs: Female XLR Pin 2 Hot
Input Impedance: 3kΩ balanced
Phantom Power: +48 Volts
Maximum gain: +58 dB
E.I.N. (at max gain): -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level: +21 dBu at minimum gain
Frequency Response: +0/-1 dB, 20Hz - 20kHz
THD+N: +18 dBu maximum
Impedance: 32Ω Balanced, 16Ω Unbalanced
Headphone Output: 1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface: 5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate: 44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range: A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements: 12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU
8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
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