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With the TLM 102, the Berlin microphone manufacturer Neumann is defining a new generation of studio microphones. This applies not only to the design of the microphone but also to the price.
The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.
The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB which permits the recording of percussion, drums, amps and other very loud sound sources, for example. However the most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix.
| A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
Type |
Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone |
Polar pattern |
Cardioid, omnidirectional, figure-eight |
Frequency range |
20 to 20,000 Hz |
Sensitivity |
28 mV/Pa (-31 dBV) |
Max. SPL |
135/155 dB SPL (0/-20 dB) for 0.5% THD |
Equivalent noise level |
16 dB-A (IEC 60268-4) |
Signal/noise ratio (A-weighted) |
78 dB |
Preattenuation pad |
0 dB, -20 dB |
Bass filter |
12 dB/octave, 300 Hz |
Impedance |
=1000 ohms |
Current consumption |
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NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range: 20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery: 2.6 kg
| Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
- Professional large-diaphragm condenser microphone for unsurpassed audio quality
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Gold-plated 3-pin XLR output connector for perfect signal transmission
- Ultra-rugged construction with die-cast body
- Swivel stand mount and carrying case included
Operating Principle |
Pressure Gradient |
Capsule |
Condenser |
Diaphragm |
0.63" / 16.0 mm |
Polar Pattern |
Cardioid |
Performance
Frequency Range |
40 Hz to 20 kHz |
Maximum SPL |
136 dB SPL |
Impedance |
100 Ohms |
Load Impedance |
1000 Ohms |
Sensitivity |
-33 dB |
THD |
1% |
Connectivity
Output Connectors (Analog) |
1 x XLR 3-Pin |
Power
Operating Voltage |
36 to 52 V |
Operating Current Consumption |
2.5 µA |
Physical
0.93 lb / 0.42 kg
Dimensions |
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm |
Weight |
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| AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish |
Large diaphragm cardioid microphone | Pressure gradient transducer with with one-diaphragm capsule | Transformerless circuitry | Extremely low noise: 7 dB-A | Includes swivel mount | Straightforward handling for homerecording and professional studios |
High-quality professional equipment for limited budgets
Acoustical operating principle | Pressure gradient transducer | Directional pattern | Cardioid | Frequency range | 20 Hz ... 20 kHz | Sensitivity at 1 kHz into 1 kohm | 23 mV/Pa | Rated impedance | 50 ohms | Rated load impedance | 1 kohms | Equivalent noise level, CCIR1) | 17.5 dB | Equivalent noise level, A-weighted1) | 7 dB-A | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 76.5 dB | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 87 dB | Maximum SPL for THD 0.5%2) | 138 dB | Maximum output voltage | 13 dBu | Dynamic range of the microphone amplifier (A-weighted) | 131 dB | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | Current consumption (P48, IEC 61938) | 3 mA | Matching connector | XLR3F | Weight | approx. 450 g | Diameter | 60 mm | Length | 132 mm |
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