| Content |
| Large diaphragm cardioid microphone | | Pressure gradient transducer with with one-diaphragm capsule | | Transformerless circuitry | | Extremely low noise: 7 dB-A | | Includes swivel mount | | Straightforward handling for homerecording and professional studios | |
High-quality professional equipment for limited budgets
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Cardioid | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 23 mV/Pa | | Rated impedance | 50 ohms | | Rated load impedance | 1 kohms | | Equivalent noise level, CCIR1) | 17.5 dB | | Equivalent noise level, A-weighted1) | 7 dB-A | | Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) | 76.5 dB | | Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) | 87 dB | | Maximum SPL for THD 0.5%2) | 138 dB | | Maximum output voltage | 13 dBu | | Dynamic range of the microphone amplifier (A-weighted) | 131 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 3 mA | | Matching connector | XLR3F | | Weight | approx. 450 g | | Diameter | 60 mm | | Length | 132 mm |
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| A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
- Back-to-back large-diaphragm multi-pattern transducer
- True condenser technology
- High sensitivity and 155 dB maximum SPL capability
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary, pristine AKG sound quality
- Complete with spider-type shock mount and aluminium carrying case
| Type |
Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphone |
| Polar pattern |
Cardioid, omnidirectional, figure-eight |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
28 mV/Pa (-31 dBV) |
| Max. SPL |
135/155 dB SPL (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave, 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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| Variable large diaphragm microphone | | Pressure-gradient transducer with double membrane capsule | | The studio microphone classic | | Three directional characteristics: omni, cardioid, figure-8 | | Switchable low frequency roll-off | | Switchable 10 dB pre-attenuation | |
Ideal as main and as support microphone in the most differing recording situations
| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, cardioid, figure-8 plus | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 20/28/22 mV/Pa1) | | Rated impedance | 200 ohms | | Rated load impedance | 1 kohms | | Equivalent noise level, CCIR2) | 26/23/25 dB1) | | Equivalent noise level, A-weighted2) | 15/12/14 dB-A1) | | Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL) | 68/71/69 dB1) | | Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL) | 79/82/80 dB1) | | Maximum SPL for THD 0.5%3) | 117 dB (cardioid) | | Maximum SPL for THD 0.5% with preattenuation3) | 127 dB | | Maximum output voltage | 390 mV | | Dynamic range of the microphone amplifier (A-weighted) | 105 dB | | Supply voltage (P48, IEC 61938) | 48 V ± 4 V | | Current consumption (P48, IEC 61938) | 0.8 mA | | Matching connectors | XLR3F | | Weight | 500 g | | Diameter | 56 mm | | Length | 200 mm |
| | Behringer C-2 2 Matched Studio Condenser Microphones
2 Matched Studio Condenser Microphones
- 2 matched condenser microphones for stereo studio recording and live applications
- Ideal as main and support microphones for studio and live applications
- Cardioid pickup pattern for effective feedback elimination
- Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
- Switchable low-frequency roll-off and input attenuation
- Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program. |
The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.
Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.
The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.
Applications.
studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic
Specifications
Type: True Condenser
Polar Pattern(s): Cardioid , Omni , Figure 8
Capsule: Dual-sided 35mm center-terminated gold-sputter Mylar (6 micron)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance: | Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of. |
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