| Content | The PPC112 is one of the most popular 1x12 cabinets on the market today, and with good reason. Its closed-back, 18mm birch plywood enclosure is slightly bigger than a conventional 1x12. This gives the PPC112 a greater internal volume for a fatter tone with excellent projection. Housing a single Celestion Vintage 30 speaker, the cabinet also features our unique skid runners on the base to acoustically couple the cabinets to the stage to improve low end responsiveness. For lower wattage heads like our Terror Series or the OR15, the PPC112 is an excellent choice. | Marshall 1960B at a Glance:
- Incredibly flexible 4x12 straight cab
- Well-Focused and Uncluttered Sound
- Offers that low-end thump.
- Sonically speaking, nothing compares to a Marshall amp
- Rugged and ready for the road
The Ultimate in Flexibility
To ensure the ultimate in flexibility, the 1960A (angled) and the 1960B (straight), is switchable between Mono (4 or 16 Ohms) and Stereo (8 Ohms per side). The two Mono impedance options provide extra amp matching capability while the cabinets' stereo capability makes them ideal for rack systems which typically run in stereo.
Clear and True
The 1960B produces a loud, well-focused and uncluttered sound with a tight, full low end and a crisp, clear top. It projects well across the guitar's entire tonal range and its clarity makes it ideal for players who like using a fair amount of effects such as reverb, chorus or delay as it doesn't "mask" or "muddy-up" such FX. Its all-around versatility and relatively "uncolored" nature makes this one of Marshall's best selling cab. It represents the sound of the guitar and head most accurately.
The Marshall 1960 cabinets are the best selling amp cabinets in the world and are standard on stages everywhere for their sound and rugged construction. While not complicated electronically, the effects of their materials, construction and speakers make the 1960s the choice of players everywhere and have made them the industry standard to this day.
Offers That Low-End Thump
B (Base) cabinets offer some sonic differences. A straight cab sounds more focused and has more low-end thump. The additional size gives the cabinet a lower resonant frequency for more low-end. All speakers facing the same direction gives a more focused sound. Many players prefer to use only the B cabs, even when they are on stage with a full stack. Zakk Wylde (Ozzy's guitarist) uses only the B cabs because of the tighter low end and because (believe it or not) he values his hearing and the sound from the B cab doesn't hit him directly in the head.
Sonically Superior
The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed rock and roll history in a stack!
Ready For Your Gig - Wherever That Might Be!
Roadworthiness is a vital prerequisite in the world of relentless touring and as Marshall's 40 years of cabinet building attests, Marshall cabinets are definitely built to stand the test of time! Their highly skilled craftsmen construct these 4x12s from the finest materials available - 15mm birch plywood with precision 'finger locked' (comb) joints, tough cotton backed PVC covering, heavy duty hardware and the highest quality fittings.
Weighing in at around 80 lbs, the JCM1960B is made of 15mm birch plywood (except for the back panel, which is medium density fiberboard) and built for tone, projection, and durability. The majority of cabinet construction is done by hand.
Marshall 1960B Features:
- 300W 4x12 straight 4/16 ohm, mono- 8 ohm stereo.
- 4 x 75 Watt 'G12T-75' speakers (1960B/B).
- Black grille cloth / white piping
- Large white logo
- Black elephant grain vinyl
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Marshall 1960BV 300W 4x12'' Guitar Speaker Cabinet
Nothing personifies the image of rock 'n' roll more completely than a wall of Marshall stacks. Though often imitated, nothing compares to the original. The 1960BV is the straight version that features 4 Marshall/Celestion Vintage speakers and is the perfect addition to your stage or recording rig! It's ideal for players who appreciate a lot of low end, without all the boomyness.
Marshall 1960BV at a Glance:
- Incredibly flexible 4x12 straight cab
- Low End That Never Gets Boomy
- Slightly brighter sound than a straight cab
- Sonically speaking, nothing compares to a Marshall amp
- Rugged and ready for the road
The Ultimate in Flexibility
To ensure the ultimate in flexibility, the 1960A (angled) and the 1960B (straight), is switchable between Mono (4 or 16 Ohms) and Stereo (8 Ohms per side). The two Mono impedance options provide extra amp matching capability while the cabinets' stereo capability makes them ideal for rack systems which typically run in stereo.
Low End That Never Gets Boomy
This has a thicker, warmer sound than the 1960A with a fat, well-defined midrange and a rounded high end that sparkles nicely while not being overly bright. It also has a good low end "chunk" which never gets "boomy.“
Offers That Low-End Thump
B (Base) cabinets offer some sonic differences. A straight cab sounds more focused and has more low-end thump. The additional size gives the cabinet a lower resonant frequency for more low-end. All speakers facing the same direction gives a more focused sound. Many players prefer to use only the B cabs, even when they are on stage with a full stack. Zakk Wylde (Ozzy's guitarist) uses only the B cabs because of the tighter low end and because (believe it or not) he values his hearing and the sound from the B cab doesn't hit him directly in the head.
Sonically Superior
The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed rock and roll history in a stack!
Ready For Your Gig - Wherever That Might Be!
Roadworthiness is a vital prerequisite in the world of relentless touring and as Marshall's 40 years of cabinet building attests, Marshall cabinets are definitely built to stand the test of time! Their highly skilled craftsmen construct these 4x12s from the finest materials available - 15mm birch plywood with precision 'finger locked' (comb) joints, tough cotton backed PVC covering, heavy duty hardware and the highest quality fittings.
Weighing in at around 80 lbs, the JCM1960BV is made of 15mm birch plywood (except for the back panel, which is medium density fiberboard) and built for tone, projection, and durability. The majority of cabinet construction is done by hand.
Marshall 1960BV Features:
- 300W 4x12 straight 4/16 ohm, mono; 8 ohm stereo.
- The extra warm sounding Marshall/Celestion "Vintage" speaker - rated at 70 watts each - (1960BV/BV)
- Black grille cloth / white piping
- Large white logo
- Black elephant grain vinyl
| Featuring two Celestion Vintage 30 speakers, the PPC212 is in essence our classic 4×12 slashed in half. The large internal volume of the sealed enclosure makes the PPC212 ideal for players looking for the the fattest possible tone when a 4×12″ would be too large. Many players choose to stack two PPC212 cabs for ease of load-in, also giving them the flexibility of using just one for smaller venues. Made in England from high density 13 ply 18mm Baltic birch plywood, the PPC212 is fitted with steel hardware to withstand the rigours of the road. Our unique skid runners fitted to the base helps to acoustically couple our cabinets to the stage for a fuller low end response.
| Power: |
120 Watts |
| Drivers: |
2 X 12? CELESTION VINTAGE 30 |
| Dimensions ( W x H x D ): |
53 X 78 X 38 cm |
| Weight: |
28 Kg |
| Info
150W 2x12" Mono / 75W + 75W Stereo Cabinet. | The Vox V412BK features 4 specially voiced, custom designed 12 in. Vox speakers in a road worthy closed-back cabinet for maximum tone and projection. With 4 30-watt/8-ohm speakers, the V412BK cab is a perfect match for the AD100VTH 100-Watt head. And with its sturdy construction, rugged good looks and high, sound pressure level capabilities, it's also an ideal choice for teaming up with any other tube, solid-state or hybrid head. |
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