Tremolo is an indispensable effect for the electric guitar that has never lost popularity since its inception almost 70 years ago. The Palmer Pocket Tremolo produces a vibrant volume modulation of the classic vintage effect as well as modern helicopter sounds. Speed and Intensity of the tremolo effect can be widely adjusted with the provided […]
Tremolo is an indispensable effect for the electric guitar that has never lost popularity since its inception almost 70 years ago. The Palmer Pocket Tremolo produces a vibrant volume modulation of the classic vintage effect as well as modern helicopter sounds. Speed and Intensity of the tremolo effect can be widely adjusted with the provided controllers, the Shape controller selects the type of modulation ranging from the smooth ups and downs of the sine wave, to the sharp on and off of the square wave.
It is powered by an external 9 Volt power pack (hollow plug with a negative internal contact) such as the Palmer PW9V, or alternatively by a 9 Volt block battery.
Product Type: effects pedal
Type: guitar effects
Number of Inputs: 1
Input Connections: 6.3 mm jack
Input Impedance: 1 M ohm
Number of Outputs: 1
Output Connections: 6.3 mm jack
Output Impedance: 100 k ohms
Intrinsic Noise: – 85 dB
Controllers: Speed, Intensity, Shape
Indicators: On/Off
Power Supply: power supply 9 V DC, 9 V battery
Power Consumption: 20 mA
Housing Material: sheet steel
Housing Surface: powder coated
Dimensions (W x H x D): 60 mm x 55 mm x 100 mm
Weight
1.00 kg
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Tremolo is an indispensable effect for the electric guitar that has never lost popularity since its inception almost 70 years ago. The Palmer Pocket Tremolo produces a vibrant volume modulation of the classic vintage effect as well as modern helicopter sounds. Speed and Intensity of the tremolo effect can be widely adjusted with the provided controllers, the Shape controller selects the type of modulation ranging from the smooth ups and downs of the sine wave, to the sharp on and off of the square wave.
It is powered by an external 9 Volt power pack (hollow plug with a negative internal contact) such as the Palmer PW9V, or alternatively by a 9 Volt block battery.
Product Type: effects pedal
Type: guitar effects
Number of Inputs: 1
Input Connections: 6.3 mm jack
Input Impedance: 1 M ohm
Number of Outputs: 1
Output Connections: 6.3 mm jack
Output Impedance: 100 k ohms
Intrinsic Noise: - 85 dB
Controllers: Speed, Intensity, Shape
Indicators: On/Off
Power Supply: power supply 9 V DC, 9 V battery
Power Consumption: 20 mA
Housing Material: sheet steel
Housing Surface: powder coated
Dimensions (W x H x D): 60 mm x 55 mm x 100 mm
Tame your tone with the new Snake Charmer Compressor. The result? Silky smooth, mesmerizing tone that behaves as it should. The Snake Charmerʼs compression affects the ratio and threshold of the signal, smoothing out peaks and spikes. At the same time, the Snake Charmer also increases the Gain level to complement the corresponding ratio and threshold settings so that the overall gain remains constant.
Thereʼs also a Gain Reduction Indicator that gives you visual cues of the results of your settings. And a High/Low Switch lets you choose between two overall levels of ratio. The Snake Charmer is equipped with other controls for Attack, which determines how quickly the gain reduction kicks in, and Release, which determines how long the gain is attenuated. Finally, the High-End Emphasis control fine-tunes the amount of compression applied to the top end of the guitar signal.
Power Supply: Four AA alkaline batteries or DC9V AC adapter
Battery Life: Approx. 18 hours
Current Consumption: 95 mA
Dimensions: 168.5 (W) x 155.5 (D) x 64.0 (H) mm / 6.63” (W) x 6.12” (D) x 2.52” (H)
Weight: 1,007 g (excluding batteries / 1,102 g including batteries)
Included Items: Four AA alkaline batteries
The Marshall EH-1 ECHOHEAD Guitar Effect Pedal, Echo/Delay. Add dense rhythmic textures to your sound.
The Marshall EH-1 ECHOHEAD recreates six different delay effects for you to explore, from crystal-clear echoes to hypnotic reverse delays via the vintage whir of a retro tape machine. Create pulsing tones from your guitar rig and add dense rhythmic textures to your sound. The EH-1 Echohead features a maximum delay time of 2000ms, stereo outputs and a tap tempo delay imput. The EH1 Echohead dual outputs offer the choice of using a passive bypass for the main signal path to ensure complete tonal integrity or to allow your pedal to spill over, permitting your echo to naturally die away.
The main features of the Marshall EH-1 ECHOHEAD include:
6 different, high quality delay effects for you to explore
Multi-mode selector switch
Delay time control
Feedback control
Level control
Solid metal casing
Passive bypass
Tap tempo pedal input
Power: 9V DC Centre Negative Regulated PSU or PP3 battery
Vintage BOSS phasing effects including 4-, 8-, 10-, and 12-stage phasers, plus new "Rise" and "Fall" effects for unidirectional phasing. Tap tempo sync or realtime control of rate via an Expression/Pedal input.
Nominal Input Level
-20 dBu
Input Impedance
1 M ohms
Nominal Output Level
-20 dBu
Output Impedance
1 k ohms
Recommended Load Impedance
10 k ohms or greater
Residual Noise Level
-92 dBu (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack, EXP/CTL Jack, AC Adaptor Jack (DC 9 V)
Power Supply
DC 9 V: Dry Battery 9 V type (6F22/9 V), AC Adaptor
Current Draw
50 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Options
AC Adaptor (PSA-Series), Expression Pedal (Roland EV-5), Footswitch (FS-5U)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
420 g
0 lbs. 15 oz.
VINTAGE TUBE OVERDRIVE TO800
What's bright green and goes from 1 to 11 as fast as you can step on the “On” switch? It’s the very essence of rock ‘n’ roll, our screaming-hot VINTAGE TUBE OVERDRIVE TO800 effects pedal! The classic sound of blazing, overdriven vacuum tubes never goes out of style, and they’re at your command – when you have the VINTAGE TUBE OVERDRIVE TO800 in your effects chain
Vintage Tube-Like Tone
In order to recreate the sound of real-tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock’s most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.
Ease of Use
Dedicated Drive, Tone and Level controls let you shape the exact sound you want. The status LED tells you when this pedal is activated, and the top-quality on/off switch provides the highest signal integrity in bypass mode. You can power the TO800 via a 9 V battery or our PSU-SB DC power supply (not included).
Get vintage overdrive, smooth sustain and screaming fat tone
Perfect for guitar; great for bass and keyboards, too
Uses original 4558 IC plus MA150 distortion diodes for authentic vintage sound
Captures every nuance of your playing from smooth overdrive to screaming tube sounds
Dedicated Drive, Tone and Level controls for awesome sound shaping
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
Rugged electronic On/Off switch for noise-free operation
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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User's Manual
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