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Passive 4-channel DI BOX in a 19" housing. Each channel has a jack input with a parallel output for looping the signal through. An attenuation switch (-30dB) permits connection of a line or speaker signal at the user's choice. The specifications are identical with those of the PAN 01. All connections and switches are on the 1 U front panel; the XLR output is additionally present as a parallel socket on the rear panel. 19“/1 U housing, 90 mm deep.
Features: - Trafosymetric XLR Output
- Input Sensitivity Adjustable
- Input Impedance: 68,000 ohms
- Output Impedance: 600 ohms
- Transformer Ratio: 10 : 1
- Maximum Output: +6 dB
- Ground lift switch
- 19“/1 U Housing, 90 mm deep
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2-channel DI box/splitter, passive Converts 2 separate unbalanced line inputs (e.g. instruments) into 2 balanced XLR outputs for connecting a mixer Switchable to split mode (input 1 routes the signal to both outputs) Switchable input attenuation: 0 dB, -20 dB, -40 dB Ground-lift switch eliminates ground loop problems 2 signal inputs via XLR/jack combo connectors 2 low-impedance XLR outputs Modern convex housing design Full rubber housing corners for safe operation Cables can be routed under the housing |
Active DI-Box SM-60
The electronic Direct-Injection Box SM-60 allows direct connection of electronic
music instruments such as keyboards, synthesizers, electric and electronic pianos,
etc. with mixing consoles in PA-systems and in recording studios.
The SM-6 is designed for applications, where a passive DI-Box does not perfom
satisfactorily, i.e., where the output level of a passive DI-Box is too low for the microphone
input section of the mixing desk.
Because the input impedance of the SM-6 is above 5 MOhm, instrument outputs are
not loaded or in any other way adversely affected. The voltage ratio from input to output
is 1: 1 and is always sufficient for connection with any microphone input. Input connectors
are 1/4" phone jacks, output connector is a Switchcraft D3M; output is 600 Ohms,
transformer balanced. The output level may in certain cases overload microphone inputs -
the line input section of the mixing console must then be used for connecting the SM-6.
The unit operates with a 9 V battery or phantom powering from 24 to 48 volts.
Technical Data
input impedance > 5 MOhm
max. input impedance + 6 dBu, 1,55V
ouptut impedance 600 Ohm
frequency response 20 ... 20000 Hz, ± 0,2 dB
gain 1 : 1
THD < 1 % at 30 Hz
< 0,7 % bei 40 Hz
powering 9-V battery (IEC 6LF22) or
phantom power 24 ... 48 V.
inputs two 1/4" phone jacks , unbalanced
(one being used as output to instruments amp)
outputs XLR, balanced
pin 1 = ground, pin 2 = hot, pin 3 = cold
case aluminium die-cast
weight 240 g
dimensions 113 x 71 x 37 mm |
You're serious about getting rid of all that excess noise on stage, but you've got so many line
instruments you don't know where to start. The ADB-4 from Stewart can take care of all your
high impedance problems. The ADB-4 is 4 active direct boxes, all in a module that only takes
up half a space on your keyboard rack. It's a rugged, durable piece of equipment that packs a
lot of DI power.
? Requires phantom power or 9v battery
? Ground lift switch
? Instrument or speaker level switch
? Transformerless
? Can be used with amp up to 400w
? RF shielding | With added functionality and enhanced audio performance, the AR-133 has been
designed to be more affordable for musicians, studios and PA companies.
The unit includes phantom power and battery supplies as standard. Should the
phantom power from the console fail or be accidentally switched off, the AR-133
automatically switches over to the internal 9V battery providing uninterrupted use.
The unit is housed in a rugged aluminium extrusion case, with robust polyurethane
end-cheeks which give the AR-133 a very distinctive look.
Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning
that the AR-133 can be used to convert unbalanced signals to a balanced output on
XLRs throughout.
The arched case allows cables to run back underneath the unit from the end for neat
cable management.
Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or
amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick
solutions to ground-loop problems.
The AR-133 uses an enhanced version of the same audio path as the AR-116, now
regarded by many people as a reference standard. The sound quality is legendary,
particularly on acoustic and bass guitars.
Numerous applications can be satisfied by the AR-133. For example, as well as the
traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier
outputs, and other electronic sources.An additional bonus is the ability to use the AR-133
as an active balancing device.
Input Section
Input Impedance 1M Ohm (pad at 0dB)
47k Ohm (pad at -20dB)
47k Ohm (pad at -40dB)
Max Input Level +9dBu (pad at 0dB)
+29dBu (pad at -20dB)
+49dBu (pad at -40dB)
Connectors Two Parallel 1/4" jack connectors and a parallel
XLR connector (unbalanced)
Jack: Tip Hot (+ve)
Sleeve Ground
XLR: Pin 2 Hot (+ve)
Pin 1 & 3 Ground
Output Section
Output Transformer Balanced
Max. Output Level +8dBu into 600 Ohms or greater
Connector XLR3-32 or equivalent
System Performance
Distortion (THD) < 0.005% at 1khz, 0dbu output
Noise < -105db unweighted, 22hz-22khz, rms*
Frequency Response 30Hz to 20kHz, +0dB/-1dB
General
Main/Standby battery 9 volt PP3 type, preferably alkaline.
Current drain on phantom - less than 7.5mA
on battery - less than 2mA.
Phantom Power +20 volts DC to +48 volts DC
Weight 650 gms, excluding batteries.
Overall Dimensions 59 mm x 124 mm x 143 mm
(2.3" x 4.9" x 5.6“) |
1-channel DI box, passive Converts unbalanced 6.3 mm jack line input (e.g. from instruments) into balanced XLR output for connecting a mixer Switchable input attenuation: 0 dB, -20 dB, -40 dB Ground-lift switch eliminates ground loop problems 1 signal input (6.3 mm jack) 1 parallel output (6.3 mm jack), feed-through of the input signal 1 low-impedance output (XLR) Gray housing |
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