The PEDIS is a classic distortion pedal with a twist suitable for all musical styles. Simplistic, yet extremely versatile the Filter control provides a wide variety of interesting sounds with complex phase response unobtainable with standard bass and treble controls. Technical Specifications Input impedance: 1 M ohms Output impedance: 100 K ohms Residual noise: -85 […]
The PEDIS is a classic distortion pedal with a twist suitable for all musical styles. Simplistic, yet extremely versatile the Filter control provides a wide variety of interesting sounds with complex phase response unobtainable with standard bass and treble controls.
Technical Specifications
Input impedance: 1 M ohms
Output impedance: 100 K ohms
Residual noise: -85 dB (all controls centered)
Controls: FILTER, VOLUME, DISTORTION
Indicator: LED
Connectors: IN, OUT, DC input (9 V)
Footswitch: true bybass
Power requirements: 9 V PP3 or 9 V DC supply (optional)
Power consumption: 20 mA (9 V DC)
Dimensions (W x H x D): 120 mm x 60 mm x 140 mm
Weight
0.71 kg
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The PEDIS is a classic distortion pedal with a twist suitable for all musical styles. Simplistic, yet extremely versatile the Filter control provides a wide variety of interesting sounds with complex phase response unobtainable with standard bass and treble controls.
Technical Specifications
Input impedance: 1 M ohms
Output impedance: 100 K ohms
Residual noise: -85 dB (all controls centered)
Controls: FILTER, VOLUME, DISTORTION
Indicator: LED
Connectors: IN, OUT, DC input (9 V)
Footswitch: true bybass
Power requirements: 9 V PP3 or 9 V DC supply (optional)
Power consumption: 20 mA (9 V DC)
Dimensions (W x H x D): 120 mm x 60 mm x 140 mm
Features twin modes for an expanded range of distortion—taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
Compact overdrive pedal with warm, smooth overdriven sounds
Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
Tone control provides precise adjustment of drive sound
BOSS 5-year warranty
Input Impedance
1 M ohms
Output Impedance
10 k ohms or greater
Equivalent Input Noise Level
–120 dBu or less (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack
Power Supply
DC 9 V: Dry Battery 9 V type, AC Adaptor
Current Draw
12 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Option
AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
400 g
0 lbs. 15 oz.
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. TimeFactor includes Eventide's best delay effects from the past 36 years without compromising quality OR flexibility.
Flexibility Built-In
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
Features
10 Stereo or Mono Delay effects
Digital Delay
Vintage Delay
Tape Echo
Mod Delay
Ducked Delay
Band Delay
Filter Pong
MultiTap
Reverse
Looper
Studio Quality Sound
Instant Program Change
Real-time control with 10 knobs, MIDI or expression pedal
Tap Tempo and MIDI Clock Sync
40 User Presets, unlimited through MIDI
True Analog Bypass
Rugged cast metal construction
Metal footswitches for instant Preset access
Mono or Stereo operation
Guitar or Line Level Inputs and Outputs
SPECIFICATIONS:
Analog Input/Output
Input impedance
500K ohms
Output Impedance
470 ohms
Recommended Load Impedance
10K ohms or greater
Connectors
Input 1 (mono)
¼ inch mono phone jack
Input 2
¼ inch mono phone jack
Output 1 (mono)
¼ inch mono phone jack
Output 2
¼ inch mono phone jack
Expression Pedal
¼ inch mono phone jack
Aux Switch
¼ inch stereo phone jack
USB
Type B Socket. Use 2.0 cables only.
MIDI In
Five pin DIN (Female)
MIDI Out/Thru
Five pin DIN (Female)
AC Adapter Jack
Power Supply included (see below)
Physical
Power
9 VDC, 1200 mA, Tip hot (+)
Dimensions
English: 4.8" (H) x 7.5" (W) x 2.12" (D)
Metric: 122 (H) x 190 (W) x 54 (D) mm
Weight
2.15 lbs, 1kG
The CEB-3 Bass Chorus pedal offers a split-frequency chorus effect capable of applying warm, rich chorusing to the higher frequencies without muddying up the lows. It's the perfect chorus pedal for bassists.
Compact chorus pedal especially designed for bass guitar
Applies chorus sound to the high frequencies without altering low frequencies
The new V847 Wah-Wah pedal is an enhanced version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the new Wah-Wah offers guitarists the same legendary tone with the addition of AC power capability and a buffered input jack for preserving the unprocessed guitar tone when the pedal is not engaged. The pedalʼs inductor has undergone a redesign to be closer in specification to the original VOX wah inductors, for improved dynamics and tone. These additions will benefit players of all genres who use a wah pedal as an integral part of their sound.
About the Wah-Wah
VOX developed the worldʼs first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted — an important musical ingredient of the day. VOXʼs original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered "must-have equipment” for guitar players of all levels and abilities today.
VOX V847 Wah-Wah Specificaitons
Input/Output jacks: INST jack, AMP jack, DC i/p jack.
Power supply: One 9V DC battery 6F22(S-006P)
Power consumption: 540uA @ 9VDC
Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest postion)
Weight: 1673g (including battery)
Included Accessories: Vinyl carry bag
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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