| Content | Passive splitter box for microphone signals. One module has 4 channels. Each channel has an input, an output wired in parallel for passthrough of phantom power, and two splitter transformer-isolated outputs. All outputs are also decoupled via resistors.
- Each channel: Input: female XLR type
- Outputs: 1 parallel male XLR type, 2 transformer isolated male XLR type
- Nominal impedance for inputs/outputs: 200
- Max. input level: + 6 dBu
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DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction
It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
SPECIFICATIONS:
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INPUT
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Connectors:
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1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
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Type:
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Electronically balanced/unbalanced, RF filtered
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Impedance:
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Balanced 40k ohm, unbalanced 20k ohm
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Max Input Level:
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>+21dBu balanced or unbalanced
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CMRR:
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>40dB, typically >55dB at 1kHz
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OUTPUTS
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Connectors:
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1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
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Type:
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Impedance-balanaced/unbalanced, RF filtered
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Impedance:
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Balanced 200 ohm, unbalanced 100 ohm
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Max Output Level:
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>+21dBu balanced/unbalanced into 2k or greater
>+18dBm balanced/unbalanced (into 600)
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SYSTEM PERFORMANCE
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Bandwidth:
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20Hz to 20kHz, +/-0.5dB
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Frequency Response:
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50kHz, +0.5/-3dB
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Noise Reduction In:
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(+/-6 and +/-15dB range):
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Signal-to-Noise:
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>102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>120dB, unweighted
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Noise Reduction Out:
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(+/-6dB range):
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Signal-to-Noise:
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>94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
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Dynamic Range:
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>112dB, unweighted
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Noise Reduction Out:
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(+/-15dB range):
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Signal-to-Noise:
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>90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>108dB, unweighted
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THD + Noise:
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Features:
Two channel / four way split
Channels linkable for 1 in, 8 out
Ultra low noise design
?SilentSwitch? Phantom Power switch
?20 dB pad switch
0 to +40 dB Gain available via rear switches
Electronically Balanced Inputs and Outputs (standard)
Transformer Balanced Outputs option
12 VDC supply connector for remote or mobile applications
Intuitive, 'user friendly' layout
Flawless performance in any audio environment
Today?s venues face a growing need to provide a multiplicity of audio feeds
from presentations, conferences, orchestral performances and lectures. The
advent of digital broadcasting, the growth of webcasts and direct-to-CD
archiving highlight the deficiencies in audio splitting systems more than ever
before. Whether the final product is a broadcast feed or CD sales of an unrepeatable
lecture, performance or event, end-users? expectations of audio quality are
higher than ever.With these requirements in mind, ARX has developed the
MSX 8 Active Microphone/Line Splitter to deliver the performance required by
today?s standards of audio production. Active microphone and line splitting has
a number of benefits over passive splitters: primarily these are improved sound
quality, noise figures comparable to the best microphone inputs, and increased
resistance to RFI. All of which translate into superb audio quality for your clients.
About the MSX 8
The MSX 8 consists of two channels of actively buffered ultra low noise Microphone/
Line Splitter. Each of these channels has four electronically Balanced splits ? two
on the rear panel, plus two more on the front panel. All four output splits have the
option of transformer balancing if so specified.Each channel has a ?20 dB pad switch
plus silently switchable 48V Phantom power with indicator LED.Gain through the MSX 8
can be set individually by the small DIP switches on the rear of each channel, from 0dB
through to +40 dB in 10 dB stepsA ?Link? switch links Channel 1 to Channel 2, providing
an ultimate maximum of 8 Outputs from a single input. An indicator LED shows when this
is active. A Clip LED indicates imminent signal overload through the channel, and a
numbered marker panel on the front provides a space where individual channel connections
can be noted.For remote or mobile applications a 5 pin DIN connector on the rear panel
provides an access point to connect a 12V DC power supply
Inside Information
Internally, powerful RF input filtering removes both common mode and differential interference
at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components
throughout.Advanced user options include internally jumper linking Inputs to Main outputs, and
Ground lifting Output Pins 1as required.
Internal Power Supply
The MSX 8 has a low noise transformer based power supply to obtain the maximum benefit from
the ultra low noise design of the splitter circuitry.
Summing up, the feature packed MSX 8 is the answer wherever transparent signal buffering and
routing is required.
T E C H N I C A L S P E C I F I C A T I O N S
Signal / Noise Ratio -94dB
Distortion .008% 20Hz - 20KHz
Gain through unit Switchable 0, +10, +20, +30, +40 dB
Maximum Output +24dB
Pad Switch ?20dB attenuation
Gain Switch +20dB gain
Phantom Power +48VDC slow turn on/turn off
Output Impedance 100 Ohms Electronically Balanced
(Optional Transformer balancing available)
Clip LED 1dB before clipping
12 Volt Connector 5 pin DIN
AC Mains Input Fused IEC socket
AC Power 100-120VAC 2 amp, 220-240VAC 1 amp
Transformer Type Low noise toroidal
Size 19?W x 1??H x 6?D, 482 x 44 x 125 mm
Weight 5 lbs (2.2 Kg)
Front Panel
A and B balanced XLR Output splits Channels 1 and 2.
Pin 3?-, Pin 2 +, Pin 1 Ground
48V Phantom Power switch and LED
Channel link switch and LED switch
?20dB pad switch
Numbered marker panel for labelling individual channel
assigns
AC power LED
Rear Panel
Channel Gain DIP switches: 0, +10, +20, +30, +40dB
Balanced XLR Input Channels 1 and 2. Pin 3 ?, Pin 2 +,
Pin 1 Ground
Balanced XLR Main (FOH) Output (same wiring as Input)
Channels 1 and 2
Balanced XLR Monitor Output (same wiring as Input) Channels
1 and 2
12 Volt DC power supply input for remote or mobile applications
IEC 3 pin AC connector and integral fuseholder. Replace fuse with
correct value only: 100?120 V AC 2 amp, 220?240 V AC 1 amp | Practical distributor with 1 input and 6 outputs
- Extends every mixer with additional outputs
- 1 stereo XLR input
- 6 stereo zone outputs (XLR)
- Each zone with level control and mono switch
- LED display of signal input and mono/stereo mode
- Rack installation with 1 U
- (19") 48.3 cm rack installation 1 U
| Power supply: |
230 V AC, 50 Hz |
| Power consumption: |
7 W |
| S/N ratio: |
>69 dB |
| THD: |
<0.2 % at 1 kHz |
| Power connection: |
Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided) |
| Impedance: |
Input 45.1 kOhm
Output 125 Ohm |
| Gain: |
15 dB |
| Max. level: |
Output: +22 dB
Input: +9 dBV |
| Color: |
Silver |
| Housing design: |
(19") 48.3 cm rack installation 1 U |
| Dimension: |
Width: 48.3 cm
Depth: 12.6 cm
Height: 4.45 cm |
| Weight: |
2.15 kg |
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A passive dual channel line splitter that is mainly used to feed the left and right master outputs of a mixer into several inputs such as power amplifiers, recording machines etc. A specially designed audio frequency transformer maintains signal integrity and prevents ground loop hum. This unit also converts unbalanced signals into balanced signals and vice versa. Rugged diecast aluminium box.
Technical specifications:
2 channel micro splitter "1 into 3“, each channel with:
- Input: female XLR type with parallel male XLR Type
- Output 2 transformer isolated male XLR type outputs
- Transformer ratio 1 : 1 Nominal level: 0 dB, max. level +20 dB
- Nominal impedance input and output: 600 ohms
- Ground lift switch
| Compressos Expander Gate Kimiter DBX 166XS Stereo
Overview Bring a more professional sound to your mix
Adding a dbx® 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop® limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment.
dbx knows compressors...after all we invented them! The 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Specifications
| Input Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Input Impedance |
>50kΩ balanced, >25kΩ unbalanced |
| Max Input |
>+24dBu, Balanced or Unbalanced |
| Input Type |
Electronically balanced/unbalanced, RF filtered |
| Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
| Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
| Sidechain Max Input Level |
>+20dBu (tip/input); >+20dBu (ring/output) |
| Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
| Output Impedance |
120Ω balanced, >60Ω unbalanced |
| Max Output |
+21dBu balanced/unbalanced into 2kΩ or greater; >+18 dBm balanced/unbalanced (into 600Ω) |
| Frequency Response |
20Hz - 20kHz; +0, -0.5dB, Typical 3dB points are 0.35Hz and 110kHz, unity gain |
| Noise |
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