PHONIC AM-12GE 4 Mic/Line, 4 Stereo Line Input Compact Mixer Bluetooth

• Four mono mic/line Neutrik \"Combo\" input channels with user-adjustable compressors
• Two stereo mic/line channels with Neutrik XLR inputs, plus two stereo line inputs
• Stereo USB audio interface for PC and Mac computers (24-bit, 48 KHz)
• Playback of MP3, WAV and FLAC files from TransFlash media
• Internal TransFlash module for high quality stereo recording in WAV or MP3 formats
• 2.4GHz Bluetooth connectivity for streaming digital audio directly from smartphones and tablets
• 32/40-bit digital effect processor with 16 effect programs and one main parameter control
• 3-band EQ with swept-mid channels on each input channel, 4-band EQ on stereo
• AUX sends on each channel
• +48V phantom power on mic channels
• Phones source matrix for maximum monitor flexibility
• EFX/AUX send cue for monitoring individual channels
• Balanced main outputs with independent 60mm L/R faders

The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

Soundcraft GB2 16 main features include:

• Frequency Response Mic/Line Input to any output, 20Hz - 20kHz

• 12+2 channel frame sizes
• Built-in 24 bit Lexicon digital effects processor
• 32 FX settings
• Tap Tempo and FX setting store function
• 1 FX send on each channel
• 1 configurable auxiliary bus
• XLR-type and Ό� metal jack connector sockets
• RCA phono stereo playback inputs and record outputs
• 3-band EQ with a swept mid on mono inputs
• 3-band EQ on stereo inputs
• TRS insert sockets and inserts on all mono inputs
• Ten-segment LED output metering
• Intuitive and comprehensive solo system
• Headphone output
• Easily rack mountable

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Live 4-Bus Mixing Console 
 32 Input Channels (24 mono)
 XLR Mic: 24 mono channels + 4 stereo channels
 Frequency Response: 20Hz – 20kHz
 Weight: 39.70 lbs (18.1kg)
 Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
 4 Stereo Line Inputs
 24 Inserts
 Large Illuminated Mute Switches
 Stereo inserts
 4 Groups with inserts
 3-Band EQ with sweepable mids
 6 Aux sends
 Dual DSP with 100 digital multi-effects
 2 Stereo aux return
 USB I/O (from aux sends or main mix)
 Input gain trim on each channel
 24 dB Low cut filter at 75Hz
 100mm faders
 PFL switches
 AFL switches
 Phantom power switch (+ 48V)
 Mono Out & LPF with sub-woofer containing variable frequency control
 2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
 Talkback mic input