Content | The active VM-80 produces clear audio with fast-attacking, punchy bass. The speaker can be tuned to suit the characteristics of any room, making it perfect for recreating a club sound when you’re DJing or providing a flat frequency response when you’re producing music in a home or professional studio setting.
Type
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Bi-amp 2-way active speaker |
Tweeter
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1-inch (25 mm) SILK soft dome |
Woofer
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8-inch (203 mm) ARAMID cone |
Auto Standby
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Yes |
Accessories
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- VM-80 x 1 (not sold as a pair)
- Power cable x 1
- Cushioned feet pads x 1 (4pcs/1 sheet)
- Precautions for Use
- Instruction Manual
- Warranty (for some regions)
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Width
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267 mm |
Maximum Sound Pressure
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115 dB |
Height
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400 mm |
Depth
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325 mm |
Amplifier Output
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- Class D with 96kHz DSP
- LF: 90 W / 4 Ω
- HF: 30 W / 4 Ω
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Weight
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9.7 kg |
Impedance
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10 kΩ |
Power Supply
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AC 100-240 V, 50 Hz / 60Hz |
High EQ
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4 selective EQs |
Frequency Range
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34 Hz - 36 kHz Hz |
Low EQ
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4 selective EQs |
Cross Over Frequency
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3 kHz |
Enclosure
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Bass reflex |
Enclosure material
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MDF vinyl laminate |
Baffle material
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HIPS with 4mm Aluminum Plate |
Inputs
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- XLR/TRS combo x 1 (balanced input)
- RCA x 1 (unbalanced input)
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Clear, low-distortion audio with fast-attacking bass: Recreate club-style sound
High-quality components
Every VM series speaker includes a Class D amplifier with 96 kHz sampling DSP to enable wide-bandwidth audio reproduction. Its highly efficient performance results in low distortion and high-energy sound. The 4-mm-thick rigid aluminum front baffle further suppresses resonance and vibrations, delivering sound that’s authentic to the original source.
Aramid fiber woofer cones and Vortex Bass Accelerator
Aramid fiber woofer cones provide outstanding punch that you’ll feel in the bass and low-mid frequencies. These newly developed cones are 30 percent lighter than conventional paper-lined Aramid cones, making them stronger with deeper sound.
The Vortex Bass Accelerator ensures that low-end audio is tight and free from unwanted vibrations, as ribs in the bass reflex port mean that air flows freely from the speaker to deliver pure sound.
Constant directivity horn
Mid and high-frequency sounds are delivered with power thanks to the constant directivity horn, which also creates a broad, uniform listening space. The shape of the horn and the woofer edge are specially designed so the flat playback frequency crosses over to the tweeter easily, resulting in a natural sound.
Easily adjust the sound to suit your room
DSP control
All VM series speakers are voiced flat to ensure you hear the natural sound of the music. To help you tweak the output and find the sound that’s perfect for the room you’re working in, each speaker includes DSP settings. On the rear panel, you’ll find 2 knobs: Low EQ and High EQ. Without needing to look, you can click the knobs into 4 different positions each, giving you 16 possible EQ settings that are simple to engage. Choose the one that sounds best for DJing or producing music in your home or studio, depending on the shape, size, and construction of the room.
Discover more
LOW EQ
Use this to adjust the bass, depending on the location of your speaker and the kind of sound you want for DJing or producing music.
L1: ROOM 1 – This setting reduces the bass (6 dB HPF applied at 63 Hz) and is effective when your speaker is near a wall or at times when you don’t want heavy bass, e.g. late at night.
L2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room.
L3: ROOM 2 – This setting increases the bass (2.5 dB boost using a bell EQ at 50 Hz) and is ideal to use when you need some extra punch, e.g. in a large space.
L4: CLUB BASS – More power in the bass (5 dB boost using a bell EQ at 50 Hz, and 2 dB boost using a bell EQ at 200 Hz), for a club-like sound. This setting is the best to use when you want as much bass as possible, e.g. for parties.
HIGH EQ
Use this to adjust the treble, depending on the location of your speaker and the kind of sound you want for DJing or producing music.
H1: ROOM 1 – This setting reduces the volume of high frequencies (3 dB reduction using a high shelf EQ from 3.5 kHz to 12 kHz) and is effective when the room is reverberant and the high frequencies are overpowering.
H2: FLAT – Flat frequency response for a true sound. This is the most popular setting for producing music in an acoustically treated room.
H3: ROOM 2 – This setting increases the volume of high frequencies (3 dB boost using a high shelf EQ at 7 kHz) and is ideal for generating brighter sounds in a room or space where the treble seems to be lost.
H4: BRIGHT TREBLE – This setting can produce a clearer sound (thanks to a 1.5 dB boost using a bell EQ at 4 kHz and a 3.5 dB boost using a bell EQ at 8 kHz) and help the details of individual musical instruments to stand out. For example, the outlines of the sound of guitars, cymbals, trumpets, etc. can be heard more clearly.
Enhance the look and sound of your setup
Fresh, professional design
The brand-new design of the hexagonal aluminum front baffle brings a fresh look, as well as improved sound quality and durability. It cuts down unwanted vibrations for lower distortion while the tweeter protective guard reduces the risk of damage to the high-frequency diaphragm. And the Alumite treated brushed texture gives the speakers a professional finish so they look right at home next to Pioneer DJ gear.
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Boasting performance comparable to much larger systems, but in a compact package, the bi-amplified 8040B is ideal for use in many situations where a wide frequency response is needed but space is limited.
Uses include nearfield monitoring, project/home studios, workstations, broadcast and TV control rooms and mobile production vehicles.
Our Intelligent Signal Sensing (ISS) feature, reduces power consumption to less than 0.5 watts by automatically switching the active monitor to standby, when no audio signal has been detected for some time. When it receives an audio signal again, the loudspeaker turns back on. ISS is fully compliant with the latest EU requirements and the ErP 2013 Directive for electronic devices.
The ingenious, flow optimized, reflex port achieves clear deep bass articulation with no compression or port noises. Combined with the advanced Genelec Directivity Control WaveguideTM (DCWTM) and the rounded edges and gently curved front and sides of the MDETM (Minimum Diffraction EnclosureTM) enclosure, the result is an astoundingly wide, flat frequency response both on and off axis.
Other benefits include superb imaging qualities and less listening fatigue.
Carefully designed crossover filters with steep roll-off feed dedicated amplifiers for each of the low distortion drivers. The 8040B includes magnetic shielding, overload protection circuitry and versatile room response controls as standard.
Each 8040B comes with an Iso-PodTM (Isolation Positioner/DecouplerTM) which eliminates coloration of the sound by decoupling the monitor from its mounting surface. The Iso-PodTM also allows the speaker to be angled so that its acoustic axis points directly at the listener.
For ideal mounting in differing environments, the 8040B includes integrated rear support points for floor and wall stands, with an additional M10 threaded mounting hole on the enclosure base.
| 105 dB | | 48 Hz - 20 kHz (± 2 dB)
45 Hz - 21 kHz (-3 dB) | | 3.0 kHz | | Bass 6.5" + Treble 3/4“
metal dome + DCWTM | | Bass 90 W + Treble 90 W | | H x W x D 365 x 237 x 223 mm
with Iso-PodTM | | 8.6 Kg (18.9 lb) | | 1 x XLR analog in |
| Behringer MS-16 2x8W 2-Way Active Personal Monitor System
The Behringer MS16 Studio Monitors feature an active 2-way design with powerful 4'' woofers and 1.5'' tweeters, powered by two 8 watt amplifiers. Offering two line inputs and a microphone input, the Behringer MS16 monitors are perfect for both home studios and general multimedia applications.
Full Description
Compact and Ideal For Home Studio
The Behringer MS16 Studio Monitors, Pair are the ideal studio monitor for your home studio project. Whether that be mixing, producing, or even listening the MS16 Studio Monitors turn your computer into a personal home studio. Its powerful 4" woofers provide thumping bass, whilst the high resolution tweeters provide clean high frequencies. Also featured are dedicated volume, bass and treble controls for extra flexibility. They also make excellent add-on speakers for electronic keyboards and playing a live performance.
Input Connections
The MS16 Studio Monitors feature multiple input options featuring a 1/8" stereo input for connecting up CD, MD and MP3 players. The dual RCA jacks allow for stereo keyboard modules and tape decks. Furthermore there is a 1/4" inch to allow connections for a dynamic microphone or electric guitar enabling you to sign or play along with prerecorded tracks.
Features
- Compact stereo speaker system ideally suited for home studios, multimedia applications, keyboard and vocal monitoring, etc.
- Powerful 4'' woofers and high-resolution tweeters powered by two 8 watt amplifiers
- Dedicated Volume, Bass and Treble controls for more flexibility
- Stereo RCA inputs for sound cards, keyboards, etc. that can be used simultaneously with a second stereo source (e. g. CD/MD player) through 1/8'' TRS stereo input
- Separately adjustable 1/4'' TRS microphone input mixable with stereo inputs for playback and vocal monitoring applications
- 1/8'' TRS headphone connector with auto-mute loudspeaker function
- Magnetically shielded for placement near computer monitors
- Designed and engineered in Germany
Specifications
- Woofer: 4''
- Tweeter: 1.5''
- Output Power: 2 x 8 Watts
- Frequency Response: 80Hz - 20kHz
- Speaker Impedance: 4?
- Input 1:
- Connector: 1/8'' TRS Stereo
- Input Level: -10dBm, 10k?
- Input 2:
- Connector: RCA Stereo
- Input Level: -10dBm, 10k?
- Mic Input:
- Connector: 1/4'' TRS
- Input Level: -50dBm, 50?
- Dimensions: 9.5'' x 5.5'' x 6'' / 241mm x 140mm x 150mm (H x W x D)
- Weight: 4kg
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The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.
Specifications Frequency response : | 40Hz - 40kHz | Maximum SPL : | 113dB SPL (peak @ 1m) |
Input :
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Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV
| Bass/mid-range : | 150W rms, BASH® technology | Treble : | 100W rms, AB class |
Electric supply :
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Local supply power: 230V (1.6A fuse)
115V (3.5A fuse)
Connection: removable IEC supply wire
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Visualization and control :
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Input sensitivity selector
Adjustable tweeter and woofer levels with potentiometers
Power On/off switch
Voltage selector
| warning light : | Power on LED |
Electric supply :
|
Local supply power: 230V (1.6A fuse)
115V (3.5A fuse)
Connection: removable IEC supply wire
| Woofer : | 6W4370B, 6-1/2" (16.5cm) Focal "W" composite sandwich cone speaker | Tweeter : | Focal TB871 Beryllium inverted dome tweeter | transducer shielding : | Integral through cancellation magnets or by magnet design | Box : | 7-1/2" (19mm) MDF panels |
Finish :
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Dark red natural veneering side panels, black body
| Dimensions (HxWxD) : | 13 x 9-7/16 x 11-7/16 " (330x240x290mm) | Weight : | 24.2lb (11kg) |
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DM-2100: 2.1-ch Speaker System
Features The DM-2100 2.1-ch Speaker System is an affordable way to add accurate reference monitoring with a subwoofer for enhanced bass response. The left and right speakers each offer 15 watts of power, while the 50-watt subwoofer provides a powerful low-end boost. And with 24-bit/96kHz digital inputs, the DM-2100 is perfect for use with Roland/BOSS digital studios and instruments, or with computer systems and more.
- Affordable 2.1-channel monitoring system with 24-bit/96kHz digital inputs
- Powered bass reflex speakers with 15 watts per side and flat frequency response
- Active subwoofer with 50-watt amplifier for increased low end
- Front-mounted controls convenient located on right speaker
- Coaxial and optical digital inputs, plus analog inputs (RCA and 1/4-inch type)
- Sleek black wooden cabinets with magnetic shielding
Rated Output Power50W + 15W + 15WSpeakerSubwoofer: 16cm, Satellite Units: 9.2cmNominal Input LevelLine 1: -10dBu, Line 2: -10dBuInput Impedance18k ohmControlsR Channel: Bass Control Knob, Treble Control Knob, Volume 1 (Digital In/ RCA pin), Volume 2 (1/4” phone), Power Switch, Digital Input Select Switch, Phase SwitchConnectorsR Channel: Line 1 Jack (L, R; RCA pin), Line 2 Jack (L (MONO), R; 1/4” phone), Optical Input Connector, Coaxial Input Connector, Dedicated connector for power control and audio signal, Channel Input Jack (R; RCA pin),
L Channel: Channel Input Jack (L; RCA pin),
Sub Woofer: Dedicated connector for power control and audio signal, Channel Output Jacks (L, R; RCA pin), AC In JackDigital InputSampling Rate 32/44.1/48/96 kHz, D/A Convertor 24 bitsPower SupplyAC117, 230 or 240VAccessoriesSpeaker Cables (RCA pin type), Dedicated Cable for power control and audio signal, Power CableSize and Weight ( Satellite Units )Width130 mm5-1/8 inchesDepth160 mm6-5/16 inchesHeight200 mm7-7/8 inchesWeight
Size and Weight ( SubWoofer )Width240 mm9-1/2 inchesDepth300 mm11-13/16 inchesHeight330 mm13 inches
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Audio monitoring precision is lifted to an entirely new level of accuracy with the introduction of the 8250A bi-amplified DSP monitoring system. Boasting performance comparable to much larger systems, the compact and powerful 8250A package is ideal in applications where a wide frequency response is needed but space is limited.
The 8250A is the ideal monitoring tool for recording studios, post-production houses, broadcast installations, digital edit suites, home studios and mobile production vehicles.
The 8250A builds on the rock-solid technology of the highly-acclaimed 8050A, featuring an ingenious, flow optimized, reflex port that provides solid, clear and articulated low frequencies without compression, distortion or port noises.
| 110 dB | | 38 Hz - 20 kHz (± 1 dB)
35 Hz - 21 kHz (-3 dB) | | 1.8 kHz | | Bass 8" + Treble 1“
metal dome + DCWTM | | Bass 150 W + Treble 120 W | | H x W x D 452 x 286 x 278 mm
with Iso-PodTM | | 14.6 Kg (32 lb) | | 1 x XLR digital in
1 x XLR analog in
1 x XLR digital thru |
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