| Content | The StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications. |
16 + 2 fader configuration in a compact, rack mountable unit.
- Mix channels: 32 mono, 8 stereo.
- Busses: 16 mix, 8 matrix (Input to Matrix supported).
- Local I/O: 16 in, 8 out.
- Fader configuration: 16 + 2 (Master).
- Rack mountable with optional RK1 Rack Mount Kit.
| General specifications | QL1 |
|---|
| Sampling frequency rate | Internal | 44.1kHz / 48kHz | | External | 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm) | | Signal delay | Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz | | Fader | 100mm motorized, Resolution=1024steps, +10dB to -138dB, -∞dB all faders | | Total harmonic distortion | Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min. | | Frequency response | +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT | | Dynamic range | 112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min. | | Hum & noise level | Equivalent input noise | -128dBu typ., Equivalent Input Noise, Input Gain=Max | | Residual output noise | -88dBu, Residual output noise, ST master off | | Crosstalk | -100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min. | | Power requirements | 100-240V 50/60Hz | | Power consumption | 135W | | Dimensions | W | 468mm(18.4in ) | | H | 272mm(10.7in) | | D | 562mm(22.1in) | | Net weight | 14.7kg(32.4lb) | | Accessories | Owner's Manual, power cord, DVS license sheet | | Options | Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live | | Others | Operating temperature range: 0 - 40°C, Storage temperature range: -20 - 60°C |
|
The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.
Technical Specifications
| Internal processing | 32bit (Accumulator=58bit) | | Sampling frequency rate | Internal: 44.1kHz,48kHz
External: 44.1kHz(-10%) to 48kHz(+6%) | | Signal delay | Less than 2.5ms (INPUT to OMNI OUT @48kHz) | Total harmonic distortion
Input Gain=Min. | CH INPUT to OMNI OUT
Less than 0.05% 20Hz to 20kHz | | Frequency response | CH INPUT to OMNI OUT
0, +0.5, -1.5dB 20Hz to 20kHz | Dynamic range
(Maximum level to noise level) | 110dB, DA Converter (OMNI OUT)
108dB, AD+DA (OMNI OUT) | | Hum & noise level | -128dB, Equivalent input noise (20-20kHz, Rs=150ohms, Input Gain=Max)
-84dB, Residual noise | | Crosstalk(@1kHz) Input Gain=Min | -80dB, Adjacent input channels
-80dB, Input to output | | Power requirements | 110V-240V, 50/60Hz | | Power consumption | LS9-32: 170W, LS9-16: 95W | | Dimensions | LS9-32: 884(W) x 220(H) x 500(D)mm
LS9-16: 480(W) x 220(H) x 500(D)mm | | Weight | LS9-32: 19.4kg, LS9-16: 12.0kg |
Analog Input Characteristics
|
Input terminal
|
Actual load impedance
|
For use with nominal
|
Input level
|
Connector
|
|
GAIN
|
Sensitivity
|
Nominal
|
Max. before clip
| |
INPUT 1-n
|
-62dB
+10dB
|
3kohms
|
50-600 ohm Mics & 600ohm Lines
|
-82dBu
|
-62dBu
|
-42dBu
|
XLR3-31 type
| |
-10dBu
|
+10dBu
|
+30dBu
|
Analog Output Characteristics
|
Output terminal
|
Actual source impedance
|
For use with nominal
|
GAIN SW
|
Output level
|
Connector
| |
Nominal
|
Max. before clip
| |
OMNI OUT 1-n
|
75ohms
|
600ohm Lines
|
+24dB
+18dB
|
+4dBu
-2dBu
|
+24dBu
+18dBu
|
XLR-3-32 type
| |
PHONES OUT
|
15ohms
|
8ohm Phones
|
-
|
75mW
|
150mW
|
ST Phone jack
| |
40ohm Phones
|
-
|
65mW
|
150mW
|
Digital Output Characteristics
| Terminal | Format | Data length | Level | Connector | | 2TR IN DIGITAL | COAXIAL | IEC60958 | 24bit | 0.5Vpp/
75ohms | RCA pin jack | | 2TR OUT DIGITAL | COAXIAL | IEC60958
(Consumer Use) | 24bit | 0.5Vpp/
75ohms | RCA pin jack |
Control I / O Characteristics
|
Terminal
|
Format
|
Level
|
Connector
| |
NETWORK (Ethernet)
|
100Base-T
|
-
|
RJ45
| |
MIDI
|
IN
|
MIDI
|
-
|
DIN-5pin
| |
OUT
|
MIDI
|
-
|
DIN-5pin
| |
WORD CLOCK
|
IN
|
-
|
TTL/75ohms, Terminated
|
BNC
| |
OUT
|
-
|
TTL/75ohms
|
BNC
| |
REMOTE
|
-
|
RS422
|
D-sub 9pin(male)
| |
LAMP
|
-
|
0V-12V
|
XLR-4-31 type
| |
USB HOST
|
USB1.1
|
USB
|
A type USB Connector
| | Ultimate sonic performance
Thanks to the MIDAS-designed mic preamps, precision digital converters and a sophisticated 40-bit floating-point DSP audio engine, X32 mixers reproduce your audio signals with every nuance intact. The preamp design eliminates typical imbalances of gain-setting stages, thereby improving the common-mode rejection ratio (CMRR) and reducing second level harmonic distortion to an almost immeasurable level.
Enhanced workflow
The X32 Family completely redefines the expectations of power in a digital mixer. The brilliance of X32's workflow is its simplicity and total lack of clutter; coupled with a fully interactive user interface that ensures immediate familiarity and instils confidence. Whether working on the control surface or remotely by PC/Mac/Linux computer or iPad/iPhone/iPod Touch, your experience will be fluid and natural.
Unlimited expandability
Each member of the X32 family comes loaded with all of the I/O and functionality you need, right out of the box, but it doesn't end there. On-board multi-track audio connectivity delivers audio to your DAW. Integrated multi-channel digital audio interfaces connect to S16 remote stage boxes, the P16 Personal Monitor System or BEHRINGER's iQ Networked Active Speakers. Native Ethernet control enables remote operation by computer, iPad or iPhone over a wired or wireless network, across the room, or across the planet!
The ideal experience
Whether you come from an analog mixing background, or are accustomed to using other digital consoles, your first experience with X32 has been engineered to be intuitive and straightforward. Tactile controls allow smooth adjustments to critical elements as the mix progresses while the TFT screen keeps you informed every step of the way. This integration of tactile controls, motorized faders and the array of LCD and TFT displays makes the X32 experience the premiere solution for Live Sound, Broadcast, Studio Recording and Post Production applications.
Features
- Compact 40-input channel, 25-bus digital mixing console for Studio and Live application
- 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
- 17 fully automated motorised 100mm faders allow for instant overview, powerful scene management and DAW control
- 8 XLR outputs plus 6 additional line in/outputs, phones connector and a talkback section with integrated or external mic
- 32 x 32 channel audio interface over USB 2.0, with DAW remote control emulating HUI and Mackie Control
- iPad and iPhone apps for professional remote operation available free of charge - no host PC required
- High-resolution 5" day-viewable Colour TFT for easy viewing of workflow components and parameters
- Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing, plus 8 DCA and 6 mute groups
- Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L and PCM70, EMT250, Quantec QRS and more
- 40-bit floating-point DSP features 'unlimited' dynamic range with no internal overload and near-zero overall latency for mixing a total of 48 signals on 25 buses
- Powerful scene management for convenient handling of complex productions
- 48-channel Digital Snake ready via dual AES50 ports, featuring KLARK TEKNIK's SuperMAC networking capability for ultra-low jitter and latency
- USB type - A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
- Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow
- Additional user-definable control section allows to set up short-cuts to your favourite views or parameters
- ULTRANET connectivity for Behringer's P-16 Personal Monitoring System
- Networked remote control for show setups with on-screen software editor via Ethernet
- Built-in expansion port for audio interface cards or digital networking bridges
- MIDI In/Out for remote scene recall or controlling other MIDI equipment
- Free future firmware updates downloadable from Behringer
Specifications
- Frequency Range: 10Hz - 22kHz
- Dynamic Range: 106dB
- Output Level: +4dBu / +21dBu (XLR)
- Main Screen: 5'', 800 x 480, 262k Colour TFT
- Main Meter: 18-Segment (-45dB to Clip)
- Power Supply: Switchmode 100V - 240V, 50Hz/60Hz
- Power Consumption: 70W
- Dimensions: 490mm x 506mm x 163mm
- Weight: 11.4kg / 25.1lbs
Processing Channels
- Input Channels: 32
- Aux Channels: 8
- FX Return Channels: 8
- Aux Buses: 16
- Matrices: 6
- Internal Effects Engines: 8 True Stereo / 16 Mono
- Internal Recall Scenes: 100
- Signal Processing: 40-Bit Floating Point
- AD/DA Conversion: 24-Bit @ 44.1kHz/48kHz, 114dB Dynamic Range (Cirrus Logic A/D CS5368, D/A CS4385)
- Local I/O Latency: 0.8ms
- Network I/O Latency: 1.1ms
Connectors
- XLR Inputs: 16 Inputs with Programmable Mic Preamps (Designed by MIDAS)
- Talkback Mic Input: XLR
- XLR Outputs: 8
- RCA Inputs/Outputs: 2/2
- Monitoring Outputs: 2 x 1/4'' Balanced
- Aux Inputs/Outputs: 6/6 x 1/4'' TRS Balanced
- Headphone Outputs: 1 x 1/4'' TRS
- AES50 Ports: 2/2
- Expansion Card Slot: 32 Channel Audio Input/Output
- P-16 Connector: 1
- MIDI Inputs/Outputs: 1/1
- RJ45 Ethernet: 1
- USB Type A: 1
|
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 20 faders, 4 layers, 80 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compliant Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- Dimensions: (W x D x H) 730 x 577 x 159mm
- Weight: 16kg
| Ui16 packs a complete digital mixing system into a compact, road-rugged stagebox format, with built-in Wi-fi and the ability to be controlled by any connected device via a standard web browser - no Apps, no OS limitations, no constraints on how or where you mix. Tablet/PC/Smartphone Controlled Digital Mixer Integrated Wi-Fi Cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices Use up to 10 control devices (tablets, phones, PCs) simultaneously Legendary Harman Signal Processing from dbx, Digitech, and Lexicon Fully recallable and remote-controlled mic preamps 4-band Parametric EQ, High-Pass Filter, Compressor, De-esser and Noise Gate on input channels 31-band Graphic EQ, Noise Gate and Compressor on all outputs Real-Time Frequency Analyser (RTA) on inputs and outputs 3 dedicated Lexicon FX effects processors: Reverb, Delay and Chorus Subgroups, Mute Groups, View Groups, and more mixer controls Show/Snapshot recall with channel safes and security lockout 2-channel USB audio playback and recording |
Reviews
There are no reviews yet.