PRESONUS StudioLive 32 Series III Digital Mixer Console

General Controls

• 33 touch-sensitive, motorized faders with choice of:
  • 1-to-1 workflow—assign all channels to the top layer, with one fader per input channel
  • Split-layer workflow—split the faders between inputs and outputs, including DCAs and Aux outputs
• RGB Select buttons with user-assignable colors
• Transport control
• 8 user-assignable buttons for mute groups, scenes, and more
• All-new Fat Channel controls including
  • 8 scribble strips, encoders, and multicolor buttons
  • Customizable user layer
  • 7-inch color touchscreen

• 40 total inputs
• 32 channel inputs: 16 mic, 16 mic/line
• 1 XLR Talkback mic input with recallable XMAX Class A preamp
• 2 stereo Aux inputs
• 16 FlexMix outputs: 12 XLR, 4 balanced TRS
• 4 TRS subgroup outputs
• Unbalanced stereo (RCA) tape input and output
• Bluetooth™ 4.1 wireless tape input
• Stereo AES/EBU digital output
• 2 XLR (L/R) Main outputs
• XLR Main summed mono output
• 2 TRS monitor outputs
• Stereo headphone output

• 32 input channels with recallable XMAX Class A mic preamps
• 2 stereo aux inputs
• 26 buses:
  • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
  • 4 dedicated subgroups
  • 4 internal effects sends
  • Stereo main bus
• 24 Filter DCAs for easily and flexibly controlling groups of channels

• 1 Ethernet control network port
  • Dynamic, Self Assigned, and Manual IP address modes
• 1 Ethercon AVB audio network port
• Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017

• Onboard 34x34 SD recorder (using Capture™)
• 38x38 USB recording interface
• 55x55 AVB recording interface

• Intuitive Fat Channel signal processing on every channel with:
  • A/B settings comparison
  • Highpass filter and polarity reverse
  • Gate/expander with sidechain
  • Compressor with sidechain
  • 4-band parametric EQ on inputs
  • 6-band parametric EQ on outputs
  • Limiter
  • Delay on every input
  • Delay on every output
  • Professionally programmed library of presets
• Vintage EQ and compressor models available on every input
  • Passive EQ
  • Vintage EQ
  • Tube compressor
  • FET compressor
• 8 31-band graphic EQs
• 4 internal effects buses: combination of reverbs and delays with modern and vintage options
• Built-in real-time analyzer and signal generator

• 7-inch color touchscreen
• Input meter on every channel
• Full-size Fat Channel metering
  • Input meter
  • Gate gain reduction meter
  • Compressor gain reduction meter
• Full-size stereo Main output meters

• Create, save, and edit up to 100 scenes
• Scene management with:
  • Scene Safe—prevents a scene change from affecting designated "safe” channels
• Create, save, and edit channel settings and copy/paste between channels
• Advanced channel preset options can save and recall:
  • Channel type and name
  • Input settings (preamp, +48V phantom power, polarity, pan)
  • Fat Channel A & B settings
  • Bus assignments
  • Aux and effects send levels and pan
  • Select button color
• 8 Quick Scenes

• Studio-quality converters with 115 dB dynamic range
• 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)

• UC Surface touch control software for Mac®, Windows®, and iPad®
• Studio One® Professional digital audio workstation software for Mac and Windows
• Capture™ multitrack recording software for Mac and Windows
• QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

• Remote controlled via built-in router with Wi-Fi, Ethernet and multi-channel USB audio interface
• 16 Mic/Line XLR/Combo jack inputs
• Inputs: 2 x Line - 6.3 mm jack
• Outputs: Main XLR
• 6 AUX / Monitor sends
• 4 Integrated effects processors
• 100 Band Analyser
• Stereo headphone output
• Ultranet monitor connection
• MIDI in-/output
• iOS, Android and other software apps available free of charge
• 3 U
• Installation depth: 114 mm
• Dimensions with rack ears and protection bumpers (W x H x D): 333 x 140 x 150 mm
• Dimensions without rack ears and protection bumpers (B x H x T): 311 x 132 x 150 mm
• Weight: 3.2 kg
• Includes a rackmount chassis

Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience.

Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.

Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.

• 16 Mono Inputs (TRS + XLR)
• 3 Stereo Inputs (TRS)
• 4 Stereo FX Returns
• 16 Busses
• 12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
• 4 FX Engines
• AES Digital Out
• 19" Rack Mountable
• Moving Faders
• Recallable AnaLOGIQ Preamps
• Qu-Drive direct Multitrack Recording / Playback on USB drives
• 800×480 Touchscreen
• iLive FX Library
• dSNAKE Remote Audio Port
• Compatible with ME Personal Mixing System
• Qu-Pad iPad App
• USB Audio Streaming
• DAW MIDI Control
• 4 Mute Groups
• Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
• Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
• Built-in Signal Generator
• RTA with Peak Band indication

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.  

Technical Specifications  

Analog Input Characteristics  

Analog Output Characteristics  

Digital Output Characteristics  

Control I / O Characteristics  

Si Performer 1 Highlights
•     

Massive mix capacity – 80 inputs to mix in a small format live sound digital mixer
•     

2 ViSi Connect™ option card slots with 128x96 input/output paths for expanded digital I/O including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU Link), Dante™, CAT5 or optical MADI, AVIOM™, CobraNet™ and others.
•     

Assignable Fader Layers - Customise each of the four fader layer pages to meet your needs or add/insert faders to accommodate that additional mic that was not in the patch list!
•     

1 Control = 1 Function - With each control dedicated to a given function there is never any 'layering' of controls or navigating through screens; this allows the Si Performer controls to be labeled on the surface just as they would have been on an analogue mixer.
•     

TOTEM™ - The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
•     

Soundcraft FaderGlow™ - Illuminates the fader slots according to function with clearly defined colours for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you'll never be lost again!
•     

DMX interface - control sound and light from the same device.

•
    

BSS® GEQ - With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you will never 'run out' of processing.
•     

Security Lockout - Lock the whole console or just selected elements, manage the security with the users and profile settings.
•     

Personal Monitoring Interface - When used with the Si BLU link option card, the Si Performer is a perfect partner to the dbx PMC16 Personal Monitoring System , using simple Cat5 cabling for easy setup.
•     

D.O.G.S. (Direct Out Gain Stabiliser) - Prevents manual change of a mic gain control affecting direct out levels, perfect when 2 consoles share a stagebox or when recording the channel direct outputs.
•     

Global Mode Controls - A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs allowing instant access to the core functions.
•     

Copy & Paste - Copy whole channels, busses, mixes, Lexicon™ effects, a single part such as the EQ or multiple parts like the channel gate and compressor.
•     

Instant Access Keys - Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-8, TAP TEMPO and more negate the need to dive into screen & context menus.
•     

Function Focus - Whenever a control is moved or SELect key pressed the screen displays information about the channel identifying the absolute value of the controls and the channel name, number etc.
    
    

Key Features

  •  16 mono mic inputs
  •  8 line inputs
  •  80 channels to mix
  •  2 ViSi Connect™ option card slots for 128 x 96 input/output paths
  •  Pre/Post selection per input per bus
  •  Freely assignable faders and patching
  •  Soundcraft FaderGlow™
  •  Colour backlit LCD screens per fader
  •  GEQ on every bus
  •  20 sub-group / aux busses
  •  4 FX busses
  •  8 Matrix busses
  •  LRC Mix busses
  •  LCR panning
  •  4 Stereo Lexicon Effects engines
  •  Delay on inputs and outputs
  •  8 Mute Groups
  •  8 VCA Groups
  •  AES in and out
  •  DMX interface and control -control sound and light simultaneously
  •  Freely assignable insert loops
  •  Harman HiQnet integration
  •  Colour touch screen interface
  •  Comes with removable side cheeks

20 total inputs: 16 mic, (four with XLR/TRS combo connector) and two stereo line (TRS)
Dedicated talkback mic input
Stereo Main L/R outputs (XLR)
Ample monitor outputs (eight total) with 6 mono auxiliary mixes (XLR) and 2 stereo auxiliary mixes.
The 2 stereo aux outputs can drive wired in-ear monitors (IEM) directly.
Mono auxiliaries may be linked for stereo use.
Superb sound quality
Class-A microphone pre-amps
32-bit floating point processing
24-bit AD & DA convertors
Input channels are fully-featured:
Four-band full parametric EQ
Variable high-cut and low-cut filters
Gate
Compressor (with de-esser)
Main and auxiliary outputs feature:
1/3-octave graphic EQ (four-band parametric EQ on stereo auxiliaries)
Limiter
Delay
Notch filters
Four professional quality stereo DSP effects. Choose from:
Two types of reverb
Mono delay
Stereo delay
Chorus
Pitch-change
A pitch correct processor is assignable to any input channel.
Eight DCA and eight mute groups.
Color, capacitive touch screen graphical user interface combined with hardware controls for fast and intuitive operation.
Great results and easy to use
Input channel preset library features over 100 presets developed by experienced concert engineers specifically for live sound applications.
Wizards assist with input gain adjustment and effects selection and routing.
On board Info system gives you instant access to the user manual.
Save your own channel presets and complete mixer scenes to internal memory or USB device.
Capturing live performance to multi-track has never been easier. Record 22 tracks (all inputs plus a stereo mix) directly to USB hard-drive. Mix down on TouchMix or import into your favorite DAW.
Complete mixer remote control via free iPad® App.
Monitor control via iPhone/iPod Touch App.
Multiple Wi-Fi Connectivity options
Security Lockout Modes
USB Wi-Fi interface and carrying case are included.