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Professional table microphone, high sensitivity condenser microphone capsule, flexible gooseneck, illuminated ring to indicate operating condition, and on/off switch.
Perfect for all PA applications, such as conference and paging. It can be powered by battery or as by Phantom power. The base is equipped with 8 meters of cable XLRF-XLRM and XLRF-mono jack adapter.
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t is hard to believe that such small, unobtrusive microphones can produce such great sound, but it's true. Available in black or white finishes, and with in-line or plate mount preamps, MX202 Microflex® Overhead condenser microphones capture high-quality sound in a compact, adjustable package. Each model features a choice of interchangeable cardioid or supercardioid condenser microphone cartridges attached to a flexible, four inch gooseneck with a 30 foot cable.
Cartridge polar pattern indicated by model number suffix:
C = Cardioid, S = Supercardioid, N = No cartridge
Available Options
MX202B/C Black mini-condenser Cardioid mic, w/cable, in-line preamp, stand adapter
MX202B/S Black mini-condenser Supercardioid mic, w/cable, in-line preamp, stand adapter
MX202W/C White mini-condenser Cardioid mic, w/cable, in-line preamp, stand adapter
MX202W/S White mini-condenser Supercardioid mic, w/cable, in-line preamp, stand adapter
MX202W/N White mini-condenser mic, w/cable, in-line preamp, stand adapter, No Cartridge
MX202BP/C Black mini-condenser Cardioid mic; includes cable and plate-mounted preamplifier
MX202BP/S Black mini-condenser Supercardioid mic; includes cable and plate-mounted preamplifier
MX202BP/N Black mini-condenser mic; includes cable and plate-mounted preamplifier, No Cartridge
MX202WP/C White mini-condenser Cardioid mic; includes cable and plate-mounted preamplifier.
MX202WP/S White mini-condenser Supercardioid mic; includes cable and plate-mounted preamplifier.
MX202WP/N White mini-condenser mic; includes cable and plate-mounted preamplifier, No Cartridge | The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
- Unidirectional Dynamic Microphone
- Remote Chime Switch
- Mic ON/OFF Switch
- 2 Push Buttons for Easy Operation
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RM-01
| | Input Sensitivity / Impedance |
75dB±3dB (0dB=1V/µber at 1,000Hz), 600ohm
| | Frequency Response |
100Hz~18kHz
| | Type |
Moving Coil Dynamic
| | Directional Characteristic |
Unidirectional
| | Weight |
3lbs.
1.4kg
| | Dimensions |
3.5(W) X 1.8(H) X 5.2(D) inches
90(W) x 45(H) x 133(D) mm
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*Specifications and design subject to change without notice for improvements.
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| Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
- Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
Suggested Applications
Guitar Amp
Bass Amp
Acoustic Guitar
Brass/Saxophone
Snare Drums
Rack/Floor Toms
Congas
Woodwinds
Lead Vocals | This new mic is a performance / price breakthrough. It has an acoustically identical version of the legendary CK1 capsule that is permanently mounted. This combination can handle high output transients as well as subtle harmonics. Also included are switchable 75 and 150Hz 12dB per octave rolloff, and switchable -10 & -20 dB input pad. It is a single pattern (cardioid), and has a frequency response of 20 to 20kHz with 135 dB SPL. Requires 12 to 48V phantom power. Kit comes with bag, windscreen and clip.
For more than twenty years, the AKG C 451 with the CK 1 condenser capsule was a standard item on tour riders for sound companies and required by leading engineers for studio projects. When it was discontinued in 1993, there was still a big demand for this microphone. AKG now has an updated version of this classic microphone.
The new C 451B provides the same frequency response as the legendary CK 1 with the same slight high-end rise that was the signature of the original. This characteristic makes the C 451B an ideal tool for capturing signals rich in transients such as acoustic guitars, snare drums, hi-hats and for overhead micing of drum kits. The C 451B?s response eliminates the need for heavy EQ on these instruments.
The new C 451B has also benefited from newer electronic technology with machine soldering and surface-mount components that improve noise performance and make the microphone much more reliable than the original.
Other special features include switchable 10 dB and 20 dB preattenuation pads and switchable low cut filters at 75 Hz or 150 Hz. Standard accessories included are an SA 40 stand adaptor, W 90 windscreen and a rugged zippered bag. Each C 451B also comes with an individual frequency response printout.
Three-year warranty.
Specification
Polar pattern: cardioid
Frequency range: 20?20,000 Hz
Sensitivity: 9 mV/Pa (-41 dBV re 1 V/Pa)
Max. SPL for 0.5 % THD: 135/145/155 dB SPL (-0/-10/-20 dB)
Equivalent noise level: 18 dB-A to DIN 45 412
Signal/noise ratio (A-weighted): 76 dB
Preattenuation pad: switchable, 0, -10,-20 dB Bass cut filter: switchable to flat or 12 dB/octave at 75 Hz or 150 Hz
Electrical impedance: Recommended load impedance: >1.000 Ohms
Power requirement: 9?52 Volt phantom power to DIN 45 596/IEC 268-15
Current consumption: Connector: 3-pin male XLR
Finish: satin nickel plated
Size: dia.: 190 mm (0.7 in.); length: 160 mm (6.3 in.)
Net/shipping weight: 125/760 g (4.4 oz./1.7 lbs.)
Standard accessories: W 90 windscreen, SA 40 stand adapter |
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