The Tonebone Hot British is tube distortion at its best! Fashioned from a modified Marshall double-stack Plexi, the Hot British delivers five decades of brute power for everything from scooped-out chunky rhythm to screaming sizzling hot lead tones. The Tonebone Hot British… Five generations of Marshall tone right at your feet. God Save the Queen! […]
The Tonebone Hot British is tube distortion at its best! Fashioned from a modified Marshall double-stack Plexi, the Hot British delivers five decades of brute power for everything from scooped-out chunky rhythm to screaming sizzling hot lead tones. The Tonebone Hot British… Five generations of Marshall tone right at your feet. God Save the Queen!
The design begins with a triple gain stage that combines the control and dynamics of solid-state with the warmth and harmonic generation only possible from a real 12AX7 tube. This unique design produces ultra-rich harmonic textures and full-on saturated tube settings without the mud or noise that is typical with other pedals. Even when played at blistering speeds, each note retains its distinctiveness and clarity, right down to the lowest note.
Switch on the Contour, dial in the passive-interactive EQ and wham! – you are now in a world where huge, musically rich tones that you never thought possible magically come alive. The carefully crafted controls are easily manipulated to create an incredible array of textures that range from old school Deep Purple and Tom Shultz’s unique Boston sound to Queen’s Brian May or right into the boldest Metallica. No other pedal delivers more – no other pedal even comes close!
Features:
High-gain double-stack ‘plexi-in-a-box’!
Real 12AX7 tube for warm natural tone
Powerful EQ for extreme tonal flexibility
Retains note clarity even at high gain
Weight
0.50 kg
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The Tonebone Hot British is tube distortion at its best! Fashioned from a modified Marshall double-stack Plexi, the Hot British delivers five decades of brute power for everything from scooped-out chunky rhythm to screaming sizzling hot lead tones. The Tonebone Hot British... Five generations of Marshall tone right at your feet. God Save the Queen!
The design begins with a triple gain stage that combines the control and dynamics of solid-state with the warmth and harmonic generation only possible from a real 12AX7 tube. This unique design produces ultra-rich harmonic textures and full-on saturated tube settings without the mud or noise that is typical with other pedals. Even when played at blistering speeds, each note retains its distinctiveness and clarity, right down to the lowest note.
Switch on the Contour, dial in the passive-interactive EQ and wham! – you are now in a world where huge, musically rich tones that you never thought possible magically come alive. The carefully crafted controls are easily manipulated to create an incredible array of textures that range from old school Deep Purple and Tom Shultz's unique Boston sound to Queen's Brian May or right into the boldest Metallica. No other pedal delivers more - no other pedal even comes close!
Features:
High-gain double-stack 'plexi-in-a-box'!
Real 12AX7 tube for warm natural tone
Powerful EQ for extreme tonal flexibility
Retains note clarity even at high gain
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.
Flexible distortion pedal capable of producing blended overdrive/distortion sounds
Provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing
Includes Level, Tone, Drive and Color controls for precise tonal shaping
BOSS 5-year warranty
Features twin modes for an expanded range of distortion—taking you from blues-rock rhythms to searing leads at the press of a pedal or twist of a knob.
The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
Compact overdrive pedal with warm, smooth overdriven sounds
Unique asymmetric overdrive circuitry for a classic, natural tube amp growl
Tone control provides precise adjustment of drive sound
BOSS 5-year warranty
Input Impedance
1 M ohms
Output Impedance
10 k ohms or greater
Equivalent Input Noise Level
–120 dBu or less (IHF-A, Typ.)
Connectors
INPUT Jack, OUTPUT Jack, REMOTE Jack, AC Adaptor Jack
Power Supply
DC 9 V: Dry Battery 9 V type, AC Adaptor
Current Draw
12 mA (DC 9 V)
Accessories
Dry Battery 9 V type (6F22/9 V)
Option
AC Adaptor (PSA-Series)
Size and Weight ( incl. battery )
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight
400 g
0 lbs. 15 oz.
Wah-Wah Pedal HB-01 hell-babe
HELLBABE HB01
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
Following up on the success and rave reviews of our newly released Vocalist® products, we decided to make a pedal with the same cool features but specifically designed for the guitarist. With our exclusive musIQ™ technology we were able to combine the lightning-fast natural sounding harmony generation made famous by the Vocalist pedals, and fuse it with the demands of professional guitarists everywhere.
HarmonyMan™ is the world's first guitar pedal that generates harmonies based on your chord progression. It features four different types of pitch shifting depending on which of the 42 different voices are selected. Combine up to two distinct voices in any combination to accompany the input signal: a 3rd or 5th above or below, an octave up, two octaves below, 24 semitones and 4 detune variations. Simply play the songs you know and love, and when the spotlight cues your solo, hit the harmony footswitch to get amazing multi-part guitar harmonies!
Features
Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
Edit, store and recall 4 memory presets.
Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
Built-in guitar tuner
Pre-harmony Distortion loop
Features
Shifting Modes
Configurations
Specifications
Features
Cutting–edge pitch detection engine designed specifically for guitar delivers fast accurate shifting!
3–part guitar harmony; Forget about music theory and programming. Just play–itʼs that simple!
Intelligent harmony voicings, fixed chromatic voicings, and detune voice settings.
Edit, store and recall 4 memory presets.
Sidechain connection lets you solo while your rhythm guitarist provides the recognition source.
Built-in guitar tuner
Pre-harmony Distortion loop
Shifting Modes Triad Center Shifting Mode
Create musically correct harmonies based around your favorite chordal structure whether soloing a riff in a specific key or using the sidechain input for chord recognition.
Scalic Shifting Mode
Creates musically correct harmonies with various shifting depending on the harmony key.
Fixed (chromatic) Shifting Mode
Applies fixed harmony intervals to all notes with the fixed number of semitones selected.
Detune Shifting Mode
Get a thick overall sound applying a small fixed amount of pitch shifting to the lead guitar voice ranging from 5 cents to 30 cents in both up and down directions simultaneously.
Configuration Electric Guitar With Pre-Harmony Distortion and Stereo Amplifiers Add distortion to your lead and harmonies.
The Side-Chain Using Two Guitars with Pre-Harmony Distortion This configuration is used when the 2nd guitar is the source signal.
Specifications
Unit Dimensions: 9.75" x 7.9" x 3.4“ Unit Weight: 4 lbs./1.82 kg. Power Supply: 9VAC 1300mA PS0913B-120 Included Inputs: 1/4" Unbalanced Outputs: 1/4" Unbalanced Sidechain: Ground Lift Switch
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User's Manual
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