RANE MM 42 Monitor Processor

Raneʼs MM 42 Monitor Processor fulfills the demanding needs of performers and engineers striving to optimize personal monitor systems while ensuring a safe, dynamic mix. Connected in-line between a mixing console and a wired or wireless monitor system, the MM 42 processes a single stereo mix or two independent mono mixes using Shelf/Cut Filters, 3-band Compressor, 5-band Parametric EQ, and 3-band Peak Limiter. An assignable Sub (low frequency) output with adjustable bandpass filter is included for direct connection to powered subwoofers or bass shakers without requiring an external crossover. The on-board headphone amp and Cue Bus functionality permit easy setup and monitoring of multiple mixes.

Process a single stereo mix or two independent mono mixes using the MM 42ʼs flexible input to output routing. Any combination of the MM 42ʼs four line-level inputs is assignable to any output processing chain. The relative mix of inputs is easily adjusted using front panel level controls, making "more me” mixes a breeze.

Create a separate low-frequency mix for driving onstage subwoofers or tactile thumpers using the Sub Output with adjustable bandpass filter. Any input or combination of inputs is assignable to the Sub Output. External crossover not required!

Connect multiple MM 42s together using the Cue Bus and avoid the hassle of having to constantly re-patch headphones when monitoring more than one mix. Any mix can be placed on the cue bus and monitored (soloed) simply by pressing the desired mixʼs CUE BUS button. Connect the dedicated Cue Outputs on the rear panel to a spare transmitter or hardwired beltpack and hear the mix exactly as the performer hears it.

Add low frequency thump and high frequency sparkle to a mix using the adjustable Low and High Shelf/Cut Filters.

Control the dynamics of a mix with precision using the 3-Band Compressor. Adjustable crossover frequencies allow you to easily tame excess low end, while keeping the vocals and guitars clear and present.

Use the 5-Band Parametric EQ to improve the overall sound of the mix. Uses range from simple, broad sweetening effects to precise boosts or cuts to account for a performerʼs hearing loss or a particular earphoneʼs response.

Protect the performerʼs hearing and keep output levels under control using the 3-Band Peak Limiter. The Limiterʼs crossover frequencies are fully adjustable and independent of the Compressorʼs crossover settings.

Monitor the mix pre- or post-processing using the on-board headphone amp. Both 1/4" phone and 3.5 mm mini jacks are offered on the front panel. In many cases the headphone amp can replace a hardwired beltpack for the less mobile musicians on stage – the drummer or keyboard player, for example.

Save precious Aux outputs on the mixing console by using the Direct Outputs to daisy chain (pass-through) a common mix or mixes across multiple MM 42s. Feed a bandʼs stereo mix through to multiple MM 42s using the Direct Outs, then use the additional Inputs on each device to add solo instruments to the overall mix.

Recall memory presets and adjust parameters remotely via MIDI. MIDI Sys Ex is also used to backup system settings and for device firmware updates.

 Features for the Artist

• Process a single stereo mix or two independent mono mixes.
• Shelf/Cut Filters, 3-band Compressor, 5-band Parametric EQ, 3-band Peak Limiter.
• 4 line-level Inputs assignable in any combination to either output processing chain.
• Assignable Sub Output with bandpass filter.
• 16 Memory locations for storing custom user presets.

• Built-in headphone amplifier with 1/4" and 3.5 mm jacks.
• Cue Bus allows listening to mixes across multiple MM 42s without re-patching headphones. Cue selectable Pre- or Post-processing.
• Line-level Cue Outputs for spare transmitter or return to console.
• Direct Outputs allow distribution of common mixes to multiple devices, requiring fewer aux sends on console.
• Neutrik® 1/4“-XLR combo jacks allow interfacing with a variety of console aux/group outputs.
• Device control and firmware updates via MIDI.

The ATT-30 from Inter-M Americas is a one-gang wall panel attenuator. The knob has four clearly-labeled steps to make easy adjustments. A screwless terminal block simplifies installation, and the sleek, modern design fits into any environment. The attenuator can handle up to 30W.

- PRIORITY CONTROL

It controls the priority of emergency, timer, remote1, remote2, main(normal).

- AUTO FIRE SENSOR

The fire alarm will be given automatically to the designated areas by detecting fire sensor input.

- SPEAKER SWITCHING ON EMERGENCY OR NORMAL(MAIN)

You can control the speaker relay on emergency or normal(main) mode by using the speaker switch on front panel.

- DISPLAY STATUS

You can easily check the priority status.

- 2 AND 3 WIRE SPEAKER LINE SYSTEM

You can control the speaker line on the 2 wire system or 3 wire system.

- EXTENSION FUNCTION

You can easily expand by connecting additional ECS-616.

The RM-300MF Fireman's Microphone is designed for exclusive use with the VM-3000 Series. It is equipped with an emergency activation key, permitting pre-recorded evacuation and alert announcements to be activated, and microphone announcement to be made in emergency situations. By connecting the RM-320F Fireman's Microphone Extension to the RM-300MF, the number of function keys can be expanded. The zone selection or failure acknowledgment function can be assigned to such function keys.

toa-at-100upr Build-in Attenuator with Relay
Toa - 100V installation

Build-in Attenuator with Relay 100 W / 100 V