OVERVIEW Feed your inner wild streak freq-out with the Reaction Dynamic Filter. Are you searching for something new to add to your setup and spice things up? Are you a guitar player who wants to add a crazy, phasey and downright out of sight twisted effect to your pedal arsenal. Maybe you are a bass […]
Feed your inner wild streak freq-out with the Reaction Dynamic Filter.
Are you searching for something new to add to your setup and spice things up? Are you a guitar player who wants to add a crazy, phasey and downright out of sight twisted effect to your pedal arsenal. Maybe you are a bass player searching for something that will give you that funk with lots of punch?
The Reaction Dynamic Filter utilizes harmonic phase shifting effect that sweeps the frequency spectrum from high to low providing a unique one-of-a-kind sound. Since a dynamic filter is triggered by your pick attack, the harder you pick the string, the higher the resonant frequencies become. The sensitivity control determines the frequency at which the filter will begin its phase shifting.
For bass players, lower sensitivity settings provide a funky walking talking swanky arpeggio effect tracking your pick dynamics to produce a smooth and cool feel. Turn on the distortion to make it growl.
For guitar players higher sensitivity settings provide a more expressive “zipper” effect that is suited ideally for lead breaks. Play around with it and you will find that there are a lot of possibilities, all the way to a searing razor edge off the hook vibe controlled by your pick attack.
Level control determines the output level of the effect. An included distortion button gives you a little more “dirt” when playing. The footswitch on the Reaction Dynamic Filter controls On/Off status as shown by the LED indicator. Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron’s DC OnTap Universal Power Supply adaptor.
Rocktron’s Reaction Series pedals are built into a rugged metal slim form factor chassis, taking up as little space as possible on your pedal board. The Reaction Dynamic Filter is a true bypass pedal: when you turn it off, it is out of your signal path.
The Reaction Dynamic Filter can be placed in the signal chain before or after a distortion, but it is recommended to place it after. If using multiple pedals such as delays and other modulation effects, try the Reaction Dynamic Filter in different parts of the signal chain until you find the sound you personally prefer.
FEATURES
Sensitivity control
Distortion switch
9VDC input
Level control
On/Off LED
Battery compartment and cover
Input Jack
Thumb screws for battery compartment
Footswitch
Weight
0.40 kg
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Feed your inner wild streak freq-out with the Reaction Dynamic Filter.
Are you searching for something new to add to your setup and spice things up? Are you a guitar player who wants to add a crazy, phasey and downright out of sight twisted effect to your pedal arsenal. Maybe you are a bass player searching for something that will give you that funk with lots of punch?
The Reaction Dynamic Filter utilizes harmonic phase shifting effect that sweeps the frequency spectrum from high to low providing a unique one-of-a-kind sound. Since a dynamic filter is triggered by your pick attack, the harder you pick the string, the higher the resonant frequencies become. The sensitivity control determines the frequency at which the filter will begin its phase shifting.
For bass players, lower sensitivity settings provide a funky walking talking swanky arpeggio effect tracking your pick dynamics to produce a smooth and cool feel. Turn on the distortion to make it growl.
For guitar players higher sensitivity settings provide a more expressive "zipper" effect that is suited ideally for lead breaks. Play around with it and you will find that there are a lot of possibilities, all the way to a searing razor edge off the hook vibe controlled by your pick attack.
Level control determines the output level of the effect. An included distortion button gives you a little more "dirt" when playing. The footswitch on the Reaction Dynamic Filter controls On/Off status as shown by the LED indicator. Reaction stomp boxes run on a 9V Alkaline battery, or may also be powered by Rocktron's DC OnTap Universal Power Supply adaptor.
Rocktron's Reaction Series pedals are built into a rugged metal slim form factor chassis, taking up as little space as possible on your pedal board. The Reaction Dynamic Filter is a true bypass pedal: when you turn it off, it is out of your signal path.
The Reaction Dynamic Filter can be placed in the signal chain before or after a distortion, but it is recommended to place it after. If using multiple pedals such as delays and other modulation effects, try the Reaction Dynamic Filter in different parts of the signal chain until you find the sound you personally prefer.
FEATURES
Sensitivity control
Distortion switch
9VDC input
Level control
On/Off LED
Battery compartment and cover
Input Jack
Thumb screws for battery compartment
Footswitch
All-Time Favorite Chorus Effects, Modeled in a Single X-Series Pedal
Introducing the DigiTech CF-7 Chorus Factory. Think of it as 1-stomp shopping for all of your ultra high quality chorus needs. Besides Speed and Depth knobs, they've included a 2-in-1 concentric control that lets you tweak 2 more key parameters of each chorus effect. Add Flexible Output Mode, cast metal treadle and sleek carbon fiber finish and you have an industrial strength creative tool. If one of the best classic choruses with added control begs to be a part of your sound, you've just found the perfect pedal.
Features:
7 classic chorus effects models
Speed, depth and 2 parameter controls for each effect
Flexible output mode -- configure outputs for amp or mixer
CIT models classic speaker cabinets
Cast-metal treadle and chassis
Unique carbon-fiber look
Non-skid rubber base
Based on the Boss CH-1*
Based on the EH Small Clone*
Based on the DigiTech Multi Chorus
DigiTech, X-Series, Flexible Output Mode, DigiTech Whammy, Multi Chorus, CIT and CF-7 Chorus Factory are trademarks of Harman International Industries, Inc.
The V845 Wah-Wah pedal is a new version of the most famous guitar effects pedal of all time. Based on the specifications of the original pedal developed by VOX in the '60s, the V845 Wah-Wah offers guitarists the same legendary Wah-Wah tone in a new sturdy but very affordable design. An AC power connector is fitted to save on batteries and the outer case is coated with tough all-black finish making it the perfect choice for your pedal board.
About the VOX Wah-Wah
VOX developed the worldʼs first Wah-Wah effect during the '60s in an effort to allow guitarists to emulate the sound of a trumpet being muted — an important musical ingredient of the day. VOXʼs original Wah-Wah pedal quickly gained widespread popularity and its unique sonic characteristics have encouraged further experimentation by guitarists ever since. Having made spotlight appearances on some of the most famous recordings of all time, the Wah-Wah is still considered "must-have equipment” for guitar players of all levels and abilities today.
VOX V845 Wah-Wah Specifications
Input/Output jacks: INST jack, AMP jack, DC i/p jack.
Power supply: One 9V DC battery 6F22(S-006P)
Power consumption: 540uA @ 9VDC
Battery life for continuous use: approximately >100 hours with manganese battery (will vary depending on conditions)
Dimensions: 102(W) x 252(D) x 75(H) (including rubber feet, pedal in lowest position)
Weight: 942g (including battery)
Wah-Wah Pedal HB-01 hell-babe
HELLBABE HB01
The HELL-BABE HB01 is unlike any wah you’ve ever stepped on, offering a tremendous array of tone-sculpting options. You get everything from “old-school” wah to the most up-to-date sounds, all in one mesmerizing effects pedal. Add to that optical control that does away with noisy pots, an adjustable spring mechanism and tunable boost, and this babe’s a contender! The HELL-BABE will add new dimension and depth to your artistic expression.
What’s So Great About the HELL-BABE?
First of all, the HB01’s heel-down Range control provides low frequency adjustment that can be swept from 440 Hz down to 250 Hz, making the HB01 the ideal companion for either guitar or bass. For custom-tailoring the toe-down frequency range, the HELL-BABE features a Fine control, allowing you to adjust the frequency sweep as high as 2.2 kHz.
Volume Boost
You can even dial in a powerful volume Boost (up to +15 dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal-like effects.
The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.
Produces extreme, low-end distortion for modern metal and hard rock
Gain Boost circuit creates huge distortion and sustain regardless of level
New Bottom control for bottom-heavy distortion matched to 6- or 7-string guitars
Tone control adjusts balance between high and low frequencies
BOSS 5-year warranty
Product Features:
Shape your sound and eliminate feedback with 7 bands of equalization
This BEHRINGER product has been designed to compete head to head with leading products on the market
Wide frequency range from 50 Hz to 10 kHz with a powerful 15 dB boost/cut per band
Status LED for effect on/off and battery check
Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
First-class electronic On/Off switch for noise-free operation
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
How the specific frequency bands of the BEQ700 can shape your sound
50 Hz (sub-bass)
Boost: To thicken up sub-bass content, which is mostly felt rather than heard
Cut: To eliminate stage "rumble” and sub-bass content that can rob sound system power
120 Hz (soft bass)
Boost: To enhance the lower end of the bass spectrum
Cut: To reduce the tendency of low frequency content to overwhelm a small room
400 Hz (hard bass)
Boost: To enhance the "hard” bass punch of fundamental tones
Cut: To reduce punch for better linkage with the kick drum
500 Hz
Boost: or Cut: To control bass clarity and warmth
800 Hz
Boost: To add an aggressive edge to the overall bass sound
Cut: For reducing somewhat nasal or horn-like content
4.5 kHz
Boost: To make the bass cut through the mix. Creates a more distinctive plucked tone
Cut: To eliminate harshness
10 kHz
Boost: To bring out the upper harmonics and add edge to the overall bass tonality
Cut: Apply a cut to reduce harsh high-frequency content or hiss
User's Manual
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