STUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES

The C4 is small diaphragm condenser microphone featuring interchangeable capsules,
switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body.
The microphone?s modularity makes it a useful multi-purpose tool intended for all-around
use on stage, on location and in studios of all caliber.
As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis
sources while attenuating extraneous sound occurring from around and behind the mic.
This makes it ideal for close miking of individual instruments where bleed from other nearby
instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for
coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the
C4?s are quite useful on a drum kit as overheads and on toms.
Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response
and is recommended especially for close miking in favorable acoustical environments. There
is very little off axis coloration owing to the inherent physical properties of pressure capsules,
and it is this - combined with the low self-noise of the microphone amplifier that makes the
C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s
can provide a vibrant and live feel to recordings, which is not achievable through the use of
directional microphones.
Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads
and room miking. The C4 is available in pairs with shockmounts, windscreens and case.

Features:
Studio Quality Stereo Pair Microphone System
Modular Design
Interchangeable Capsules (Omni, Cardioid)
Switchable -10dB pad/ High Pass Filter
Transformerless Output
Rugged Construction

Applications:
Coincident, Near Coincident Pair
Spaced Pair Omnis
Location Use
Spot Miking For Instruments
Ambient Recording
Drum Overheads

Included Accessories:
Shock Mount Adapter
Foam Windscreen
Pair of Cardioid Heads
Pair of Omni Heads
Case

Technical Description
Type: Single diaphragm modular FET condenser microphone
Polar Pattern: Cardioid (CC1) Omni-directional (OC1)
Frequency Response: 40Hz.~20kHz
Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL
Output Impedance: 1200 Ohm
Max SPL: 150 dB SPL with -10dB pad
Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15)
S/N Ratio: 78 dB
Power Requirement: P48 +/-4V
Current Consumption:

The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!

The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.

This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad  &  80 Hz LF roll off switches for varied recording situations.
 
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
 
Applications

Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…

Specifications

Type: True Transformerless Condenser
Polar Pattern: Cardioid
Frequency Response: 35-20,000 Hz +/- 3.5dB
Output Impedance:

• Professional large-diaphragm condenser microphone for unsurpassed audio quality
• Ideal as main and support microphone for studio and live applications
• Exceptionally flat frequency response and ultra-high sound resolution
• Cardioid pickup pattern for outstanding sound source separation and feedback rejection
• Ultra low-noise transformerless FET input circuitry
• LED indicates phantom power operation
• Gold-plated 3-pin XLR output connector for perfect signal transmission
• Ultra-rugged construction with die-cast body
• Swivel stand mount and carrying case included

NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.

The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.

SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range:  20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651:  87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery:  2.6 kg
 

NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
 
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
 
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range:  20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm