STUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES

Discontinued

Original price was: €396.80.Current price is: €369.01. incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
The C4 is small diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body. The microphone?s modularity makes it a useful multi-purpose tool intended for all-around use on stage, on location and in studios of all caliber.As a cardioid (pressure gradient) microphone, the C4 provides excellent […]

 

Read more

The C4 is small diaphragm condenser microphone featuring interchangeable capsules,
switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body.
The microphone?s modularity makes it a useful multi-purpose tool intended for all-around
use on stage, on location and in studios of all caliber.
As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis
sources while attenuating extraneous sound occurring from around and behind the mic.
This makes it ideal for close miking of individual instruments where bleed from other nearby
instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for
coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the
C4?s are quite useful on a drum kit as overheads and on toms.
Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response
and is recommended especially for close miking in favorable acoustical environments. There
is very little off axis coloration owing to the inherent physical properties of pressure capsules,
and it is this – combined with the low self-noise of the microphone amplifier that makes the
C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s
can provide a vibrant and live feel to recordings, which is not achievable through the use of
directional microphones.
Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads
and room miking. The C4 is available in pairs with shockmounts, windscreens and case.

Features:
Studio Quality Stereo Pair Microphone System
Modular Design
Interchangeable Capsules (Omni, Cardioid)
Switchable -10dB pad/ High Pass Filter
Transformerless Output
Rugged Construction

Applications:
Coincident, Near Coincident Pair
Spaced Pair Omnis
Location Use
Spot Miking For Instruments
Ambient Recording
Drum Overheads

Included Accessories:
Shock Mount Adapter
Foam Windscreen
Pair of Cardioid Heads
Pair of Omni Heads
Case

Technical Description
Type: Single diaphragm modular FET condenser microphone
Polar Pattern: Cardioid (CC1) Omni-directional (OC1)
Frequency Response: 40Hz.~20kHz
Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL
Output Impedance: 1200 Ohm
Max SPL: 150 dB SPL with -10dB pad
Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15)
S/N Ratio: 78 dB
Power Requirement: P48 +/-4V
Current Consumption:

Weight 3.17 kg

Reviews

There are no reviews yet.

Be the first to review “STUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES”

Your email address will not be published. Required fields are marked *

Quick Comparison

STUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES removeNEUMANN TLM-193 Cardioid Condenser Microphone removeBEHRINGER C3 Dual-Diaphragm Studio Condenser Microphone removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE removeRODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE removeSHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz remove
NameSTUDIO PROJECTS C4 CONDESER STEREO PAIR MICROPHONES removeNEUMANN TLM-193 Cardioid Condenser Microphone removeBEHRINGER C3 Dual-Diaphragm Studio Condenser Microphone removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE removeRODE NT-1A STUDIO CONDESER MICROPHONE BUNDLE removeSHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz remove
Image
SKUC4PAIRH11NE00001E005253H11RD00006H11RD00025KSM44SL
Rating
Price Original price was: €396.80.Current price is: €369.01. incl. GR VAT Original price was: €1,590.00.Current price is: €1,399.00. incl. GR VAT Original price was: €92.56.Current price is: €80.00. incl. GR VAT Original price was: €788.00.Current price is: €749.00. incl. GR VAT Original price was: €230.00.Current price is: €188.00. incl. GR VAT Original price was: €1,020.00.Current price is: €938.00. incl. GR VAT
Stock

Out of stock

Available on backorder

In stock (can be backordered)

Available on backorder

Available on backorder

Available on backorder

AvailabilityOut of stockAvailable on backorderIn stock (can be backordered)Available on backorderAvailable on backorderAvailable on backorder
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
Content

The C4 is small diaphragm condenser microphone featuring interchangeable capsules,
switchable -10dB pad/high pass filter and a linear low-noise, solid state amplifier body.
The microphone?s modularity makes it a useful multi-purpose tool intended for all-around
use on stage, on location and in studios of all caliber.
As a cardioid (pressure gradient) microphone, the C4 provides excellent pickup of on-axis
sources while attenuating extraneous sound occurring from around and behind the mic.
This makes it ideal for close miking of individual instruments where bleed from other nearby
instruments or sound is undesirable. The C4 cardioids also make excellent stereo pairs for
coincident and near-coincident miking techniques such as X-Y and ORTF. Additionally the
C4?s are quite useful on a drum kit as overheads and on toms.
Used as an omni-directional (pressure) microphone, the C4 offers a warm tonal response
and is recommended especially for close miking in favorable acoustical environments. There
is very little off axis coloration owing to the inherent physical properties of pressure capsules,
and it is this - combined with the low self-noise of the microphone amplifier that makes the
C4 omni an excellent ambience mic ?especially in pairs. In a good room, a pair of omni?s
can provide a vibrant and live feel to recordings, which is not achievable through the use of
directional microphones.
Recommended uses are, spaced pair omni, Jecklin disc (OSS), piano, guitar, drum overheads
and room miking. The C4 is available in pairs with shockmounts, windscreens and case.

Features:
Studio Quality Stereo Pair Microphone System
Modular Design
Interchangeable Capsules (Omni, Cardioid)
Switchable -10dB pad/ High Pass Filter
Transformerless Output
Rugged Construction

Applications:
Coincident, Near Coincident Pair
Spaced Pair Omnis
Location Use
Spot Miking For Instruments
Ambient Recording
Drum Overheads

Included Accessories:
Shock Mount Adapter
Foam Windscreen
Pair of Cardioid Heads
Pair of Omni Heads
Case

Technical Description
Type: Single diaphragm modular FET condenser microphone
Polar Pattern: Cardioid (CC1) Omni-directional (OC1)
Frequency Response: 40Hz.~20kHz
Sensitivity: 12m V/Pa. where 1 pa = 94dB SPL
Output Impedance: 1200 Ohm
Max SPL: 150 dB SPL with -10dB pad
Equivalent Noise: 16 DB SPL, (A-weighted per IEC268-15)
S/N Ratio: 78 dB
Power Requirement: P48 +/-4V
Current Consumption:

Acoustical operating principlePressure gradient transducer
Directional patternCardioid
Frequency range20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohms18 mV/Pa
Rated impedance50 ohms
Rated load impedance1000 ohms
Equivalent SPL CCIR 468-321 dB
Equivalent SPL DIN/IEC 65110 dB-A
S/N ratio CCIR 468-373 dB
S/N ratio DIN/IEC 65184 dB
Maximum SPL for THD 0.5%140 dB
Maximum output voltage13 dBu
Dynamic range of the microphone amplifier DIN/IEC 651130 dB
Supply voltage48 V ± 4 V
Current consumption3 mA
Matching connectorsXLR 3F
Weight480 g
Diameter49 mm
Length175 mm
Behringer C-3 Dual-Diaphragm Studio Condenser Microphone Introducing the Professional Condenser Microphone C-3 from BEHRINGER Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications. The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case. The C-3 represents state-of-the-art technology at a price that is simply unheard of.

K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
 
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.

SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range:  20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
 > 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise:  10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
 -36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight:  815 gms
Dimensions width:  208.5 mm
Dimensions depth:  55 mm
Dimensions height:  55 mm
Maximum output voltage:  > +30 dBu (@ 1% THD into 1 k).

The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones. Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
  • Large 1" (25mm) capsule with gold plated diaphragm
  • Cardioid polar pattern
  • Self noise of only 5dB (A)
  • Ultra low noise, transformerless surface mount circuitry
  • Wide dynamic range
  • Gold plated output contacts
  • True condenser (externally biased)
  • Internal capsule shock mounting
Microphone Impedance: 100 Ohms Microphone Dynamic Range: > 132dB (per IEC268-15) Microphone Sensitivity: -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) Microphone Diameter: 50mm Microphone Powering: +48 Volts (Phantom Power) Physical Weight: 326.00g Frequency Curve Image:

KSM44A Multi-Pattern Dual Diaphragm Microphone Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).

Features

  • Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides  transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.  
  • Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
  • Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
  • Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
  • Premium electronic components and gold-plated internal and external connectors
  • Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
  • Integrated three-stage "pop” protection grille reduces plosives and other breath noise

    Type Condenser (externally biased)
    Frequency Response 20 to 20,000 Hz
    Polar Pattern Cardioid, Omnidirectional, Bidirectional
    lmpedance 50 ohms
    Phantom power required? 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum


Weight3.17 kg0.48 kg0.45 kg2.00 kg3.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 3.17 kg
Weight 0.48 kg
Weight 0.45 kg
Weight 2.00 kg
Weight 3.00 kg
Weight 1.00 kg