TAPCO S8 ACTIVE 2-WAY STUDIO MONITOR

Price per speaker

More of a Good Thing.

Our S?5 Active Studio Monitors have been such a hit, producers in the hip-hop
and DJ communities asked us for a bigger, louder version. We like things louder
here at TAPCO too, so we designed the loudest, most accurate 8" active studio
monitor in its class, and called it the S?8. With a huge low-end response, your
mixes will be louder, punchier, and have a low-end you can be proud of.
Exceptional sonic performance
The S?8 Active Studio Monitors are designed to be transparent and produce
uncolored low-end sound for monitoring in home and project recording studios,
home theater systems, and anywhere else massive sound is required. The S?8's two-
way bass reflex design provides an amazingly flat frequency response and benefits
from complete system integration from the Active crossover, dual 60-watt power amplifiers,
precision drivers (8-inch low frequency, 1-inch for the highs) and a custom-tuned, ported cabinet.
Cure for bass envy
The S?8's sound big because they ARE big. Perfect for serious dance and hip-hop producers,
the S?8's deliver massive amounts of bass. The 8-inch woofer pushes huge volumes of air with
its integrated 120-watt amplifier, but the low-end response stays clear, not tubby, due to
sophisticated Active technology. A huge heatsink on the rear keeps the electronics cool when
the music is pumping. And because they look as great as they sound, they can only improve the
vibe of your studio.
Adjustable, to work any room
The actual room you mix in can have serious effects on how your mix sounds when played on
other systems. Variables like size and shape, furniture, doors and windows, carpeted or wood floors,
and where you sit when you listen, all combine to determine what you will hear is really what your mix
sounds like. After all, what good is a mix that only sounds good in your studio? With the S?8, we
included fine calibration controls to let you adjust the low (0, +2, +4 dB below 100Hz) and high (+/- 2dB
above 5kHz) frequency response to suit your taste. More importantly, these controls help to ensure that
the great sounds you get with the S?8 also sound great on your home stereo, in the car, and anywhere
else your music is played.
Protecting your investment
We know people want to blast their monitors for long periods in less than laboratory conditions, so we
added some extra circuitry just to keep your S?8s performing their best. The S?8s are tuned to maximize
efficiency, but they can get hot when used in the real world. If the electronics get too hot, separate thermal
switches activate and shut down the high and/or low frequency amplifiers until they cool down. An Over-
excursion filter, just before the low frequency amplifier protects the woofer from shredding itself when the
low-end is driven to the maximum. These extra protections ensure long life and monitors you can count on
to have your back at all times. Finally, we've adding magnetic shielding to protect your computer display or
television from being permanently being tweaked from the powerful magnets found inside the S?8.

FEATURES:
? Mackie-designed active desktop monitors with dual high-precision internal amplifiers (60w x 60w)
? 8-inch woofer delivers big, punchy low-end especially suited to modern rock, hip-hop, dance music production
? 1-inch waveguide-loaded silk dome tweeter with exceptional stereo imaging for smooth, non-fatiguing mix
  sessions
? Low-Freqency Boost and High-Frequency Boost/Cut controls allow for acoustic tailoring to different rooms
? Balanced TRS/XLR and unbalanced RCA inputs
? Magnetically shielded, can be placed next to your CRT monitor
? Outperforms other 8" active monitors in its class

PRICE PER UNIT

S3X-V

Using the newly developed 4” HexaCone midrange and 9” HexaCone woofer combined together with the X-ART tweeter creates the unique S3X-V control monitor.

A step up over the smaller models, the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio, the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long time, non-fatiguing listening sessions.

Reviews: "Wonderfully detailed...”

“Wonderfully detailed, with an exceptionally transparent mid-range. [...] ADAM make the leap to a three-way speaker design that seems to pay dividends in clarity and separation. [...] I think it would be fair to say theyʽre the best sounding ADAM monitors Iʽve reviewed.” (Sound On Sound, 12/2009)

“No doubt, the S3X-V deserve the title Reference Monitor. With this series, ADAM Audio proves to have a very good feeling for meeting the specific demands of the sound engineerʽs guild, creating studio standards at the same time. [...] A precision tool combined with a luxury good.” (www.96kHz.de, 03/2010)

The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.

Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type 
Input Sampling rate
No de-emphasis  29 - 200 kHz
Input Sampling rate
Using de-emphasis 
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches 
Speaker weight 5.6 kg (12.3 lb)

The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W” composite sandwich mid-woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.

PRICE PER UNIT

The original A5

The small A5 managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one "of the best small monitors” and a "great choice for the small studio.” (Future Music, 01/2009).

The new A5X

The similar dimensions and name could make one believe that the A5X is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that.

Like all other models of the AX-Series it features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this.

A 5.5” Midwoofer reproduces the frequencies below 2.5kHz. The diaphragm is made from Carbon fiber/Rohacell/Glass fiber, which is the same composite structure shared in the next two bigger models. This material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.

Stereolink

A very handy and exclusive feature found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker.

This new technology connects two A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for "mixer-less” desktop applications where overall system volume needs to be adjusted easily.

Controls and Connectors

The front of the A5X sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also two M6 (6 mm) metric screw threads for stand/wall mounting.

Review: "The A5X: a superb impression.“

"A sparkling and lively desktop monitor with an open, powerful character. Good filters and practical ergonomics as well as useful equipment make ADAMs A5X an ideal partner in multimedia nearfield sound." (Stereo, 10/10)

PRICE PER UNIT

ADAMs A7 & A7X: the evolution of a legend

The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.

With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.

Driver technology

The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Amplifiers / controls

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.
To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.