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* Instrument trainer / recorder * 1/4" guitar/bass input * Guitar/bass effects including amp modelling, delay, reverb, chorus and more * Records 44.1kHz/16-bit WAV files * Playback 16 or 24-bit WAV files or MP3 files * SD/SDHC card media slot with included 2GB card * Overdub recording allows sound-on-sound build up of an arrangement * Loop playback using dedicated buttons * Variable Speed Audition speeds up or slows down playback without changing the pitch * Chromatic Tuner and Metronome * USB 2.0 jack for high-speed music transfer * Dedicated keys and large LCD display for easy operation * Angled desktop design * Includes 2GB SD card, AA batteries, USB cable
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Why are 4-channels of audio better than 2-channels?
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Capture more ambient sound at any shoot for an overall more convincing soundscape.
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Place mics on each participant in conferences, panels, reporters, etc.
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Redundancy or backup in case of camera mic noise or drop out.
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Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.
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Video editing environments now support multi-channel audio as standard.
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Main Features
The R-4 brings you a new generation of portable recording. Enjoy superb sound quality. Use the 40GB hard disk drive for extended recording. Record up to four channels at once. Edit waveforms on the recorder itself. All this plus a compact size and light weight that assure outstanding mobility in the field. The Edirol R-4. Gear up for the new generation of portable recording.
Extended Recording with 40GB Hard Disk Drive
Equipped with a 40GB hard disk drive, the R-4 can record up to 17 hours at maximum sound quality or up to 58 hours at CD quality.
Superior 24-bit/96-kHz Linear Recording
Totally uncompressed recording assures outstanding sound quality. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, or 96 kHz. Save data as WAV files.
Simultaneous 4-Channel Recording
The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Digital input/output is also provided.
Four-channel recording gives you exceptional flexibility. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself. Or you can record at several different level settings simultaneously.
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Five High-Quality Effects
The R-4 lets you tailor the sound during both recording and playback.
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L Terminal for Linking a Digital Video Camera
The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.
Waveform Editing Using Only the R-4
The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.
Index Any Point Instantly
Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.
Easy Playback with the Jog Dial
Use the jog dial to fast-forward or rewind at any of seven speed levels.
Built-In Stereo Speakers
The R-4's built-in speakers make it easy to monitor recorded sound without headphones.
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L Terminal for Linking a Digital Video Camera
The R-4's L terminal lets you connect a similarly equipped digital video camera to synchronize the camera start/stop while R-4 is recording. Counting the camera's two channels, this configuration gives you a total of six audio channels — a wealth of audio data to get creative with.
Waveform Editing Using Only the R-4
The R-4 is all you need to edit waveforms. Just watch the waveform on the LCD as you edit. Scrubbing playback with the shuttle dial lets you set the edit points precisely by sound.
Index Any Point Instantly
Press the mark button anytime during recording or playback to mark that point for easy, instant indexing later. With the A-B repeat function you can set two points and repeatedly play back the material between them.
Easy Playback with the Jog Dial
Use the jog dial to fast-forward or rewind at any of seven speed levels.
Built-In Stereo Speakers
The R-4's built-in speakers make it easy to monitor recorded sound without headphones.
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The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O. It supports the RC-20 direct play remote for up to 20 tracks of flash start.
- Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
- One-rack-space compact design
- Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
- PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
- RS-232C and Parallel Control I/O
- Multiple playback modes for situations requiring continuous, single, programmed and random playback
- Playback speed control without pitch change
- XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
- Dimensions (W x H x D): 19 x 1.8 x 11.9 (in) 482.6 x 44.5 x 301 (mm)
- Weight: 7.50 (lbs) 3.4(kg)
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Recorder Section: | | Number of Tracks: | | 2 tracks, 2-track recording/playback simultaneously
| | Recording Formats: | | 1-bit audio formats - DSDIFF, DSF, WSD: 2.8224 MHz @ 1-bit, 5.6448 MHz @ 1-bit
PCM audio formats - WAV, BWF: 44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bit
MP3 format - playback only
44.1kHz or 48kHz/32kbps-320kbps
| | Internal Hard Disk Drive: | | 40 GB
| | Recording Time: | | Max Approx. 60 Hours (44.1 kHz @ 16-bit, 2-track)
| | Number of Projects: | | Recognizes a maximum of 200 for each format, max 1,000 projects
| | Mark Points: | | 100 points per a song (no mark name)
| | USB Functions: | | USB 2.0 supported, ability to use as FAT32 external USB drive
| | Song Editing: | | Rename, Delete, Protect
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General: | | Display: | | 160 x 104 dots LCD with backlight
| | Dimensions: | | 192(W) x 170(D) x 56(H) mm/7.56“(W) x 6.69“(D) x 2.20“(H)
| | Weight: | | 1.0 kg/2.20 lbs. (without batteries)
| | Power Supply: | | Eight AA batteries (sold separately), Oxyride batteries, charged nickel metal-hydride batteries, or AC Adapter model � (adapter) 500405015300 & (3 prong cable) 600007300/KA310
12V 500mA Center Pin (+);
| | Current Consumption: | | 7 W
| | Accessories: | | AC Adapter; Carrying Bag; CD-ROM (“AudioGate" Audio File Conversion Software)
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Principal Specifications: | | Frequency Response: | | 10Hz ~ 20kHz ±1dB @ Fs44.1kHz, 10Hz ~ 40kHz ±1dB @ Fs88.2kHz/96kHz/176.4kHz/192kHz, 10Hz ~ 100kHz (1 bit)
| | S/N: | | 96 dB (typical) @ IHF-A INPUT-OUTPUT
| | THD+N: | | 0.008% (typical) 20 kHz-LP
| | A/D Conversion: | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
| | D/A Conversion: | | 2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)
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INPUT L-R: | | Connectors: | | XLR-3-31 type / 1/4" TRS phone jack (balanced)
Phantom power: 48V/10mA per channel, on/off switch
| | Input Impedance: | | 4.5 k Ohm (XLR-3-31), 68 k Ohm (TRS phone, Line)
| | Nominal Level: | | - 60 dBu - - 28 dBu, XLR (balanced), - 26 dBu - + 4 dBu, 1/4" TRS phone (balanced), - 26 dBV - - 6 dBV, 1/4" TRS phone (Unbalanced)
| | Maximum: | | 16 dBu, XLR (balanced), + 16 dBu, 1/4" TRS phone (balanced), + 6 dBV, 1/4" TRS phone (Unbalanced)
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OUTPUT L-R (Unbalanced/Balanced): | | Connectors: | | RCA (Unbalanced)/XLR-3-32 type (balanced)
| | Nominal Level: | | 6 dBV/+ 4 dBu
| | Maximum Level: | | + 6 dBV/+ 16 dBu
| | Load Impedance: | | 47 k Ohm or greater/600 k Ohm or greater
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PHONES: | | Connector: | | 1/4" stereo phone jack
| | Load Impedance: | | 16 k Ohm or greater
| | Maximum Level: | | 50 mW + 50 mW @ 32 k Ohm
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USB: | | Connector: | | Type B
| | Format: | | USB 2.0 High-Speed device, USB mass storage class
| | Supported OS: | | Windows Me, 2000 or later, Mac OS 9.0.4 or later*1
*1With Intel based Macs, you must turn on the unit after making USB connection.
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Included Items: | | AC adaptor (also operates as charger), carry bag, CD-ROM (�AudioGate� audio file conversion application)
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AudioGate System Requirement: | | Supported OS: | | Windows XP Home Edition/Professional Edition (Service Pack 1 or later), Mac OS X 10.3.9 or later
| | CPU: | | [Windows] Intel Pentium III/1 GHz or faster [Macintosh] Apple G4/800 MHz or faster (Intel-based Mac supported)
| | Memory: | | 256 MB or larger (512 MB or larger recommended)
| | *“DSD" is a registered trademark
*Logos, product names and company names are their tradmarks or registered trademarks |
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- 16 Recording Tracks to Hard Drive: 16-bit resolution at 44.1 kHz - no compression
- Extended Recording Time: More than 7.5 hours of 16-track recording at CD quality
- FAT32 Disc Format and WAV Recording: Plus USB port for easy transfer of recordings to PC
- Input EQ Library: 33 sound shaping presets available for all inputs
- Direct CD-RW Connection via USB: Master direct to USB CD-RW (no PC required)
| SPECIFICATIONS
[Recorder]
●Physical Tracks : 24 ●Simultaneous Recording Tracks : 8 ●Simultaneous Playback Tracks : 24 ●Recording Data Format : 44.1/48kHz, 16/24bit WAV ●Maximum Recordable Time : 200 minutes / GB (44.1kHz 16-bit, mono tracks) ●Projects : 1,000 ●Markers : 100 / Project ●Locator : Hours / Min. / Sec. / msec or Bars / Beats / Ticks ●File Editing : Divide, Trim ●Other Functions : Punch-In / Out (Manual, Automatic), Bounce, A-B Repeat, Undo / Redo, Metronome
[Audio interface]
●Input Channels : 8 ●Output Channels : 2 ●Quantization : 24bit ●Sampling Frequency : 44.1, 48, 88.2, 96kHz
[Mixer]
●Faders : 9 ●Level Meters : 4-Segment LED ●Track Parameters : 3-Band Equalizer, Pan (Balance), Effect Send x 2, Invert ●Stereo Links Track pairs : 1/2 to 23/24 selectable
[Effects]
●Algorithms : 9 (CLEAN, DISTORTION, ACO / BASS SIM, BASS, MIC, DUAL MIC, STEREO, 8 x COMP EQ, MASTERING) ●Types : 150 ●Modules : 7 for Insert, 2 for Send / Return ●Patches : 330 for Insert, 60 for Send / Return ●Tuner : Chromatic, Guitar, Bass, Open A/D/E/G, D modal
[Sampler]
●Playback Data Format: 44.1/48kHz, 16/24bit WAV ●Voices: 24 ●Editing Functions: Trim, Time-stretch
[Rhythm]
●Voices: 8 ●Sound Format: 16-bit Linear PCM ●Drum Kits : 10 ●Pads : 8 (velocity-sensitive) ●Precision : 48 PPQN ●Rhythm Patterns : 511/project ●Patterns : 511 (472 factory, 39 blank) / Project ●Beat : 1/4 - 8/4 ●Tempo : 40.0 - 250.0 BPM
[Hardware]
●Recording Media : SD Card (16MB-2GB), SDHC Card (4-32GB) ●A/D Conversion : 96kHz 24bit delta-sigma ADC ●D/A Conversion : 96kHz 24bit delta-sigma DAC ●Display : 128 x 64 pixel LCD (with backlight) ●Inputs : 8 x XLR-1/4''Phone Combo Jack / Input Impedance: (Balanced input) 1kΩ balanced, 2nd hot, (Unbalanced input) 50kΩ unbalanced, (Hi-Z Input) 470kΩ / Input Level: -50dBm to +4dBm continuously variable ●Built-in microphones : Omnidirectional condenser microphones Gain: -50dBm to +4dBm continuously variable ●Phantom Power Supply : 48V / 24V ●Master Output : 1/4“TRS Phone (balanced) / Output Impedance: 1kΩ / Rated Output Level: +4dBm ●Headphones Output : 1/4''Stereo Phone Jack, 20mW x 2 (at 32Ω load) ●USB : [B type (USB2.0 High-Speed compatible)] Audio Interface / Control Surface or Mass Storage Class operation [A type (USB2.0 High-Speed compatible)] USB Host capability ●Power Requirements : AC adaptor (DC5V/1A/center positive) or AA size (LR6) battery x6 ●Battery Life : 4.5 hours (with backlight on and phantom power off) ●Dimensions : 376(W) x 237.1(D) x 52.2(H) mm ●Weight : 1.3kg (without batteries)
*0dBm=0.775Vrms
R24 USB Audio Interface System Requirments
Windows® Windows® XP SP2 or later / Vista SP1 or later / 7
Intel® Pentium® 4 1.8GHz or better
1GB RAM or more
USB 2.0 compatible port
Intel® Mac OS X 10.4.11 or later / 10.5 / 10.6 / 10.7
Intel® Core Duo processor 1.83GHz or better
1GB RAM or more
USB 2.0 compatible port.
* USB hub is not supported.
* Intel® Chipset is recommended. |
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