TASCAM HD-R1 Professional CF-Card Recorder: Rackmounted

1,225.89 incl. GR VAT

Only 4 left in stock

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The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind. Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit […]

 

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The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.

Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type “A” connector).

To further enhance the HD-R1’s feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).

And of course… the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.

    * 1U Rack-mount Solid-State Recorder
    * Compact Flash Card
    * USB host interface for USB Flash Cards
    * Audio data formats: PCM (16/24 bit), MP3
    * Sampling rates supported: 44.1, 48, 88.2, 96kHz
    * Mic/Line XLR (with 20dB pad) balanced I/O
    * Phantom Power (rear panel switch and front LED indicator)
    * Euroblock terminal (Input and Output)
    * Unbalanced RCA (Input and Output)
    * Front panel rotary input level controls
    * RS-232 interface for control

    * RJ45 100Mbit/s Ethernet interface for file transfer and control
    * 25-pin parallel remote control interface
    * 16 Direct Play via D=SUb25 pin parallel interface
    * Power on play (front panel selectable)
    * S/PDIF Digital In/Out (Coaxial and Optical)
    * Headphone Jack w/level control
    * Input through and Auto Fade function
    * Input monitoring / mixing of live stereo input along with playback
    * Program Play, Folder Play, Shuffle Play, Interval Play modes, etc…

Weight 4.00 kg

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Quick Comparison

TASCAM HD-R1 Professional CF-Card Recorder: Rackmounted removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD removeTASCAM DP-32 SD 32-Track Digital Portastudio removeKurzweil KORE64 Expansion Card for PC3/PC3K removeTASCAM DR-70D Digital portable recorder removeTASCAM P2/MMC RS-422 PROTOCOL CONVERTER remove
NameTASCAM HD-R1 Professional CF-Card Recorder: Rackmounted removeFOCUSRITE LIQUID MIX HD Plugin for Pro Tools HD removeTASCAM DP-32 SD 32-Track Digital Portastudio removeKurzweil KORE64 Expansion Card for PC3/PC3K removeTASCAM DR-70D Digital portable recorder removeTASCAM P2/MMC RS-422 PROTOCOL CONVERTER remove
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Description
Content
The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.

Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).

To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).

And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.

    * 1U Rack-mount Solid-State Recorder
    * Compact Flash Card
    * USB host interface for USB Flash Cards
    * Audio data formats: PCM (16/24 bit), MP3
    * Sampling rates supported: 44.1, 48, 88.2, 96kHz
    * Mic/Line XLR (with 20dB pad) balanced I/O
    * Phantom Power (rear panel switch and front LED indicator)
    * Euroblock terminal (Input and Output)
    * Unbalanced RCA (Input and Output)
    * Front panel rotary input level controls
    * RS-232 interface for control

    * RJ45 100Mbit/s Ethernet interface for file transfer and control
    * 25-pin parallel remote control interface
    * 16 Direct Play via D=SUb25 pin parallel interface
    * Power on play (front panel selectable)
    * S/PDIF Digital In/Out (Coaxial and Optical)
    * Headphone Jack w/level control
    * Input through and Auto Fade function
    * Input monitoring / mixing of live stereo input along with playback
    * Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...

Liquid Mix HDLiquid Mix HD | TDM Plugin for Pro Tools HD

Key Features
Variety of Classic Emulations
40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
Dynamic Convolution Technology
The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
Ultra-Low Latency for Recording
With the ultra-low latency of Liquid Mix HD (just 12 samples), it can now be used for recording and live sound applications
Optimised for Pro Tools HD
Over one hundred simultaneous mono instances can be run at 44.1/48kHz on an HD3 system.
Full Control Surface Mapping
Pro Tools TDM format ensures full control mapping on all major Pro Tools control surfaces, including ICON and VENUE.
Unique Hybrid Super EQ
Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
Compressor 'Free' Mode
Vintage compressors with limited controls can now be set to provide fully variable Attack, Release and Ratio.
Automation and Full Recall
Perfect integration with Pro Tools HD allows for automation of parameters and full recall within your session.

Add 8 more ADAT optical inputs and outputs to your DM-3200 or DM-4800. Also works with older TASCAM gear such as the DM-24, DS-M71 and SX-1.The DP-32 is a home recording Portastudio with 32 tracks based on solid-state technology. The unit is equipped with colour LCD and channel strip controls to make recording simple so the user can stay creative. Up to eight tracks can be recorded at a time on a standard SD/SDHC memory card through its XLR and 6.3-mm combo jacks. Input processing like compression and limiting, an internal send effect with reverb, delay and chorus, guitar amp simulation and multi-effects for use with the instrument-level input as well as an external effects send are available during recording. For mixdown, the DP-32 offers 20 channel faders and 12 rotary controls for EQ, Pan and effects including reverb and chorus. During the mastering process, the material can be further optimized with EQ, compression and normalization. Once finished, songs can be written to CD with the built-in CD-RW drive or transferred to computer over USB to publish the songs on the Internet, for example. Main Features 32-track digital Portastudio 8 mono tracks, 12 stereo tracks (can also be used as mono tracks) Record up to 8 tracks at once with 44.1/48 kHz and 16/24-bit audio resolution Simultaneous playback of all 32 tracks Virtual tracks for alternate takes and undo Dedicated stereo master track Colour LC display and 12-encoder channel strip for simple operation Built-in 40-channel mixer Mix down your 32 playback tracks with eight input signals to the dedicated stereo master track Use the Bounce function to set tracks free by mixing multiple tracks to a single mono or stereo track Dedicated controls for EQ, pan and effect sends Solid-state recording to SD Card media for better shock resistance and reliability compared to hard drive recording 8 balanced microphone inputs on balanced combo XLR/jack connectors Switchable phantom power for 4 channels each One input switchable to instrument level for direct recording of a guitar or bass Unbalanced stereo output (RCA jacks) Balanced stereo monitor output (6.3-mm TRS jacks) Two unbalanced effect sends (6.3-mm TS jacks) Stereo headphones output (6.3-mm TRS jack) MIDI input and output for MMC, Control Change and MTC output Footswitch input (2.5-mm mini jack) for Tascam RC-3F (optional accessory) Input effects (Limiter, Compressor, Noise suppressor, Exciter) Guitar effects (Amp simulator, Reverb, Compressor, Chorus, Flanger, Phase shifter) Mixdown effects (Reverb, Delay, Stereo chorus) Mastering effect (Single/Multi-band stereo compressor, EQ, Noise shaping) Mark function (up to 99 location marks) Built-in chromatic tuner and metronome CD-RW drive for audio CD creation as well as file import and export USB 2.0 port for data backup/restore and file transfer with a computer Specifications Recording media and file systems Recording media        SD card (512 MB to 2 GB) SDHC card (4–32 GB) File system        SD card (512 MB to 2 GB): FAT16 SDHC card (4–32 GB): FAT32 Analogue audio inputs and outputs MIC/LINE INPUTS A–H, XLR (balanced) Connector        XLR-3-31 (1: GND, 2: HOT, 3: COLD) Input impedance        2.4 kOhm Nominal input level        –14 dBu Maximum input level        +2 dBu MIC/LINE INPUTS A–H, phone jack (balanced) Connector        6.3-mm TRS phone jack Input impedance        >22 kOhm or 1 MOhm (INPUT H, when LINE-GUITAR switch is set to GUITAR) Nominal input level        +4 dBu Maximum input level        +20 dBu STEREO OUT L/R connectors        RCA pin jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm EFFECT SENDS 1/2 connectors        6.3-mm TS phone jack Nominal output level        –10 dBV Maximum output level        +6 dBV Output impedance        200 Ohm MONITOR OUT L/R connectors        6.3-mm TRS phone jack Nominal output level        –2 dBu Maximum output level        +14 dBu Output impedance        200 Ohm PHONES connector        6.3-mm TRS phone jack Maximum output power        70 mW + 70 mW or more (THD + N 0.1% or less, 32 Ohm load) Other inputs and outputs MIDI input (MIDI IN)        DIN 5 pin Format        Standard MIDI format MIDI output (MIDI OUT)        DIN 5 pin Format        Standard MIDI format USB connector        USB 4-pin mini-B type Format        Mass Storage Class USB 2.0 High Speed REMOTE connector        2.5-mm TRS jack Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Audio performance Frequency response        20 Hz to 20 kHz, +1/–1 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Distortion        ≤0.01 % (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) S/N ratio        ≥90 dB (MIC/LINE INPUT to STEREO OUT/EFFECT SENDS/MONITOR OUT) Operating system requirements Windows        Pentium 300 MHz or faster 128 MB or more memory Macintosh        Power PC, iMac, G3, G4 266 MHz or faster 64 MB or more memory Recommended USB port        USB 2.0 Recommended USB host controller        Intel chipset Supported operating systems        Windows XP, Windows Vista, Windows 7 Mac OS X 10.2 or later Power requirements and other specifications Power supply        AC adaptor (TASCAM PS-1225L) Power consumption        12 W (Phantom power on) Dimensions (Width x Height x Depth, excluding projections)        514 mm x 104 mm x 340 mm Weight        6.2 kg Operating temperature        5–35 °C Design and specifications subject to change without notice.


The KORE 64™ ROM option represents a complete expansion and reimagining of the PC3 and PC3K's sonic potential (not for the PC3LE). Pushing the limits of V.A.S.T. synthesis for both realistic and experimental electronic sounds, KORE 64™ adds over 300 new programs, including stunning new Synths, Electric Guitars, Horns, Drums and Percussion. With KORE 64™ installed, the PC3/K built-in program library now totals over 1400 presets!


    New Setups:

        50 new setups featuring the KORE 64™ sounds.
        Over 200 new drum grooves in multiple styles.
        New Dance and Hip Hop setups for triggering and controlling beats in real time.

    New Synths:

        New samples modeled after the Oberheim SEM, ARP Chroma, TX802, CZ1, and dozens of legacy waveforms from the K series.
        Over 100 new synth programs.
        Sounds for popular electronic music styles like House, Trance, Dubstep, Drum&Bass, Glitch, Electro Hip Hop, and more.
        More real time controls, beat-synced modulations and envelope control transform sounds without hitting the edit button.
        Atmospheric and cycling pads voiced for performing, producing, and scoring.

    New Guitars:

        New samples modeled after the Gibson Les Paul and Fender Stratocaster.
        Palm muted and sustained articulations playable in a picked or legato style.
        Instant-shredder arpeggiator patterns, whammy bar effects, and realistic feedback emulations.
        Preset sounds from Rock, Country, Rock-a-Billy, Metal, Funk, and more.

    New Brass/Woodwinds:

        New alto sax, tenor sax, baritone sax, trumpet, and trombone samples.
        New programs include solo instruments and custom sections with many combinations of the different instruments.
        Articulate with pressure on several new programs.
        Sections cover styles from Big Band, Soul, Funk, Latin, R&B, Hip Hop, Rock and more.

    New Drums

        Drums from Yamaha, Ludwig, Pearl, DW, Rogers, and Gretsch recorded as full kits.
        Full cymbal arrays recorded with Zildjian, Paiste, and Sabian cymbals.
        72 new Drum Kits and 62 percussion instruments and templates.
        10 times the samples and 30 times the data of the existing PC3/PC3K Drums.
        All drum kits have mixer functioning on the sliders to change the level the kick, snare, toms, hats, and percussion independently.
        Unsurpassed realism and playability for sampled drums.
        Full complement of Electronic and Processed Drum samples.
        Scratches, hits and Industrial Sounds.
        Wide variety of traditional and processed Percussion sounds.

Download the full preset Objects List under the Downloads section

User Installable.

Requires:  PC3K OS v2.20 or better
                  PC3 OS v2.20 or better

All specifications subject to change without notice.

Specifications:
  • Recording media: SD card(64MB to 2GB), SDHC card(4GB to 32GB), SDXC card(48GB to 128GB)
  • Recording format
•    WAV: 44.1k / 48k / 96k Hz, 16bit / 24bit •    BWF: 44.1k / 48k / 96k Hz, 16bit / 24bit
  • Number of channels: 4-channel (stereo × 2, mono × 4)
  • Analog audio input
•    Connector: XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 6.3mm(1/4“)TRS standard jack Set to "MIC / MIC+PHANTOM“ •    Input impedance: 2k ohms •    Phantom power: 48V +/-4V(10mA/CH), 24V +/-4V(10mA/CH) •    Maximum input level: 0dBu •    Minimum input level: -72dBu •    MIC input gain: TRIM MAX •    LOW: +11dB •    HIGH: +51dB •    HI + PLUS:  +63dB
  • Set to "LINE“
•    Input impedance: 10k ohms or more •    Standard input level: +4dBu •    Maximum input level: +20dBu
  • 1/2 connector
•    Connector: 3.5mm(1/8“)stereo mini jack  (this connector can be supplied plug-in power) •    Input impedance: 10k ohms •    Maximum input level: +10dBV •    Minimum input level: -50dBV •    MIC input gain: TRIM MAX •    LOW: +3dB •    HIGH: +26dB •    HI + PLUS: +38dB
  • CAMERA IN connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Input impedance: 10k ohms •    Standard input level: -10dBV •    Maximum input level: +6dBV Analog audio output
  • LINE OUT connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Output impedance: 200 ohms •    Standard output level: -10dBV •    Maximum output level: +6dBV
  • CAMERA OUT connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Output impedance: 200 ohms •    Standard output level: -40dBV •    Maximum output level: -24dBV
  • PHONES connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Maximum output level: 20mW + 20mW USB •    Connector: Micro-B type •    Format: USB2.0 HIGH SPEED mass storage class
  • REMOTE Connector: 2.5mm TRS jack
  • Power: 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
  • Power consumption: 5.0W
  • Continuous operation time: 2ch WAV, 44.1kHz, 16bit rec, Phantom power not used
  • Dimensions: 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached)
  • Weight: 625g ( including batteries) / 530g (without batteries )

RS-422 PROTOCOL CONVERTER

Weight4.00 kg1.00 kg6.20 kg0.30 kg0.60 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 4.00 kg
Weight 1.00 kg
Weight 6.20 kg
Weight 0.30 kg
Weight 0.60 kg
Weight 2.00 kg