The compact SERIES 102i audio/MIDI interface is perfect for guitarists, songwriters and owners of small studios. It provides up to ten audio inputs and two audio outputs to a Mac or Windows computer or an iOS device, for recording and playback at up to 192 kHz / 24 bit and with the superb audio performance one […]
The compact SERIES 102i audio/MIDI interface is perfect for guitarists, songwriters and owners of small studios. It provides up to ten audio inputs and two audio outputs to a Mac or Windows computer or an iOS device, for recording and playback at up to 192 kHz / 24 bit and with the superb audio performance one expects from Tascam. Controllable with included custom software, this versatile USB interface is equipped with a powerful DSP input and output mixer with built-in digital reverb, compressor, phase invert and four-band EQ for each channel. Having this processor included internally eliminates all latency issues and takes the load off the computer allowing it to process the audio more efficiently. A new USB driver offers very high stability, ensuring reliable performance throughout all phases of your projects.
The two analogue mic/line/instrument combo inputs are fitted with Tascam’s transparent, natural-sounding, low-noise Ultra-HDDA mic preamps and individually switchable phantom power (+48 volt). A maximum of ten inputs (four at 192 kHz) are available when using the multi-channel optical port which can accept up to eight channels of audio input from an ADAT- or S/MUX-compatible device. The SERIES 102i also offers dual headphone outputs with dedicated level control and two balanced 6.3-mm line outputs for versatile monitoring. And you can connect your favorite MIDI devices to the rear-panel MIDI input and output to use them with your recording software.
The angled tabletop design gives easy access to all front-panel controls. You can quickly adjust the monitor output level with a large front-panel Monitor knob, and use the handy Monitor Balance control to mix live input with computer playback for zero-latency overdubs
Provides up to ten audio inputs and two audio outputs to a Windows or Mac computer or iOS device
Audio resolution up to 192 kHz / 24 bit
USB Audio Compliance 2.0 for iOS connection
Hardware features
Two analogue mic/line inputs on XLR/TRS balanced combo connectors
The compact SERIES 102i audio/MIDI interface is perfect for guitarists, songwriters and owners of small studios. It provides up to ten audio inputs and two audio outputs to a Mac or Windows computer or an iOS device, for recording and playback at up to 192 kHz / 24 bit and with the superb audio performance one expects from Tascam. Controllable with included custom software, this versatile USB interface is equipped with a powerful DSP input and output mixer with built-in digital reverb, compressor, phase invert and four-band EQ for each channel. Having this processor included internally eliminates all latency issues and takes the load off the computer allowing it to process the audio more efficiently. A new USB driver offers very high stability, ensuring reliable performance throughout all phases of your projects.
The two analogue mic/line/instrument combo inputs are fitted with Tascam’s transparent, natural-sounding, low-noise Ultra-HDDA mic preamps and individually switchable phantom power (+48 volt). A maximum of ten inputs (four at 192 kHz) are available when using the multi-channel optical port which can accept up to eight channels of audio input from an ADAT- or S/MUX-compatible device. The SERIES 102i also offers dual headphone outputs with dedicated level control and two balanced 6.3-mm line outputs for versatile monitoring. And you can connect your favorite MIDI devices to the rear-panel MIDI input and output to use them with your recording software.
The angled tabletop design gives easy access to all front-panel controls. You can quickly adjust the monitor output level with a large front-panel Monitor knob, and use the handy Monitor Balance control to mix live input with computer playback for zero-latency overdubs
Provides up to ten audio inputs and two audio outputs to a Windows or Mac computer or iOS device
Audio resolution up to 192 kHz / 24 bit
USB Audio Compliance 2.0 for iOS connection
Hardware features
Two analogue mic/line inputs on XLR/TRS balanced combo connectors
High-quality audio input circuits for low-noise recording
Individually switchable 48-Volt phantom power on XLR inputs
Each TRS input can be switched to instrument-level for direct recording of guitar or bass
Gain controls, signal and peak indicators on each analogue input
Optical multi-channel audio input for expansion by a maximum of eight additional inputs
ideally suited for use with the Tascam SERIES 8p Dyna microphone preamplifier
S/MUX format with support for high sampling rates (ADAT-compatible)
8 inputs at 44.1/48 kHz
4 inputs at 88.2/96 kHz
2 inputs at 176.4/192 kHz
Two monitor/line outputs (balanced TRS) with level control
Direct monitor option for low-latency monitoring
Monitor mix control for adjusting the level balance between signals from external devices and signals from the computer
Two 6.3-mm standard headphones outputs with level control (18 mW per channel)
MIDI input, MIDI output
Power supply by dedicated PS-P1220E AC adapter (included)
Rugged all-metal chassis
Software features
In-house developed driver for Windows devices ensures stable operation with low latency
Built-in DSP with mixer, routing and effects accessible through dedicated settings panel
Compressor and 4-band EQ with low-cut filter on each input channel
Phase invert, Bypass, Solo, channel Link and Mute buttons on each input channel
Four Aux sends, switchable pre/post (Aux 1 used for internal reverb)
Reverb effect with five presets and adjustable pre delay, reverb time, diffusion and return level (Reverb can be used up to 96 kHz only)
Master section with Stereo fader, Aux Master controls and Mute button
Comfortable routing of output channels
Bundled with Cubase LE (64-bit Windows application), compatible with Cubasis LE
Bundled with iZotope Neutron 3 Elements, AmpliTube and T-Racks plug-in effects
Automatic update function available for software, driver and firmware updates
Compatible with major DAW software (Pro Tools, Live, Cubase, Studio One, GarageBand etc.)
Windows
Windows 11 (version 23H2)
Windows 11 (version 22H2)
Windows 11 (version 22H1)
Windows 10 (version 22H2)
Windows 10 (November 2021, version 21H2)
Windows 10 (May 2021, version 21H1)
Windows 8.1
Windows 7
Mac
macOS Sonoma (14.0)
macOS Ventura (13.0)
macOS Monterey (12.0)
macOS Big Sur (11.0)
macOS Catalina (10.15)
macOS Mojave (10.14)
macOS High Sierra (10.13)
macOS Sierra (10.12)
iOS
iOS 17 / iPadOS 17
iOS 16 / iPadOS 16
iOS 15 / iPadOS 15
iOS 14 / iPadOS 14
iOS 13 / iPadOS 13
iOS 12
iOS 11
iOS 10
Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
GUITAR LINK UCG102 The Ultimate Guitar-to-USB Interface to Jam and Record with Killer Modeling Amps and Effects
Plug in your favorite guitar and turn your PC or Mac computer into a guitar amp and recording system without the need for any other hardware
Enjoy immediate access to Guitar Combos from Native Instruments—the leading authentic guitar amp and stomp box modeling software—now including VST, AU and RTAS plugin versions
Create Music Now! Incredibly powerful energyXT2 Compact music production software and Audacity editing software—both with full portability on all PC, Mac or Linux computers
Directly works with your PC or Mac computer—ultra-low latency ASIO driver for PC audio optimization included
Stereo Headphone output lets you jam with your computer and can also be used for monitoring with active monitor speakers
Guitar Combos with variable-speed file playback function for MP3, WAV, AIFF audio files—perfect for easy learning and practicing—tuner and metronome function
Powered via USB—no additional power supply required
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
The UCG102 is a USB interface that, like a guitar amp, receives signal from your guitar via a 1/4" input jack. A built-in USB cable then sends signal directly to your computer, where the amazing included software package simulates guitar amps and stomp boxes, in addition to tracking your latest masterpiece. It has a 1/4" headphone jack and PHONES volume dial so you can monitor your performance as you record, a CLIP LED to tell you when your signal is too hot, and a HI/LO level selector.
Super Software
The UCG102 comes packaged with Native Instruments' "Guitar Combos" software that models guitar amps and stomp boxes. Take your pick of the "PLEXI COMBO“, "TWANG COMBO” or "AC BOX COMBO” for stunningly real amplifier tones. Sample them all, then activate the full version of the classic rockin' "AC BOX COMBO" rig. Native Instruments extends special offers to all registered Guitar Combos users, making it more affordable than ever to take advantage of their award-winning GUITAR RIG software packages. Visit http://co.native-instruments.com/index.php?id=4101&prid=247&redirected=1 for the latest special pricing on this incredible software.
You also get energyXT2.5 BEHRINGER Edition, a multi-track recording program.
This amazing DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. energyXT includes its own multi-FX processor, built-in synthesizers and a drum machine, both of which can be accessed directly via an external controller (such as our UMA25S or UMX25) or programmed in step-write mode. To learn more about energyXT Compact BEHRINGER Edition, visit http://www.behringer.com/EN/Support/energyXT.aspx.
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
Behringer UFO202 USB Audio Interface
The Behringer U-Phono UFO202 is a high-quality USB audio interface with built-in phono preamp and massive software package for digitalizing your tapes and vinyl records.
Features
- High-quality USB audio interface connects your turntable, cassette player, etc. with your computer for recording and playback
- Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
- Massive software bundle includes Audacity vinyl restoration, noise-reduction, editing and recording software, comprehensive podcasting software and over 150 virtual instruments and effect plug-ins
- Revolutionary energyXT2.5 Compact music production software included with feature-rich audio/MIDI sequencer that loads almost instantaneously on all computer platforms
- Phono input switchable to line input source
- Stereo output allows easy connection and playback of computer audio files over your home sound system
- High-resolution 48 kHz converters for high-end audio quality
- Stereo Headphone output with dedicated Level control lets you monitor your input source
- Works with your PC or Mac computer -- no setup or drivers required
- Powered via USB--no external power supply needed
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Compact and Versatile
Equipped with RCA inputs and outputs, the U-Phono UFO202 can connect to a myriad of equipment such as tape decks, sound modules and active monitors, plus many more. Additionally, when you connect the UF202's outputs to your mixer's input channels, you have the ability to access EQ, Aux Sends and much more - allowing you to create extremely versatile mixes for your recording sessions.
48kHz Precision
The Behringer UFO202 provides pristine 48kHz resolution to ensure that your favourite vinyl records are recorded with the detail and quality your music deserves.
Audacity Audio Editor Software
The Behringer U-Phono UFO202 USB Audio Interface comes supplied with a free open source audio editor and multi-track recorder software - Audacity. Please visit the Behringer web page for download links here.
Specifications
Input Connector: RCA, Unbalanced
Input Impedance: Approx. 27kΩ
Maximum Input Level: 2dBV
Output Connector: RCA, Unbalanced
Output Impedance: Approx. 400Ω
Maximum Output Level: 2dBV
Digital Output: Toslink, Optical
Digital Output Format: S/PDIF
USB: Type A
Converter: 16-Bit
Sample Rate: 32kHz, 44.1kHz, 48kHz
Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
10Hz - 22kHz ±1dB @ 48kHz Sample Rate
Crosstalk: -77dB @ 0dBV, 1kHz
Power Supply: USB, 5V 100mA Maximum
Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
Weight: 0.10kg
The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of input and output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power, all in a durable compact case.
* 6-in/6-out 24-bit/96kHz simultaneous performance
* 4-in/4-out 24-bit/192kHz simultaneous performance
* 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps
* +4 dB balanced input and output
* S/PDIF optical input & output ports with Sync LED indicator
* MIDI in/out ports
* Built-in analog limiter and indicator
* FireWire bus powered
* AC adaptor included
* Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support
* Zero-latency Direct Monitoring
* 6-pin and 4-pin IEEE1394 ports
* Compact, solid-metal construction
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The two analogue mic/line/instrument combo inputs are fitted with Tascam’s transparent, natural-sounding, low-noise Ultra-HDDA mic preamps and individually switchable phantom power (+48 volt). A maximum of ten inputs (four at 192 kHz) are available when using the multi-channel optical port which can accept up to eight channels of audio input from an ADAT- or S/MUX-compatible device. The SERIES 102i also offers dual headphone outputs with dedicated level control and two balanced 6.3-mm line outputs for versatile monitoring. And you can connect your favorite MIDI devices to the rear-panel MIDI input and output to use them with your recording software.
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