TASCAM TrackPack 2×2 Audio Interface/Headphones/Microphone

The new TASCAM TRACKPACK 2x2 assembles everything you need to record music on your computer. Included in the complete recording bundle is TASCAMʼs US-2x2 USB audio interface, TM-80 studio condenser microphone with shockmount, and TH-02 headphones, plus Cakewalk SONAR X3 LE and Ableton Live Lite 9 DAW software.

The US-2x2 is a 2-in/2-out USB interface, bus powered from your Mac or Windows computer. A pair of Ultra-HDDA mic preamps provide up to 57dB of gain and the best noise and distortion specs in their class. The audio design features high-performance, musical components like NE5532 op amps for rich sound quality without coloring the source. Class-compliant drivers enable use with tablets like the iPad when using an optional power supply.

The US-2x2ʼs all-aluminum case features a pair of "bio-cell” side panels. In addition to their striking design, the side panels ergonomically angle the interface towards you to make the switches and knobs easier to read on a desktop. The US-2x2 includes MIDI in and out, balanced audio outputs, a headphone amp, and two DAW applications to choose from – both Cakewalk SONAR X3 LE and Abelton Live Lite 9. Included with the software are dozens of plug-in instruments, effects, and loops to get you started.

Also included is the TM-80, a condenser microphone ideal for vocals, drums, and acoustic instruments. The TM-80 includes a shockmount and desktop stand. The TH-02 closed-back headphones provide isolation while recording and a great reference during mixdown.

The 828mk3 is MOTU's most advanced FireWire audio interface. Once again it raises the bar with innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.

The 828mk3 provides ten channels of pristine 192 kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU FireWire audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3ʼs signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

MOTU FireWire audio interfaces are fully compatible with FireWire 800-equipped Macs. All you need is a standard FireWire 400-to-800 cable. Just plug in and go. The FireWire bus operates at 400 Mb/sec, providing the same high speed, low latency and rock solid reliability that MOTU FireWire interfaces are known for.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24-bit recording/editing and 32-bit mixing/processing/mastering.

Behringer UFO202 USB Audio Interface

Features

Compact and Versatile

48kHz Precision

Audacity Audio Editor Software

Specifications

• Input Connector: RCA, Unbalanced
• Input Impedance: Approx. 27kΩ
• Maximum Input Level: 2dBV
• Output Connector: RCA, Unbalanced
• Output Impedance: Approx. 400Ω
• Maximum Output Level: 2dBV
• Digital Output: Toslink, Optical
• Digital Output Format: S/PDIF
• USB: Type A
• Converter: 16-Bit
• Sample Rate: 32kHz, 44.1kHz, 48kHz
• Frequency Response: 10Hz - 20kHz ±1dB @ 44.1kHz Sample Rate
  • 10Hz - 22kHz ±1dB @ 48kHz Sample Rate
• Crosstalk: -77dB @ 0dBV, 1kHz
• Power Supply: USB, 5V 100mA Maximum
• Dimensions: 0.87" x 3.46" x 2.36" / 22mm x 88mm x 60mm (H x W x D)
• Weight: 0.10kg

• Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
• CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
• 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
• Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
• Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
• Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
• CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
• Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
• “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
• Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
• Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
• Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
• Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
• Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
• Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
• Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
• Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
• Expandable — add additional interfaces for more I/O as your needs grow.
• Separate TRS main outs with front panel volume control.
• Stereo 24-bit 96kHz S/PDIF in/out.
• Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
• 100% compatible with all host-based effects processing in today's popular audio programs.
• Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
• Plug-and-play operation with your Mac or PC via FireWire or USB2.
• Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
• Front panel headphone jack with volume control.
• Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
• Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

The UA-1G is a compact 1 x 1 USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design.

• Stereo input and output at 24-bit/96kHz audio quality
• High-end A/D and D/A converters for accurate recording and playback
• Large Input Level knob for easy control while recording
• 1/4" jack with Hi-Z option for recording electric guitar or bass
• Electret condenser mic input
• RCA phono type and optical-digital audio I/O
• Headphone output
• USB powered – no AC adapter required
• SONAR LE for music recording, editing, and publishing on PC
• Low-latency ASIO 2.0 (PC); WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) support

• Number of Audio Record/Playback Channels	Record: 1 pair of stereo Play: 1 pair of stereo REC SOURCE switch = ANALOG: Full duplex (except for 96 kHz setting) REC SOURCE switch = DIGITAL: Recording only
  Signal Processing	PC interface: 24 bits AD/DA Conversion: 24 bits (linear) * ADVANCE DRIVER switch = OFF: 16 bits
  Sampling Frequency	Digital output: 32/44.1/48/96 kHz Digital input: 32/44.1/48/96 kHz AD/DA Conversion: 32/44.1/48/96 kHz * ADVANCE DRIVER switch = OFF: 32/44.1/48 kHz
  Nominal Input Level	Line input jacks: -10 to +4 dBu Guiter input jakcs: -30 to -16dBu Mic input jack: -40 to -26 dBu
  Nominal Output Level	Line output jacks: -10 dBu
  Interface	USB Digital input (Optical mini type) * The same jack serves as both the Mic Input jack and digital input connector. Digital output (Optical mini type) * The same jack serves as both the headphones jack and digital output connector. * conforms to IEC60958 consumer format.
  Controllers	ADVANCED DRIVER Switch Guiter/Mic Switch INPUT VOLUME knob PHONES VOLUME Dial SAMPLE RATE Switch 96kHz MODE Switch INPUT MONITOR Switch REC SOURCE Switch
  Connectors	USB Connector (B type) Line Input jacks (L, R) (RCA phono type) Line Output jacks (L, R) (RCA phono type) Guiter/Mic Input jack: （1/4 inch phone type) Mic Input jack (Plug-in powered miniature phone type) Digital Intput connector (Optical mini type) * The same jack serves as both the headphones jack and digital output connector. Headphones jack (Stereo miniature phone type) Digital Output connector (Optical mini type) * The same jack serves as both the Mic Input jack and digital input connector.
  Power Supply	Supplied from the computer
  Current Draw	200 mA
  Accessories	Ownerʼs Manual, UA-1G CD-ROM, SONAR LE CD-ROM
  Size and Weight
  Width	160 mm 6-5/16 inches
  Depth	58 mm 2-5/16 inches
  Height	28 mm 1-1/8 inches
  Weight	165 g 0 lbs. 6 oz.