TC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR

Discontinued

1,360.00 incl. GR VAT

Out of stock

CompareAdd to wishlist Submit Better Price
The VSS3-reverb technology inherent in the M3000 is an industry standard. The M3000 has some of the best sounding, most versatile and easy-to-use professional reverbs for music and film/post applications. Combining ultimate control of directivity in the early reflections with a transparent and harmonically magnificent diffused field, the art of reverberation is brought to a […]

 

Read more

The VSS3-reverb technology inherent in the M3000 is an industry standard. The M3000 has
some of the best sounding, most versatile and easy-to-use professional reverbs for music and
film/post applications. Combining ultimate control of directivity in the early reflections with a
transparent and harmonically magnificent diffused field, the art of reverberation is brought to a
new and higher level.
The M3000 enables you to add the softest and cleanest ambience to your work that you have
ever heard. Furthermore the processor boasts a wide range of tools and presets to give you the
exact vintage or post production reverb you are looking for.
With Dual-engine structure enabling two simultaneous reverbs or effects, award winning intuitive
user-interface, 600 factory presets and multiple I/O formats, the M3000 is one of the best reverb
choices for high-end music- and film/post-production.

Technical Specification
Digital Inputs and Outputs
Connectors  XLR (AES/EBU)
RCA Phono (S/PDIF)
Optical (Toslink, ADAT)
Formats  AES/EBU (24 bit), S/PDIF (24 bit), EIAJ CP-340, IEC 958,
EIAJ Optical (Toslink), ADAT Lite pipe
Output Dither  HPF TPDF dither 8-24 bit
Word Clock Input  RCA Phono, 75 ohm, 0.6 to 10 Vpp
Sample Rates  44.1 kHz, 48 kHz
Processing Delay  0.2 ms @ 48 kHz
Frequency Response DIO  20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz
Analog Inputs
Connectors  XLR balanced (pin 2 hot)
Impedance  20 kohm
Max. Input Level  +22 dBu (balanced)
Min. Input Level (for 0 dBFS)  -10 dBu
Sensitivity  @ 12 dB headroom: -22 dBu to +10 dBu
A to D Conversion  24 bit (1 bit, 128 times oversampling
A to D Delay  0.8 ms @ 48 kHz
Dynamic Range  >103 dB (Unweighted), >106 dB (A)
THD  -95 dB (0,0018 %) @ 1kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response  10 Hz to 20 kHz: +0/-0.2 dB
Crosstalk  100 dB (unweighted), >104 dB(A)
THD  -86 dB (0.005%) @ 1 kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response  10 Hz to 20 kHz: +0/-0.5 dB
Crosstalk

Weight 2.35 kg

Reviews

There are no reviews yet.

Be the first to review “TC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR”

Your email address will not be published. Required fields are marked *

Quick Comparison

TC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR removeDBX ZONEPRO 640 DIGITAL ZONE PROCESSOR removeARX SIXGATE 6 CHANNEL NOISE GATE removeBSS DPR-504 QUAD NOISE GATE removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER removeARX EC-2 STEREO 2WAY-MONO 3WAY 24dB ACTIVE CROSSOVER remove
NameTC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR removeDBX ZONEPRO 640 DIGITAL ZONE PROCESSOR removeARX SIXGATE 6 CHANNEL NOISE GATE removeBSS DPR-504 QUAD NOISE GATE removeDBX 1215 2X12 BAND GRAPHIC EQUALIZER removeARX EC-2 STEREO 2WAY-MONO 3WAY 24dB ACTIVE CROSSOVER remove
Image
SKUE002773DBX ZONEPRO 640SIXGATEDPR-504DBX 1215EC-2
Rating
Price 1,360.00 incl. GR VAT 782.00 incl. GR VAT725.86 incl. GR VAT 843.00 incl. GR VAT 364.00 incl. GR VAT 422.88 incl. GR VAT
Stock

Out of stock

Available on backorder

Available on backorder

Only 2 left in stock

Available on backorder

Available on backorder

AvailabilityOut of stockAvailable on backorderAvailable on backorderOnly 2 left in stockAvailable on backorderAvailable on backorder
Add to cart

Read more

Add to cart

Add to cart

Add to cart

Add to cart

Add to cart

Description
ContentThe VSS3-reverb technology inherent in the M3000 is an industry standard. The M3000 has some of the best sounding, most versatile and easy-to-use professional reverbs for music and film/post applications. Combining ultimate control of directivity in the early reflections with a transparent and harmonically magnificent diffused field, the art of reverberation is brought to a new and higher level. The M3000 enables you to add the softest and cleanest ambience to your work that you have ever heard. Furthermore the processor boasts a wide range of tools and presets to give you the exact vintage or post production reverb you are looking for. With Dual-engine structure enabling two simultaneous reverbs or effects, award winning intuitive user-interface, 600 factory presets and multiple I/O formats, the M3000 is one of the best reverb choices for high-end music- and film/post-production. Technical Specification Digital Inputs and Outputs Connectors  XLR (AES/EBU) RCA Phono (S/PDIF) Optical (Toslink, ADAT) Formats  AES/EBU (24 bit), S/PDIF (24 bit), EIAJ CP-340, IEC 958, EIAJ Optical (Toslink), ADAT Lite pipe Output Dither  HPF TPDF dither 8-24 bit Word Clock Input  RCA Phono, 75 ohm, 0.6 to 10 Vpp Sample Rates  44.1 kHz, 48 kHz Processing Delay  0.2 ms @ 48 kHz Frequency Response DIO  20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz Analog Inputs Connectors  XLR balanced (pin 2 hot) Impedance  20 kohm Max. Input Level  +22 dBu (balanced) Min. Input Level (for 0 dBFS)  -10 dBu Sensitivity  @ 12 dB headroom: -22 dBu to +10 dBu A to D Conversion  24 bit (1 bit, 128 times oversampling A to D Delay  0.8 ms @ 48 kHz Dynamic Range  >103 dB (Unweighted), >106 dB (A) THD  -95 dB (0,0018 %) @ 1kHz -6 dBFS (FS @ +16 dBu) Frequency Response  10 Hz to 20 kHz: +0/-0.2 dB Crosstalk  100 dB (unweighted), >104 dB(A) THD  -86 dB (0.005%) @ 1 kHz -6 dBFS (FS @ +16 dBu) Frequency Response  10 Hz to 20 kHz: +0/-0.5 dB Crosstalk

With 6 inputs and 4 outputs the dbx ZonePro? 640 and 641 provide flexible signal routing,
powerful DSP processing and multiple control interfaces for Commercial Audio applications.
Designed to offer superior system sonic performance and flexibility, the 640/641 deliver the
highest quality tools available. Even the input and outputs connectors were chosen for their
standard usage and reliability. The ZonePro products offer Euroblock connectors for balanced
signals and RCA connectors for interfacing with consumer equipment often used in commercial
applications; there is also a simple analog input buss that allows inputs to be sent from one
unit to the next for unit and job scalability. The 640 and 641 provide every necessary processing
tool, from the input processing like gain control and EQ available on all inputs to highly sophisticated
and specific functions such as selectable paging microphone processing including Gating,
De-Essing, Auto Gain Control, Compression and Feedback Suppression. The heart of the
ZonePro products is the Routing module that provides of course Primary Source Selection
but also Source Ducking for Paging and Priority Override. The outputs also offer a wealth of
processing designed for commercial applications like our patent-pending AutoWarmth? function
that was co-developed with JBL to provide natural low frequency extension at any signal level.
Each output also offers EQ, Bandpass and Crossover filters, Limiting and Delay for system
optimization. With the ZonePro? every tool is at your disposal to maximize the response of
your system.
Beyond processing, the ZonePro? products offer multiple forms of control to further extend the
versatility of your system. From easy-to-use wall panel Zone Controllers for standard end-user
functions like source select and volume control to advanced system control including a built-in
Real Time Clock that can provide programmable system changes throughout the day or week.
For system setup and monitoring the ZonePro Designer software provides an intuitive interface
and a speedy setup Wizard for configuring and editing all system parameters.

The ZonePro? 640 and 641 will take your Commercial Audio system to the next level with advanced
processing, versatility and control.

? Advanced Feedback Suppression (AFS?)
? Autowarmth?
? Auto Gain Control
? Compression
? Limiting
? Noise Gating
? Notch Filtering
? Bandpass and Crossover Filters
? Parametric EQ
? Security Lockout
? Wall Panel Control
? RS-232 Control
? Windows? 2000 and XP GUI
? IEC, UL and CSA Approvals

Features
Unique High Density design puts SIX gates in
minimum rack space
Intuitive, 'user friendly' layout
Balanced Inputs and Outputs
Fast, low noise opto-coupler circuitry
Sidechain/Key Input points on each channel
Hardwire Bypass switch on each gate
Flawless performance in any audio environment

The sheer amount of effects and signal processors required for today's
standards of audio production puts a great strain on the available space
in equipment racks, both in the studio and on the road.
So, in order to give engineers more control in less space, we've created
the ARX Sixgate; Six full function noise gates neatly housed in a compact,
all steel 1 RU package, without sacrificing features or quality.
Why Six gates?
Research shows that the majority of noise gates get used on drum kits,
which means using typically 5 to 6 gate channels. Compare this to the
two or maybe 4 channels that most other units have, and you'll see the
reason for the Sixgate's success.And, by using a minimalist approach to
drum gates, the ARX Sixgate has enough gates left over for backing vocals
and other instruments.
Industry Standard controls
Front panel controls for each gate consist of the 'Industry Standard' controls
for Release, Depth and Threshold, plus Red and Green LED displays to indicate
Gate Open or Closed status, and an IN/OUT hardwire bypass switch.
In addition to this, each gate has a blank panel to write on for easy confirmation
of gate assigns. No more pieces of masking tape stuck everywhere!
Ultra Low Noise
Internally, each gate has proprietary ARX ultra low noise high-speed opto-coupler
circuitry with program dependent Attack time, which tracks the incoming signal to
automatically determine optimum gate response.
Balanced Inputs and Outputs
The rear panel features true differential Balanced Inputs and Outputs for each gate,
on insulated TRS jack connectors.Each gate channel also has Individual Key Inputs/
Sidechain access insert points which can be used either for gate control by an external
signal, or for frequency sensitive gating (when used in conjuction with an external
equalizer such as the ARX EQ260).
Universal AC Power
AC power range on the Sixgate is a universal 100 to 120V or 220 to 240V, and is
connected to the unit via a standard 3 pin IEC connector, with built-in fuse and voltage
switch.
The Sixgate's unique combination of High Density design, intuitive 'user friendly' controls,
and clean uncluttered layout make it a truly useful audio tool for all applications.

T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance
Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 22 dB
CMRR >60 dB, 20 Hz-20 KHz
Output Impedance
Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 20 dB
Frequency Response 20Hz to 20KHz ±0.2dB
Signal to Noise Ratio
Gate Closed: -95 dB Unweighted, -105 dB 'A' weighted
Gate Open, Depth Minimum: -93.5 dB Unweighted -98dB
'A' weighted
Distortion 0 .01% THD @ 0dB,1KHz
Dynamic Range 125 dB
Attack Time Program dependent using high-speed
opto-couplers
Release Time User variable
Input and Output Connector type Balanced Jack
Sidechain Insert Connector TipRingSleeve Jack
Sidechain Insert Impedance 10 Kohm
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions
19“Wide x 13/4“High x 6“Deep; 482 x 44 x 155mm

Front Panel Controls
Individual Release, Depth and Threshold controls
Hardwire bypass IN/OUT switch
Open/Closed gate status LED
Marker panel for labelling gate assigns
Rear Panel
Balanced Inputs and Outputs, on Balanced jack
connectors
Sidechain Insert/Key Input TipRingSleeve jack on
each channel
AC input connector, with voltage switch and fuse 

The DPR-504 is a 4-channel noise gate.

Each channel features:
A parametric key filter with key filter listening.
Simultaneous key level and threshold metering with average and
peak metering.
A gate status LED.
A RELEASE/HOLD control (hold tracks proportionally with release
times).
Attack switchable auto/fast (auto tracks signal dynamics for optimum
setting).
Link (links two channels together).
Key source allows external triggers.

The Range switch selects between 7OdB and 2OdB gating depth to
provide alternative release profiles.
The unit features electronically balanced inputs and outputs. 

1215 Dual 15-Band Graphic Equalizer

The dbx 12 Series were designed to meet the needs of the most
demanding sound reinforcement environments, while offering the
simplicity of straightforward controls. The 1215 provides standard
features like dual channels, 15 2/3 octave bands, ISO frequency
centers, +/-12 dB input gain range, and switchable 40Hz/18 dB per
octave low-cut filters, but also includes other thoughtful features.
These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut
range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS
connectors for installation ease; balanced inputs and outputs for quiet
operation; and chassis/signal ground lift capabilities for quick hum isolation.
The visionary design of the dbx 12 Series makes your job easier.

The dbx 12 Series Equalizers were precision engineered to provide years
of maintenance-free operation in any application. The magnetically isolated
transformer, electronically balanced/unbalanced inputs and servo balanced/
unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire
relay bypass with 2 second power up delay were steps our engineers took
to ensure compatibility for all installations. Only the best components were
utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR
(ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel
crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail
is contained in a 2U steel/aluminum chassis.

 

  •   Switchable boost/cut ranges of ±6 or ±15 dB
  •   Electronically balanced/unbalanced inputs
  •   Servo balanced/unbalanced inputs
  •   RF filtered inputs and outputs
  •  XLR, Barrier Strip, and 1/4" TRS connectors
  •  -12dB/+12dB input gain range
  •  18dB/octave 40Hz Bessel low-cut filter
  •  Chassis/signal ground lift capability
  •  Internal power supply transformer
  •  Power-off hardwire relay bypass with 2-second power-up delay

The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers.
It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on
the back panel selecting either mode.

Features
Ultra low noise circuitry
Totally phase aligned at crossover point
Switchable Dual Channel 2 way or Single Channel 3 way
Unique 'semi-fixed' crossover point
24dB per octave (Fourth Order) Linkwitz-Riley filters
Separate Summed Mono Output
Balanced Inputs and Outputs
Built in High Pass filters
Intuitive, 'user friendly' layout
Flawless performance in any audio environment

Tamper-Proof Crossover Points
The crossover points are determined internally by the value of 4 resistors per channel; changing
the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of
externally adjusted crossover points, making the crossover points tamper-proof once they are set.
Idle fingers can't fiddle with the crossover points and create havoc with the system!
As a handy guide, a list of common crossover points and their corresponding resistor values are
printed inside the unit's lid, and also set out in the Owner's Manual.
On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid
and High in single channel 3 way mode, with corresponding Outputs on the rear panel.

Balanced Inputs and Outputs
EC-2 has Balanced Inputs and Outputs, on XLR connectors.
The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low
feed (e.g. Left and Right full-range plus a single Sub Bass speaker).
High Pass Filter
There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers
and waste amplifier power.
In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of
differing sensitivities.
Universal AC Power
AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard
IEC connector, with built-in fuse and voltage change switch.
Uncompromising Audio Quality
Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels.
It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth
Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the
crossover region.
From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX
EC-2 is a crossover that is suited to any application that requires flawless, transparent sound.
You'll never compromise on Quality when you choose ARX

T E C H N I C A L S P E C I F I C A T I O N S

Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms
Input Headroom + 21 dB
CMRR >45 dB, 20 Hz-20 KHz
Output Impedance Balanced 300 ohms, Unbalanced 150 ohms
Output Level (Max) + 21dB
Frequency Response 30Hz-20KHz +or- 0.5dB
Note: 30 Hz is a function of the High Pass filter
Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted
Distortion 004% THD,0dB,1KHz
Dynamic Range 111 dB
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm
Input Connector type XLR
Output Connector type XLR
Crossover point frequencies are changed internally by varying the value of 4 resistors
per channel.

Front Panel Controls
Low and High Output controls for 2 way mode
Low, Mid and High Output controls for 3 way mode
Marker panels for labelling crossover assigns
2 way/ 3 way status LEDs
Rear Panel
Balanced XLR Inputs and Outputs
Additional summed mono Low output
2 way / 3 way mode switch

Weight2.35 kg4.00 kg5.20 kg5.00 kg2.00 kg5.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.35 kg
Weight 4.00 kg
Weight 5.20 kg
Weight 5.00 kg
Weight 2.00 kg
Weight 5.00 kg