TC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR

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1,360.00 incl. GR VAT

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The VSS3-reverb technology inherent in the M3000 is an industry standard. The M3000 has some of the best sounding, most versatile and easy-to-use professional reverbs for music and film/post applications. Combining ultimate control of directivity in the early reflections with a transparent and harmonically magnificent diffused field, the art of reverberation is brought to a […]

 

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The VSS3-reverb technology inherent in the M3000 is an industry standard. The M3000 has
some of the best sounding, most versatile and easy-to-use professional reverbs for music and
film/post applications. Combining ultimate control of directivity in the early reflections with a
transparent and harmonically magnificent diffused field, the art of reverberation is brought to a
new and higher level.
The M3000 enables you to add the softest and cleanest ambience to your work that you have
ever heard. Furthermore the processor boasts a wide range of tools and presets to give you the
exact vintage or post production reverb you are looking for.
With Dual-engine structure enabling two simultaneous reverbs or effects, award winning intuitive
user-interface, 600 factory presets and multiple I/O formats, the M3000 is one of the best reverb
choices for high-end music- and film/post-production.

Technical Specification
Digital Inputs and Outputs
Connectors  XLR (AES/EBU)
RCA Phono (S/PDIF)
Optical (Toslink, ADAT)
Formats  AES/EBU (24 bit), S/PDIF (24 bit), EIAJ CP-340, IEC 958,
EIAJ Optical (Toslink), ADAT Lite pipe
Output Dither  HPF TPDF dither 8-24 bit
Word Clock Input  RCA Phono, 75 ohm, 0.6 to 10 Vpp
Sample Rates  44.1 kHz, 48 kHz
Processing Delay  0.2 ms @ 48 kHz
Frequency Response DIO  20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz
Analog Inputs
Connectors  XLR balanced (pin 2 hot)
Impedance  20 kohm
Max. Input Level  +22 dBu (balanced)
Min. Input Level (for 0 dBFS)  -10 dBu
Sensitivity  @ 12 dB headroom: -22 dBu to +10 dBu
A to D Conversion  24 bit (1 bit, 128 times oversampling
A to D Delay  0.8 ms @ 48 kHz
Dynamic Range  >103 dB (Unweighted), >106 dB (A)
THD  -95 dB (0,0018 %) @ 1kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response  10 Hz to 20 kHz: +0/-0.2 dB
Crosstalk  100 dB (unweighted), >104 dB(A)
THD  -86 dB (0.005%) @ 1 kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response  10 Hz to 20 kHz: +0/-0.5 dB
Crosstalk

Weight 2.35 kg

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Quick Comparison

TC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeDBX 266XS COMPRESSOR/GATE 2CH removeDBX-1074 OUAD NOISE GATE removeDBX 223XS STEREO-2WAY-MONO-3WAY CROSSOVER-XLR only- remove
NameTC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR removeSAMSON S-COM 4 Four Channel Compressor-Gate Processor removeDBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction removeDBX 266XS COMPRESSOR/GATE 2CH removeDBX-1074 OUAD NOISE GATE removeDBX 223XS STEREO-2WAY-MONO-3WAY CROSSOVER-XLR only- remove
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SKUE002773SCOM 4DBX 2215DBX 266XSDBX 1074DBX 223XS
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Price 1,360.00 incl. GR VAT 215.00 incl. GR VAT 434.00 incl. GR VAT 162.00 incl. GR VAT 589.00 incl. GR VAT 200.00 incl. GR VAT
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Description
ContentThe VSS3-reverb technology inherent in the M3000 is an industry standard. The M3000 has some of the best sounding, most versatile and easy-to-use professional reverbs for music and film/post applications. Combining ultimate control of directivity in the early reflections with a transparent and harmonically magnificent diffused field, the art of reverberation is brought to a new and higher level. The M3000 enables you to add the softest and cleanest ambience to your work that you have ever heard. Furthermore the processor boasts a wide range of tools and presets to give you the exact vintage or post production reverb you are looking for. With Dual-engine structure enabling two simultaneous reverbs or effects, award winning intuitive user-interface, 600 factory presets and multiple I/O formats, the M3000 is one of the best reverb choices for high-end music- and film/post-production. Technical Specification Digital Inputs and Outputs Connectors  XLR (AES/EBU) RCA Phono (S/PDIF) Optical (Toslink, ADAT) Formats  AES/EBU (24 bit), S/PDIF (24 bit), EIAJ CP-340, IEC 958, EIAJ Optical (Toslink), ADAT Lite pipe Output Dither  HPF TPDF dither 8-24 bit Word Clock Input  RCA Phono, 75 ohm, 0.6 to 10 Vpp Sample Rates  44.1 kHz, 48 kHz Processing Delay  0.2 ms @ 48 kHz Frequency Response DIO  20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz Analog Inputs Connectors  XLR balanced (pin 2 hot) Impedance  20 kohm Max. Input Level  +22 dBu (balanced) Min. Input Level (for 0 dBFS)  -10 dBu Sensitivity  @ 12 dB headroom: -22 dBu to +10 dBu A to D Conversion  24 bit (1 bit, 128 times oversampling A to D Delay  0.8 ms @ 48 kHz Dynamic Range  >103 dB (Unweighted), >106 dB (A) THD  -95 dB (0,0018 %) @ 1kHz -6 dBFS (FS @ +16 dBu) Frequency Response  10 Hz to 20 kHz: +0/-0.2 dB Crosstalk  100 dB (unweighted), >104 dB(A) THD  -86 dB (0.005%) @ 1 kHz -6 dBFS (FS @ +16 dBu) Frequency Response  10 Hz to 20 kHz: +0/-0.5 dB Crosstalk

The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative. 
 
FEATURES:

4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty 

DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction

 It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.

But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.

20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!

SPECIFICATIONS:

 

 INPUT

Connectors:

 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip

Type:

Electronically balanced/unbalanced, RF filtered

Impedance:

Balanced 40k ohm, unbalanced 20k ohm

Max Input Level:

>+21dBu balanced or unbalanced

CMRR:

>40dB, typically >55dB at 1kHz

OUTPUTS

Connectors:

 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip

Type:

Impedance-balanaced/unbalanced, RF filtered

Impedance:

Balanced 200 ohm, unbalanced 100 ohm

Max Output Level:

 >+21dBu balanced/unbalanced into 2k or greater
 >+18dBm balanced/unbalanced (into 600)

SYSTEM PERFORMANCE

Bandwidth:

20Hz to 20kHz, +/-0.5dB

Frequency Response:

50kHz, +0.5/-3dB

Noise Reduction In:

 (+/-6 and +/-15dB range):

Signal-to-Noise:

 >102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >120dB, unweighted

Noise Reduction Out:

 (+/-6dB range):

Signal-to-Noise:

 >94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth

Dynamic Range:

 >112dB, unweighted

Noise Reduction Out:

 (+/-15dB range):

Signal-to-Noise:

 >90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth

Dynamic Range:

 >108dB, unweighted

THD + Noise:

Bring a more professional sound to your mix Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Features
  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
  • Stereo or dual-mono operation
  • Balanced inputs and outputs on 1/4" TRS and XLR connectors
  • Side Chain insert
  • Classic dbx® "Auto" mode
Specifications
Input Connectors 1/4" TRS and female XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance 40kΩ balanced/unbalanced
Max Input >+22dBu Balanced or Unbalanced
Output Connectors 1/4" TRS, female XLR (pin 2 hot)
Output Type Impedance-balanced/unbalanced, RF filtered
Output Impedance +4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced
Max Output >+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω)
Sidechain 1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return)
Sidechain Impedance Tip = >10kΩ (Input), Ring = 2kΩ (Output)
Sidechain Max Input Level Tip = >+22dBu (Input)
Sidechain Max Output Level Ring = >+20dBu (Output)
Compressor Threshold Range -40dBu to +20dBu
Compressor Threshold Characteristic Selectable OverEasy® or hard knee
Compressor Ratio 1:1 to Infinity:1
Compressor Attack Time Scalable Program-Dependent AutoDynamic™
Compressor Release Time Scalable Program-Dependent AutoDynamic™
Expander/Gate Threshold Range -60dBu to +15dBu
Expander/Gate Ratio 1:1 to 4:1
Expander/Gate Attack Time

The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. 

From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.

  • Four independent channels of gating
  • Independent key filtering
  • Independent Threshold and Release controls
  • Differentially balanced gold-plated XLR and 1/4" inputs and outputs
  • True RMS level detection
  • Stereo Coupling mode
  • Switchable +4dBu or -10dBv operation per channel

    Input ConnectorsXLR (Pin 2 and tip hot)
    Input TypeElectronically balanced/unbalanced, RF filtered
    Input ImpedanceBalanced > 50 kOhm, unbalanced >25 kOhm
    Max Input> +22 dBu balanced or unbalanced
    CMRR40dB: Typically >55 dB at 1 kHz
    Key InputElectronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm
    Output ConnectorsXLR (Pin 2 hot)
    Output TypeServo-balanced/unbalanced, RF filtered
    Output ImpedanceBalanced 60 Ohm, unbalanced 30 Ohm
    Max Output> +22 dBm balanced, > +20 dBm unbalanced
    Bandwidth20 Hz to 20 kHz, +0/-0.5 dB
    Frequency Response0.35 Hz to 200 kHz, +0/-3 dB
    Noise
    Dynamic Range> 115 dB, unweighted
    THD+Noise0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
    Interchannel Crosstalk
    Stereo CouplingTrue RMS Power Summing
    Operating Voltage100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
    Power Consumption30 Watts
    Fuse100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
    Power ConnectorIEC receptacle
    Unit Weight6.9 lbs.
    Shipping Weight9.3 lbs.


Overview More sound to your amps and speakers The secret to making speakers sound great lies with the crossover you use. With the dbx® 223xs Crossover you\'ll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world\'s finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs Features
  • XLR balanced ins and outs
  • Mode switch for stereo 2-way or mono 3-way operation
  • Low frequency summed (subwoofer) output
  • x10 range switch on both channels
  • 40Hz high pass (low cut) filter both channels
  • Phase reverse switch on all outputs
  • Individual level controls on all outputs
  • 24dB per octave Linkwitz-Riley filters (the professional standard)
  • Stereo/Mono status LEDs indicate the selected mode
  • dbx® 2 year parts and labor as standard
  • CSA NRTL/C approved
  • CE compliant
Specifications
Input Connectors XLR (pin 2 hot)
Input Type Electronically balanced/unbalanced, RF filtered
Input Impedance Balanced >50k ohm, unbalanced >25k ohm
Max Input >+22dBu balanced or unbalanced
CMRR >40dB, typically >55dB at 1kHz
Output Connectors XLR
Output Type Impedance-balanaced/unbalanced, RF filtered
Output Impedance Balanced 200 ohm, unbalanced 100 ohm
Max Output >+21dBu balanced/unbalanced into 2k ohms or greater
Bandwidth 20Hz to 20kHz, +/-0.5dB
Frequency Response 90 kHz, +0/-3 dB
Signal to Noise Ratio Ref: +4 dBu, 22 kHz measurement bandwidth
Signal-to-Noise (Stereo Mode) >94dB (Low Output), >91dB (High Output)
Signal-to-Noise (Mono Mode) >94dB (Low Output), >93dB (Mid Output), >91dB (High Output)
Dynamic Range > 106 dB, unweighted, any output
THD+Noise < 0.004% at +4 dBu, 1 kHz; < 0.04% at +20 dBu, 1 kHz
Interchannel Crosstalk < -80 dB, 20 Hz to 20 kHz
Crossover Frequencies (Stereo Mode) Low/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
Crossover Frequencies (Mono Mode) Low/Mid: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting); Mid/High: 45 to 960 Hz or 450 Hz to 9.6 kHz (x10 setting)
Crossover Filter Type Linkwitz-Riley, 24 dB/octave, state-variable
Low cut Switch Activates 40 Hz Butterworth, 12 dB/octave high-pass filter, one switch per channel.
Phase Invert Switch Inverts the phase at the output, one switch per output.
x1 / x10 Switch Multiplies the low-high(mono: low/mid and high/mid) crossover frequency range of the front-panel markings by a factor of 1 or 10, one switch per channel.
Mode Switch Selects stereo/mono and 2/3-way operation
LF Sum Switch Selects normal (stereo) or mono-summed low frequency operation and disables Ch 2ʼs low output phase invert LED to indicate that this output is not operational in the LF sum mode.
Indicators Stereo Operation (Green); Mono Operation (Yellow); Low Cut (Red-per channel); x10 (Green-per channel); Phase Invert (Red-per output)
Operating Voltage 100 VAC 50/60 Hz; 120 VAC 60 Hz 230 VAC50 HZ
Operating Temperature 32°F to 113°F (0°C to 45°C)
Power Consumption 15W
Power Connector IEC receptacle
Dimensions 1.75" H X 19" W X 6.9" D (4.4cm x 48.3cm x 17.5cm)
Unit Weight 3.7 lbs. (1.7 kg)
Shipping Weight 5.4 lbs. (2.5 kg)
Weight2.35 kg3.40 kg4.30 kg3.00 kg3.00 kg2.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.35 kg
Weight 3.40 kg
Weight 4.30 kg
Weight 3.00 kg
Weight 3.00 kg
Weight 2.50 kg