TC ELECTRONIC M-3000 STUDIO REVERB PROCESSOR

The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. 

From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.

• Four independent channels of gating
• Independent key filtering
• Independent Threshold and Release controls
• Differentially balanced gold-plated XLR and 1/4" inputs and outputs
• True RMS level detection
• Stereo Coupling mode
• Switchable +4dBu or -10dBv operation per channel
  
  

  Input Connectors	XLR (Pin 2 and tip hot)
  Input Type	Electronically balanced/unbalanced, RF filtered
  Input Impedance	Balanced > 50 kOhm, unbalanced >25 kOhm
  Max Input	> +22 dBu balanced or unbalanced
  CMRR	40dB: Typically >55 dB at 1 kHz
  Key Input	Electronically balanced/unbalanced, RF fitered Balanced 50kOhm, unbalanced > 25 kOhm
  Output Connectors	XLR (Pin 2 hot)
  Output Type	Servo-balanced/unbalanced, RF filtered
  Output Impedance	Balanced 60 Ohm, unbalanced 30 Ohm
  Max Output	> +22 dBm balanced, > +20 dBm unbalanced
  Bandwidth	20 Hz to 20 kHz, +0/-0.5 dB
  Frequency Response	0.35 Hz to 200 kHz, +0/-3 dB
  Noise
  Dynamic Range	> 115 dB, unweighted
  THD+Noise	0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
  Interchannel Crosstalk
  Stereo Coupling	True RMS Power Summing
  Operating Voltage	100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
  Power Consumption	30 Watts
  Fuse	100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
  Power Connector	IEC receptacle
  Unit Weight	6.9 lbs.
  Shipping Weight	9.3 lbs.

  
  

In today's recording and sound reinforcement environments, the need for multiple channels of high quality, easy to use compression is growing rapidly. The new dbx® 1046 is designed to provide the audio professional with just that: 4 channels of great sounding dbx compression for a variety of applications. Incorporating the industry standard dbx designs and the latest available manufacturing techniques, the dbx 1046 provides pristine sonic quality with that classic dbx sound.

The 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder, and in virtually all applications the separate channels can be individually interfaced and used for entirely independent purposes. Additionally the newly developed PeakStopPlus™ is ideal for protecting your system from the oppressive peaks that can take out valuable drivers in your sound reinforcement rig or studio monitors.

All four channels have the following controls:

Threshold - allows you to set the level at which the compressor starts affecting the gain

OverEasy - allows you to select between soft compression for overall gain control or Hard Knee compression based on the characteristics of the original dbx 160.

Ratio - allows you to set the slope of gain reduction affecting the signal over the threshold level.

Input/Output Meter - allows you to set the meter to check the input and output levels for maximum signal-to-noise ratio and best level matching.

Output Gain - allows you to add make-up gain or to adjust the output level for that channel to match the next device's input gain.

Bypass - hard wire bypass allows you to hear how the compressor is affecting your signal.

PeakStopPlus - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.

Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.

All four channels feature balanced gold plated XLR and 1/4" inputs and outputs, and switchable +4dBu or -10dBV operating level to interface each individual channel with any other device.

So whether you need to control the level, placement in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 1046 is for you.

• Four independent channels of operation, stereo linkable in two pairs
• PeakStopPlus™ limiting control for setting maximum allowable level regardless of compressor settings
• Independent Threshold and ratio controls
• Switchable OverEasy® or Hard Knee compression
• Classic dbx® compression
• Differentially balanced gold-plated XLR and 1/4" inputs and outputs
• True RMS level detection
• Precision metering of input level, output level, and gain reduction
• Dual True stereo or quad mono operation
• Switchable +4dBu or -10dBV operation per channel

• XLR balanced ins and outs
• Mode switch for stereo 2-way or mono 3-way operation
• Low frequency summed (subwoofer) output
• x10 range switch on both channels
• 40Hz high pass (low cut) filter both channels
• Phase reverse switch on all outputs
• Individual level controls on all outputs
• 24dB per octave Linkwitz-Riley filters (the professional standard)
• Stereo/Mono status LEDs indicate the selected mode
• dbx® 2 year parts and labor as standard
• CSA NRTL/C approved
• CE compliant

LEXICON PCM96S, professional surroundprocessor, new and legendary reverb and effectalgorithm, up to 24bit/96khz, firewire audio streaming for six channels, "hardware plug-in" for Mac VST and audio unit software, 2200 presets and 768 user-programs, three AES/EBU in/out (XLR) OLED Display, compact flash card slot, HiQnet compatible, Midi IN/OUT/THRU, dual ethernet/firewire, wordclock in, .1U, 19“           FEATURES

• DAW automation 
• FireWire streaming 
• Unrivalled collection of new and legendary Lexicon reverbs and effects 
• Connectivity options include six channels XLR analog, six channels XLR AES/EBU digital I/O
  
• MIDI, Wordclock, Ethernet and Firewire.

iEQ-15 Dual 15-Band Graphic EQ with Type V? NR and AFS?

With an EQ heritage that has produced countless industry standard
patents and dates back more than 30 years, the dbx iEQ-31 easily
lives up to the dbx legacy of uncompromised sonic integrity. In
addition to unsurpassed equalization specs, the iEQ-15 also offers
the built-in necessities which include AFS? feedback Suppression,
Type V? noise reduction and PeakStopPlus? limiting. Besides
including two 15-band channels of 2/3-octave equalization, the iEQ-15
also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut
range, 40mm faders, XLR, 1/4'' and Euroblock inputs and outputs,
nonconductive nylon sliders; and an intuitive user interface with comprehensive
output and gain reduction metering. As always, the inevitable result of our
meticulous attention to detail and top-quality componentry is exceptional
sound, performance, and reliability.

The iEQ series represents a major step forward in the performance of EQs.
The iEQ series is now able to offer state-of-the-art digital EQ performance
and specs with an analog look and feel. From its amazing 10Hz to 22kHz
frequency response, to its 113dB dynamic range and Advanced Feedback
Suppression (AFS?), dbx proprietary Type V? noise reduction
and PeakStopPlus? limiting, the iEQ-15 offers out of this world specifications
with a downto- earth price point. Sure to find a home in the studio, on tour and
with installed sound venues, the iEQ-15 is destined to take its rightful place in
the lineage of great dbx? signal processors that are the professional?s choice
in signal processing. With such pristine design and quality, the iEQ-15 offers
the maximum sonic flexibility in a straight forward interface and rock-solid construction.

  
? Advanced Feedback Suppression (AFS?)

? Type V? Noise Reduction

? PeakStopPlus? Limiting

? 2/3-octave Constant Q frequency bands

? Switchable boost/cut ranges of ±6 or ±15dB

? 18 dB per octave 40Hz low-cut filter

? ±12dB input gain range

? XLR, TRS and Euroblock Inputs and Outputs

? Internal Toroidal Transformer

? Frequency Response of 10Hz to 22kHz

? Dynamic range of greater than 113dB

? User Power Up Features

? Relay Bypass for Power Failure System Protection