YAMAHA MG-16 ANALOG MIXER

565.00 incl. GR VAT

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Availability: Available in 1-3 d. Available in 1-3 d. SKU: H020.00088 Category:
16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX) 16-Channel Mixing Console Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) 4 GROUP Buses + 1 Stereo Bus 4 AUX (incl. FX) “D-PRE” […]

 

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16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX)
  • 16-Channel Mixing Console
  • Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo)
  • 4 GROUP Buses + 1 Stereo Bus
  • 4 AUX (incl. FX)
  • “D-PRE” mic preamps with an inverted Darlington circuit
  • 1-Knob compressors
  • PAD switch on mono inputs
  • +48V phantom power
  • XLR balanced outputs
  • Internal universal power supply for world-wide use
  • Rack Mount Kit Included
  • Metal chassis
  • 444 mm x 130 mm x 500 mm (17.5″ x 5.1″ x 19.7″)
  • 6.6 kg (14.6 lbs.)

Outline

I/O Phantom power +48 V
Input Channels Mono[MIC/LINE] 8
Mono/Stereo[MIC/LINE] 2
Stereo[LINE] 2
Output Channels STEREO OUT 2
MONITOR OUT 1
PHONES 1
AUX SEND 4
GROUP OUT 4
Bus Stereo: 1, GROUP: 4, AUX: 4
Input Channel Function PAD 26 dB (Mono)
HPF 80 Hz, 12 dB/oct (Mono/Stereo: MIC only)
COMP 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec
EQ HIGH Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ MID Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking
EQ LOW Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED LED turns on when post EQ signal reaches 3 dB below clipping

General specifications

Total harmonic distortion 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min
Frequency response +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level Equivalent input noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Residual output noise -102 dBu (STEREO OUT, STEREO master fader: Min)
Crosstalk -78 dB
Power requirements AC 100 – 240 V, 50 / 60 Hz
Power consumption 30 W
Dimensions W 444 mm (17.5″)
H 130 mm (5.1″)
D 500 mm (19.7″)
Net weight 6.6 kg (14.6 lbs.)
Accessories Included Accessory: Owner’s Manual, Technical Specifications, AC power cord, Rack-mount kit
Others Operating Temperature: 0 to +40˚C

 

Weight 6.60 kg

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YAMAHA MG-16 ANALOG MIXER removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT GB2R 16-Channel Rackmount MIXING CONSOLE remove
NameYAMAHA MG-16 ANALOG MIXER removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeSOUNDCRAFT GB2 16 16-Channel Multi-Purpose Mixing Console removeSOUNDCRAFT LX7 16CH MKII MIXING DESK removeSOUNDCRAFT GB2R 16-Channel Rackmount MIXING CONSOLE remove
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SKUH020.00088SPIRIT FOLIO FX16 IISPIRIT EFX12GB2 16CHSPIRIT LX7 16CH MKIIGB2R 16CH
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Price 565.00 incl. GR VAT 832.99 incl. GR VAT 547.00 incl. GR VAT 1,456.00 incl. GR VAT 1,621.99 incl. GR VAT 1,456.00 incl. GR VAT
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Description
Content16-Channel Mixing Console: Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo) / 4 GROUP Buses + 1 Stereo Bus / 4 AUX (incl. FX)
  • 16-Channel Mixing Console
  • Max. 10 Mic / 16 Line Inputs (8 mono + 4 stereo)
  • 4 GROUP Buses + 1 Stereo Bus
  • 4 AUX (incl. FX)
  • "D-PRE" mic preamps with an inverted Darlington circuit
  • 1-Knob compressors
  • PAD switch on mono inputs
  • +48V phantom power
  • XLR balanced outputs
  • Internal universal power supply for world-wide use
  • Rack Mount Kit Included
  • Metal chassis
  • 444 mm x 130 mm x 500 mm (17.5" x 5.1" x 19.7")
  • 6.6 kg (14.6 lbs.)
Outline
I/O Phantom power +48 V
Input Channels Mono[MIC/LINE] 8
Mono/Stereo[MIC/LINE] 2
Stereo[LINE] 2
Output Channels STEREO OUT 2
MONITOR OUT 1
PHONES 1
AUX SEND 4
GROUP OUT 4
Bus Stereo: 1, GROUP: 4, AUX: 4
Input Channel Function PAD 26 dB (Mono)
HPF 80 Hz, 12 dB/oct (Mono/Stereo: MIC only)
COMP 1-knob compressor (Gain/Threshold/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec
EQ HIGH Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ MID Gain: +15 dB/-15 dB, Frequency: Mono 250 Hz - 5 kHz peaking
EQ LOW Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED LED turns on when post EQ signal reaches 3 dB below clipping
General specifications
Total harmonic distortion 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min
Frequency response +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level Equivalent input noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Residual output noise -102 dBu (STEREO OUT, STEREO master fader: Min)
Crosstalk -78 dB
Power requirements AC 100 - 240 V, 50 / 60 Hz
Power consumption 30 W
Dimensions W 444 mm (17.5")
H 130 mm (5.1")
D 500 mm (19.7")
Net weight 6.6 kg (14.6 lbs.)
Accessories Included Accessory: Owner's Manual, Technical Specifications, AC power cord, Rack-mount kit
Others Operating Temperature: 0 to +40˚C
 

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

  • 26 inputs
  • 16 mono microphone channels
  • 4 stereo returns
  • 4-bus architecture, with sub-group routable to mix
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo
  • 3 FX parameter adjust rotaries
  • User FX settings store function
  • Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
  • Inserts on all mono channels
  • Inserts on stereo mix output
  • Classic Soundcraft 3-band EQ with swept mid-band
  • Stereo 18dB/octave 100Hz high-pass filter
  • Dual global +48V phantom power split channels 1-8 and 9-16
  • Channel Mute control
  • 10-segment tri-coloured metering
  • Two sub-group outputs
  • Separate mono sum output
  • Integral universal power supply
Key Features:
  • 12+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable

The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

Soundcraft GB2 16 main features include:

  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    *  100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

16 mono inputs to a stereo mix output. Rackmount version of the GB2.

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R. This 19 inch rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Features
19 inch Rackmountable console

16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22

12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)

Rotatable connector pod for top or rear cable entry

8 (GB2R-16) or 10 (GB2R-12.2) busses

2 full feature stereo inputs (GB2R-12.2 version)

GB30 Mic preamp and precision EQ on inputs

Switchable +48V phantom power on every mic input

100Hz Hi-pass filter

Direct outputs on every channel

100mm faders

Stereo Mix Output and separate Mono Sum output

Record output

Internal Universal switched mode PSU

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19 inch rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19" (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as you'd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcb's, fitted to the steel chassis front panel with individually-nutted potentiometers.

Weight6.60 kg5.00 kg3.50 kg32.00 kg18.20 kg5.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 6.60 kg
Weight 5.00 kg
Weight 3.50 kg
Weight 32.00 kg
Weight 18.20 kg
Weight 5.00 kg

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