Zoom H4n Pro Black 4Ch Portable Studio Recorder MP3 / Wave Recorder

230.00 incl. GR VAT

Only 3 left in stock (can be backordered)

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Portable MP3 / Wave Recorder Up to 24 Bit / 96 kHz Recording in WAV, MP3 and BWF format possible Built-in stereo microphones can be positioned between 90 and 120 degrees Peak SPL: 140 dB Optimised noise floor (-120 dBu ON) for improved low-volume recording 2 XLR microphone inputs with +24 V and +48 V […]

 

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Portable MP3 / Wave Recorder

Up to 24 Bit / 96 kHz
Recording in WAV, MP3 and BWF format possible
Built-in stereo microphones can be positioned between 90 and 120 degrees
Peak SPL: 140 dB
Optimised noise floor (-120 dBu ON) for improved low-volume recording
2 XLR microphone inputs with +24 V and +48 V phantom power
Microphone inputs can be used parallel to the integrated stereo microphone
Integrated multi-effects – with the Zoom G5n as its model: re-tuned effects, guitar amp simulation, phrase trainer and tuner
Variable playback speed from 50% to 150% with pitch correction
USB port
New rubberised and ergonomic case with improved LCD display
Supports SD or SDHC cards up to 32 GB
Integrated speaker
Limiter
Dimensions (W x H x D): 73 x 157.2 x 37 mm
Weight: 294 g
Colour: Black
Includes USB cable and protective cover made of plastic
Includes download licenses for Steinberg Cubase LE and WaveLab LE, 2x AA batteries, manual

Weight 0.500 kg

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Quick Comparison

Zoom H4n Pro Black 4Ch Portable Studio Recorder MP3 / Wave Recorder removeTASCAM DR-10CS Portable recorder removeTASCAM GB-10 DIGITAL PORTABLE RECORDER/PLAYER removeKORG MR-2000S Rackmount Mobile Recorder removeFOSTEX FR-2 Professional Digital recorder removeTASCAM DR-60D MKII Handheld Recorder remove
NameZoom H4n Pro Black 4Ch Portable Studio Recorder MP3 / Wave Recorder removeTASCAM DR-10CS Portable recorder removeTASCAM GB-10 DIGITAL PORTABLE RECORDER/PLAYER removeKORG MR-2000S Rackmount Mobile Recorder removeFOSTEX FR-2 Professional Digital recorder removeTASCAM DR-60D MKII Handheld Recorder remove
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SKUG05ZM00127TA/EM/000447TAEM000525MR2000SFR2TA/EM/000491
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Description
ContentPortable MP3 / Wave Recorder Up to 24 Bit / 96 kHz Recording in WAV, MP3 and BWF format possible Built-in stereo microphones can be positioned between 90 and 120 degrees Peak SPL: 140 dB Optimised noise floor (-120 dBu ON) for improved low-volume recording 2 XLR microphone inputs with +24 V and +48 V phantom power Microphone inputs can be used parallel to the integrated stereo microphone Integrated multi-effects - with the Zoom G5n as its model: re-tuned effects, guitar amp simulation, phrase trainer and tuner Variable playback speed from 50% to 150% with pitch correction USB port New rubberised and ergonomic case with improved LCD display Supports SD or SDHC cards up to 32 GB Integrated speaker Limiter Dimensions (W x H x D): 73 x 157.2 x 37 mm Weight: 294 g Colour: Black Includes USB cable and protective cover made of plastic Includes download licenses for Steinberg Cubase LE and WaveLab LE, 2x AA batteries, manual

Features at a glance


To TOP
  • Supports Sennheiser wireless system mics and transmitters (DR-10CS)
  • Supports Shure wireless system mics and transmitters (DR-10CH, DR-10CS with optional AK-DR10CH panel)
  • Supports Sony/RAMSA wireless system mics and transmitters (DR-10CS/DR-10CH with optional AK-DR10CR panel)
    Note: The Sony/RAMSA panel has a sliding switch to allow proper wiring configuration
  • 48kHz/24-bit linear PCM mono recording
  • WAV files (compatible with BWF format)
  • Media: microSD/SDHC cards (supports 32GB capacities)
  • Sliding record switch and hold function to prevent misoperation during recording
  • Dual recording function
  • automatic file closing function to prevent the loss of already recorded data
  • High/Mid/Low recording level settings
  • Low-cut filter
  • Limiter
  • Automatic level function
  • With a built-in clock function, supports BWF files that can have time information added - convenient for editing and searching
  • Time track incrementing function can create new files at regular intervals (every 15 minutes) during recording
  • Playback function allows recorded data to be checked immediately
  • Headphone output
  • Easy-to-read organic EL display
  • micro USB B port enables easy data exchange with computers
  • Records at least 10 hours on a single AAA battery * using alkaline batteries (EVOLTA)
  • Unit settings can be created and transferred as a computer text file
  • Settings can be transferred between DR-10C units using the infrared transmission function
  • Firmware can be updated using a microSD card
  • Belt clip included
  • Silicon band that can be used to attach the unit to a transmitter included
  • Custom case for storing the unit and accessories included
  • RoHS-compliant product

    * Instrument trainer / recorder
    * 1/4" guitar/bass input
    * Guitar/bass effects including amp modelling, delay, reverb, chorus and more
    * Records 44.1kHz/16-bit WAV files
    * Playback 16 or 24-bit WAV files or MP3 files
    * SD/SDHC card media slot with included 2GB card
    * Overdub recording allows sound-on-sound build up of an arrangement
    * Loop playback using dedicated buttons
    * Variable Speed Audition speeds up or slows down playback without changing the pitch
    * Chromatic Tuner and Metronome
    * USB 2.0 jack for high-speed music transfer
    * Dedicated keys and large LCD display for easy operation
    * Angled desktop design
    * Includes 2GB SD card, AA batteries, USB cable

Un-beatable Audio Performance Comes Home to Roost - Meet the Korg MR-2000S! Korg captured the world's attention with their MR series of DSD mobile recorders and studio tools. After consulting with top recording and mastering professionals, Korg has now created the Korg MR-2000S Studio Recorder; a 2-track mixdown designed from the ground up to bring that same DSD sonic performance home for use in any studio environment. A DSD and Mastering Recorder Born to Run In keeping with the MR Series studio recorder heritage of portability, the MR-2000S 1- bit recorder adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile. This compact format is also ideal for any live recording rig; or for grabbing that "off-the-board" live recording night after night - as well as shuttling your recordings from venue to studio and back again. So whether you want to capture that once-in-a-lifetime performance with impeccable detail, or need to transfer those priceless recordings from session to session, the MR-2000S high-resolution audio recorder is ready to roll. SPECIFICATIONS: Main Sections Recorder section Number of tracks: 2 tracks, 2 tracks simultaneous playback/2 tracks simultaneous recording Recording formats -PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit -1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit,DSDIFF format (extension .dff), DSF (extension .dsf),WSD (extension .wsd) -mp3 audio format(playback only): 44.1kHz/32kbps - 320kbps Recording Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hours Number: Recognizes a maximum of projects four hundred projects of each format Mark points: 100 points per project *No mark names USB functionality: Connect to computer via USB 2.0, usable as FAT32 USB external drive Project editing: Rename, Delete, Protect General Display: 160 x 104 pixel, LCD with backlight Level meter: -54dBFS – 0dBFS (PC audio); -54dBSACD – +3dBSACD (1-Bit audio); L and R each provide 21/23-step LED + peak LED Power supply: AC100 –240 V Power consumption: 20 W Dimensions/Weight: 18.9“(W) x 8.6“(D) x 1.7“(H):Including protrusions/6.17 lbs Main Specifications Frequency response: 10 Hz ... 20 kHz ± 1 dB@ Fs 44.1 kHz / 48 kHz, 10 Hz ... 40 kHz ± 1 dB@ Fs 88.2 kHz/96 kHz/176.4 kHz/ 192 kHz, 10 Hz ... 100 kHz (1-bit) S/N: 103 dB (typical) @ IHF-A THD+N: 0.005% (typical), 20 Hz ... 20 kHz A/D conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM) D/A conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM) Line In L/R XLR -Connector: XLR-3-31 type (balanced) -Input impedance: 22 k Ohms -Nominal level: + 4 dBu (REC LEVEL=0dB) -Maximum level: + 24 dBu RCA -Connector: RCA (Unbalanced) -Input impedance: 50k Ohms -Nominal level (– 12 dBFS – 12 dB-SACD): –6 dBV (REC LEVEL = 0 dB) -Maximum level: + 10 dBV Line Out L/R XLR -Connector: XLR-3-32 type (balanced) -Load impedance: 600 Ohms or greater -Nominal level: – 4dBu -Maximum level (0dBFS 0dB-SACD): – 16 dBu (Nominal level= –12dBFS), – 18 dBu (Nominal level= –14dBFS), – 20 dBu (Nominal level= –16dBFS), – 22 dBu (Nominal level= –18dBFS), – 24 dBu (Nominal level= –20dBFS) RCA -Connector: RCA (Unbalanced) -Load impedance: 47 k Ohms or greater/ -Nominal level (– 12 dBFS – 12 dB-SACD): – 6 dBV (REC LEVEL=0dB) -Maximum level (0 dBFS 0 dB-SACD): + 6dBV Phones -Connector: 1/4" stereo phone jack -Load impedance: 16 Ohms or greater -Maximum level: 170 mW + 170 mW @ 32 ohms S/P Dif In/Out (coaxial) -Connector: RCA pin -Format: IEC60958 Word Clock In/Out -Connector: BNC receptacle, 75 Ohms USB -Connector: Type B -Format: USB 2.0 compliant, -USB mass storage class -Supported operating systems: Windows 2000,or later Mac OS X 10.3.9 or later Included Items AC power cable, Install CD (“AudioGate" audio file conversion application) AudioGate ver,1.5 Operating Requirements Windows -Supported operating systems: Microsoft Windows XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista -Supported computers: CPU: Intel Pentium III /1 GHz or better RAM: 256 MB or more A USB port that meets the operating requirements of Microsoft Windows XP/Vista Macintosh -Supported operating system: Mac OS X 10.3.9 or later -Supported computers: CPU: Apple G4/800 MHz or better, Intel Mac is supported RAM: 256 MB or more A USB port that meets the operating requirements of Mac OS X Demo Project All Most Blues The Wind and the Wheat performed by Phil Keaggy copyright Phil Keaggy 2006 http://www.philkeaggy.com/ *This product comes installed with the "ISC-MP3 BF532 d Korg" MP3 decoder which was developed by The Institute of Super Compression Technologies, Inc. (ISCT), Japan. *”DSD” is a registered trademark. *Logos, product names, and company names are their trademarks or registered trademarks. Specifications subject to change without notice

The new Fostex FR-2 has been designed specifically for location sound recording; high quality sound effects acquisition; TV & radio documentary; in fact any application where quality audio recording is required.
With excellent quality (up to 24-bit / 192KHz recording - a first for a CF recorder), huge feature list and a cost-effective price point, the FR-2 offers users of portable DAT and other formats the opportunity to make the switch to a more flexible, higher quality audio acquisition machine without sacrificing features.

  • Recording industry standard, PC-compatible BWF files (stereo/mono) on a FAT32 media format
  • Up to 24-bit/192kHz uncompressed recording
  • Includes a unique 22.05kHz sampling frequency setting for extended recording
  • Records to both Type I & II CompactFlash cards and PCMCIA 1.8” hard disk drives*1
  • Fostexʼs "File per Take” system with auto scene & take naming/increment
  • Two balanced XLR microphone inputs with switchable phantom power and top quality, high headroom mic pre-amps
  • 132 x 64 dot matrix LCD screen for ease of use & high visibility in the field
  • Uses AA-sized rechargeable NiMH batteries which are widely available due to the popularity of digital cameras. 8 AA cells will provide approximately 2.5 hours operation when recording to a CF card
  • Easy file transfer to PC/Mac via PCMCIA, CF adaptor or standard on-board USB connection for data editing and/or backup*2
  • Quick and easy on-board file naming or via external keyboard through standard USB keyboard port
  • “Pre-record” loop buffer of approximately 10 seconds*3
  • Easy software update via CF or PCMCIA card with downloads from the internet
  • Optional timecode generator / reader card

    Notes
    *1 May require software update for PCMCIA HD operation
    *2 Complies with Windows ME/2000/XP, Mac OS 10.2 or higher
    *3 Varies depending on sampling frequency“

  • GENERAL
    Recording Media CompactFlash card, PCMCIA HD
    Recording Format BWF
    Number of Channels Stereo / Mono
    Sampling Frequency 22.05 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
    Quantization 16 bit (22.05 - 48kHz), 24 bit (44.1 - 192kHz)
  • PHYSICAL
    Power Requirement 8 x AA type dry cell (NiMH recommended)
    AC adaptor (optional)
    DC 12V
    Power Consumption approx. 5W
    Dimension 250(W) x 77(H) x 220(D) mm
    Weight 1.5kg (w/out battery)
  • PERFORMANCE
    R/P Frequency Response 20Hz to 10kHz +/-1dB (fs: 22.05kHz)
    20Hz to 20kHz +/-1dB (fs: 44.1 / 48kHz)
    20Hz to 40kHz +/-2dB (fs: 88.2 / 96kHz)
    20Hz to 80kHz +/-3dB (fs: 176.4 / 192kHz)
    S/N (ADC-DAC, 24-bit, ref: -20dB, fs:48kHz)
    Line (input gain: +4dBu): 100dB (typical)
    Mic: (input gain: -60dBu): 87dB (typical)
    Dynamic Range 100dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical
    T.H.D. (ADC-DAC, 24-bit, ref:-20dB, fs:48kHz)
    Line (input gain: +4dBu): Less than 0.005% (at 1kHz, -1dB typical)
    Mic (input gain: -60dBu): Less than 0.008% (at 1kHz, -1dB typical)
    Power Life approx. 2 hours 30 min. (8 x AA NiMH type/2300mAH)
  • INPUT / OUTPUT CONNECTORS
    ANALOG AUDIO INPUT L/R
    Connector XLR-3-31 type (Pin2: Hot)
    Line Input Impedance : More than 6k ohm
    Reference Input Level +4dBu
    Maximum Input Level +24dBu (Trim: +4dBu, at the prefader stage)
    MIC
    Input Impedance More than 6k ohm
    Input Level -60dBu
    Maximum Input Level -40dBu (Trim: +4dBu, at the prefader stage)
    Phantom Power P48
    ANALOG AUDIO OUTPUT L(Mono)/R
    Connector RCA pin type
    Output Load Impedance more than 10k ohm
    Nominal Output Level +4dBu
    HEADPHONE OUTPUT 50 + 50mW (32 ohm)
    Max Speaker Output Level 1W
    DIGITAL INPUT/OUTPUT (except for 176.4, 192kHz)
    Connector XLR
    Input Format S/P DIF / AES/EBU automatic
    Output Format S/P DIF / AES/EBU switchable
    USB x 2 (keyboard / PC only)
    TIMECODE CARD (OPTIONAL, T.B.A.)
    LTC Input/Output LEMO
    Frame Rate 23.976/24/25/29.97DF/29.97ND/30DF/30ND
    Gen Mode 24H RUN / REC RUN / FREE RUN / EXT RUN

 

TASCAM's award winning DR-60D is the new audio recording solution for on-set filmmakers and videographers using DSLR's. For years, filmmakersProSound Network Best of Show have been trying different methods for recording audio, using bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLR's. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for. The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAM's decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4“-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4“-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage. The DR-60D is incredibly easy to use, employing TASCAM's very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAM's Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market.
  • Record to SD/SDHC card (Up to 32GB)
  • Simultaneously record up to 4 tracks
  • Record Mode:MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
  • Recording format:44.1/48/96kHz 16/24bit (WAV/BWF)
  • TASCAM original HDDA microphone preamps
  • Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
  • Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
  • Plug-in power and high-output mic input supported on inputs 3-4
  • CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
  • CAMERA IN connector for sound monitoring from the camera
  • Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
  • 50mW/ch headphone output
  • Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
  • Handles protect the screen and can be used to attach a shoulder strap
  • Soft-Touch Rubber Keys for silent operation
  • HOLD switch to prevent accidental operation
  • QUICK button feature for easy access to various functions
  • 128x64 pixel LCD with backlight
  • USB 2.0 connection for high-speed transferring of files
  • Mini USB cable included
  • Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
  • Can extend battery life with BP-6AA battery pack (sold separately)
  • Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
  • Internal mixer: PAN and LEVEL controls
  • Low cut filter(40/80/120Hz)
  • Limiter (1/L and 2/R can be selected for link-operation)
  • Delay function for microphone distance adjustment (up to 150ms)
  • M-S decode function
  • Slate tone generator (AUTO/MANUAL)
  • Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
  • Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
  • File name format can be set to use a user-defined word or date
  • Dual-recording function allows two files to be recorded simultaneously at different levels
  • Auto-record function can automatically start and stop recording at set level
  • Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
  • Self-timer function for solo recording
  • New file starts recording automatically without interruption when maximum file size is reached
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • Jump back and play function
  • Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
  • Resume function to memorize the playback position before the unit is turned off
  • MARK function up to 99 points per audio track
  • DIVIDE function
SPECIFICATIONS
Recording media SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV 44.1/48/96kHz, 16/24bit
BWF 44.1/48/96kHz, 16/24bit
Number of channels 4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
Input impedance 2k ohms
Phantom power 48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level 0dBu
Minimum input level -72dBu
MIC input gain TRIM MAX
LOW +11dB
MID +36dB
HIGH +52dB
Set to "LINE“
Input impedance 10k ohms or more
Standard input level +4dBu
Maximum input level +24dBu
3-4 connector
Connector 3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance 10k ohms
Maximum input level +10dBV
Minimum input level -50dBV
MIC input gain TRIM MAX
LOW +3dB
HIGH +26dB
CAMERA IN connector
Connector 3.5mm (1/8“) stereo mini jack
Input impedance 10k ohms
Standard input level -10dBV
Maximum input level +6dBV
Analog audio output
CAMERA OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -50dBV
Maximum output level -30dBV
LINE OUT connector
Connector 3.5mm (1/8“) stereo mini jack
Output impedance 200 ohms
Standard output level -10dBV
Maximum output level +10dBV
PHONES connector
Connector 3.5mm (1/8“) stereo mini jack
Maximum output level 50mW + 50mW
USB
Connector Mini-B type
Format USB2.0 HIGH SPEED mass storage class
REMOTE
Connector 2.5mm TRS jack
Power Four AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption 5.4W
Continuous operation time 2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA) About 2:30 min (Phantom on) About 4:30 min (Phantom off)
NI-MH batteries (eneloop) About 3:15 min (Phantom on) About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 3:45 min (Phantom on) About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA) About 5:30 min (Phantom on) About 10:30 min (Phantom off)
NI-MH batteries (eneloop) About 7:30 min (Phantom on) About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 9:30 min (Phantom on) About 14:30 min (Phantom off)
Dimensions 133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight 510g (not including batteries)
Operating temperature 0˚C to 40˚C
Standard accessories USB cable, warranty card, Owner's manual
Computer compatibility
Windows
OS Windows XP, Windows Vista, Windows 7, Windows 8
CPU Pentium 300MHz or more
RAM 128MB or more
USB recommended: USB2.0
Macintosh
OS Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4), Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7), OS X Mountain Lion(V10.8)
CPU Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB recommended: USB2.0
Audio performance
Frequency response 20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA) 20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion 0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio 92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise -120dBu or more
Recording duration The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting) SD/SDHC card capacity(hours:mintes)
1GB 2GB 4GB 8GB
WAV/BWF 16bit(STEREO) 44.1kHz 1:41 3:22 6:44 13:28
48kHz 1:33 3:06 6:12 12:24
96kHz 0:46 1:33 3:06 6:12
WAV/BWF 24bit(STEREO) 44.1kHz 1:07 2:15 4:30 9:00
48kHz 1:02 2:04 4:08 8:16
96kHz 0:31 1:02 2:04 4:08
  • The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
  • The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
  • If recorded in mono in WAV files, the maximum recording time will be double the figures above.
  • For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
Weight0.500 kg0.50 kg1.00 kg6.00 kg3.00 kg1.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.500 kg
Weight 0.50 kg
Weight 1.00 kg
Weight 6.00 kg
Weight 3.00 kg
Weight 1.00 kg