ZOOM H6 Black Studio Portable Hand Recorder

Original price was: €422.00.Current price is: €359.00. incl. GR VAT

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Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable. Like other H-Series Handy recorders […]

 

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Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.

Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 packs an impressive array of features into a rugged, rubberized body that\’s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers. From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you\’ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.

Fast, User-Friendly Operability

The H6\’s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.

Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2″ full-color LCD, which happens to be backlit and angled for maximum visibility.

Instant Access to Gain Adjustments

Each H6 input has its own dedicated gain control knob. There\’s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4″ input sources are so loud that you need even less gain than the preamps provide at the “0” setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.

Interchangeable Stereo Microphone Capsules

Leave your external mics at home and travel light; the H6 includes two interchangeable stereo microphone capsules. With nothing more than the H6, you\’re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB (via the X/Y capsule)!

The XYH-6 capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.

Switch to the MSH-6 capsule to record in a mid-side configuration. Its front-facing directional element picks up direct signal while the side-facing bidirectional element captures ambience. The H6\’s integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.

Supports Interchangeable Zoom Mic Capsules

The Zoom mic capsule input on the H6 accommodates Zoom\’s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4″ jacks.

Six Channels of Microphone/Line Inputs

Equipped with four XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H6 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6\’s preamps are ready to deliver low-noise (-120 dB EIN) performance.

Record All Channels Live or Overdub Layers

The H6 boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H6\’s internal mixdown function to blend six tracks down to a stereo file.

SD Card Recording and Audio Interface Functionality

Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.

Alternatively, use the H6 as a 6-in/2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz.

3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones

The H6 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.

Powered via AA Batteries or AC Adapter

Power the H6 via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over nine hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4″ inputs. When using the H6 in the stereo USB audio interface mode, USB bus powering is possible.

Rugged and Portable, Handheld or Mounted

The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 directly to a DSLR.

Signal Processing Adds Sonic Polish

The H6\’s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.

There\’s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 an ideal tool for phrase training.

Special Recording Functions

The H6 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you\’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.

Backup record enables the H6 to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!

Supports External Remote Control

Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.

Includes Audio Software

The H6 comes with free download licenses for Steinberg\’s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

Key Features

  • Live/Location Recording & Podcasting
  • Swappable X/Y & Mid-Side Stereo Mics
  • 4 x XLR-1/4″ Mic/Line Inputs with Pads
  • Fast, User-Friendly Operability

Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.

Weight 0.50 kg

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NameZOOM H6 Black Studio Portable Hand Recorder removeTASCAM P2/MMC RS-422 PROTOCOL CONVERTER removeTASCAM DR-70D Digital portable recorder removeKORG TMR-50 PW Digital metronome, tuner and recorder removeTASCAM HD-R1 Professional CF-Card Recorder: Rackmounted removeFOSTEX UR-2 Professional Digital Recorder remove
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Price Original price was: €422.00.Current price is: €359.00. incl. GR VAT Original price was: €1,103.59.Current price is: €1,070.49. incl. GR VAT Original price was: €399.00.Current price is: €340.00. incl. GR VAT Original price was: €85.57.Current price is: €51.35. incl. GR VAT Original price was: €1,252.15.Current price is: €1,225.89. incl. GR VAT Original price was: €1,326.79.Current price is: €1,194.11. incl. GR VAT
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Description
ContentIdeal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable. Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 packs an impressive array of features into a rugged, rubberized body that\'s more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers. From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you\'ll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion. Fast, User-Friendly Operability The H6\'s front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording. Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2" full-color LCD, which happens to be backlit and angled for maximum visibility. Instant Access to Gain Adjustments Each H6 input has its own dedicated gain control knob. There\'s no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4" input sources are so loud that you need even less gain than the preamps provide at the "0" setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB. Interchangeable Stereo Microphone Capsules Leave your external mics at home and travel light; the H6 includes two interchangeable stereo microphone capsules. With nothing more than the H6, you\'re set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 136 dB (via the X/Y capsule)! The XYH-6 capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations. Switch to the MSH-6 capsule to record in a mid-side configuration. Its front-facing directional element picks up direct signal while the side-facing bidirectional element captures ambience. The H6\'s integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility. Supports Interchangeable Zoom Mic Capsules The Zoom mic capsule input on the H6 accommodates Zoom\'s line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4" jacks. Six Channels of Microphone/Line Inputs Equipped with four XLR-1/4" combo inputs and a 3.5mm stereo mini-jack input (on the XYH-6 capsule), the H6 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6\'s preamps are ready to deliver low-noise (-120 dB EIN) performance. Record All Channels Live or Overdub Layers The H6 boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the H6\'s internal mixdown function to blend six tracks down to a stereo file. SD Card Recording and Audio Interface Functionality Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times. Alternatively, use the H6 as a 6-in/2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz. 3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones The H6 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided. Powered via AA Batteries or AC Adapter Power the H6 via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over nine hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4" inputs. When using the H6 in the stereo USB audio interface mode, USB bus powering is possible. Rugged and Portable, Handheld or Mounted The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 directly to a DSLR. Signal Processing Adds Sonic Polish The H6\'s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording. There\'s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 an ideal tool for phrase training. Special Recording Functions The H6 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you\'ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording. Backup record enables the H6 to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine! Supports External Remote Control Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise. Includes Audio Software The H6 comes with free download licenses for Steinberg\'s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit. Key Features
  • Live/Location Recording & Podcasting
  • Swappable X/Y & Mid-Side Stereo Mics
  • 4 x XLR-1/4" Mic/Line Inputs with Pads
  • Fast, User-Friendly Operability
Ideal for bands, multi-instrumentalists, and podcasters, the Zoom H6 portable handheld recorder lets you quickly record up to six simultaneous input signals regardless of your audio experience. With two swappable stereo microphone capsules, six versatile mic/line inputs, and up to 6-track recording, the H6 is both user-friendly and easily expandable.

RS-422 PROTOCOL CONVERTER

Specifications:
  • Recording media: SD card(64MB to 2GB), SDHC card(4GB to 32GB), SDXC card(48GB to 128GB)
  • Recording format
•    WAV: 44.1k / 48k / 96k Hz, 16bit / 24bit •    BWF: 44.1k / 48k / 96k Hz, 16bit / 24bit
  • Number of channels: 4-channel (stereo × 2, mono × 4)
  • Analog audio input
•    Connector: XLR-3-31 (1:GND, 2:HOT, 3:COLD) / 6.3mm(1/4“)TRS standard jack Set to "MIC / MIC+PHANTOM“ •    Input impedance: 2k ohms •    Phantom power: 48V +/-4V(10mA/CH), 24V +/-4V(10mA/CH) •    Maximum input level: 0dBu •    Minimum input level: -72dBu •    MIC input gain: TRIM MAX •    LOW: +11dB •    HIGH: +51dB •    HI + PLUS:  +63dB
  • Set to "LINE“
•    Input impedance: 10k ohms or more •    Standard input level: +4dBu •    Maximum input level: +20dBu
  • 1/2 connector
•    Connector: 3.5mm(1/8“)stereo mini jack  (this connector can be supplied plug-in power) •    Input impedance: 10k ohms •    Maximum input level: +10dBV •    Minimum input level: -50dBV •    MIC input gain: TRIM MAX •    LOW: +3dB •    HIGH: +26dB •    HI + PLUS: +38dB
  • CAMERA IN connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Input impedance: 10k ohms •    Standard input level: -10dBV •    Maximum input level: +6dBV Analog audio output
  • LINE OUT connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Output impedance: 200 ohms •    Standard output level: -10dBV •    Maximum output level: +6dBV
  • CAMERA OUT connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Output impedance: 200 ohms •    Standard output level: -40dBV •    Maximum output level: -24dBV
  • PHONES connector
•    Connector: 3.5mm(1/8“)stereo mini jack •    Maximum output level: 20mW + 20mW USB •    Connector: Micro-B type •    Format: USB2.0 HIGH SPEED mass storage class
  • REMOTE Connector: 2.5mm TRS jack
  • Power: 4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter(TASCAM PS-P515U, sold separately), Dedicated external battery pack(TASCAM BP-6AA, sold separately)
  • Power consumption: 5.0W
  • Continuous operation time: 2ch WAV, 44.1kHz, 16bit rec, Phantom power not used
  • Dimensions: 169(W)×55.2(H)×106.5(D)mm (with the top adapter attached)
  • Weight: 625g ( including batteries) / 530g (without batteries )
Tuner + Metronome + Recorder - All in One Unit! The TMR-50 - Your Ideal Practice Partner Highlights:
  • Tuner, metronome, and recorder can be used simultaneously or independently.
  • Internal mic and speaker make it easy to record and play back your performance
  • Loop Play function lets you repeat a desired region of a recorded track
  • High-quality linear PCM recording/playback
  • Record up to 100 tracks (approximately total 20 minutes)
  • USB port lets you transfer recorded data and song files between the TMR-50 and your computer
  • Newly designed highly responsive LCD needle-type meter
  • Wide detection range from C1 to C8
  • The Sound Out function produces a reference tone in a three-octave range from the built-in speaker
  • The Sound Back function generates the reference tone that's closest to the input sound, while the meter indicates the pitch discrepancy between the reference and the input sound - a great function for ear training!
  • Calibration supports a range of concert pitches
  • Marks indicate pure major and minor third intervals
  • Wide tempo range of 30--252 beats per minute
  • 15 rhythm variations let you practice with a broad range of musical styles
  • Easy tempo settings with two types of tempo step patterns plus a tap tempo function
  • Large LCD with backlight brightness that's adjustable over two levels for enhanced visibility
  • Your choice of body color: black or pearl white
  • Convenient key layout, and newly designed stand and battery cover
  • Memory Backup and Auto Power Off
Korg's popular TM series of tuner/metronome units is loved by players who practice to perfect their musical skills. Now joining the lineup is the TMR-50, which adds recorder functionality to the already impressive list of features. An extremely valuable way to improve your playing ability is to identify the problem areas that need work, and then practice to improve those areas. With its built-in mic and speaker, the TMR-50 makes it easy to practice this way. It provides high-quality linear PCM recording and a USB port for convenient usage with your computer. The TMR-50 features equally robust capabilities for its tuner and metronome functionality that will help you improve your sense of pitch and rhythm. Two choices of color are available: black and pearl white. Whether you're in a brass band or an orchestra, the TMR-50 is the ideal partner for anyone who wants to improve their playing. Specifications Recording format: PCM audio format, WAV format (extension: .wav) 44.1 kHz@16-bit Available recording time: Maximum approx. 20 minutes (Internal Memory size is 120 MB) Total number of tracks: Up to 100 tracks Tuning: 12 note equal temperament Detection range: C1 (32.70 Hz) ~ C8 (4186 Hz), Using Sine Wave. Reference tone: C3 (130.81 Hz) ~ C6 (1046.50Hz), 3 Octave. Tuning Mode: Meter Mode (AUTO), Sound Out Mode (MANUAL), Sound Back Mode (AUTO) Calibration range: A4 = 410 ~ 480 Hz (1 Hz steps) Detection accuracy: +/- 1 cent Sound precision: +/-1 cent Tempo range: Quarter Note = 30 to 252 BPM Tempo setting: 3 Types:       Pendulum Step Full Step Tap Tempo Beat range: Total 10 beats: "0 to 9" as "Quarter-note" Rhythm Rhythm pattern: Duplets, triplets, triplets without the center beat, quadruplets, and quadruplets without the center beats Tempo accuracy: ±0.3% Terminals: Input (f6.3mm, Mono-Standard Jack type) Headphones (f3.5mm, Stereo-mini Jack type) USB (mini-Type B) Internal Speaker: Dynamic Speaker (f28 mm) Power (Battery): AAA battery (3.0 V) x 2 Manganese batteries or alkaline batteries, Ni-MH: Nickel metal hydride Battery Life: Recorder ... Approximately 16/13/11 hours (Backlight: off/soft/auto, using alkaline batteries. Maximum of 20 minutes per recording.) Tuner ... Approximately 24/22/20 hours (Backlight: off/soft/auto, A4 continuous input, using alkaline batteries) Metronome ... Approximately 18/16/14 hours (Backlight: off/soft/auto, tempo 120, 4 beats, maximum volume, using alkaline batteries) Dimensions (W x D x H): 111 x 82 x 18 mm / 4/37 x 3.23 x 0.71 inches Weight: 119 g / 4.19 oz (Including battery) Included items: AAA battery (3.0 V) x 2 for verifying proper operation USB Cable Options: Contact Mic = CM-100L Computer Requirements Windows: A computer that satisfies the operating requirements of Microsoft Windows XP/Windows Vista/Windows 7 and is equipped with a USB port Macintosh: Mac OS X 10.5 or later

The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.

Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).

To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).

And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.

    * 1U Rack-mount Solid-State Recorder
    * Compact Flash Card
    * USB host interface for USB Flash Cards
    * Audio data formats: PCM (16/24 bit), MP3
    * Sampling rates supported: 44.1, 48, 88.2, 96kHz
    * Mic/Line XLR (with 20dB pad) balanced I/O
    * Phantom Power (rear panel switch and front LED indicator)
    * Euroblock terminal (Input and Output)
    * Unbalanced RCA (Input and Output)
    * Front panel rotary input level controls
    * RS-232 interface for control

    * RJ45 100Mbit/s Ethernet interface for file transfer and control
    * 25-pin parallel remote control interface
    * 16 Direct Play via D=SUb25 pin parallel interface
    * Power on play (front panel selectable)
    * S/PDIF Digital In/Out (Coaxial and Optical)
    * Headphone Jack w/level control
    * Input through and Auto Fade function
    * Input monitoring / mixing of live stereo input along with playback
    * Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...

Stereo Rack Memory Recorder
The UR-2 is a 1 U rack size stereo audio recorder using SD card and USB storage device that is flexibly adapting to the wide variety of playback requirements.
The UR-2 is a new generation stereo memory recorder from Fostex that uses 2 SD cards (SDHC compatible) and USB storage device as the recording media. The recording/ playback file format is BWF (WAV). Its ample playback functions will adapt to the wide variety of playback requirements. It offers high quality recording of up to 24bit/96kHz (in BWF format). Employing FAT 32 disc format, it is easy to process the file transfer to a PC based DAW.
The analog input and output are balanced XLR/+4dBu and un-balanced RCA/-10dBV, the digital input and output complies to AES/EBU and S/P DIF digital signal. It is flexible to be used in the available audio system. The playback function includes Chain Play and Timer Play, it is suitable for live stage performance and sound installation. In addition to the external control via parallel remote with D-Sub 25pin and RS-232C serial remote, a USB keyboard and 10-key keyboard can trigger the instant playback start, which is very useful at a live event, theater and broadcast environments.
The Mic input located on the front panel offers 48V phantom power, it can be used not only for recording but also for speech to be mixed with playback source. Last but not least, its newly employed organic EL display gives an extremely clear visibility. This combined with DC power operation, it serves for outdoor use very well.

MAIN FEATURES
• 2 sets SD card slots and a USB host connector for alternate recording/playback among the different media.
• Stereo or Mono WAV (BWF) recording to SD card (also SDHC) and USB storage device
• Fs: 44.1/48/88.2/96kHz, Quantization: 16/24bit
• High speed file transfer with PC via USB 2.0 (bi-directional)
• Employing FAT32 format, it allows to directly mount the recorded files to PC.
• It adapts to a wide variety of use environment by offering Chain Play and Memory Play.
• Timer Play and Power ON Play enable automatic playback start for such as chime and repetitive announcement, which are convenient in the installation audio industry.
• The play mode list employs CSV file format so that it is easy to edit by a text editor or spread sheet program software on PC.
• 99 Cue points with locate function. Waveform display under Scrub mode offers easy and visual Cue point setting
• Microphone input with P48V available on the front panel. Not only for recording but for speech to be mixed with playback source.
• Analog I/O with balanced XLR and un-balanced RCA pin jacks, Digital I/O with XLR connectors
• An organic EL display offers high visibility.
• Remote transport control via Foot SW, Parallel remote pot (Dsub 25pin) and RS-232C (D-sub 9pin)
• External USB keyboard can be used not only for file name editing but for transport control such as REC and PLAY.

Weight0.50 kg2.00 kg0.60 kg0.30 kg4.00 kg3.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 2.00 kg
Weight 0.60 kg
Weight 0.30 kg
Weight 4.00 kg
Weight 3.00 kg