| Content |
Connect
Multiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.
Record
The USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW.
Interface
Removing the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.
Play
Fancy a ʽvirtual soundcheckʼ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.
| Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
Compatible with all Zoom input capsules
Four-track simultaneous recording
Large backlit LCD display
Records directly to SD and SDHC cards up to 32GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad
Analog-style gain controls for each input
Protective "roll-bar" type covers prevent accidental movement of gain controls
Plug-in power (2.5 volts)
Built-in effects, including low-cut filtering, compression and limiting
Chromatic tuner and metronome
Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
MS decoding
Multitrack to stereo internal mixdown
Normalize, Divide and Trim editing
Voice memo and up to 99 marks per recording
A/B loop playback
Variable playback speed and variable pitch without affecting playback speed
Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
Uses two standard AA alkaline or NiMH rechargeable batteries
Over 15 hours of operation with alkaline batteries
GENERAL
Recording media:
SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
Display:
Backlit LCD (128 x 64 pixels)
INPUTS
INPUTS L/R [XYH-5 X/Y mic]:
Mic type: Unidirectional
Sensitivity: -45 dB, 1 kHz at 1 Pa
Input gain: -∞ to 52 dB
Max sound pressure input: 140 dB SPL
MIC/LINE IN :
Connector: 1/8" stereo mini jack
Input gain: - ∞ to 52 dB
Input impedance: 2 k Ω or more
Plug-in power: 2.5V supported
Backup recording: -12dB lower than set L/R input gain
INPUTS 1/2:
Connectors: XLR / TRS combo jacks
(XLR: Pin 2 hot / TRS: Tip hot)
Input gain (PAD OFF): -∞ to 55.0 dB
Input gain (PAD ON): -∞ to 35.0 dB
Input impedance: 1.8 k Ω or more
Max input level: +22 dBu (PAD ON)
Phantom power: +12V /+24V /+48V
Equivalent Input Noise (EIN): -120 dBu or less
OUTPUTS
LINE OUT :
Connector: 1/8" stereo mini jack
Rated output level: -10 dBm
Output load impedance: 10k Ω or more
PHONE OUT :
Connector: 1/8" stereo mini jack
Output Level: 20 W +20 W into 32 Ω load
Built-in speaker:
400mw 8 Ω mono
RECORDING FORMATS
STEREO MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48/96 kHz
Bit rate: 16/24 (Stereo)
Maximum simultaneous recording tracks: 2
MP3
Sampling frequency: 44.1kHz
Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
MULTITRACK MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48 kHz
Bit rate: 16/24 (Mono/Stereo)
Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)
USB
Mass Storage Class operation:
Class: USB 2.0 High Speed
Audio Interface operation: Multitrack mode:
Class: USB 2.0 High Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16/24 bit
Inputs / Outputs: 4 / 2
Audio Interface operation: Stereo mode:
Class: USB 2.0 Full Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16 bit
Inputs / Outputs: 2 / 2
USB bus powered operation possible
(iPad operation supported in Stereo mode only)
POWER REQUIREMENTS
AA size (LR6) battery x 2
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power | An Easy-To-Use Portable Recorder with All New Mics and Breakthrough Wi-Fi Technology
The groundbreaking DR-22WL from TASCAM is the first portable recorder to include Wi-Fi for transport control, file transfer, and audio streaming to your smartphone or PC. Other innovations like the new Scene Dial make it easier than ever to capture great-sounding recordings and share them online. A set of stereo condenser microphones is arranged in true XY pattern for ideal stereo imaging. The eight-position Scene Dial selects recording settings for typical situations, or can be set to full manual for greater control.
Included in the DR-22WL is a Wi-Fi function for controlling its transport and transferring files to a smartphone or computer. A free app for iOS and Android controls the transport and transfers files for instant upload. For a recording beginner or experienced user looking for a great-sounding, portable recorder with Wi-Fi, the DR-22WL is the only choice. | Un-beatable Audio Performance Comes Home to Roost - Meet the Korg MR-2000S!
Korg captured the world's attention with their MR series of DSD mobile recorders and studio tools. After consulting with top recording and mastering professionals, Korg has now created the Korg MR-2000S Studio Recorder; a 2-track mixdown designed from the ground up to bring that same DSD sonic performance home for use in any studio environment.
A DSD and Mastering Recorder Born to Run
In keeping with the MR Series studio recorder heritage of portability, the MR-2000S 1- bit recorder adds a number of new features to meet the requirements of the most demanding studio, yet retains a sleek, single rack-space profile. This compact format is also ideal for any live recording rig; or for grabbing that "off-the-board" live recording night after night - as well as shuttling your recordings from venue to studio and back again. So whether you want to capture that once-in-a-lifetime performance with impeccable detail, or need to transfer those priceless recordings from session to session, the MR-2000S high-resolution audio recorder is ready to roll.
SPECIFICATIONS:
Main Sections
Recorder section
Number of tracks: 2 tracks, 2 tracks simultaneous playback/2 tracks simultaneous recording
Recording formats
-PCM audio format: BWF (extension .wav) 44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit,176.4 kHz @ 24 bit, 192 kHz @ 24 bit
-1-bit audio format: 2.8 MHz @ 1-bit, 5.6 MHz @ 1-bit,DSDIFF format (extension .dff), DSF (extension .dsf),WSD (extension .wsd)
-mp3 audio format(playback only): 44.1kHz/32kbps - 320kbps
Recording
Maximum approximately: 120 hours at 44.1 kHz/16 bit, 14.5 hours at 5.6 MHz/1- bit (for 80 Gbyte hard disk), Maximum continuous recording 6 hours
Number: Recognizes a maximum of projects four hundred projects of each format
Mark points: 100 points per project *No mark names
USB functionality: Connect to computer via USB 2.0, usable as FAT32 USB external drive
Project editing: Rename, Delete, Protect
General
Display: 160 x 104 pixel, LCD with backlight
Level meter: -54dBFS – 0dBFS (PC audio); -54dBSACD – +3dBSACD (1-Bit audio); L and R each provide 21/23-step LED + peak LED
Power supply: AC100 –240 V
Power consumption: 20 W
Dimensions/Weight: 18.9“(W) x 8.6“(D) x 1.7“(H):Including protrusions/6.17 lbs
Main Specifications
Frequency response: 10 Hz ... 20 kHz ± 1 dB@ Fs 44.1 kHz / 48 kHz, 10 Hz ... 40 kHz ± 1 dB@ Fs 88.2 kHz/96 kHz/176.4 kHz/ 192 kHz, 10 Hz ... 100 kHz (1-bit)
S/N: 103 dB (typical) @ IHF-A
THD+N: 0.005% (typical), 20 Hz ... 20 kHz
A/D conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM)
D/A conversion: 2.8224 MHz/5.6448 MHz(1-bit), 24bit (PCM)
Line In L/R
XLR
-Connector: XLR-3-31 type (balanced)
-Input impedance: 22 k Ohms
-Nominal level: + 4 dBu (REC LEVEL=0dB)
-Maximum level: + 24 dBu
RCA
-Connector: RCA (Unbalanced)
-Input impedance: 50k Ohms
-Nominal level (– 12 dBFS – 12 dB-SACD):
–6 dBV (REC LEVEL = 0 dB)
-Maximum level: + 10 dBV
Line Out L/R
XLR
-Connector: XLR-3-32 type (balanced)
-Load impedance: 600 Ohms or greater
-Nominal level: – 4dBu
-Maximum level (0dBFS 0dB-SACD):
– 16 dBu (Nominal level= –12dBFS),
– 18 dBu (Nominal level= –14dBFS),
– 20 dBu (Nominal level= –16dBFS),
– 22 dBu (Nominal level= –18dBFS),
– 24 dBu (Nominal level= –20dBFS)
RCA
-Connector: RCA (Unbalanced)
-Load impedance: 47 k Ohms or greater/
-Nominal level (– 12 dBFS – 12 dB-SACD):
– 6 dBV (REC LEVEL=0dB)
-Maximum level (0 dBFS 0 dB-SACD): + 6dBV
Phones
-Connector: 1/4" stereo phone jack
-Load impedance: 16 Ohms or greater
-Maximum level: 170 mW + 170 mW @ 32 ohms
S/P Dif In/Out (coaxial)
-Connector: RCA pin
-Format: IEC60958
Word Clock In/Out
-Connector: BNC receptacle, 75 Ohms
USB
-Connector: Type B
-Format: USB 2.0 compliant,
-USB mass storage class
-Supported operating systems: Windows 2000,or later Mac OS X 10.3.9 or later
Included Items
AC power cable, Install CD (“AudioGate" audio file conversion application)
AudioGate ver,1.5 Operating Requirements
Windows
-Supported operating systems: Microsoft Windows XP Home Edition/Professional Edition Service Pack 1 or later, Microsoft Windows Vista
-Supported computers:
CPU: Intel Pentium III /1 GHz or better
RAM: 256 MB or more
A USB port that meets the operating requirements of Microsoft Windows XP/Vista
Macintosh
-Supported operating system: Mac OS X 10.3.9 or later
-Supported computers:
CPU: Apple G4/800 MHz or better, Intel Mac is supported
RAM: 256 MB or more
A USB port that meets the operating requirements of Mac OS X
Demo Project
All Most Blues
The Wind and the Wheat performed by Phil Keaggy
copyright Phil Keaggy 2006
http://www.philkeaggy.com/
*This product comes installed with the "ISC-MP3 BF532 d Korg" MP3 decoder which was developed by The Institute of Super Compression Technologies, Inc. (ISCT), Japan.
*”DSD” is a registered trademark.
*Logos, product names, and company names are their trademarks or registered trademarks.
Specifications subject to change without notice |
- 2-channel field recorder in Stereo or Mono on Compact Flash or Micro drive cards
- Light weight with rigid chassis
- FAT32 file system & BWF Stereo file format + MP3 recording/playback
- Built-in Stereo microphone for quick memo recording
- 2 x XLR mic inputs with phantom power to accept professional microphones
- High resolution recording at 24bit 96kHz
- Mic Trim for accurate recording level adjustment
- Automatic Level Control (ALC - OFF/ALC/LIMITER)
- Hi-Pass Filter
- Backlit 132 x 64 dot matrix LCD display
- Two-hour capacity on 4GB CF card with Stereo 24 Bit/96 kHz resolution
- Pre-record buffer (2 secs) ensures full-take recording with no inadvertent loss
- Auto File Closing (the recording file auto-closes every minute to secure recorded data)
- Auto Shut-off function when the input power becomes abnormally low to save data
- Convenient file naming mode: DATE or TAKE
- 4 hours operation on 4 x AA Alkaline / Ni-MH batteries
- 8 hours operation possible with optional rechargeable NiMH battery pack
- Wired remote controller with microphone attachment belt
- USB 2.0 data transfer to Mac or PC computers for further editing and post-production
- Comes with 128MB CF card, AC adapter, dedicated shoulder belt and carrying pouch
• Recording / Playback / General
Recording Medium: Compact Flash Card
Recording Times: see chart above
File Formats: BWF (Broadcast Wave Format), MP3 (MPEG Layer-3)
Sampling Frequency: 44.1 / 48 / 88.2 / 96 kHz
Quantization: 16-bit linear (44.1 / 48 kHz);
24-bit linear (44.1 / 48 / 88.2 / 96);
MP3 192kbps (stereo)
Recording Tracks: 2 tracks (stereo)
Simultaneous Recording: 2 tracks (stereo)
Rec/Play Frequency: 20Hz-20kHz ±2dB (FS 44.1/48kHz); 20Hz-40 kHz ±3dB (FS 88.2/96kHz)
S/N: (ADC-DAC, 24bit, 48kHz) - Line: (Input Gain: +4dBu) 95dB (typical) - Mic: (Input Gain: -60dBu) 85dB (typical)
Dynamic Range: 95dB (typical) (ADC-DAC, 24bit, 48kHz)
THD: (ADC-DAC, 24it, 48kHz) - Line:
Channel Separation: more than 90dB (at 1kHz 0dB) (24bit, -20BFS, 48kHz)
Reference Level: -12dBFS
Locate Memory: 99 Cue points per file
Battery Operation Time: approx. 4 hours (4 x AA Alkaline / Ni-MH AA cells); approx. 8 hours (optional Ni-MH battery pack) | • Input / Output
Analogue In (L/R) Connector: XLR-Jack (1/4“) Combo Type
Mic In Connector: XLR (balanced, 2-pin hot)
Line In Connector: Jack (1/4“) (unbalanced)
Input Impedance: > 10k ohm
Reference Input Level: -10dBV
Maximum Input Level: +2dBV
Input Impedance: > 6k ohm
Reference Input Level: -50dBu to -10dBu
Maximum Input Level: +2dBu
Phantom: P48
Monitor Out Connector: RCA Phono (unbalanced)
Load Impedance: > 10k ohm
Reference Output Level: -10dBV
Phones Connector: Stereo Mini Jack (3.5mm)
Load Impedance: > 32 ohm
Maximum Output Level: 15 + 15mW (32 ohm)
USB 2.0 (for PC) Connector: Series "B” Receptacle
Built-in Speaker
Maximum Output: 300mW
| • Physical
Dimensions: 57(H) x 206(W) x 132(D) mm
Weight: 0.8kgs (w/o battery)
Included Accessories: CF card (128MB), AC Adaptor, shoulder strap, remote control and carry pouch | Pedigree Portable Field Recorder
The FR-2LE is a compact field memory recorder for professional use offering 24bit 96kHz recording in the industry standard BWF file format. It has a good pedigree given Fostex's previous success with their DAT portables (PD2 & PD4) and latterly with their solid state FR-2 and its optional full timecode facility.
Now with their latest FR-2LE, they have an even more compact offering for high quality field recording, interview recording (MP3 mode also available), or simple film/broadcast audio recording.
The FR-2LE is equipped with two professional phantom powered XLR microphone inputs (XLR-Jack combo) complete with precise control over the recording level. It features a 1 take = 1 file recording system which eliminates overwrites and its 2 second ʽpre-recordʼ buffer means there should never be a missed take or lost soundbite. Thereʼs also an MP3 mode and built-in stereo microphone.
Feature rich, elegant in operation, good pedigree - the new FR-2LE looks assured of success.
MAIN FEATURES
• Long Battery Life
The FR-2LE can run for up to 4 hours on 4 x AA Alkaline batteries and up to 8 hours with the optional NiMH BATPACK battery pack. A choice of two BATPACK chargers are also available - one for the mains and one that also charges your pack from a 12V car outlet.
• Extended recording times
Over 6 hours @ 16bit 44.1kHz recording on an 4Gb CompactFlash card.
• Professional inputs
Dual XLR inputs (XLR-Jack combo) with top quality microphone pre-amps, trim control and phantom power. Analogue out is provided on phono (RCA) connectors.
• BWF or MP3 recording
Record up to 24bit 96kHz audio.
• Tough construction
Manufactured from high-grade materials and specifically designed for professional location recording.
• Fail Safe Recording
In addition to a 1 take = 1 file system to eliminate overwrites, the FR-2LE also features Auto File Closing which closes files at one minute intervals, thus preserving the data in the event of a power failure.
• USB 2.0
The USB 2.0 port allows direct connection to PC and MAC for easy file transfer.
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- 16 Recording Tracks to Hard Drive: 16-bit resolution at 44.1 kHz - no compression
- Extended Recording Time: More than 7.5 hours of 16-track recording at CD quality
- FAT32 Disc Format and WAV Recording: Plus USB port for easy transfer of recordings to PC
- Input EQ Library: 33 sound shaping presets available for all inputs
- Direct CD-RW Connection via USB: Master direct to USB CD-RW (no PC required)
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