Content |
Connect
Multiple units can be daisy-chained over the FireWire bus, or kept in sync using the DIN connectors when recording on multiple USB devices, making iCE-16 the perfect companion for both small and large analogue consoles such as our acclaimed ZED, MixWizard and GL mixers. Plug into your desk Direct Outs or use a mix of Groups and Aux sends to save on channels.
Record
The USB DRIVE is automatically detected and checked by the system. Starting the recording is as simple as pushing a button. Remove and plug the key into a computer to access or transfer the WAV files to any DAW.
Interface
Removing the USB stick or powering up the unit without one enables the USB / FireWire interface. Signals present at the inputs will be sent to the Mac or PC on channels 1-16. WDM/ASIO drivers and USB2.0 class compliance ensure full compatibility with most DAWs, including Logic, Sonar, Cubase and Pro Tools.
Play
Fancy a ʽvirtual soundcheckʼ or just need to play cues during a live gig? Tracks can be played back directly from the USB drive and full multichannel audio can be sent from the computer to the ICE-16 analogue Outputs.
| Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
Compatible with all Zoom input capsules
Four-track simultaneous recording
Large backlit LCD display
Records directly to SD and SDHC cards up to 32GB
Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20dB pad
Analog-style gain controls for each input
Protective "roll-bar" type covers prevent accidental movement of gain controls
Plug-in power (2.5 volts)
Built-in effects, including low-cut filtering, compression and limiting
Chromatic tuner and metronome
Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
MS decoding
Multitrack to stereo internal mixdown
Normalize, Divide and Trim editing
Voice memo and up to 99 marks per recording
A/B loop playback
Variable playback speed and variable pitch without affecting playback speed
Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
Uses two standard AA alkaline or NiMH rechargeable batteries
Over 15 hours of operation with alkaline batteries
GENERAL
Recording media:
SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
Display:
Backlit LCD (128 x 64 pixels)
INPUTS
INPUTS L/R [XYH-5 X/Y mic]:
Mic type: Unidirectional
Sensitivity: -45 dB, 1 kHz at 1 Pa
Input gain: -∞ to 52 dB
Max sound pressure input: 140 dB SPL
MIC/LINE IN :
Connector: 1/8" stereo mini jack
Input gain: - ∞ to 52 dB
Input impedance: 2 k Ω or more
Plug-in power: 2.5V supported
Backup recording: -12dB lower than set L/R input gain
INPUTS 1/2:
Connectors: XLR / TRS combo jacks
(XLR: Pin 2 hot / TRS: Tip hot)
Input gain (PAD OFF): -∞ to 55.0 dB
Input gain (PAD ON): -∞ to 35.0 dB
Input impedance: 1.8 k Ω or more
Max input level: +22 dBu (PAD ON)
Phantom power: +12V /+24V /+48V
Equivalent Input Noise (EIN): -120 dBu or less
OUTPUTS
LINE OUT :
Connector: 1/8" stereo mini jack
Rated output level: -10 dBm
Output load impedance: 10k Ω or more
PHONE OUT :
Connector: 1/8" stereo mini jack
Output Level: 20 W +20 W into 32 Ω load
Built-in speaker:
400mw 8 Ω mono
RECORDING FORMATS
STEREO MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48/96 kHz
Bit rate: 16/24 (Stereo)
Maximum simultaneous recording tracks: 2
MP3
Sampling frequency: 44.1kHz
Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
MULTITRACK MODE:
WAV (BWF-compliant)
Sampling frequency: 44.1/48 kHz
Bit rate: 16/24 (Mono/Stereo)
Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)
USB
Mass Storage Class operation:
Class: USB 2.0 High Speed
Audio Interface operation: Multitrack mode:
Class: USB 2.0 High Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16/24 bit
Inputs / Outputs: 4 / 2
Audio Interface operation: Stereo mode:
Class: USB 2.0 Full Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16 bit
Inputs / Outputs: 2 / 2
USB bus powered operation possible
(iPad operation supported in Stereo mode only)
POWER REQUIREMENTS
AA size (LR6) battery x 2
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power |
The TASCAM SS-200 Solid State Recorder - designed for the Broadcast and Contractor markets - record in WAV & MP3 to Compact Flash, SD/SHC, and USB memory. The SS-R200 features parallel and RS-232C serial control balanced & unbalanced I/O, and coaxial digital I/O. It supports the RC-20 direct play remote for up to 20 tracks of flash start.
- Solid state recoding to any available Media (CF, SD/SDHC, USB Memory)
- One-rack-space compact design
- Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
- PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
- RS-232C and Parallel Control I/O
- Multiple playback modes for situations requiring continuous, single, programmed and random playback
- Playback speed control without pitch change
- XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
- Dimensions (W x H x D): 19 x 1.8 x 11.9 (in) 482.6 x 44.5 x 301 (mm)
- Weight: 7.50 (lbs) 3.4(kg)
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The Tascam iM2X turns an Apple iPhone 4, iPad or iPod Touch 4G into a powerful PCM audio recorder for CD-quality recordings. It consists of a pair of condenser microphones and a high-quality preamp and plugs into the dock connector of the iOS device. The microphone elements are XY oriented for clear stereo definition and minimal phase differences. Moreover, they are adjustable over 180 degrees for the best sound placement.
Unlike mics that use the iOS deviceʼs built-in preamp, the iM2X with its internal A/D converter ensures low noise and better linearity in frequency response. The microphone elements also used in Tascam DR series recorders can handle sound pressure levels up to 125 dB to capture the loudest concerts and instruments without distortion. Thanks to an input level control and a two-colour level meter, level adjustment is very simple. A switchable limiter also contributes to this by reducing sudden peaks and protecting against unforeseen overload.
The iM2X powered through the dock connector, so no battery is required. A USB input is provided to charge the iOS device for long recordings, either through a computer or a USB charger.
An appropriate 2-track recording application (Tascam PCM Recorder) for iOS devices can be downloaded from AppStore at no charge.
Main Features
Turns your Apple iPhone 4, iPad or iPod Touch 4G into a high-grade PCM audio recorder Stereo condenser microphone in XY orientation for clear stereo definition and minimal phase differences Accepts sound pressure level up to 125 dB SPL Microphone can be swivelled by 180 degrees to capture sound sources in front or behind the unit Allows recordings in CD quality (44.1kHz/16-bit) Input level rotary control Input level indicator (green/red) Switchable limiter to avoid distorted recordings Power supply via dock connector, no battery required USB connector available for recharging the iOS device Easy setup (attaches to the deviceʼs dock connector) Tascam 2-track recording app can be downloaded from the Apple AppStore at no charge Specifications
General Microphone type Cardioid condenser (stereo) Maximum input level 125 dB SPL Input level adjustment range 0–40 dB Frequency range 10 Hz – 20 kHz Sampling frequency 44.1 kHz Bit rate 16 bit iOS device recharging port USB Mini-B connector iOS device connector 30-pin dock connector Device support iPhone 4S, iPhone 4, iPad (3rd generation), iPad 2, iPad or iPod touch (4th generation) Power supply and other specifications Power supply Provided through the iOS device connector Power consumption 90 mW Dimensions (W x H x D) 56 mm x 57 mm x 22 mm (including connector) Weight 30 g Operating temperature range 5–35 °C Design and specifications subject to change without notice. |
When inspiration hits, the last thing you need is a user interface that gets in the way. Slows you down. Turns you off. No fear of that. 25 knobs and 13 sliders get you immediate access to where the action is.
Unique to the MR16HD are 33 stellar EQ presets available to each input and 2 AUX sends for connecting to external gear. Add to this the convenience of WAV file recording, digital effects, mastering effects, analog guitar distortion and mic simulation and youʼve got just about the slickest, highest quality and downright easiest to use 16 track available on the market.
Features:
16 recording tracks to hard drive 16-bit resolution at 44.1 kHz -- no compression
4 track simultaneous recording -- great for capturing multiple instruments/vocal parts
4 XLR inputs With phantom power and trim control
Extended recording time -- more than 7.5 hours of 16-track recording at CD quality
Full 16-track bouncing Mix-down -- all tracks in stereo
FAT32 Disc Format and WAV Recording Plus USB port for easy transfer of recordings to PC
2 x AUX For connection to outboard gear
S/P DIF Digital Out For digital mastering to external CD recorder, MD etc.
Input EQ Library 33 sound shaping presets available for all inputs
Fantastic Built-In Digital FX Reverbs, guitar amp simulations etc. (see MR-8HD)
Analog Guitar Distortion Awesome distortion (see MR-8HD)
Direct CD-RW Connection via USB Master direct to USB CD-RW (no PC required)
MR16HD/CD model Features as above with in-built CD-RW
WavManager(Windows) ver 2.01 WAV Manager is a utility software application that enables you to import each audio track from a song created using the MR-8, MR-8mk2, MR-8HD, and MR16HD (hereinafter called MR-8/HD) Multitrackers into your PC as a standard mono WAV file (eight files for an 8-track song). In addtion, WAV file data created and edited on the PC can be exported to MR-8/HD.
The New Version 2.01 Now Features:
CD Writing function (now you can burn a CD from your MR-8/HD using the CD-R/RW drive in your computer
A-B part Import Function
New Song Creating Function.
WavManager (Mac OS) ver 2.0 WAV Manager for Mac is a utility software application that enables you to import each audio track from a song created by the MR-8 and MR-8HD (hereinafter called MR-8/HD) into the Mac as a standard mono WAV file (eight files for an 8-track song). Also, WAV file data created and edited in the Mac can be exported to MR-8/HD.
Optional MR16HDCD Recording Studio Pack Contents:
1 x Stoppit Microphone Pop Filter/Popper Stopper
2 x CBI American-Made Instrument Cable GA-1 (10 foot)
1 x On Stage 7701B Tripod Boom Mic Stand
1 x Audio-Technica AT2020 Side Address Studio Microphone
1 x Memorex CDR80 50-Pack Spindle (52x, 700MB)
1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)
1 x CBI MLC20 Mic Cable (20 Foot)
Optional MR16HD Recording Studio Pack Contents:
1 x Hosa CPP203 Dual 1/4 in. To Dual 1.4 in. Cable (9.75 Foot)
1 x RaXXess Stoppit Microphone Pop Filter/Popper Stopper
1 x OnStage 7701B Tripod Boom Mic Stand
1 x Whirlwind MC20 XLR Microphone Cable (20 Foot)
1 x Fostex PM05MKII Powered Nearfield Monitors (Pair)
1 x Audio-Technica AT2020 Side Address Studio Microphone
1 x Memorex CDR80 50-Pack Spindle (52x, 700MB) |
The ultimate record-anywhere multitrack.
Capture inspiration whenever and wherever you are.
The new MR-8 Mk II is the easiest to use digital multitrack ever. If you can operate a tape recorder, you'll be recording and multitracking within minutes of opening the box.
By putting all the major controls and functions right there on the top panel instead of buried in a confusing menu system, the MR-8 Mk II, unlike some other recorders, actually aids you in capturing your musical ideas. In addition there's great sounding built-in digital effects, guitar amp and mic simulators, handy mix-down effects, plus the ability to hook up to a PC for data editing, and backing up your songs.
You create. Fostex records.
New for the Mk II is the USB host feature which allows for the easy connection of an 'off-the-shelf' CD-R burner via USB. Making CD masters has never been more simple.
Recording time
Recording time in normal mode (16bit/44.1kHz) is approx. 25 track-minutes on the supplied 128MB CF card and 50 track-minutes on a 256MB card. Extended mode (16bit/22.05kHz) doubles the recording time. Note that recording time varies depending on recorded source, punch in/out, undo/redo status, etc.
Features
8 tracks of recording and playback using CompactFlash cards
2 track simultaneous recording
Superb in-built digital effects inc Mic and Amp simulations
USB Host function for CD burning with 'off-the-shelf' CD burner
2 mic inputs with +48V Phantom Power
Details
8-track recording onto CompactFlash Card.
High quality sound recording and playback with uncompressed linear 16-bit/44.1 kHz digital audio (normal mode) with 2 track simultaneous recording and 8 track playback.
LP Mode (16-bit/22.05 kHz) doubles the recording time.
Physical knobs and buttons for intuitive operations. A new dial knob for menu selection.
Newly added +48V Phantom Power on all two Mic Inputs for wider choice of microphones.
USB Host function ready for CD burning on an off-the-shelf external CD-R drive.
Improved 132 x 64 dot-matrix LCD and self illuminating keys visually show the current status.
Improved built-in digital effects including Reverb, Delay as well as Guitar Amp and Microphone simulations
Black colored top panel design
Analog guitar distortion with the dedicated knob on Input A.
Full-track (8-track) bouncing to a "New Song (track 7/8) for PC transfer and CD burning.
Mastering effects for stereo buss.
USB port for stereo WAV file transfer to and from PC
AC and Battery (6 x AA alkaline cells) operation. Approx. 4 hours maximum operation time with batteries. Includes AC adapter.
Built-in microphone for handy song memo.
Two headphones outputs.
Free "WAV Manager" software available for multiple mono files transfer to and from PCTechnical InfoRecording / Playback
Recording medium CompactFlash
Recording time approx. 6 minutes (8-track on 256MB CF) normal mode
Recording format FAT16
Sampling frequency 44.1 kHz (Normal Mode), 22.05 kHz (LP Mode)
Quantization 16-bit linear (non-compression)
A/D converter 24-bit Delta-Sigma
D/A converter 24-bit Delta-Sigma
No. of recording track 8 tracks maximum
No. of simultaneous rec. 2 tracks
Recording/reproduction frequency 20 Hz - 20 kHz (Normal Mode)
Dynamic range 87dB or more (typical) (Normal Mode)
T.H.D. 0.05% or less (typical) (Normal Mode)
Inputs / Outputs
Analog in (input A/B)
Connector XLR-3-31 type (Pin2:hot) and 6mm TRS phone
Input level -48dBV (MIC) - +4dBV (LINE)
Input impedance 1.5k ohm or more 400k ohm or more (GUITAR on INPUT A)
Phantom power P48V (on/off selectable)
Stereo out (L, R)
Connector 6mm stereo phone
Output level -10dBV (unbalance)
Load impedance 10k ohm or more
Headphones (phone 1, 2)
Connector 2 x 6mm stereo phone
Max. output 30mW or more (at 32 ohm)
Load impedance 16 ohm or more
MIDI out
Connector DIN 5 pin
Format MIDI standard
Foot switch
Connector 6mm phone
Level TTL level
USB 2.0 HI-SPEED
Connector B type
USB 1.1
Connector A type
General
Dimensions 286(W) x 220(D) x 65(H) mm
Weight approx. approx. 1.6kgs
Power requirement DC12V, 400mA |
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