The Intelli-Q is the first of a new breed of fast, easy-to-use, digital problem solvers from Apex. Intelli-Q’s super-quick processors and intuitive operation allow the precision, control and reset-ability expected from the best digital devices but with the response and sound until now only possible with analogue. Intelli-Q Hardware Each remotely-controlled 1U, rack-mount Optimizer provides […]
The Intelli-Q is the first of a new breed of fast, easy-to-use, digital problem solvers from Apex. Intelli-Q’s super-quick processors and intuitive operation allow the precision, control and reset-ability expected from the best digital devices but with the response and sound until now only possible with analogue.
Intelli-Q Hardware
Each remotely-controlled 1U, rack-mount Optimizer provides two completely discrete, identical, link-able audio channels each with a unique and exciting combination of sophisticated audio tools sure to get the best from any Front of House, Stage Monitor or In-Ear system:
• A Real-Time 30-band ‘Constant Q’ Graphic Equalizer – the only such digital equalizer that works as quickly and cleanly as you do. EQ curves can be drawn freehand, and the results heard instantly without audio side effects. Sophisticated compensation calculations eliminate interference between neighbouring frequency bands so that what you see is really what you get, a perfect partner to the new generation of acoustic measuring tools.
• 10 bands of Apex Parametric EQ – fully over-lapping with a variable wide-Q on boost and variable tight “notch” response on cut.
• Fully variable High and Low Pass Fliters – choose between Butterworth, Bessel and Linkwitz-Riley curves and 6/12/18/24 dB per Octave roll-off.
• Two-Band fully-variable frequency Shelving EQ.
• Dual – band Compressor – variable crossover frequency, ratio, attack and release, and a unique variable threshold for each stage of the soft knee response.
• Output Delay – variable up to 5 seconds.
• System Output Limiter – a post-fader, hard-limiter, with variable threshold and release, to protect both ears and speaker systems.
• Up to 16 Intelli-Q dual-channel Optimizers can be linked together and controlled using a hard-wired or radio-remote PC.
• As there is no dedicated ʽMasterʼ or ʽSlaveʼ, all units are identical for easy configuration and hire-stock management.
• In addition to balanced main-signal inputs and outputs, side chain inputs are fitted for use as extra inputs or to control the dual-band compressor.
• A 48V phantom-powered mic input is available for the on-screen 30-band Spectrum Analyzer which has a
dedicated pink noise generator.
Weight
4.00 kg
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The Intelli-Q is the first of a new breed of fast, easy-to-use, digital problem solvers from Apex. Intelli-Q's super-quick processors and intuitive operation allow the precision, control and reset-ability expected from the best digital devices but with the response and sound until now only possible with analogue.
Intelli-Q Hardware
Each remotely-controlled 1U, rack-mount Optimizer provides two completely discrete, identical, link-able audio channels each with a unique and exciting combination of sophisticated audio tools sure to get the best from any Front of House, Stage Monitor or In-Ear system:
• A Real-Time 30-band 'Constant Q' Graphic Equalizer - the only such digital equalizer that works as quickly and cleanly as you do. EQ curves can be drawn freehand, and the results heard instantly without audio side effects. Sophisticated compensation calculations eliminate interference between neighbouring frequency bands so that what you see is really what you get, a perfect partner to the new generation of acoustic measuring tools.
• 10 bands of Apex Parametric EQ - fully over-lapping with a variable wide-Q on boost and variable tight "notch" response on cut.
• Fully variable High and Low Pass Fliters - choose between Butterworth, Bessel and Linkwitz-Riley curves and 6/12/18/24 dB per Octave roll-off.
• Two-Band fully-variable frequency Shelving EQ.
• Dual - band Compressor – variable crossover frequency, ratio, attack and release, and a unique variable threshold for each stage of the soft knee response.
• Output Delay - variable up to 5 seconds.
• System Output Limiter - a post-fader, hard-limiter, with variable threshold and release, to protect both ears and speaker systems.
• Up to 16 Intelli-Q dual-channel Optimizers can be linked together and controlled using a hard-wired or radio-remote PC.
• As there is no dedicated ʽMasterʼ or ʽSlaveʼ, all units are identical for easy configuration and hire-stock management.
• In addition to balanced main-signal inputs and outputs, side chain inputs are fitted for use as extra inputs or to control the dual-band compressor.
• A 48V phantom-powered mic input is available for the on-screen 30-band Spectrum Analyzer which has a
dedicated pink noise generator.
An elegant slim-line device contains all the functions required by a system for distributing different musical programmes in homes for multi-room sound systems and commercial premises.
Three different musical programmes and one for paging can be transmitted in five mono zones, or alternatively four zones, one of which is in stereo. It is also possible to extend the number of zones to ten using a simple connector to interlink two systems. The system has five amplified 20 W / 4 ohm outputs. For each of the five zones, a direct auxiliary input is available for connecting sources such as CD players or mixers to be used exclusively for one zone/room.
The back-lit display and function keys make it possible to access all the menus for configuring and adjusting the system: Volume, Tone, Loudness, Output settings, VOX.
Features
3 Music Source Inputs individually selectable to each output
One Input Source with Override facility (Jukebox or Auto Announcer)
5 zoned outputs (Mono) or 1 Stereo and 3 Mono Output Zones
Can be expanded interlink of two or more MS520 units
Full Digital Matrix control of functions to all 5 zones
Up to 10 remote control panels RC 62 can be connected to each MS 520
AMPLIFIER SPECIFICATIONS
Power output:
5 x 20
Watt rms
Frequency Response (Music):
30 ÷ 45
Hz ÷ kHz
Frequency Response (Direct):
30 ÷ 45
Hz ÷ kHz
Frequency Response (Paging):
200 ÷ 18
Hz ÷ kHz
Distortion:
0.5
%
Signal / noise ratio (Music):
-78
dB
Signal / noise ratio (Direct):
-78
dB
Signal / noise ratio (Paging):
-60
dB
INPUT SECTION
Input sensitivity (Music):
-16
dBu
Input sensitivity (Direct):
-16
dBu
Input sensitivity (Paging - Line):
- 43 ÷ -27
dBu
Input sensitivity (Paging - Mic):
- 58 ÷ -41
dBu
Bass Tone:
(100 kHz) ± 8
dB
Treble Tone:
(12.5 kHz) ± 8
dB
OUTPUT SECTION
Out level:
-6 / -10
dB
Protections:
Short ciurcuit, thermal, AC / DC fuses
Power supply:
16
V dc
POWER REQUIREMENT
Operating voltage:
220÷240 / 110÷120 V ~ 50 / 60 Hz
V ~ Hz
Power (consumption):
370
W
Max. Available power:
100
W
PHISICAL SPECIFICATION
Width:
438 / 17.24
mm/inch
Height:
44 / 1.73
mm/inch
Depth:
253 / 9.96
mm/inch
Net Weight:
3.66 / 8.06
Kg/Lbs
SHIPPING INFORMATION
Package height:
75 / 2.95
mm/inch
Package width:
520 / 20.47
mm/inch
Package depth:
280 / 11.02
mm/inch
Shipping Weight:
4.18 / 9.21
Kg/Lbs
Product Features:
16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
8 analog, servo-balanced XLR outputs
AES50 network ports featuring KLARK TEKNIKʼs SuperMAC networking capability for ultra-low jitter and latency
Up to 100 m networking capability via CAT-5e cable (not included)
Dual AES50 ports for cascading S16 units—no merger or router required
Precise LED metering plus 7-segment displays for signal control on stage
Phones output assignable to any of the inputs/outputs for on-stage monitoring
Connectivity for BEHRINGER's P-16 Personal Monitoring System for In-Ear applications (not included)
Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
USB connector for system updates via PC
"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
"Built like a tank" yet compact, all-steel 2U rack-mount chassis
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
KLARK TEKNIK AES50
KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:
48 bidirectional audio channels over CAT5 cable (48 kHz)
24 bidirectional audio channels over CAT5 cable (96 kHz)
Single cable duplex interconnection for audio and sample clocks
Ethernet physical layer audio data transmission
High channel count and ultra-low deterministic latency
Accurate phase-aligned clock distribution.
Comprehensive error detection
and management
Provision for redundant networking
Minimal configuration ñ total ease of deployment and use
Ethernet TCP/IP protocol-compatible auxiliary data channel
Royalty-free implementations available as Xilinx FPGA cores
OEM modules available from developer partners
User's Manual
Product Features:
16-channel digital stereo mixer to create your personal monitor mix Ultra-intuitive \"analog\" operation with total recall and 16 presets for custom mixes State-of-the-art 24-bit D/A converters for premium audio quality 16 Channel Select buttons with dual LEDs for perfect overview Level and Pan/Spread control per channel with LED meter 3-band EQ per channel with mid-band frequency control Solo and Mute functions per channel Global Level and EQ controls plus Panic Mute function High power and \"drummer proof\" headphones output Fully adjustable limiter protects your ears and headphones Additional mono/stereo line output to connect your powered monitor MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc. Standard CAT5e connection delivers power and 16 signals to each Personal Mixers ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D) Ultra-low system latency of less than 1 millisecond Powered via external power supply (included) or P16-I / P16-D Mounts easily on a mic stand with the P16-MB mic stand mount (not included) Extremely rugged construction ensures long life even under the most demanding conditions Conceived and designed by BEHRINGER Germany
User\'s Manual
WDT 24 is a wireless transmitter in the operating free band ISM 2.4 GHz, which has been designed to work with the wireless receiver WDR 24, creating a digital audio wireless system.
The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
Wireless Digital Audio Transmitter System
Operating Band ISM 2.4GHz (free band).
One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
GFSK digital modulation/demodulation.
External antenna can help to increase the transmission distance.
Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
Automatic mute in bad channel quality conditions or high error code rate.
Transmission distance higher than 30 meters in open places.
Up to three transmitters WDT 24 in a zone
Balanced XLR and ¼\'\' jack inputs.
Working mode: stereo or mono
Power Supply
AC 9V-500 mA 50/60 Hz
Frequency
2404-2476MHz
Channel
25
Modulation/Demodulation
GFSK
Receive Sensitivity (WDR 24)
-84dBm (min.)
Transmitted Power (WDT 24)
6 dBm
Output Level (WDR 24)
+13dBu (BAL max.)
Input Level (WDT 24)
+5dBu (max.)
Bandwidth
>=1.8 MHz
Frequency Response
20Hz - 20kHz, +3dB / -3dB
S/N
>80 dB
Dynamic Range @ 1 kHz
>90 dB
Crosstalk @ 1kHz
>90 dB
THD
INPUT: 4 balanced +4dBu/50kΩ on female XLR connectors; 4 unbalanced 1Vpp/50kΩ on RCA connectors.
OUTPUT: 4 unbalanced 1Vpp/49Ω on RCA connectors; 4 balanced +4dBu/49Ω on male XLR connectors.
MAX. OUTPUT: 18Vpp.
BANDWIDTH (-3dB): 30kHz.
S/N RATIO: Better than 89dB.
THD: Less than 0.02%.
POWER SOURCE: 115-230V AC, 50/60Hz, 3.7VA.
DIMENSIONS: 19" x 7" x 1U W, D, H, rack mountable.
WEIGHT: 2.4kg (5.3lbs) approx.
ACCESSORIES: Power cord.
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