ARTURIA KEYSTEP Midi keyboard

You need a portable USB MIDI controller but also want a keyboard that provides a musical playing experience? You have some MIDI modules you want to connect as well but donʼt want the footprint of a large keyboard? You have modular and analog gear you want to control via CV/GATEs? You want a step sequencer with polyphonic capability that can sync to your favorite modern and vintage gear? If only a single piece of gear could do all of this…

• Arturiaʼs own Slimkey keybed with velocity and aftertouch
• Arpeggiator mode:
  • Up, down, inclusive, exclusive, random, note order, double up, double down modes
• Sequencer mode:
  • 8 polyphonic step-sequences with Rest, Tie, and Legato note entry
• Rate control and tap tempo:
  • REC, PLAY, and STOP buttons for performance control over the sequencer and arpeggiator
• Sustain HOLD button
• Sustain pedal jack
• Chord play mode
• SHIFT button selection:
  • MIDI channel selection, GATE time, SWING values
• DC jack for standalone operation
• USB MIDI connects to computers and our MCC editor
• MIDI in/out ports
• Sync i/o ports:
  • Supports 1 pulse per step, 2 PPQ (Korg Volca), 24 PPQ DIN sync, 48 PPQ DIN sync
• Sync select switches:
  • Internal, USB, MIDI, Clock
• CV/GATE outputs:
  • CV supports 1Volt per octave, Volt>Hz modes, Gate output 5V or 12V for modern or vintage gear support
  • CV Velo/Aftertouch/Modwheel output
• Capacitive-touch pitch bend and mod wheels
• Each sequence can have 64 steps, each step can have up to 8 notes
• Low power; can be powered by Apple iPad® (camera connection kit required)

BPM unites drum machine-style operation with advanced virtual instrument technology to give you the ultimate rhythm programming experience. Combine kits, patterns, and loops with instrument sounds, advanced mixing, and DSP effects to realize your rhythmic vision. Browse a massive library of over 19 GB of rhythm sounds. They sound massive, too, thanks to renowned mastering engineer Chris Gehringer at Sterling Sound, NYC. Mix and match thousands of patterns, kits, loops, and hits inspired by dozens of musical styles.

BPM 1.5 adds Beat Box Anthology: authentic sounds from every classic, iconic drum machine that ever mattered during the 70s, 80s, and 90s. You get 80 legendary models (10,000 samples) from the likes of Oberheim, Dynacord, Simmons, Alesis, Korg, Roland, Yamaha, Akai, and others. With enhanced MIDI control features, BPM 1.5 lets you choose your favorite pad controller, MIDI keyboard, or other controller for the ultimate personalized tactile rhythm programming experience. With hundreds of compatible models to choose from, it’s your call.

Co-producer on Michael Jackson\'s Dangerous album and many other multi-platinum releases, Teddy Riley is one of the most successful R&B producers of all time and is widely recognized as the father of New Jack Swing. Teddy uses BPM in his daily work, most recently on the posthumous Michael Jackson album Michael.

• 19 GB sound and loops library
• Drag and drop import of MIDI and audio data as well as loops
• Independent step sequencer per bank (4 banks)
• Time stretching algorithm for tempo adjustment
• Effects such as equalizer, compressor/gate, filter, delay, reverb, phaser, chorus, drive, distortion, resource-saving folding reverb
• Supported formats: Standalone, VST, audio units, MAS and RTAS
• For Win XP / Vista / Mac OSX
• Beat Box Anthology included

Specifications
Physical controls

Assignable controls:
• 8 Encoders (Infinite Rotation) with touch-sensitivity and 11 segment Led rings
• 8 Pots (270 Rotation) with touch-sensitivity
• 8 Sliders with touch-sensitivity
• 32 Buttons with integrated LEDs (37 in MIDI mode]
• 8 soft feel Trigger pads
• Xpression Pad (as on existing SL)
• Xpression Stick (as on existing SL)
• Touch sensitive Speed Dial (as on Nocturn)

System buttons:
• General Automap Operation Buttons (Learn, View, Browser Groups etc.)
• Octave up/down buttons with LED indicator

The central system buttons from the SL have been simplified; there is now:
• 1 Automap button with LED to toggle Automap mode on and off (this replaces the PLAY button) – this way, manual MIDI mode is separate from Automap mode and can be avoided completely if preferred
• Template and Edit modes have been combined into one edit mode, for editing both individual controls and overall settings within one Template

Connectivity

Rear Panel connections are as follows:
• Data Port: 1 x USB (Win XP/Vista and Mac OSX – Not Class Compliant
• MIDI: MIDI ONE: IN, OUT and Thru, MIDI TWO: OUT
• Sustain Pedal: 1 x 1/4 Jack Input
• Expression pedal: 1 x 1/4 Jack Input
• Power switch: Ext DC/USB

Minimum Operational Requirements:

Mac OSX 10.4.0 or greater (Leopard and Snow Leopard (32-bit kernel only) also supported) or Windows XP with Service Pack 2 or greater (Vista 32/64 and Windows 7 32/64 also supported)

Minimum Computer spec:
Mac - G4/1GHz, both with 256MB RAM or PC -
Pentium 3/1GHz/256MB RAM (machines running Vista will require a higher spec)

Dimensions
Size (25 key): W=468mm, H=68mm, D=293mm
Size (49 key): W=803mm, H=68mm, D=293mm
Size (61 key): W=965mm, H=68mm, D=293mm

Weights
25SL net weight : 3.3kg /unit

monotron DELAY key features:

    Space Delay with Time and Feedback controls offers analog-style echoes

    New Pitch LFO with selectable Waveshape, Rate, and Intensity controls

    VCF with Cutoff Control

    Wide-range ribbon controller keyboard

    Original Analog (VCF) Filter taken from the classic MS-10 & MS-20

    Aux input jack lets you apply filter and delay to any audio source

    Built-in speaker and battery power for Go Anywhere Analog sound

    Headphone jack for private use


Classic Analog Synth / Space Delay Combination
A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter, and LFO, it also provides a Space Delay that's indispensable for swooping, cosmic sounds. The monotron DELAY even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo.  As with the filter, the delay effect can be added to any external sound via the Aux In jack.  This fat and warm delay will add an authentic edge to your analog sounds!

Dual-Waveform LFO
The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes – a new square wave plus the traditional triangle wave. Both the Rate (Speed) and the Intensity (Depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

Wide-Range Ribbon Keyboard
The monotron DELAY's ribbon controller keyboard features a wide, four-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the monotron DELAY a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron DELAY ideal for delivering a striking visual impact in nearly any club environment.

Impulse is a range of professional USB/MIDI controllers. They each have a precision keyboard and a full control surface powered by a brand new version of Novation's Automap control software - Automap 4 (which makes getting hands-on with your DAW/plug-ins fast and simple). Impulse also has 8 back-lit drum pads which can warp arpeggios, roll beats and launch Live clips.


Impulse 49 unit 

Length (mm) 846 (Inches) 33.3

Width (mm) 332 (Inches) 13

Height (mm) 100 (Inches) 3.93

Weight (kg) 5 (lb) 11.02

 

PC-160A: MIDI Keyboard Controller Features Minor size, major convenience... Have you ever wished your keyboard could shrink, so you could carry it with you on the plane, in your car, or along with your laptop computer? Have you ever wished it was in arm's reach of your desktop computer, on your desk, where you need it? Countless times already these problems have been answered with the Roland PC-160. Weighing less than 3 lbs. and measuring under two feet in length, the PC-160 qualifies as the most powerful compact, portable keyboard ever. With 32 full-size velocity-sensitive keys, pitchbend, modulation and an assignable slider you have at your fingertips more control than is available in many full-length controllers. So next time you get up and walk across the room to play that string section, or wish you could take your keyboard on the plane, think to yourself, "I need a PC-160." Steinberg Cubasis AV for Mac/Win included.