Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 20-20,000 Hz Low Frequency Roll Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: -33 dB (22.4 mV) re 1V at 1 Pa Impedance: 120 ohms Maximum Input Sound Level: 148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB […]
Element: Fixed-charge back plate, permanently polarized condenser
Polar Pattern: Cardioid
Frequency Response: 20-20,000 Hz
Low Frequency Roll Off: 80 Hz, 12 dB/octave
Open Circuit Sensitivity: -33 dB (22.4 mV) re 1V at 1 Pa
Impedance: 120 ohms
Maximum Input Sound Level: 148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB pad (nominal)
Dynamic Range: 136 dB, 1 kHz at Max SPL
Signal to Noise Ratio: 82 dB, 1 kHz at 1 Pa
Phantom Power Requirements: 11-52V DC, 3.8 mA typical
Weight: 403 g (14.2 oz)
Dimensions: 170.0 mm (6.69“) long, 52.0 mm (2.05“) maximum body diameter
Output Connector: Integral 3-pin XLRM-type
Accessories: AT8458 shock mount for 5/8“-27 threaded stands; 5/8“-27 to 3/8“-16 threaded adapter; soft protective pouch
Live sound
Podcasting
Home recording
Vocals
Musical instruments
Perception 120
General-purpose cardioid recording microphone
Extended frequency response
Roadworthy construction
Switchable 20 dB preattenuation pad
Switchable bass cut filter
Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type
2/3\" Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
22 mV/Pa (-33 dBV)
Max. SPL
130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
72 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
Recommended load impedance
>= 1,000 ohms
Powering
Power requirement
48 V phantom power to DIN/IEC
Connector
3-pin XLR
Finish
metallic blue
Dimensions
53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight
525 g (18.5 oz.)
Shipping weight
955 g (33.7 oz.)
Behringer C-2 2 Matched Studio Condenser Microphones
2 Matched Studio Condenser Microphones
2 matched condenser microphones for stereo studio recording and live applications
Ideal as main and support microphones for studio and live applications
Cardioid pickup pattern for effective feedback elimination
Low-mass diaphragm for ultra-wide frequency response and ultimate sound reproduction
Switchable low-frequency roll-off and input attenuation
Ultra low-noise transformerless FET input eliminates low-frequency distortion
Excellent Source Isolation
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Sound That Astounds
Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity.
Once connected to your system, youʼll notice these twin pro-caliber microphones have a 4 dB boost in the 1 kHz - 8 kHz range. For those of you new to condenser mics, this basically means youʼll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.
Excellent Source Isolation
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort!
Our C-2 mics also feature a low-frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10 dB input pad to accommodate hot signals, such as a really loud vocalist or overzealous cellist.
You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)
82 dB
Maximum SPL for THD
110 dB
Maximum SPL for THD
129 dB
Maximum output voltage for THD
-1 dBu
Dyn. range of the mic. amplifier /A-weighted, 0.5 %2))
98 dB
Dyn. range of the mic. amplifier /A-weighted, 5 %2))
117 dB
Supply voltage (P48, IEC 61938)
48 V ± 4 V
Current consumption (P48, IEC 61938)
3.2 mA
Matching connector
XLR 3F
Weight
825 g
Diameter
78 mm
Length
165 mm
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal
Large diaphragm cardioid microphone
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Cardioid
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
23 mV/Pa
Rated impedance
50 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR1)
17.5 dB
Equivalent noise level, A-weighted1)
7 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)
76.5 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)
87 dB
Maximum SPL for THD 0.5%2)
138 dB
Maximum output voltage
13 dBu
Dynamic range of the microphone amplifier (A-weighted)
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