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The MZU 2008 switching unit can be installed in 19” racks for selective voice/music switching in 8 audio zones, with the
possibility to increase the number of zones as multiple of 8, adding other MZU 2008 in cascade. Selection of the zones in which the music is to be interrupted and an announcement transmitted is carried out from the MBT 8008 control console.
Using the 8 "MUSIC” keys on the front panel, you can choose in which of the 8 audio zones to play the normal background
music and in which zones no music is to be played. The system can be configured in one of the following ways:
• a) the 2 inputs of the unit are driven by two amplifiers, one of which is dedicated to voice transmission and the other to music transmission.
The 8 outputs of the unit drive the 8 speakers of the 8 audio zones.
• b) the 2 inputs of the unit are driven by two signal preamplifiers, one of which is dedicated to voice transmission and the other to music transmission. The 8 outputs of the unit drive the 8 power amplifiers dedicated to sound diffusion in the 8 audio zones.
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Code
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12944
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Characteristics
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1 rack unit with frame with RAL 7035 light grey paint finish
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Inputs
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2 music inputs with two wires, speech with three wires, one of which is used for emergencies (for amplifiers)
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Outputs for loudspeaker line (zones)
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8 with three wires, one of which is used for Emergencies
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Max. applicable power
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1200 Watt/100 V, 840 Watt/70V, 600 Watt/50V, 300 Watt/25V
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Controls
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Speech key for each zone. Music key for each zone. General call key. Power ON-OFF key
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Remote controls
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Zone selection control. General call command. Activation of emergency and OPEN COLLECTOR output
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Output power supply
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Power supply +15/0/-15 VDC
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Luminous indicators
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Speech Led and Music Led per zone. General call indicator led. Emergency indicator led. Power ON-OFF indicator led
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VAC Power supply
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230 VAC with external power supply unit
120 VAC with external power supply unit
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Optional accessories
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MBT 8008 microphone base
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Κάρτα 4άρων εισόδων για BLU-800, BLU-320, BLU-160 & BLU-120 με δυνατότητα Echo cancellation. |
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.
Featuring the same switch-selectable OverEasy? and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting. |
The MULTIGATE PRO XR4400 provides four frequency-selective expanders/noise gates in a single rack space. Each section comprises an ultra-fast gate, a program dependent expander, a filter section and precision meters indicating both threshold point and gain reduction.
The included side chain parametric filters allow the user to fine-tune control signals so that the gate reacts only when required. The Interactive Attack Control (IAC) circuit analyzes the program material to calculate the attack time of the gate. Separate hold and release controls offer additional flexibility. The XR4400 has a switchable operating mode for the gate and expander. With the MODE function off, the unit works in gate mode using an extremely fast attack time, thus preserving the transient details of the program material. In expander mode, the device analyzes the shape and dynamic contents of the input signal to calculate the control time parameters. The result is that vocals, instruments and complex mix signals can be cleaned up without audible clicks or other detrimental effects.
A couple function on the XR4400 provides a great deal of flexibility to link the expander/gate sections in a master/slave configuration.
Quadruple expander/gateHigh-precision parametric filter for frequency selective operationFully adjustable Ratio control in Expander modeFully adjustable Attenuation control in Gate modeIndependent Hold/Release controls for any envelope shapingFlexLink system for flexible Master/Slave configurationsExtremely low-noise operational amplifiers and high-grade VCA\'sFilter Monitor facility for monitoring the filter sectionHigh-quality detent potentiometers and backlit switchesServo-balanced gold-plated XLR and 1/4" TRS inputs and outputs8-digit LED meters for input level, output level and gain reduction monitoring
| Function |
Four channel expander/gate |
| Number of Channels |
4 |
| Inputs |
4 x XLR, 4 x TRS 1/4" phone |
| Output |
4 x XLR, 4 x TRS 1/4" phone |
| Maximum Input Level |
+21dBu |
| Compression Threshold |
Not applicable |
| Compression Ratio |
Not applicable |
| Attack Time |
Not applicable |
| Release Time |
Not applicable |
| Gate Threshold |
0 to -80dB |
| Gate Rate |
Attack: Program dependant
Hold: 0 to 4 sec, variable
Release: 50ms to 4 sec, variable |
| Maximum Output Level |
+21dBu |
| Make-up Gain |
Not specified by manufacturer |
| Frequency Response |
18HZ to 30kHz |
| Dynamic Range |
Not specified by manufacturer |
| Noise |
>95dBu, unweighted, 22Hz to 22kHz |
| Dimensions |
1U rack mount, 8 1/2" deep |
| Specialties |
Unit will operate at either +4dB or -10 dB |
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Κάρτα τεσσάρων εξόδων line για τα BLU-80, BLU-32, BLU-16.
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For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! |
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