AVALON M5 PURE CLASS A PREAMPLIFIER

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1,562.59 incl. GR VAT

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Avalon microphone preamplifiers have been in use around the world since 1986. All preamplifiers share the combined technologies of low ratio transformer balanced inputs coupled with high-voltage cascade FET twin bipolar discrete class A amplifiers. M5 FEATURESPure Class A, 100% discrete design Smooth musical detail and sonic excellence Minimum audio signal path High performance input transformer […]

 

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Avalon microphone preamplifiers have been in use around the world since 1986.
All preamplifiers share the combined technologies of low ratio transformer
balanced inputs coupled with high-voltage cascade FET twin bipolar discrete class
A amplifiers.
 
M5 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Minimum audio signal path
High performance input transformer
Microphone and Hi-Z  inputs to +36dB
Very low noise -126dB
High headroom +30dB
Gain switched in 2dB steps to +64dB
DC coupled Pure Class A output
Large illuminated professional VU meter
Twin LED peak signal indicators
Regulated +48v phantom power supply
Low distortion less than 0.5% THD and IMD
Variable passive high pass (bass cut) filter
All signal routing with sealed silver relays
 
SONIC EXCELLENCE
The Avalon M5 Pure Class A microphone preamplifier is the most musical, low noise
full function preamplifier available today. Designed to optimize absolute signal integrity
and musical performance, the M5 combines an advanced transformer input stage with
twin high performance Class A cascode FET and bipolar discrete amplifiers for sonic
excellence unequaled by lesser designs. The M5 is ideal for vocal and acoustic
instruments,  active DI input for the direct recording of bass, guitars and keyboards. 
Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers,
practical user features and rugged hardware designed to deliver true high performance
audio for many years.
DESIGNED FOR ULTIMATE MUSIC RECORDING
Avalon preamplifiers have been in use since 1986.  They have found their way into the
world’s most famous lead vocalists recording sessions and studios and been featured
on thousands of the best selling (and sounding) albums and live performances.
MINIMUM SIGNAL PATH DESIGN
Avalon’s advanced true symmetry design offers high-voltage, large headroom, extended
bandwidth and very low noise. The use of 100% discrete, Pure Class A signal amplifiers
give the serious music professional unlimited sonic character and a natural harmonic
detail that enhances the program material and becomes one with the music itself.
VOCALISTS DREAM MACHINE
The M5 microphone preamplifier is the first choice when you are looking to capture a full
bodied, dynamic, musical performance from the intimate depths within the artist.  The M5
will make your recordings musical masterpieces!
 
M5 SPECIFICATIONS
 
Circuit Topology:  Twin cascode FET and bipolar low level input signal stages.
High-voltage, 100% discrete, symmetrical high-bias Pure Class A amplifiers. 
Input Type and Load:  Superior transformer, balanced low-ratio 1500 ohm input load. 
Maximum Mic Level:  +36dB balanced XLR pin 2 hot (with -20dB passive attenuator). 
Maximum Instrument Level  +30dB balanced 600 ohms, DC coupled, discrete Class A. 
Input Attenuator:  -20dB resistive pre transformer primary, sealed silver relay. 
Phantom Power:  +48v regulated 50mA capability, sealed silver relay. 
High Pass Filter:  Passive, variable from 30Hz to 185Hz @ 6dB per octave,
sealed silver relay. 
Polarity Reverse:  Sealed silver relay on  microphone input. 
Gain Range Input:  +20dB to +64dB in 2dB steps. 
Maximum Output Level:  +30dB unbalanced 600 ohms, DC coupled, discrete
symmetrical Pure Class A. 
Output Type:  XLR connector, pin 2 hot (optional balanced JT-1 transformer). 
Noise EIN Unweighted:  -126dB 150 ohm. 
Noise 20kHz Unweighted:  -100dB 
Distortion THD, IMD:  0.05% nominal 
Frequency Response -3dB:  1Hz to 120kHz transformer limit. 
System Bandwidth:  DC to 1MHz 
Output Meter:  High quality, illuminated analog VU meter 0dB = +4dB. 
Peak Meter:  Bi-color LED’s 0dB and +20dB peak detection circuit. 
M5 Dimensions:  8.5 x 3.5 x 12 in (216 x 88 x 305mm) half rack width. 
Weight:  15lbs (6.8kg) 
Dimensions of Shipping Carton:  24 x 21.5 x 7.5 in (610 x 546 x 190mm) 
Weight-Packed:  25lbs (11.4kg) includes B2T power supply and cables. 
AC power supply B2T:  External toroidal 100V to 240V, 50-60Hz selectable,
150 watts maximum. 
Cables:  1 x 8ft 4 pin ac cable, 1 x 8ft standard IEC cable included. 
Dimensions:  5 x 7 x 3.25 in (127 x 177 x 83mm) 
Weight:  7lbs (3.2kg) 
Rack mount kit (1) RM-1:  Single M5 19 inch rack mount kit (holds one half rack unit). 
Rack mount kit (2) RM-2:  Dual M5 19 inch rack mount kit (holds two half rack units). 

Weight 11.40 kg

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Description
Content

Avalon microphone preamplifiers have been in use around the world since 1986.
All preamplifiers share the combined technologies of low ratio transformer
balanced inputs coupled with high-voltage cascade FET twin bipolar discrete class
A amplifiers.
 
M5 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Minimum audio signal path
High performance input transformer
Microphone and Hi-Z  inputs to +36dB
Very low noise -126dB
High headroom +30dB
Gain switched in 2dB steps to +64dB
DC coupled Pure Class A output
Large illuminated professional VU meter
Twin LED peak signal indicators
Regulated +48v phantom power supply
Low distortion less than 0.5% THD and IMD
Variable passive high pass (bass cut) filter
All signal routing with sealed silver relays
 
SONIC EXCELLENCE
The Avalon M5 Pure Class A microphone preamplifier is the most musical, low noise
full function preamplifier available today. Designed to optimize absolute signal integrity
and musical performance, the M5 combines an advanced transformer input stage with
twin high performance Class A cascode FET and bipolar discrete amplifiers for sonic
excellence unequaled by lesser designs. The M5 is ideal for vocal and acoustic
instruments,  active DI input for the direct recording of bass, guitars and keyboards. 
Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers,
practical user features and rugged hardware designed to deliver true high performance
audio for many years.
DESIGNED FOR ULTIMATE MUSIC RECORDING
Avalon preamplifiers have been in use since 1986.  They have found their way into the
world's most famous lead vocalists recording sessions and studios and been featured
on thousands of the best selling (and sounding) albums and live performances.
MINIMUM SIGNAL PATH DESIGN
Avalon's advanced true symmetry design offers high-voltage, large headroom, extended
bandwidth and very low noise. The use of 100% discrete, Pure Class A signal amplifiers
give the serious music professional unlimited sonic character and a natural harmonic
detail that enhances the program material and becomes one with the music itself.
VOCALISTS DREAM MACHINE
The M5 microphone preamplifier is the first choice when you are looking to capture a full
bodied, dynamic, musical performance from the intimate depths within the artist.  The M5
will make your recordings musical masterpieces!
 
M5 SPECIFICATIONS
 
Circuit Topology:  Twin cascode FET and bipolar low level input signal stages.
High-voltage, 100% discrete, symmetrical high-bias Pure Class A amplifiers. 
Input Type and Load:  Superior transformer, balanced low-ratio 1500 ohm input load. 
Maximum Mic Level:  +36dB balanced XLR pin 2 hot (with -20dB passive attenuator). 
Maximum Instrument Level  +30dB balanced 600 ohms, DC coupled, discrete Class A. 
Input Attenuator:  -20dB resistive pre transformer primary, sealed silver relay. 
Phantom Power:  +48v regulated 50mA capability, sealed silver relay. 
High Pass Filter:  Passive, variable from 30Hz to 185Hz @ 6dB per octave,
sealed silver relay. 
Polarity Reverse:  Sealed silver relay on  microphone input. 
Gain Range Input:  +20dB to +64dB in 2dB steps. 
Maximum Output Level:  +30dB unbalanced 600 ohms, DC coupled, discrete
symmetrical Pure Class A. 
Output Type:  XLR connector, pin 2 hot (optional balanced JT-1 transformer). 
Noise EIN Unweighted:  -126dB 150 ohm. 
Noise 20kHz Unweighted:  -100dB 
Distortion THD, IMD:  0.05% nominal 
Frequency Response -3dB:  1Hz to 120kHz transformer limit. 
System Bandwidth:  DC to 1MHz 
Output Meter:  High quality, illuminated analog VU meter 0dB = +4dB. 
Peak Meter:  Bi-color LED's 0dB and +20dB peak detection circuit. 
M5 Dimensions:  8.5 x 3.5 x 12 in (216 x 88 x 305mm) half rack width. 
Weight:  15lbs (6.8kg) 
Dimensions of Shipping Carton:  24 x 21.5 x 7.5 in (610 x 546 x 190mm) 
Weight-Packed:  25lbs (11.4kg) includes B2T power supply and cables. 
AC power supply B2T:  External toroidal 100V to 240V, 50-60Hz selectable,
150 watts maximum. 
Cables:  1 x 8ft 4 pin ac cable, 1 x 8ft standard IEC cable included. 
Dimensions:  5 x 7 x 3.25 in (127 x 177 x 83mm) 
Weight:  7lbs (3.2kg) 
Rack mount kit (1) RM-1:  Single M5 19 inch rack mount kit (holds one half rack unit). 
Rack mount kit (2) RM-2:  Dual M5 19 inch rack mount kit (holds two half rack units). 

  • 1 microphone, XLR (bal.) or 6.3 mm jack (unbal.)
  • Gain control, 10 steps (6-50 dB)
  • Phantom power can be switched on
  • Clip LED
  • 1 line output, XLR (bal.) or 6.3 mm (unbal.)
  • Operation via supplied power unit
Power supply:12 V DC, 150 mA
Input impedance:10 kohms bal./unbal.
Max. input level:+4 dB bal./+10 dB unbal.
Gain:50 dB XLR/44 dB jack
T.H.D.:0.01 %
Frequency range:25 Hz - 16 kHz
S/N ratio:>75 dB
Dimensions:143 x 93 x 45 mm
Weight:350 g
ISA OneClassic Single-channel Microphone Pre-amplifier with Independent D.I. Key Features ISA Series Transformer-based Pre-amplifier Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone pre-amplifier at its lowest cost to date. Flexible Independent D.I. Channel ISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional ADC. Switchable Impedance Choose one of four carefully selected input impedances, including the original ISA 110 setting, to suit any microphone. Optional Stereo 192kHz ADC This optional card embodies cutting-edge conversion technology, incorporating Focusrite analogue circuitry to deliver the best A-D performance in its class (Dynamic range of 119dB). Rugged Custom Flight Case Built to protect your ISA One from the rigors of the road. Rugged plywood construction with a solid polypropylene exterior and reinforced corners. Headphone Output with Volume Control ISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit. Dedicated Insert Point Allows you to place extra processing between the pre-amplifi er or D.I. and the optional converter, such as an EQ or compressor. Specifications Analogue Channel Inputs
  • XLR Mic input
  • One XLR and one TRS line input
  • XLR Instrument input TRS Jack
  • External ADC input TRS Jack
  • TRS jack return
Analogue Channel Outputs
  • TRS jack send
  • XLR balanced line output
  • XLR DI output
  • TS jack DI through
Analogue Channel Additional I/O
  • TRS Jack cue mix left input
  • TRS Jack cue mix right input
  • 1/4” TRS Jack headphones output
Mic Input Response
Gain range 0dB to 60dB in 10dB steps + 20 dB of variable gain
Input Impedance Switched Impedance setting Equivalent Input Impedance at 1kHz Low = 600 Ohms ISA110 = 1400 Ohms Med = 2400 Ohms High = 6800 Ohms
EIN (Equivalent Input Noise) -126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz/22kHz band-pass filter
Noise Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu
Signal-to-Noise Ratio 106 dB relative to max headroom (9dBu)
Total Harmonic Distortion + Noise Measured at medium gain (30dB) with a 1kHz -20dBu input signal and with a 22Hz/22kHz band-pass filter
Frequency Response At minimum gain (0 dB) -0.5dB down at 10Hz and -3dB down at 125kHz
At maximum gain (60dB) -3dB down at 16Hz and -3dB down 118kHz
CMRR (Common Mode Rejection Ratio) 98dB (Channel 1, 1kHz, maximum gain with +24 dBu input)
Crosstalk Channel to Channel With 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA
Line Input Response
Gain range -20dB to +10dB in 10dB steps + 20 dB of variable gain
Input Impedance 10 kΩ from 10 Hz to 200 kHz
Noise Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter -96 dBu
Signal-to-Noise Ratio Measured with a 22 Hz-22 kHz band pass filter 120 dB relative to max headroom (24 dBu) 118dB relative to 0dBFS (+22dBu)
Total Harmonic Distortion + Noise Measured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter 0.0001%
Frequency Response At unity gain (0 dB) -0.3dB down at 10Hz and -3dB down at 200kHz
Instrument Input Response
Gain range 10dB to 40dB continuously variable
Input Impedance High = greater than 1M Low =greater than 300k
Noise Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB): -92 dBu Maximum gain (+40dB): -62dBu
THD At minimum gain (+10)
Frequency Response At minimum gain (+10 dB) -10dB input: 10Hz-100kHz +/- 0.6dB
At maximum gain (+40 dB) -40dB input: -2.5dB down at 10Hz and 0dB at 100kHz
Meters
Moving Coil (MC) Meter factory calibrated to 0VU = +4dBu with 1kHz sinewave. With the VU Cal button pressed the meter can be adjusted on the rear panel to allow 0VU to equal +10dBu to +26dBu with the centre detent being equal to +22dBu.
Peak LED Meters Calibrated in the detent position for 0dBFS = +22dBu, calibration is adjustable on the rear panel to allow 0dBFS to equal +10dBu to +26dBu
Routing for MC and Peak1 meter is after the HPF, pre insert send or switched post insert return. Peak2 is always pre ADC channel 2, which can be fed by external input or Instrument input.
LED Levels As follows, when peak calibration is set to center detent on the rear panel. (This is when using the internal ADC). 0 = +22dBu -2 = +20dBu -6 = +16dBu -12 = +10dBu -18 = +4dBu -42 = -20dBu
Frequency Response At minimum gain (+10 dB) -10dB input: 10Hz-100kHz +/- 0.6dB
At maximum gain (+40 dB) -40dB input: -2.5dB down at 10Hz and 0dB at 100kHz
High-Pass Filter
Roll-Off 18 dB per octave (3 pole filter)
Frequency Fixed 75Hz measured at the 3dB down point
Weight and Dimensions
W x D x H 220mm (W) x 104mm (H) x 254 - 290mm (D - top to bottom) 8.66" (W) x 4.1" (H) x 10" - 11.4" (D - top to bottom)
Weight 3.9 kg 8.6 lbs

Mic Inputs
• Frequency response at minimum gain (0dB): -0.35dB at 20Hz and –3dB at 122kHz
• Frequency response at maximum gain (60dB): –2.5dB at 20Hz and –3dB 103kHz
• Gain range: 0dB to +60dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +7.4dBu
• THD+N: 0.0009% (measured at 1kHz -20dBu input signal, at 30dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise EIN: -126dB (measured at 60dB of gain with 150Ω termination and 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -98dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 123dB (relative to max output 25dBu)
• SNR: 120dB (relative to 0dBFS (+22dBu)
• CMRR: 88dB.
• Input Impedance, variable: 600Ω, 1400Ω, 2400Ω, 6800Ω

Line Inputs
• Frequency Response at unity gain (0dB): -0.3dB at 20Hz and –3dB at 94kHz
• Gain range: -20dB to +10dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +25.4dBu
• THD+N: 0.002% (measured with +4dBu input signal, 0dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -91dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 116dB (relative to max output 25dBu)
• SNR: 113dB (relative to 0dBFS +22dBu). Input Impedance: 10kΩ

Instrument Inputs
• Frequency Response at +10dB gain: -0.2dB at 20Hz and 0dB at 200kHz
• Frequency Response at +40dB gain: -3dB at 20Hz and –3dB at 38.4kHz
• Gain range: +10dB to +40dB continuously variable
• Maximum headroom: +11.5dBu
• THD+N: 0.006% (measured with –20dBu input signal, at minimum gain (+10dB), with a 20Hz/22kHz bandpass filter)
• Noise at main output with minimum gain (+10dB): -95dBu (measured with a 20Hz/22kHz bandpass filter)
• Input Impedance = >1MΩ

High Pass Filter
• Roll off = 18dB per octave 3 pole filter
• Frequency range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)

Meters
• 6 LED meter is calibrated 0dBFS = +22dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:

Meter panel calibration value in dBFS / Equivalent dBu value
0dBFS / +22dBu
-2dBFS / +20dBu
-6dBFS / +16dBu
-12dBFS / +10dBu
-18dBFS / +4dBu
-42dBFS / -20dBu



Front and rear connectivity

Analogue Channel Inputs (Inputs 1-4)
• 4 instrument 1⁄4” TS jack inputs on front panel
• 4 microphone XLR inputs on rear panel
• 4 line 1⁄4” TRS jacks on rear panel
• 4 insert return 1⁄4” TRS jacks on rear panel
• 4 ADC XLR inputs on rear panel

Analogue Audio Outputs (Outputs 1-4)
• 4 line XLR outputs on rear panel
• 4 insert send 1⁄4” TRS jacks on rear panel

Other I/O
• IEC power input connector 100Vac – 240Vac

Front Panel Indicators
• 8 output meters, 6 segment
• 4 30-60 mic gain range selection indicator
• 4 +48V phantom power indicator
• 4 Phase indicator
• 4 Insert In indicator
• 4 Filter In indicator
• 4 Input selection indicators (Mic, Line, Inst)
• 4 Z In microphone input impedance selection indicators (Low, ISA110, Med, High) Clock select indicators (44.1, 48, 88.2, 96, 176.4, 192)
• Ext clock indicators (Lock, Word clock, 256X)

Weight
5.5kg
12.2lbs

Dimensions (W x H x D)
480mm (W) x 88mm (H) x 280mm (D)
19" (W) x 3.5" (H) x 11" (D)


Behringer MIC-2200 2-Channel Tube Microphone Preamplifier-Line Driver-DI Box

The MIC2200 is the ideal extension to your console, MIDI setup or hard disk recording system. Its integrated parametric EQ?s give you extra sound-shaping power, while its built-in tube adds warmth and transparency to your signal. In addition, the ULTRAGAIN PRO features direct injection and level conversion functionality.

The PRE-73 Mk2 pre-amp and the FC3 condenser microphone in one bundle. The bundle also includes Golden Age P1 Pop Filter, Proel RSM180 mic stand and Proel CHL250 5m cable.

Weight11.40 kg0.35 kg4.00 kg5.50 kg4.20 kg7.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
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